Songs like Ana Luisa by Eugenia Leon
Based on a tempo of (+/- 10%) and a similar genre
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Julia Vari
Como Yo Te Amé
133 bpm • F# Maj • 05:19 • -13.63db
11% Popularity • 51% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
11% Popularity • 51% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Tania Libertad
Fallaste Corazón
133 bpm • D Maj • 04:31 • -12.22db
30% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jaime Sabines
te Desnudas Igual
133 bpm • F# Maj • 02:31 • -13.95db
12% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Silvio Rodriguez and Pablo Milanes
Te Doy Una Cancion
134 bpm • E Maj • 03:10 • -15db
46% Popularity • 52% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 52% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Liliana Felipe
Mala
134 bpm • F min • 03:03 • -13.02db
14% Popularity • 57% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 57% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Jesusa RodrÃguez
Mala
132 bpm • C min • 03:29 • -6.9db
20% Popularity • 57% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 57% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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David Cavazos
Tal Vez, Quizá
134 bpm • C Maj • 04:36 • -7.94db
39% Popularity • 59% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 59% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Alejandro Filio
Trova Azul
134 bpm • A min • 03:51 • -8.25db
38% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Bossa Nostra
Lo DejarÃa Todo
132 bpm • C Maj • 04:16 • -14.33db
36% Popularity • 77% Danceability • 38% Energy • 12% Liveness
7% Instrumentalness • 64% Positiveness
36% Popularity • 77% Danceability • 38% Energy • 12% Liveness
7% Instrumentalness • 64% Positiveness
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Bolero Jazz Group
Chica De Ipanema
134 bpm • B min • 03:19 • -10.35db
37% Popularity • 91% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 91% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Carlos Mejia Godoy
Quincho Barrilete
132 bpm • A Maj • 03:58 • -12.22db
27% Popularity • 54% Danceability • 44% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 54% Danceability • 44% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Hernaldo Zuniga
Mentira
132 bpm • F Maj • 04:42 • -8db
31% Popularity • 47% Danceability • 54% Energy • 75% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 47% Danceability • 54% Energy • 75% Liveness
0% Instrumentalness • 27% Positiveness
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Andrea Básef
Asi
134 bpm • D Maj • 04:51 • -12.61db
19% Popularity • 62% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 62% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Vikki Carr
Pero Te Extraño
135 bpm • C# Maj • 03:12 • -8.57db
32% Popularity • 42% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 42% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Carlos Rivera
Por Siempre Lara / PopurrÃ
135 bpm • F# min • 05:30 • -10.25db
28% Popularity • 40% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 40% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Los Cojolites
Son del JazmÃn
135 bpm • G min • 05:37 • -4.58db
13% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Amore / Xcaret
Linda Boca
135 bpm • G Maj • 03:42 • -6.52db
17% Popularity • 83% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 83% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Valeria
Amante Bandido
131 bpm • D Maj • 04:12 • -14db
44% Popularity • 80% Danceability • 42% Energy • 15% Liveness
43% Instrumentalness • 76% Positiveness
44% Popularity • 80% Danceability • 42% Energy • 15% Liveness
43% Instrumentalness • 76% Positiveness
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Amaury Pérez
A La Sombra De Un Leon
135 bpm • G Maj • 04:27 • -8db
25% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Chavela Vargas
Las Ciudades
136 bpm • E Maj • 03:25 • -11.29db
28% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Fernando Delgadillo
La Bañera
136 bpm • A Maj • 03:36 • -19.95db
30% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Jenny And The Mexicats
La Bruja
136 bpm • A min • 03:39 • -6.6db
41% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Paté de Fuá
Adoro
130 bpm • A# min • 03:27 • -8db
48% Popularity • 86% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 86% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Katie James
Rompiendo Muros
136 bpm • F min • 03:54 • -6.58db
24% Popularity • 76% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 76% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Eugenia Leon
Aguas De Marzo
136 bpm • F Maj • 03:48 • -8.2db
28% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Valeria
Mi Historia Entre Tus Dedos
136 bpm • C Maj • 05:38 • -11.4db
46% Popularity • 77% Danceability • 49% Energy • 5% Liveness
14% Instrumentalness • 87% Positiveness
46% Popularity • 77% Danceability • 49% Energy • 5% Liveness
14% Instrumentalness • 87% Positiveness
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Paco de MarÃa
FrenesÃ
130 bpm • C Maj • 03:22 • -4db
21% Popularity • 74% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 74% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Paola Decanini
La Esquinita
136 bpm • A Maj • 02:14 • -8.15db
43% Popularity • 75% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 75% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Natalia Lafourcade
Desdeñosa (En Mano de Los Macorinos)
130 bpm • G Maj • 04:03 • -9.65db
33% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Fabiola Finkmann
Voy a apagar la luz
137 bpm • F Maj • 03:13 • -7.42db
18% Popularity • 47% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 47% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Eugenia Leon
Me Voy a Quitar de en Medio
136 bpm • A# Maj • 02:46 • -7.99db
19% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Valeria
Hombre Lobo en ParÃs
130 bpm • A# Maj • 03:44 • -12db
45% Popularity • 78% Danceability • 42% Energy • 11% Liveness
63% Instrumentalness • 57% Positiveness
45% Popularity • 78% Danceability • 42% Energy • 11% Liveness
63% Instrumentalness • 57% Positiveness
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SAAVEDRA
Nos Faltábamos
129 bpm • A Maj • 03:38 • -7.17db
24% Popularity • 56% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 56% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Vicente Feliú Miranda
Créeme
137 bpm • C Maj • 02:21 • -15.66db
34% Popularity • 49% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 49% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jesusa RodrÃguez
A Nadie
137 bpm • F min • 03:38 • -7.75db
24% Popularity • 56% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 56% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Pedro Vargas
Pien canela (me importas tu y tu y tu) -...
129 bpm • G Maj • 01:19 • -8.6db
34% Popularity • 49% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 49% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Eugenia Leon
Ropa Interior
136 bpm • A# Maj • 05:01 • -11.51db
8% Popularity • 52% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 52% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Son De Madera
Mujer Antigua, La Bruja
129 bpm • F min • 07:28 • -8db
25% Popularity • 55% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 55% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Fabiola Finkmann
El andariego
138 bpm • G min • 02:59 • -7.13db
18% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Manuel Ascanio
Mi Unicornio Azul
138 bpm • A Maj • 03:21 • -8db
27% Popularity • 28% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 28% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Alejandro Filio
En Esta Inmensidad
138 bpm • G Maj • 04:08 • -17.81db
32% Popularity • 57% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 57% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Paola Decanini
La Apuesta
128 bpm • A min • 03:27 • -10.03db
41% Popularity • 86% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 86% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Eugenia Leon
El Gavilán
136 bpm • D min • 03:11 • -3.72db
11% Popularity • 65% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 65% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Toña La Negra
Arráncame la Vida
128 bpm • E min • 02:20 • -3.19db
35% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Nydia Caro
Que Me Perdonen Los Dos
128 bpm • G min • 03:44 • -8.22db
25% Popularity • 79% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 79% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Mexicanto
Solo Le Pido a Dios
138 bpm • E min • 04:30 • -11.11db
23% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Kalimba
Propuesta
139 bpm • G Maj • 04:17 • -12db
35% Popularity • 37% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 37% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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MarÃa Cristina Plata
Cuando los Años Pasen
139 bpm • A Maj • 03:03 • -9.92db
36% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Eugenia Leon
Lo Que Construimos
128 bpm • C Maj • 04:13 • -9.56db
19% Popularity • 68% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 68% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Valeria
Es Tan Fácil Romper un Corazón
127 bpm • A# Maj • 03:29 • -11.51db
46% Popularity • 80% Danceability • 50% Energy • 10% Liveness
30% Instrumentalness • 68% Positiveness
46% Popularity • 80% Danceability • 50% Energy • 10% Liveness
30% Instrumentalness • 68% Positiveness
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Amaury Pérez
No lo van a impedir
139 bpm • A Maj • 03:31 • -14.95db
28% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Pablo Abraira
Amor marinero
127 bpm • D Maj • 03:47 • -10db
38% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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David Haro
Dulce capricho
139 bpm • D Maj • 02:34 • -20.41db
20% Popularity • 51% Danceability • 19% Energy • 66% Liveness
1% Instrumentalness • 41% Positiveness
20% Popularity • 51% Danceability • 19% Energy • 66% Liveness
1% Instrumentalness • 41% Positiveness
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Raul Vale
Cuando Ya Estemos Viejos
139 bpm • A min • 03:47 • -12db
29% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Sergio Esquivel
Después de Ti
140 bpm • D Maj • 02:55 • -9db
38% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Alejandro Filio
Cuando un Verso Te Nombra
127 bpm • A Maj • 02:56 • -19.61db
37% Popularity • 66% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 66% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Magos Herrera
Como un Poeta
127 bpm • D min • 03:21 • -11.77db
14% Popularity • 63% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 63% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Eugenia Leon
Nereidas
140 bpm • B min • 04:03 • -8.07db
18% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Natalia y La Forquetina
Piel Canela
140 bpm • F Maj • 03:52 • -7.3db
49% Popularity • 67% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 67% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Las Tres Grandes
Mi Canto Viene del Sur - Basada en "El B...
140 bpm • C Maj • 04:44 • -6.74db
18% Popularity • 65% Danceability • 55% Energy • 97% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 65% Danceability • 55% Energy • 97% Liveness
0% Instrumentalness • 77% Positiveness
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Paco Damas
Los Adioses
140 bpm • G min • 03:57 • -7.4db
5% Popularity • 31% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 31% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Valeria
Te Amaré
140 bpm • G Maj • 03:44 • -11.88db
44% Popularity • 69% Danceability • 54% Energy • 12% Liveness
39% Instrumentalness • 63% Positiveness
44% Popularity • 69% Danceability • 54% Energy • 12% Liveness
39% Instrumentalness • 63% Positiveness
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Mel Muñiz
Apasionadamente
140 bpm • F Maj • 03:00 • -7db
29% Popularity • 80% Danceability • 48% Energy • 14% Liveness
6% Instrumentalness • 90% Positiveness
29% Popularity • 80% Danceability • 48% Energy • 14% Liveness
6% Instrumentalness • 90% Positiveness
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Magos Herrera
Quizás, Quizás, Quizás - En Vivo
140 bpm • A min • 03:33 • -15.96db
23% Popularity • 71% Danceability • 28% Energy • 97% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 71% Danceability • 28% Energy • 97% Liveness
0% Instrumentalness • 63% Positiveness
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Nacha Guevara
Para cuando me vaya
126 bpm • G# Maj • 04:29 • -10.16db
21% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Eugenia Leon
Piensa En Mi
140 bpm • G Maj • 03:18 • -10.78db
6% Popularity • 77% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
6% Popularity • 77% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Tania Matus
Tengo
140 bpm • A min • 04:08 • -9db
39% Popularity • 68% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 68% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Valeria
Si Me Dejas Ahora
140 bpm • C Maj • 03:25 • -11.02db
40% Popularity • 74% Danceability • 49% Energy • 11% Liveness
20% Instrumentalness • 67% Positiveness
40% Popularity • 74% Danceability • 49% Energy • 11% Liveness
20% Instrumentalness • 67% Positiveness
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SAAVEDRA
Decir Adiós
140 bpm • F min • 03:00 • -6.99db
17% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sasha
Tu DesvarÃo
140 bpm • G Maj • 04:27 • -14.87db
13% Popularity • 70% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 70% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Mónica Giraldo
La Aventurera
140 bpm • D# Maj • 03:18 • -12db
37% Popularity • 57% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 57% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Paco de MarÃa
Quién Será
126 bpm • D# min • 03:08 • -4db
11% Popularity • 70% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 70% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Sergio Esquivel
Quisiera Ser Golondrina
126 bpm • G# Maj • 02:12 • -14.16db
46% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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MarÃa Cristina Plata
MÃrame
141 bpm • E Maj • 04:10 • -8.28db
23% Popularity • 56% Danceability • 29% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 56% Danceability • 29% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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Isaac et Nora
Lágrimas Negras
126 bpm • F min • 03:28 • -9.5db
32% Popularity • 60% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 60% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Paola Decanini
Esa Noche
141 bpm • E min • 02:29 • -14.53db
41% Popularity • 74% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
41% Popularity • 74% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Andrea Básef
Deja Que Salga la Luna
141 bpm • D# Maj • 03:36 • -8.11db
25% Popularity • 56% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 56% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Toña La Negra
Veracruz
141 bpm • A# Maj • 02:11 • -14db
45% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Cecilia Toussaint
Cuatro Estrofas - En Vivo
125 bpm • F Maj • 03:08 • -21.81db
26% Popularity • 42% Danceability • 11% Energy • 98% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 42% Danceability • 11% Energy • 98% Liveness
0% Instrumentalness • 20% Positiveness
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Virulo
El colibrÃ
125 bpm • A Maj • 04:58 • -18.81db
23% Popularity • 80% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
23% Popularity • 80% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
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Rana Santacruz
Ojitos De Maguey
125 bpm • D Maj • 03:39 • -10.96db
17% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Paola Decanini
Paloma Querida
125 bpm • E Maj • 03:02 • -12.19db
33% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Bossa Nostra
Si Nos Quedara Poco Tiempo
125 bpm • C Maj • 05:45 • -13.98db
29% Popularity • 73% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 73% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Valeria
Vivir Sin Aire
142 bpm • G Maj • 04:23 • -11.37db
44% Popularity • 74% Danceability • 56% Energy • 13% Liveness
81% Instrumentalness • 74% Positiveness
44% Popularity • 74% Danceability • 56% Energy • 13% Liveness
81% Instrumentalness • 74% Positiveness
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Eugenia Leon
La Chica De Ipanema
142 bpm • C min • 03:00 • -8.81db
36% Popularity • 62% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 62% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Sergio Esquivel
San Juan de Letran
142 bpm • D Maj • 02:40 • -14.38db
38% Popularity • 80% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 80% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Susana Zabaleta
La Última Noche
124 bpm • F min • 02:51 • -12db
25% Popularity • 80% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 80% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Liliana Felipe
A Su Merced
143 bpm • D# Maj • 06:32 • -8.37db
21% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Alejandro Filio
Te Quiero Tanto
143 bpm • D Maj • 03:54 • -12.02db
42% Popularity • 81% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
42% Popularity • 81% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Isaac et Nora
En Tu Pelo
143 bpm • C min • 03:03 • -9.96db
38% Popularity • 72% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 72% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Paola Decanini
No Era Para Ti
143 bpm • F# min • 02:48 • -13.02db
41% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Sergio Esquivel
Un Tipo Como Yo
124 bpm • E Maj • 03:45 • -12db
42% Popularity • 40% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 40% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Amaury Pérez
Dame el otoño
143 bpm • A Maj • 05:02 • -13.52db
22% Popularity • 37% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 37% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Las Tres Grandes
Cinco Siglos - Primera Fila [En Vivo]
123 bpm • E min • 04:42 • -8.15db
19% Popularity • 40% Danceability • 43% Energy • 97% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 40% Danceability • 43% Energy • 97% Liveness
0% Instrumentalness • 16% Positiveness
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Mónica Giraldo
La Flor de la Canela
144 bpm • B min • 03:27 • -10.18db
32% Popularity • 67% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 67% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Paco de MarÃa
Oye
123 bpm • G Maj • 02:22 • -6.44db
17% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Paola Decanini
Me Tengo Que Ir
123 bpm • C# min • 02:57 • -9.63db
36% Popularity • 81% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 81% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Julia Vari
Amanecà en Tus Brazos
144 bpm • A min • 04:32 • -12.81db
15% Popularity • 67% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 67% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
