Songs like An Open Heart by The Meltdown
Based on a tempo of (+/- 10%) and a similar genre
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Harrison Kennedy
Easiest Thing
140 bpm • E Maj • 03:39 • -8db
18% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Flevans
Some Day
140 bpm • A min • 04:01 • -7.13db
29% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Sugaray Rayford
Run For Cover
140 bpm • A Maj • 02:53 • -3.59db
30% Popularity • 69% Danceability • 92% Energy • 29% Liveness
1% Instrumentalness • 97% Positiveness
30% Popularity • 69% Danceability • 92% Energy • 29% Liveness
1% Instrumentalness • 97% Positiveness
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The Resonaires
Don't Let It Bring You Down
140 bpm • F Maj • 02:52 • -8.26db
22% Popularity • 64% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 64% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Don Bryant
Is It Over
140 bpm • F# Maj • 04:30 • -6.42db
30% Popularity • 32% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 32% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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The Meltdown
An Open Heart
140 bpm • A# Maj • 03:37 • -7.93db
27% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Murphy
Am I Still Mine
140 bpm • A# Maj • 02:35 • -8.17db
9% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Drew Foust
What's Real
140 bpm • C Maj • 04:08 • -10db
10% Popularity • 43% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
10% Popularity • 43% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
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Lowland Brothers
Sunburns in December
141 bpm • G Maj • 05:23 • -7.33db
9% Popularity • 48% Danceability • 68% Energy • 13% Liveness
3% Instrumentalness • 31% Positiveness
9% Popularity • 48% Danceability • 68% Energy • 13% Liveness
3% Instrumentalness • 31% Positiveness
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Paul Caldwell
Written All over My Heart
139 bpm • D Maj • 03:12 • -6.4db
26% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Marcus King
No Pain
139 bpm • D Maj • 03:53 • -10.08db
41% Popularity • 59% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
41% Popularity • 59% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Fantastic Negrito
Oh Betty - Acoustic
138 bpm • C Maj • 04:06 • -8.23db
13% Popularity • 69% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 69% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Kat Eaton
Out Of The Rain
142 bpm • E min • 02:43 • -5.53db
32% Popularity • 56% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 56% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Albert
I Don't Want to Sing
142 bpm • G Maj • 04:16 • -8.71db
11% Popularity • 70% Danceability • 49% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
11% Popularity • 70% Danceability • 49% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Dharmasoul
Love Again
138 bpm • A Maj • 03:43 • -8.68db
31% Popularity • 63% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 63% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 52% Positiveness
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Greyhounds
Bet It All (OurVinyl Sessions)
138 bpm • F min • 03:15 • -6.98db
16% Popularity • 35% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 35% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ben Harper
More Than Love
137 bpm • F# min • 03:07 • -8.02db
34% Popularity • 80% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 80% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Zayne
Only Want You
137 bpm • F Maj • 03:50 • -9.4db
43% Popularity • 72% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 72% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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St. Paul & The Broken Bones
3000AD Mass
144 bpm • A# Maj • 01:21 • -6.45db
36% Popularity • 26% Danceability • 68% Energy • 31% Liveness
79% Instrumentalness • 18% Positiveness
36% Popularity • 26% Danceability • 68% Energy • 31% Liveness
79% Instrumentalness • 18% Positiveness
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Scoundrels
Always Get Your Own Way
144 bpm • F# Maj • 03:54 • -6.47db
31% Popularity • 50% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 50% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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BAYWUD
Not Ready To Let Go
136 bpm • E Maj • 03:58 • -6.8db
17% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Fantastic Negrito
They Go Low - Acoustic
136 bpm • F# Maj • 04:09 • -8.83db
15% Popularity • 72% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 72% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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The Meltdown
Into Temptation
144 bpm • G Maj • 05:19 • -9.29db
23% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Harlem Gospel Travelers
Hold On (Joy Is Coming)
135 bpm • D Maj • 02:52 • -5.4db
16% Popularity • 48% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 48% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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The Buttshakers
Keep on Pushing
135 bpm • A# min • 03:34 • -5.35db
23% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Saun & Starr
Gonna Make Time
145 bpm • E min • 02:52 • -7.92db
44% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Sunny War
Age of a Man
145 bpm • D# Maj • 03:39 • -6.05db
29% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Winslow-King
Chicken Dinner
135 bpm • G Maj • 03:19 • -10.1db
33% Popularity • 76% Danceability • 45% Energy • 48% Liveness
56% Instrumentalness • 90% Positiveness
33% Popularity • 76% Danceability • 45% Energy • 48% Liveness
56% Instrumentalness • 90% Positiveness
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Shinyribs
Transit Damage
135 bpm • F Maj • 04:25 • -4.96db
24% Popularity • 56% Danceability • 63% Energy • 34% Liveness
1% Instrumentalness • 51% Positiveness
24% Popularity • 56% Danceability • 63% Energy • 34% Liveness
1% Instrumentalness • 51% Positiveness
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Jesse Roper
Anytime of Night
135 bpm • D# Maj • 05:13 • -10db
45% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Danielle Ponder
Poor Man's Pain
135 bpm • D Maj • 03:29 • -8.29db
23% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Wesley Bright
Oh, Think About It
135 bpm • F min • 02:59 • -3.74db
31% Popularity • 68% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 82% Positiveness
31% Popularity • 68% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 82% Positiveness
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Mica Millar
Fools Fate
135 bpm • A min • 04:10 • -6.32db
36% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Luke Winslow-King
Love At First Sight
135 bpm • F Maj • 03:28 • -9.47db
36% Popularity • 38% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 38% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Elizabeth King
I Got a Love
134 bpm • E min • 05:19 • -9.97db
6% Popularity • 43% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
6% Popularity • 43% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Texas Hill
Weight of the World
134 bpm • G# Maj • 04:19 • -7.2db
36% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Meltdown
River
134 bpm • G min • 04:30 • -6.22db
45% Popularity • 53% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 53% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Amonte Noble
Dirty Movie Premiere
134 bpm • F# Maj • 03:28 • -9.11db
7% Popularity • 77% Danceability • 54% Energy • 11% Liveness
37% Instrumentalness • 61% Positiveness
7% Popularity • 77% Danceability • 54% Energy • 11% Liveness
37% Instrumentalness • 61% Positiveness
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Shemekia Copeland
The Dolls Are Sleeping
134 bpm • G Maj • 02:56 • -9.82db
35% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gumbo Kings
Something on My Mind
133 bpm • F Maj • 04:07 • -9db
39% Popularity • 44% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
39% Popularity • 44% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
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Crushed Velvet and the Velveteers
As Far As We Know
148 bpm • A min • 04:39 • -6.75db
5% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Izo FitzRoy
Call Me Pilgrim
147 bpm • F Maj • 03:57 • -7.23db
19% Popularity • 28% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 28% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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JúnÃus Meyvant
Payload
132 bpm • D Maj • 05:37 • -8.36db
16% Popularity • 76% Danceability • 27% Energy • 10% Liveness
6% Instrumentalness • 62% Positiveness
16% Popularity • 76% Danceability • 27% Energy • 10% Liveness
6% Instrumentalness • 62% Positiveness
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Malted Milk
King without a Crown
148 bpm • B min • 05:10 • -8.06db
26% Popularity • 50% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 50% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Nick Waterhouse
Straight Love Affair - 45 Version
132 bpm • C# Maj • 03:41 • -10.22db
19% Popularity • 58% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 61% Positiveness
19% Popularity • 58% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 61% Positiveness
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McKinley James
I’ll Be Loving You
132 bpm • D Maj • 02:47 • -6.82db
30% Popularity • 51% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 51% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jesse Roper
Does Anybody Know
150 bpm • C# Maj • 03:28 • -6db
51% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Son Little
neve give up
150 bpm • G min • 03:41 • -9db
47% Popularity • 57% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
47% Popularity • 57% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
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Próxima Parada
Climb to Love
150 bpm • C# min • 03:56 • -7db
28% Popularity • 71% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
28% Popularity • 71% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Frazey Ford
Holdin' It Down
150 bpm • F min • 03:31 • -10db
38% Popularity • 80% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 80% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Wolfgang Valbrun
Where Is the Peace
150 bpm • A# min • 03:36 • -3.91db
33% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Wonder 45
Wonderland
130 bpm • G# Maj • 05:40 • -9.06db
30% Popularity • 37% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
30% Popularity • 37% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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JJ Grey & Mofro
Dew Drops
131 bpm • C Maj • 03:38 • -7.25db
47% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bette Smith
Beautiful Mess
130 bpm • G min • 02:59 • -7.03db
31% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Próxima Parada
Ask For Help
151 bpm • F# Maj • 04:20 • -5.53db
11% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Son Little
hey rose
130 bpm • F min • 02:55 • -9.43db
45% Popularity • 85% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 85% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Meltdown
Aftermath
130 bpm • G Maj • 08:20 • -8.04db
0% Popularity • 80% Danceability • 91% Energy • 8% Liveness
85% Instrumentalness • 43% Positiveness
0% Popularity • 80% Danceability • 91% Energy • 8% Liveness
85% Instrumentalness • 43% Positiveness
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Karen Lee Andrews
I'll Wait
130 bpm • E Maj • 05:31 • -7.61db
8% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Luqman Frank
Never
130 bpm • D Maj • 04:40 • -7.72db
8% Popularity • 56% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 56% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Ali McGuirk
All Back
151 bpm • G Maj • 03:28 • -10.96db
18% Popularity • 61% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 61% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Big Daddy Wilson
Sometimes I Cry
152 bpm • A Maj • 03:31 • -13.2db
14% Popularity • 53% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
14% Popularity • 53% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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North Mississippi Allstars
Bumpin’
128 bpm • B min • 02:52 • -13.21db
16% Popularity • 82% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 82% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Meltdown
Imenja
130 bpm • C# min • 07:25 • -9.49db
0% Popularity • 80% Danceability • 94% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
0% Popularity • 80% Danceability • 94% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Parker Millsap
So Far Apart
129 bpm • D Maj • 04:16 • -9.45db
37% Popularity • 97% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
37% Popularity • 97% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
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Elayna Boynton
Can't Stop Loving You
153 bpm • F Maj • 02:16 • -6.75db
21% Popularity • 53% Danceability • 80% Energy • 41% Liveness
60% Instrumentalness • 86% Positiveness
21% Popularity • 53% Danceability • 80% Energy • 41% Liveness
60% Instrumentalness • 86% Positiveness
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Son Little
O Me O My
128 bpm • A min • 02:52 • -8db
49% Popularity • 81% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 81% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Shemekia Copeland
Gullah Geechee
128 bpm • A min • 03:35 • -7.14db
27% Popularity • 77% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 77% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Brian Blade
Her Song
128 bpm • A min • 05:26 • -14.5db
25% Popularity • 58% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
25% Popularity • 58% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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The Meltdown
Not The Only Love
129 bpm • E Maj • 04:36 • -8.41db
22% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Vintage Trouble
Lo and Behold
154 bpm • A# min • 02:59 • -8.33db
11% Popularity • 71% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 71% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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The Tibbs
The Hangout
127 bpm • D min • 03:42 • -8.09db
20% Popularity • 63% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 63% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Kat Eaton
Leave Me With Nothing
127 bpm • D Maj • 03:22 • -4.19db
22% Popularity • 69% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 69% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Early James
Wasted And Wanting
126 bpm • E Maj • 03:21 • -8.94db
11% Popularity • 66% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 66% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Andy Kahrs
If You Love to Be Right
126 bpm • E Maj • 03:58 • -8.1db
16% Popularity • 61% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 61% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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The Meltdown
Rhythm Green Blue (Mode Remix)
126 bpm • A Maj • 06:26 • -10.14db
1% Popularity • 78% Danceability • 85% Energy • 30% Liveness
87% Instrumentalness • 51% Positiveness
1% Popularity • 78% Danceability • 85% Energy • 30% Liveness
87% Instrumentalness • 51% Positiveness
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Greyhounds
Without You
126 bpm • D# min • 03:20 • -8.07db
29% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Gumbo Kings
Waiting For A Change
126 bpm • G Maj • 02:12 • -9.08db
20% Popularity • 78% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 78% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Son Little
Doctor's In
156 bpm • F min • 02:56 • -10db
41% Popularity • 69% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
41% Popularity • 69% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
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Andy Fairweather Low
99 Ways
156 bpm • D Maj • 03:38 • -9.3db
28% Popularity • 81% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 81% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Jesse Roper
Who My Little Lady
156 bpm • C# Maj • 03:26 • -4.61db
20% Popularity • 63% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 63% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Ash Grunwald
Ain't No Sunshine - Bluesfest Studio Ses...
126 bpm • D min • 06:06 • -9.38db
20% Popularity • 44% Danceability • 56% Energy • 12% Liveness
12% Instrumentalness • 45% Positiveness
20% Popularity • 44% Danceability • 56% Energy • 12% Liveness
12% Instrumentalness • 45% Positiveness
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The Tibbs
96 Tears
125 bpm • G# Maj • 02:50 • -6db
34% Popularity • 76% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 97% Positiveness
34% Popularity • 76% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 97% Positiveness
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Marcus King
Wildflowers & Wine
157 bpm • C Maj • 04:48 • -8.64db
62% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
62% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Theo Lawrence
In the Back of My Mind
125 bpm • D Maj • 02:36 • -6.8db
12% Popularity • 68% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 68% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Jon Allen
Heat of the Moment
125 bpm • A# Maj • 03:28 • -9.21db
21% Popularity • 74% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 74% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Malted Milk
Trust Me in the Morning
125 bpm • F Maj • 03:31 • -11.03db
29% Popularity • 75% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 73% Positiveness
29% Popularity • 75% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 73% Positiveness
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Eilen Jewell
Breakaway
157 bpm • C Maj • 03:36 • -7.09db
20% Popularity • 37% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 37% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bettye LaVette
Plan B
125 bpm • E min • 03:43 • -3.98db
12% Popularity • 61% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 61% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Cinelli Brothers
Lucky Star
124 bpm • C Maj • 04:40 • -6.96db
19% Popularity • 71% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 71% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Chris Pierce
Meet Me at the Bottom
158 bpm • G Maj • 03:03 • -4.86db
16% Popularity • 52% Danceability • 56% Energy • 49% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 52% Danceability • 56% Energy • 49% Liveness
0% Instrumentalness • 51% Positiveness
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Cookin' On 3 Burners
I'm Comin' Home To You
124 bpm • F min • 03:31 • -6db
32% Popularity • 80% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 80% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Kat Eaton
Put Yourself In My Arms
124 bpm • G# min • 03:44 • -6.15db
33% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Izo FitzRoy
Whisper in a Hurricane
158 bpm • D Maj • 03:30 • -10db
40% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Octave Lissner
The Imposter
124 bpm • D Maj • 03:20 • -11.08db
27% Popularity • 67% Danceability • 22% Energy • 9% Liveness
40% Instrumentalness • 10% Positiveness
27% Popularity • 67% Danceability • 22% Energy • 9% Liveness
40% Instrumentalness • 10% Positiveness
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Son Little
Didn't Mean a Thing
124 bpm • B Maj • 02:26 • -7.94db
18% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jeb Loy Nichols
Maisy Hay
159 bpm • B min • 02:38 • -11db
35% Popularity • 79% Danceability • 57% Energy • 14% Liveness
38% Instrumentalness • 82% Positiveness
35% Popularity • 79% Danceability • 57% Energy • 14% Liveness
38% Instrumentalness • 82% Positiveness
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The Bones of J.R. Jones
I Ain't Through With You
123 bpm • A min • 03:25 • -10.44db
29% Popularity • 89% Danceability • 28% Energy • 8% Liveness
22% Instrumentalness • 47% Positiveness
29% Popularity • 89% Danceability • 28% Energy • 8% Liveness
22% Instrumentalness • 47% Positiveness
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The Meltdown
Live at the nightcat - Live at the Night...
123 bpm • D Maj • 02:43 • -40.35db
16% Popularity • 17% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 5% Positiveness
