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Ana
Songs like
Ana
by
Pixies
Based on a tempo of (+/- 10%) and a similar genre
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Pavement
Black Out
106 bpm • F Maj • 02:10 • -9db
47% Popularity • 50% Danceability • 70% Energy • 20% Liveness
65% Instrumentalness • 33% Positiveness
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The Strokes
Automatic Stop
106 bpm • C# Maj • 03:27 • -6.11db
61% Popularity • 68% Danceability • 54% Energy • 10% Liveness
72% Instrumentalness • 91% Positiveness
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The Velvet Underground
Sunday Morning
106 bpm • F min • 02:55 • -13.27db
67% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Sebadoh
Not Too Amused - Remastered
106 bpm • F# Maj • 04:15 • -7.78db
36% Popularity • 37% Danceability • 82% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Car Seat Headrest
High to Death
106 bpm • C Maj • 07:39 • -11db
52% Popularity • 50% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Fugazi
Pink Frosty - Demo
106 bpm • C# min • 03:47 • -16.69db
37% Popularity • 45% Danceability • 22% Energy • 15% Liveness
74% Instrumentalness • 7% Positiveness
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The Cranberries
How
105 bpm • E min • 02:51 • -12.31db
48% Popularity • 55% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Pavement
In The Mouth A Desert
105 bpm • C Maj • 03:52 • -4.2db
42% Popularity • 45% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Pixies
Ana
106 bpm • G# min • 02:09 • -14.32db
58% Popularity • 66% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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The Smiths
Cemetry Gates - 2011 Remaster
105 bpm • G Maj • 02:41 • -7.01db
64% Popularity • 55% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Kurt Cobain
What More Can I Say
107 bpm • F Maj • 03:09 • -11.22db
37% Popularity • 41% Danceability • 50% Energy • 22% Liveness
88% Instrumentalness • 37% Positiveness
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Fugazi
Afterthought
106 bpm • A# min • 01:28 • -17db
50% Popularity • 58% Danceability • 18% Energy • 11% Liveness
79% Instrumentalness • 20% Positiveness
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The Breeders
Invisible Man
105 bpm • F# Maj • 02:48 • -11.46db
42% Popularity • 43% Danceability • 72% Energy • 7% Liveness
46% Instrumentalness • 76% Positiveness
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Car Seat Headrest
Destroyed By Hippie Powers
105 bpm • A Maj • 05:03 • -5.68db
53% Popularity • 53% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
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Pixies
U-Mass
107 bpm • F min • 03:00 • -9.94db
45% Popularity • 61% Danceability • 68% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
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Ride
Vapour Trail - 2001 Remaster
108 bpm • E Maj • 04:17 • -5.68db
48% Popularity • 43% Danceability • 80% Energy • 9% Liveness
78% Instrumentalness • 43% Positiveness
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Neutral Milk Hotel
Gardenhead / Leave Me Alone
104 bpm • E Maj • 03:13 • -10db
32% Popularity • 42% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Kurt Cobain
Sappy - Early Demo
104 bpm • B min • 02:28 • -19.11db
47% Popularity • 44% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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The Breeders
No Aloha
107 bpm • A# Maj • 02:07 • -9.17db
50% Popularity • 29% Danceability • 54% Energy • 10% Liveness
27% Instrumentalness • 45% Positiveness
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The Velvet Underground
Femme Fatale
104 bpm • C Maj • 02:39 • -15.75db
63% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Pixies
Dig for Fire
108 bpm • F# min • 03:02 • -12.88db
46% Popularity • 68% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Interpol
Leif Erikson
109 bpm • G Maj • 04:00 • -8db
52% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
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The Beatles
I'm Only Sleeping - Remastered 2009
103 bpm • G# min • 03:00 • -9.6db
57% Popularity • 49% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Kurt Cobain
Poison's Gone
109 bpm • F Maj • 02:11 • -12.41db
46% Popularity • 43% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Blur
Trimm Trabb
103 bpm • A min • 05:36 • -11.59db
39% Popularity • 59% Danceability • 46% Energy • 10% Liveness
53% Instrumentalness • 42% Positiveness
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David Bowie
Rock 'n' Roll Suicide - 2012 Remaster
103 bpm • C Maj • 02:58 • -11.47db
58% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Pixies
Havalina
104 bpm • C# Maj • 02:33 • -13db
43% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Cocteau Twins
Persephone
109 bpm • A Maj • 04:20 • -9.52db
49% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Velvet Underground
I'll Be Your Mirror
109 bpm • G Maj • 02:14 • -14.93db
60% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Sundays
Here's Where the Story Ends
109 bpm • G Maj • 03:50 • -8.62db
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Pavement
Stereo
109 bpm • D Maj • 03:07 • -11.55db
45% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Morphine
Cure for Pain
109 bpm • D Maj • 03:14 • -9db
49% Popularity • 58% Danceability • 57% Energy • 26% Liveness
15% Instrumentalness • 53% Positiveness
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Interpol
Say Hello to the Angels
103 bpm • A min • 04:28 • -5.65db
50% Popularity • 32% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Drop Nineteens
Kick The Tragedy
103 bpm • F Maj • 08:55 • -14.68db
51% Popularity • 41% Danceability • 40% Energy • 12% Liveness
43% Instrumentalness • 16% Positiveness
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The Strokes
Call It Fate, Call It Karma
109 bpm • E min • 03:24 • -14.78db
70% Popularity • 54% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
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Hole
Softer, Softest
103 bpm • G Maj • 03:27 • -10db
48% Popularity • 50% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Pixies
The Happening
110 bpm • F min • 04:19 • -12db
44% Popularity • 62% Danceability • 45% Energy • 18% Liveness
43% Instrumentalness • 73% Positiveness
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Radiohead
Let Down
102 bpm • A Maj • 04:59 • -9.02db
70% Popularity • 35% Danceability • 68% Energy • 18% Liveness
11% Instrumentalness • 14% Positiveness
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Duster
Earth Moon Transit
102 bpm • G Maj • 04:23 • -5.74db
47% Popularity • 35% Danceability • 89% Energy • 17% Liveness
75% Instrumentalness • 26% Positiveness
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Slint
Washer
110 bpm • E min • 08:50 • -24.13db
44% Popularity • 43% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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The Strokes
Why Are Sundays So Depressing
110 bpm • C Maj • 04:35 • -4.46db
65% Popularity • 58% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Pavement
The Killing Moon - BBC Evening Session J...
102 bpm • C Maj • 05:16 • -6db
40% Popularity • 43% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Pixies
The Thing
110 bpm • C min • 01:58 • -9.05db
64% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Radiohead
How to Disappear Completely
102 bpm • F# min • 05:56 • -11.64db
68% Popularity • 17% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
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Television
Elevation
110 bpm • A min • 05:05 • -10.22db
37% Popularity • 53% Danceability • 59% Energy • 8% Liveness
30% Instrumentalness • 66% Positiveness
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Galaxie 500
Ceremony
110 bpm • C Maj • 05:56 • -8db
14% Popularity • 24% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Slowdive
Alison
102 bpm • E Maj • 03:50 • -11.43db
63% Popularity • 28% Danceability • 45% Energy • 11% Liveness
78% Instrumentalness • 28% Positiveness
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Pavement
Cut Your Hair
111 bpm • E min • 03:06 • -9.82db
56% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Pixies
Is She Weird
110 bpm • A Maj • 03:01 • -13db
55% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Slint
Nosferatu Man
111 bpm • D Maj • 05:34 • -15.69db
42% Popularity • 50% Danceability • 54% Energy • 6% Liveness
70% Instrumentalness • 42% Positiveness
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Siouxsie and the Banshees
Dear Prudence
101 bpm • F Maj • 03:48 • -4.39db
58% Popularity • 43% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
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The Strokes
Modern Girls & Old Fashion Men - Reptili...
111 bpm • A Maj • 03:38 • -4db
46% Popularity • 51% Danceability • 60% Energy • 5% Liveness
56% Instrumentalness • 32% Positiveness
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Radiohead
House Of Cards
112 bpm • F Maj • 05:28 • -9.64db
66% Popularity • 71% Danceability • 50% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Pavement
Shady Lane
111 bpm • C Maj • 03:50 • -11.75db
46% Popularity • 48% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Guided By Voices
If We Wait
101 bpm • G# Maj • 02:53 • -5.66db
42% Popularity • 44% Danceability • 66% Energy • 18% Liveness
8% Instrumentalness • 10% Positiveness
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Cocteau Twins
Know Who You Are At Every Age - Remaster...
112 bpm • E min • 03:37 • -7.75db
46% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Mudhoney
Sweet Young Thing Ain't Sweet No More
100 bpm • C# Maj • 03:46 • -6db
42% Popularity • 28% Danceability • 98% Energy • 3% Liveness
77% Instrumentalness • 59% Positiveness
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Blur
There's No Other Way - 2012 Remaster
112 bpm • D Maj • 03:24 • -6db
53% Popularity • 58% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Pixies
Mr. Grieves
112 bpm • B Maj • 02:05 • -14.41db
50% Popularity • 53% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Fugazi
Blueprint
100 bpm • A Maj • 03:52 • -7.66db
39% Popularity • 50% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Smiths
This Night Has Opened My Eyes - 2011 Rem...
100 bpm • D Maj • 03:41 • -8.41db
75% Popularity • 70% Danceability • 63% Energy • 27% Liveness
43% Instrumentalness • 70% Positiveness
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Spiritualized
Ladies and gentlemen we are floating in ...
100 bpm • D Maj • 03:54 • -11.45db
53% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Guided By Voices
Hot Freaks
112 bpm • A Maj • 01:42 • -11db
47% Popularity • 60% Danceability • 56% Energy • 60% Liveness
0% Instrumentalness • 87% Positiveness
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Eiafuawn
No More Like That
100 bpm • G Maj • 02:05 • -12db
62% Popularity • 83% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 87% Positiveness
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Pixies
Hey
100 bpm • G Maj • 03:30 • -12.37db
67% Popularity • 59% Danceability • 37% Energy • 32% Liveness
1% Instrumentalness • 31% Positiveness
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The Breeders
Cannonball
112 bpm • D# Maj • 03:33 • -9.76db
64% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
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The Velvet Underground
Stephanie Says
113 bpm • C Maj • 02:49 • -20.49db
57% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Interpol
The New
113 bpm • G Maj • 06:07 • -6.83db
46% Popularity • 35% Danceability • 81% Energy • 25% Liveness
85% Instrumentalness • 27% Positiveness
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The Stone Roses
I Wanna Be Adored - Remastered
113 bpm • E min • 04:52 • -9.16db
66% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
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Radiohead
You
113 bpm • A Maj • 03:28 • -12.01db
61% Popularity • 22% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Pixies
All Over the World
113 bpm • G Maj • 05:26 • -11.98db
41% Popularity • 40% Danceability • 54% Energy • 23% Liveness
21% Instrumentalness • 74% Positiveness
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Cocteau Twins
Wolf in the Breast
113 bpm • A Maj • 03:31 • -4.53db
52% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Sebadoh
Soul And Fire
99 bpm • G# Maj • 03:46 • -9.4db
42% Popularity • 43% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Smiths
I Know It's Over - 2011 Remaster
113 bpm • C Maj • 05:49 • -10.58db
70% Popularity • 41% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Broadcast
Come On Let's Go
113 bpm • A min • 03:23 • -8db
39% Popularity • 51% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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The Sundays
Skin And Bones
113 bpm • F Maj • 04:18 • -9.61db
37% Popularity • 50% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
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Pixies
Bird Dream of the Olympus Mons
113 bpm • A Maj • 02:48 • -11.9db
40% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The Amps
Pacer
114 bpm • C# Maj • 02:32 • -9.87db
37% Popularity • 53% Danceability • 59% Energy • 16% Liveness
3% Instrumentalness • 55% Positiveness
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Jeff Buckley
Morning Theft
98 bpm • A# Maj • 03:39 • -11.7db
46% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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LSD and the Search for God
Starting Over
114 bpm • E Maj • 05:04 • -9.32db
60% Popularity • 22% Danceability • 51% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Car Seat Headrest
Cute Thing
114 bpm • A# Maj • 05:39 • -5.16db
53% Popularity • 31% Danceability • 74% Energy • 12% Liveness
29% Instrumentalness • 27% Positiveness
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Kurt Cobain
Burn The Rain
114 bpm • G# min • 01:16 • -19.31db
49% Popularity • 50% Danceability • 42% Energy • 35% Liveness
49% Instrumentalness • 63% Positiveness
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Pixies
Motorway to Roswell
114 bpm • B Maj • 04:43 • -10db
38% Popularity • 58% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Broadcast
Message From Home
98 bpm • F# Maj • 04:59 • -11db
40% Popularity • 49% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:27 • -6db
51% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
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The Breeders
Safari
114 bpm • C# Maj • 03:31 • -12.46db
38% Popularity • 44% Danceability • 72% Energy • 15% Liveness
35% Instrumentalness • 64% Positiveness
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Television
Venus
115 bpm • C Maj • 03:49 • -11.49db
44% Popularity • 55% Danceability • 63% Energy • 5% Liveness
18% Instrumentalness • 91% Positiveness
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Kurt Cobain
She Only Lies
115 bpm • C Maj • 02:47 • -27.37db
43% Popularity • 47% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 24% Positiveness
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Pixies
Might as Well Be Gone
114 bpm • C Maj • 02:47 • -8.78db
37% Popularity • 54% Danceability • 62% Energy • 14% Liveness
46% Instrumentalness • 45% Positiveness
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Pavement
Elevate Me Later
98 bpm • G Maj • 02:51 • -9.42db
41% Popularity • 37% Danceability • 69% Energy • 36% Liveness
11% Instrumentalness • 34% Positiveness
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Broadcast
I Found The F
98 bpm • A min • 02:21 • -6db
54% Popularity • 60% Danceability • 72% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
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Blur
Country Sad Ballad Man - 2012 Remaster
98 bpm • C Maj • 04:50 • -8.95db
34% Popularity • 66% Danceability • 51% Energy • 28% Liveness
53% Instrumentalness • 58% Positiveness
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Violent Femmes
Look Like That
115 bpm • A Maj • 02:45 • -10.92db
37% Popularity • 49% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Sundays
You're Not The Only One I Know
98 bpm • C Maj • 03:51 • -12.23db
55% Popularity • 56% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Hole
Petals
115 bpm • E min • 05:29 • -6.57db
58% Popularity • 45% Danceability • 82% Energy • 37% Liveness
3% Instrumentalness • 22% Positiveness
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Galaxie 500
Flowers
115 bpm • G Maj • 04:28 • -9db
11% Popularity • 45% Danceability • 70% Energy • 13% Liveness
85% Instrumentalness • 23% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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Car Seat Headrest
Sober to Death
115 bpm • G Maj • 05:04 • -6.86db
65% Popularity • 51% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Panchiko
All They Wanted
115 bpm • A# Maj • 02:07 • -7.73db
62% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Sundays
I Kicked A Boy
98 bpm • G Maj • 02:18 • -13.25db
41% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Ana