Songs like Anaganaga Oka by K. S. Chithra
Based on a tempo of (+/- 10%) and a similar genre
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Udit Narayan
Prema Tholi Prema
92 bpm • G min • 04:43 • -7.13db
27% Popularity • 75% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 75% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Chakri
Gundello Edo Sadi
92 bpm • E min • 04:12 • -9db
43% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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M. M. Keeravani
Nenunnanani
92 bpm • D Maj • 03:31 • -7.56db
53% Popularity • 60% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 60% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
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Berny-Ignatius
Mayilaai Parannu Vaa - Version, 1
92 bpm • C Maj • 04:46 • -7.73db
48% Popularity • 60% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 60% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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S. P. Balasubrahmanyam
Swapnavenuvedo
92 bpm • A min • 05:32 • -7.53db
50% Popularity • 36% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 36% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
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Mickey J. Meyer
Gelupuleni Samaram
92 bpm • F# Maj • 03:13 • -13db
48% Popularity • 28% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 28% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Udit Narayan
Elavachenamma
92 bpm • G Maj • 04:33 • -5.36db
37% Popularity • 76% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 76% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Chakri
Malleteegaroi
92 bpm • D Maj • 05:27 • -7db
37% Popularity • 81% Danceability • 91% Energy • 23% Liveness
3% Instrumentalness • 63% Positiveness
37% Popularity • 81% Danceability • 91% Energy • 23% Liveness
3% Instrumentalness • 63% Positiveness
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K. S. Chithra
Anaganaga Oka
92 bpm • E min • 06:07 • -5.81db
24% Popularity • 44% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 44% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Anudeep, Rahul
Pilla Nuvvu Leni Jeevitham
92 bpm • F Maj • 03:54 • -7.86db
48% Popularity • 81% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 81% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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S. P. Balasubrahmanyam
Eenade Edo
92 bpm • B Maj • 04:28 • -5.85db
47% Popularity • 53% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 53% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
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Sriram Parthasarathy
Ee Manchullo
93 bpm • G min • 05:24 • -10db
50% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Rajesh
Poolalo Thene Prema
93 bpm • E min • 04:16 • -8.68db
38% Popularity • 60% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 60% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Chakri
O Maghuve Neetho
93 bpm • G# Maj • 05:57 • -6.92db
46% Popularity • 68% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 68% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Unnikrishnan
Oru Rojathottam
93 bpm • E min • 05:25 • -9db
33% Popularity • 69% Danceability • 90% Energy • 11% Liveness
7% Instrumentalness • 97% Positiveness
33% Popularity • 69% Danceability • 90% Energy • 11% Liveness
7% Instrumentalness • 97% Positiveness
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K. S. Chithra
Ninnukori
92 bpm • D Maj • 04:42 • -3.72db
45% Popularity • 77% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 77% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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S. P. Balasubrahmanyam
Chamak Cham
92 bpm • C# Maj • 04:40 • -3.99db
49% Popularity • 91% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 91% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Adnan Sami
Bhoogolamamntha
93 bpm • G Maj • 04:18 • -8.35db
41% Popularity • 82% Danceability • 95% Energy • 10% Liveness
5% Instrumentalness • 58% Positiveness
41% Popularity • 82% Danceability • 95% Energy • 10% Liveness
5% Instrumentalness • 58% Positiveness
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K. J. Yesudas
Thanga Magan Indru Singanadai
93 bpm • C# Maj • 05:10 • -9.06db
50% Popularity • 72% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
50% Popularity • 72% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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Gopika Poornima
Pallakivye
93 bpm • G Maj • 04:45 • -7.5db
34% Popularity • 80% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 80% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Rajesh Krishnan
Channappa Channegowda
91 bpm • A# Maj • 05:14 • -8.23db
26% Popularity • 45% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 45% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Mohan Sithara
Raree Raareeram Raaro
93 bpm • A# Maj • 06:08 • -10.6db
42% Popularity • 65% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 65% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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S. P. Balasubrahmanyam
Nekoosam Nekoosam
94 bpm • G min • 05:26 • -6.54db
39% Popularity • 49% Danceability • 76% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 49% Danceability • 76% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
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Nagarjuna
Dikka Dikka Dum Dum
90 bpm • C# Maj • 04:08 • -6db
44% Popularity • 85% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 85% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Ilaiyaraaja
Indha Maan
94 bpm • A# min • 04:35 • -13.45db
24% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Jr. NTR
Chary (Where Is The Panchakattu)
94 bpm • A min • 04:48 • -3db
44% Popularity • 79% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 79% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Udit Narayan
Naa Pranama
90 bpm • C Maj • 04:52 • -5.82db
45% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Bombay Ravi
Theduvathethoru Devapadam
94 bpm • D min • 05:27 • -7db
34% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Mickey J. Meyer
Naalo Nenu
94 bpm • C# min • 03:46 • -5.32db
52% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Kousalya
Ee Roje
94 bpm • E min • 04:51 • -6.65db
47% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Ranjith Govind
Nuvvu Muttukunte
90 bpm • C# Maj • 03:52 • -9db
44% Popularity • 76% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 76% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Hariharan
Kannullo Ne Roopame
90 bpm • F# Maj • 05:21 • -15db
56% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Udit Narayan
Naatho Vasthavaa
90 bpm • F min • 04:53 • -8db
52% Popularity • 67% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 67% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Unnikrishnan
Pedave Palikina
90 bpm • D Maj • 04:23 • -8.52db
53% Popularity • 69% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 69% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Sagar
Nammaka Tappani
90 bpm • A min • 04:32 • -8db
59% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
59% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Kousalya
Koncham Karanga
90 bpm • G# Maj • 04:26 • -8.62db
41% Popularity • 64% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 64% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Rajesh
Ee Chota Nuvvunna
90 bpm • F min • 04:08 • -7.11db
51% Popularity • 66% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 66% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Rajesh Krishnan
Olave Nan Olave
90 bpm • G min • 04:30 • -7.8db
1% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
1% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Chakri
Venello Hai
90 bpm • B Maj • 04:29 • -7.57db
52% Popularity • 80% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 80% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Ilaiyaraaja
Ninnukori Varanam
94 bpm • D Maj • 04:37 • -9.37db
28% Popularity • 85% Danceability • 52% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
28% Popularity • 85% Danceability • 52% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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Mohan Sithara
Ponnumthingal Pottum
94 bpm • A Maj • 05:34 • -4.53db
41% Popularity • 80% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 80% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Unni Menon
Dhandiya
94 bpm • F# Maj • 07:49 • -14.17db
19% Popularity • 43% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 43% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Udit Narayan
Vana Vana
89 bpm • F min • 05:13 • -6.71db
44% Popularity • 56% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 56% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Jikki
Alanati Ramachandrudu
95 bpm • G Maj • 05:21 • -7.27db
48% Popularity • 44% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 44% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Ramya Behara
Undipo
95 bpm • D min • 05:03 • -4.43db
48% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Sumangaly
Nuvvu Nuvvu
95 bpm • C# min • 05:33 • -8.55db
60% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sagar
Padam Kadala
95 bpm • C# Maj • 01:08 • -8.9db
51% Popularity • 79% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 79% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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S.A. Rajkumar
Minnale Minnale
95 bpm • G Maj • 04:33 • -6.7db
9% Popularity • 80% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 80% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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K. S. Chithra
Othiri Othiri
95 bpm • E Maj • 04:34 • -7.45db
28% Popularity • 76% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 76% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Karthik
Sa Sa Sye
95 bpm • D Maj • 04:20 • -4.63db
40% Popularity • 77% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 77% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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K. J. Yesudas
Oru Rathri Koodi
95 bpm • D min • 05:21 • -10.7db
37% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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M. M. Keeravani
Dhammu
89 bpm • C min • 04:18 • -6.06db
39% Popularity • 80% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 80% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Sagar
Rekhalu
95 bpm • C Maj • 04:21 • -3.89db
29% Popularity • 81% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 81% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Pushpavanam Kuppusamy
Gongoora Thota
95 bpm • A# min • 04:51 • -7.66db
45% Popularity • 75% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 75% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Sukhwinder Singh
Rama Chakkanodamma
89 bpm • B min • 05:38 • -8.18db
45% Popularity • 81% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 81% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Berny-Ignatius
Karuthappenne
89 bpm • G min • 04:47 • -11.1db
52% Popularity • 72% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 72% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Sunitha
Maagha Maasam
96 bpm • B min • 04:44 • -7.62db
39% Popularity • 78% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 78% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 80% Positiveness
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S. P. Balasubrahmanyam
Priya Raagale
89 bpm • A# Maj • 06:05 • -6.12db
52% Popularity • 65% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 65% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Ravi Varma
Cheliya Cheliya
96 bpm • F min • 05:18 • -6.57db
54% Popularity • 78% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 78% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Sagar
Naa Pedavulu
96 bpm • D min • 04:04 • -10.13db
34% Popularity • 81% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 81% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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K.K, Sunitha
Veluthunna
96 bpm • C# min • 04:36 • -6.94db
35% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Clinton
Egire Egire
96 bpm • D Maj • 04:06 • -7.14db
48% Popularity • 59% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 59% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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M.L.R. Karthikeyan
Gudilo Badilo Madilo
96 bpm • A# min • 04:24 • -6.46db
63% Popularity • 77% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
63% Popularity • 77% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Deva
Kaalamellam Kadhal
96 bpm • C min • 05:04 • -7.36db
47% Popularity • 61% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 61% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Anuradha Sriram
Mallikaiye Mallikaiye (" From Ninaithen ...
88 bpm • E min • 04:53 • -10.21db
40% Popularity • 63% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 63% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Mohan Sithara
Ponnolathumbil
88 bpm • C Maj • 05:42 • -10.92db
51% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Mallikarjun
Paduchu Bangarama
88 bpm • F min • 04:57 • -8.69db
47% Popularity • 72% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 72% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Rajesh Krishnan
Meghagala Bagilali
88 bpm • E min • 04:55 • -5.17db
33% Popularity • 74% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 74% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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P. B. Sreenivas
Meriseti Puvvaa
97 bpm • E min • 06:25 • -18.05db
18% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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K. S. Chithra
Naa Chupe Ninu
97 bpm • A min • 04:13 • -6.85db
49% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sirpy
Kudaimele Kudaivachu
97 bpm • A Maj • 04:09 • -8.41db
8% Popularity • 81% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 81% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Mickey J. Meyer
Bhalegundi Baalaa
97 bpm • G Maj • 04:28 • -10.2db
50% Popularity • 74% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 74% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Sreekumar
Thamarakilli Padunnu
97 bpm • E min • 05:10 • -13.12db
40% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Mallikarjun
Rama Rama
87 bpm • G Maj • 05:17 • -7.89db
43% Popularity • 59% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 59% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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S. P. Venkatesh
Manikya Kuyile Nee
97 bpm • G Maj • 04:03 • -8.89db
10% Popularity • 68% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 68% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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K. S. Chithra
Choolamadichu
97 bpm • C Maj • 04:59 • -7.81db
29% Popularity • 71% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 71% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Rajesh Krishnan
Yeto Vellipoyindi
98 bpm • C Maj • 04:37 • -13.21db
55% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Mickey J. Meyer
Chesededo
98 bpm • F min • 04:23 • -5.83db
36% Popularity • 76% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 76% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
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Chakri
Neeve Neeve
98 bpm • G# Maj • 05:28 • -9.11db
51% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Raghu Kunche
Gola Petty
98 bpm • G# Maj • 04:37 • -5.73db
50% Popularity • 80% Danceability • 96% Energy • 24% Liveness
8% Instrumentalness • 78% Positiveness
50% Popularity • 80% Danceability • 96% Energy • 24% Liveness
8% Instrumentalness • 78% Positiveness
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Mano, Megha
Namo Venkatesha
98 bpm • F min • 04:10 • -5.77db
20% Popularity • 87% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 87% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Hemachandra Vedala
Marumallela Vaana
98 bpm • C min • 04:06 • -6.1db
46% Popularity • 77% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
46% Popularity • 77% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Ranjith, Rita
Ne Vinnadhi Nijjamena
98 bpm • A# min • 03:29 • -9.07db
33% Popularity • 85% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 85% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Kousalya
Kshaminchu
98 bpm • A Maj • 05:16 • -3.88db
38% Popularity • 72% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 72% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Simha
Pandaga Chesko
98 bpm • A# min • 03:25 • -6.84db
44% Popularity • 91% Danceability • 91% Energy • 19% Liveness
3% Instrumentalness • 81% Positiveness
44% Popularity • 91% Danceability • 91% Energy • 19% Liveness
3% Instrumentalness • 81% Positiveness
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Ravi Varma
Attantode
98 bpm • F min • 05:02 • -8.3db
55% Popularity • 85% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 85% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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K. S. Chithra
Thoo Manjin
98 bpm • C min • 05:04 • -7db
50% Popularity • 70% Danceability • 45% Energy • 34% Liveness
3% Instrumentalness • 39% Positiveness
50% Popularity • 70% Danceability • 45% Energy • 34% Liveness
3% Instrumentalness • 39% Positiveness
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Ilaiyaraaja
Thaamarakkili Paadunnu
98 bpm • E min • 05:02 • -10db
43% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Devan Ekambaram
O Prema
99 bpm • B Maj • 05:50 • -8.6db
47% Popularity • 73% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 73% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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M. M. Keeravani
Duvvina Talane
99 bpm • D min • 03:06 • -5.86db
44% Popularity • 87% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 87% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Ranjith, Naveen Madhav, Rita, Vardhini, Megha, Janani
Chirugaley
99 bpm • F Maj • 02:20 • -10.15db
32% Popularity • 76% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 76% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 67% Positiveness
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P. Susheela
Vatapatra (Happy)
99 bpm • D# Maj • 04:32 • -5db
48% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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K. S. Chithra
Manmadhuda
86 bpm • F min • 04:29 • -6.71db
55% Popularity • 35% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 35% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Ilaiyaraaja
Nethu Oruthara Oruthara
100 bpm • D min • 04:24 • -10.68db
42% Popularity • 94% Danceability • 44% Energy • 3% Liveness
60% Instrumentalness • 96% Positiveness
42% Popularity • 94% Danceability • 44% Energy • 3% Liveness
60% Instrumentalness • 96% Positiveness
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Hesham Abdul Wahab
Minnalkkodi
100 bpm • D Maj • 03:01 • -9db
45% Popularity • 54% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 54% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Achu
Emaindo Gaani
99 bpm • B min • 04:11 • -6.25db
40% Popularity • 72% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 72% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ramana Gogula
Edolavundi
100 bpm • C Maj • 05:10 • -3db
42% Popularity • 83% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 83% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Raveendran
Oru Kili Paattumoolave - Version, 1
85 bpm • C Maj • 05:35 • -9.16db
46% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
