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An Elevation
Songs like
An Elevation
by
Megan Wofford
Based on a tempo of (+/- 10%) and a similar genre
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Minnie Aoyama
Slow Sorrow
75 bpm • A min • 02:04 • -29.43db
55% Popularity • 58% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 27% Positiveness
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Megan Wofford
An Elevation
75 bpm • A# min • 02:53 • -22db
31% Popularity • 59% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Smolenka
Orchids
75 bpm • C min • 02:18 • -24db
23% Popularity • 41% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 14% Positiveness
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Taichi Chishaki
Transparency
75 bpm • D Maj • 02:45 • -27.21db
30% Popularity • 57% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Anders Schill Paulsen
OrÃro
75 bpm • F Maj • 02:25 • -27.71db
23% Popularity • 34% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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Igulfrid
Waltz For Nala
75 bpm • A# Maj • 02:17 • -24.07db
45% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Alina Yanovna
Toska
76 bpm • G min • 02:06 • -24.71db
32% Popularity • 49% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 18% Positiveness
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Megan Wofford
Transform
75 bpm • C# Maj • 03:08 • -22.26db
31% Popularity • 35% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Niklas Blumenthaler
Love Birds
76 bpm • G# min • 01:58 • -23.9db
43% Popularity • 31% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Jill Corazina
Melts Into Air
74 bpm • G# Maj • 02:46 • -23.1db
32% Popularity • 41% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 23% Positiveness
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Arden Forest
Sapphire
76 bpm • C# Maj • 03:22 • -20db
22% Popularity • 42% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Lucas Vendrai
Lacrimosa
74 bpm • C# min • 01:58 • -25.48db
30% Popularity • 49% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Emiliano Blangero
Risveglio
74 bpm • C Maj • 04:16 • -20db
28% Popularity • 43% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Megan Wofford
Reflecting
75 bpm • G Maj • 04:45 • -15.54db
3% Popularity • 7% Danceability • 12% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Lo Mimieux
Il Reste Du Temps
76 bpm • F# min • 03:13 • -21.26db
40% Popularity • 29% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Aashi
Empty Room
74 bpm • G# min • 03:13 • -27.03db
51% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Arden Forest
Coral Red
76 bpm • G# Maj • 02:17 • -25db
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Kasper Schill
Ava
76 bpm • F Maj • 02:48 • -27.79db
42% Popularity • 39% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
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Neal Robinett
I’m Still Learning
74 bpm • C# Maj • 02:59 • -26.68db
47% Popularity • 32% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Viljar Iversen
Novaturient
74 bpm • D# min • 01:52 • -22.37db
33% Popularity • 40% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
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Sylkus
Blue Sky
76 bpm • A Maj • 02:14 • -37.67db
24% Popularity • 24% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Yao Chen
Is it Over
74 bpm • C# Maj • 03:17 • -28.67db
36% Popularity • 44% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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S.A. Karl
Pollux
77 bpm • C Maj • 02:22 • -25db
40% Popularity • 46% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
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15.
Motions
74 bpm • E min • 02:18 • -32.84db
25% Popularity • 27% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Gavin Luke
The Crossing
73 bpm • B min • 03:13 • -21.83db
39% Popularity • 37% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Franz Gordon
Two Weeks in July
73 bpm • D min • 03:29 • -20.03db
47% Popularity • 34% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Alonzo Gautier
Serre-moi
77 bpm • F# Maj • 01:58 • -26db
18% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
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Dennis Korn
Une Voyage
77 bpm • F Maj • 02:18 • -18.04db
47% Popularity • 56% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Yao Chen
Secrets
73 bpm • F Maj • 03:10 • -29.29db
21% Popularity • 43% Danceability • 2% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Holly Jones
Twilight
77 bpm • C Maj • 01:53 • -22.6db
44% Popularity • 36% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Elder Lockhart
Ex Nihilo Nihil Fit
73 bpm • B Maj • 02:35 • -27.46db
34% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Megan Wofford
Hidden Depth
73 bpm • F Maj • 02:09 • -19.58db
27% Popularity • 46% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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Johannes Bornlöf
Of All Things
73 bpm • C min • 02:37 • -16db
38% Popularity • 25% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Finn Forsberg
To Be The One You Love
73 bpm • C# Maj • 01:55 • -26.76db
33% Popularity • 47% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Sayuri Hayashi Egnell
Blue Skies Are Coming
77 bpm • B Maj • 02:52 • -26.57db
52% Popularity • 48% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
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Dominique Charpentier
One Minute and a Half of Peace
77 bpm • A# min • 01:34 • -23.6db
50% Popularity • 26% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
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Adrien de la Salle
Whispers In Paris
77 bpm • C# min • 02:36 • -23.74db
39% Popularity • 38% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
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Megan Wofford
Sailing Away
73 bpm • F Maj • 03:25 • -23.13db
7% Popularity • 21% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 14% Positiveness
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Lama House
Before the War
78 bpm • C Maj • 02:59 • -18.82db
28% Popularity • 68% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Improline
Woods
73 bpm • D min • 01:45 • -31.38db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Auguste Léon
Mélancolie
78 bpm • G min • 03:11 • -25.19db
35% Popularity • 38% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Michele Nobler
Making Bread
78 bpm • A Maj • 01:27 • -31.68db
50% Popularity • 19% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Emiliano Blangero
Libertà d'infanzia
72 bpm • D# Maj • 03:25 • -26.63db
39% Popularity • 32% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Megan Wofford
Fulfill
77 bpm • F Maj • 03:26 • -33.17db
7% Popularity • 27% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Chad Lawson
I Wrote You A Song
72 bpm • D# Maj • 03:03 • -27.99db
43% Popularity • 35% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Baltasar Thorgrimson
Last Things First
72 bpm • D# Maj • 02:32 • -24.76db
36% Popularity • 26% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Magnus Ludvigsson
Contemplation
72 bpm • G# Maj • 02:57 • -20.59db
24% Popularity • 49% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Ali Toygar
Morpho
72 bpm • D Maj • 02:00 • -20.77db
38% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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La Louve
Hiver
71 bpm • A min • 05:07 • -18.29db
22% Popularity • 24% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Megan Wofford
In the Stillness
78 bpm • F Maj • 02:29 • -22.04db
36% Popularity • 55% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Matthew Mor
Timeless
71 bpm • G min • 02:06 • -27db
37% Popularity • 29% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Arden Forest
Pine
71 bpm • C# Maj • 02:23 • -26.8db
26% Popularity • 42% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Kendra Logozar
Equilibrium
79 bpm • C Maj • 02:35 • -18.96db
37% Popularity • 52% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Clarence Öfwerman
Spring Waltz
71 bpm • G Maj • 03:16 • -22db
29% Popularity • 62% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
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Franz Gordon
Humdrum Days
79 bpm • C min • 02:53 • -25.88db
30% Popularity • 36% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Megan Wofford
Dreamy
79 bpm • A# min • 02:24 • -19.23db
35% Popularity • 47% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
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Edvard Kravchuk
New Dawn
71 bpm • G# min • 02:54 • -28db
48% Popularity • 37% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Jamie Troy
Vitality
71 bpm • C# Maj • 02:06 • -28.49db
42% Popularity • 31% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
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Hideyuki Hashimoto
oku
71 bpm • E Maj • 02:25 • -27.43db
37% Popularity • 52% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Lama House
A Silent Spark
80 bpm • A# Maj • 02:37 • -19.93db
28% Popularity • 49% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
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Quinn Richman
Lost in Trees
71 bpm • E Maj • 02:54 • -25.74db
32% Popularity • 43% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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15.
Infinityplusone
71 bpm • C Maj • 02:50 • -35.79db
25% Popularity • 24% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Megan Wofford
Restore
80 bpm • G min • 02:48 • -21.13db
6% Popularity • 39% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Rina Rinoa
Ambiguous
70 bpm • F# Maj • 02:43 • -20.28db
24% Popularity • 53% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Cristian Vivaldi
Ashes
70 bpm • A# min • 01:30 • -32.43db
37% Popularity • 46% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Genevieve Beaumont
Pour tes yeux
70 bpm • A min • 01:57 • -19.95db
39% Popularity • 50% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Franz Gordon
In a Bar in Buenos Aires
70 bpm • A# min • 02:46 • -24.57db
41% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Alstad
The Butterfly
80 bpm • G Maj • 01:59 • -25.25db
43% Popularity • 38% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Megan Wofford
Simplicity
80 bpm • A min • 01:58 • -23.72db
30% Popularity • 54% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
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Trevor Kowalski
Remarkable Convictions
70 bpm • F min • 02:57 • -16db
40% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Patricio Menis
Spirit Night
80 bpm • C min • 03:30 • -39.72db
14% Popularity • 34% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Azure Bay
Riomaggiore
80 bpm • G# Maj • 01:41 • -26.01db
37% Popularity • 37% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
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Sarah Watson
Broken Clouds
70 bpm • G# Maj • 01:40 • -20.61db
41% Popularity • 21% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Jonas Holmes
As The Crow Flies
70 bpm • F Maj • 01:36 • -29.23db
36% Popularity • 32% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 40% Positiveness
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Hikaru Shirosu
Impromptu No. 1, Lukewarm Tea
70 bpm • A Maj • 03:09 • -32db
43% Popularity • 54% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 88% Positiveness
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Orlene de Brisay
Bientôt
80 bpm • A Maj • 01:58 • -23.99db
25% Popularity • 43% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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Arden Forest
Aureolin
70 bpm • F min • 02:36 • -24db
25% Popularity • 47% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
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Infinity Ripple
The Streets of Belgrade
70 bpm • E min • 02:21 • -15.49db
47% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Kelli Carswell
Walking home
70 bpm • D min • 02:52 • -31.06db
36% Popularity • 20% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
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Franz Gordon
Nocturnal Daydream
70 bpm • F Maj • 03:30 • -23.41db
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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David Ross Lawn
Valerian
80 bpm • E Maj • 02:24 • -15.85db
33% Popularity • 31% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
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Jonas Holmes
Ouroboros
81 bpm • C min • 02:05 • -25.64db
38% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Mildred Wolf
I Hear Your Wish
70 bpm • D min • 02:03 • -22.37db
29% Popularity • 32% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Elliot Ziegler
Hazel
70 bpm • G min • 03:07 • -25.41db
22% Popularity • 34% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Céline Aubin
Mère bien-aimée
70 bpm • D# min • 02:16 • -27.44db
40% Popularity • 49% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Aenor
Sichm
70 bpm • D Maj • 02:03 • -22.66db
36% Popularity • 29% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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S.A. Karl
Aldebaran
70 bpm • F min • 03:18 • -21.96db
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Johannes Bornlöf
Declaration
70 bpm • C min • 03:53 • -18.64db
38% Popularity • 20% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Khanipova
A Certainty
81 bpm • E Maj • 02:37 • -30.06db
29% Popularity • 45% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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Aashi
Midsummer Tiny Song
70 bpm • G# Maj • 03:48 • -26.72db
46% Popularity • 42% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Garreth Broke
A Heavy Heart
69 bpm • A min • 01:58 • -22db
50% Popularity • 50% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Bart Sunshine
Butterflies Mirabal
70 bpm • F min • 01:49 • -22.63db
38% Popularity • 48% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Mohsen Sokard
Things that I could do for you and I did...
69 bpm • D Maj • 02:09 • -31db
45% Popularity • 55% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 55% Positiveness
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Ann Hildering
Dustsceawung
81 bpm • E min • 01:52 • -25.78db
44% Popularity • 49% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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Franz Gordon
Room 622
81 bpm • A min • 02:51 • -21.01db
27% Popularity • 20% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Rosa La Corte
Da adesso fino all'eternitÃ
81 bpm • C min • 02:03 • -21.91db
30% Popularity • 50% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Jens Wechsler
Eile mit Weile
81 bpm • C# Maj • 02:30 • -23.35db
18% Popularity • 41% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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Megan Wofford
Soul
69 bpm • A# Maj • 02:51 • -21.39db
7% Popularity • 46% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
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Marcus Joseph
Snow
69 bpm • D# Maj • 02:59 • -40.56db
12% Popularity • 22% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Pyotr Godunov
Erik Satie: Gymnopédie No. 1
69 bpm • G Maj • 03:32 • -28db
52% Popularity • 80% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 45% Positiveness
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An Elevation