Songs like Anangae Sinungalama by Hariharan
Based on a tempo of (+/- 10%) and a similar genre
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Hariharan
Thottal Poomalarum
120 bpm • A# min • 05:33 • -7.74db
49% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Govind Vasantha
Thozhi
120 bpm • D# Maj • 04:57 • -12db
54% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Udit Narayan
Emaindhi Eevela
120 bpm • G min • 05:19 • -5.62db
59% Popularity • 80% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 80% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Yuvan Shankar Raja
Enkeyoo Partha
120 bpm • G min • 05:20 • -8.9db
68% Popularity • 82% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
68% Popularity • 82% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Karthik
Choododhu
120 bpm • A Maj • 05:02 • -6db
55% Popularity • 81% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
55% Popularity • 81% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Anuradha Sriram
Enna Nenatche ("From Chokkathangam" )
120 bpm • A# min • 04:51 • -6.13db
48% Popularity • 74% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 74% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Hariharan
Vastha Nee Venuka
120 bpm • F min • 05:33 • -7db
57% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kamal Haasan
Unna Vida
120 bpm • F Maj • 06:25 • -11.06db
59% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Harris Jayaraj
Manjal Veyil
120 bpm • C Maj • 05:53 • -8.23db
60% Popularity • 90% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
60% Popularity • 90% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Yuvan Shankar Raja
Suthudhe Suthudhe
120 bpm • C# min • 04:55 • -9db
43% Popularity • 79% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
43% Popularity • 79% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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G. V. Prakash
Kanaa Kaangiren
120 bpm • A min • 05:45 • -3.52db
59% Popularity • 47% Danceability • 81% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 47% Danceability • 81% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
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Mickey J. Meyer
Rang de
120 bpm • D# min • 04:01 • -8.57db
58% Popularity • 90% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
58% Popularity • 90% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Harish Raghavendra
Evare Nuvvu
120 bpm • A# Maj • 04:10 • -6.24db
61% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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D. Imman
Koodamela Koodavechi
120 bpm • E min • 05:00 • -5.04db
62% Popularity • 69% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 69% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Anuradha Paudwal
Dil Ki Kalam Se
120 bpm • G Maj • 05:51 • -9.99db
40% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Yuvan Shankar Raja
Saamikittay
120 bpm • C min • 04:48 • -6.23db
28% Popularity • 90% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 90% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Rahul Nambiar
Guruvaram
120 bpm • C min • 04:22 • -11.31db
54% Popularity • 82% Danceability • 59% Energy • 28% Liveness
9% Instrumentalness • 71% Positiveness
54% Popularity • 82% Danceability • 59% Energy • 28% Liveness
9% Instrumentalness • 71% Positiveness
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Gopi Sundar
Oru Kari Mukilinu
121 bpm • G# min • 04:42 • -8.01db
56% Popularity • 47% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 47% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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S.A. Rajkumar
Kadhal Vennila
122 bpm • E min • 03:56 • -11db
47% Popularity • 86% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 90% Positiveness
47% Popularity • 86% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 90% Positiveness
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Mani Sharma
Nuvvem Maya
121 bpm • F min • 04:02 • -8.43db
55% Popularity • 84% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 84% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Vijay Prakash
O Pilla Shubhanalla
122 bpm • F min • 04:32 • -6.46db
52% Popularity • 79% Danceability • 72% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
52% Popularity • 79% Danceability • 72% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
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Yuvan Shankar Raja
Oru Naalaikkul
120 bpm • F# Maj • 05:40 • -7.56db
60% Popularity • 71% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 83% Positiveness
60% Popularity • 71% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 83% Positiveness
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Srinivas
Priya
122 bpm • F min • 05:32 • -6db
55% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Hariharan
Anbae Anbae
122 bpm • F min • 05:32 • -11.19db
61% Popularity • 68% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 68% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Gopi Sundar
Maangalyam
118 bpm • F Maj • 03:52 • -7.02db
53% Popularity • 89% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 89% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Benny Dayal
Oyaayiye Yaayiye
118 bpm • G# min • 05:35 • -5.86db
57% Popularity • 79% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 79% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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D. Imman
Yembuttu Irukkuthu Aasai
118 bpm • F min • 04:29 • -5.86db
59% Popularity • 69% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 69% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Yuvan Shankar Raja
Suttamla Soosi
122 bpm • F# Maj • 03:22 • -7.2db
66% Popularity • 75% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
66% Popularity • 75% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
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Vijay Prakash
Idhedho Bagundhe
118 bpm • B min • 04:26 • -6.66db
61% Popularity • 84% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 84% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Darbuka Siva
Naan Pizhaippeno
123 bpm • F Maj • 06:01 • -8.51db
42% Popularity • 60% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 60% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mickey J. Meyer
Mari Antaga
117 bpm • B Maj • 03:45 • -10.08db
56% Popularity • 85% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
56% Popularity • 85% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
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Santhosh Narayanan
Agayam Theepiditha
118 bpm • C Maj • 03:50 • -8.39db
62% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Hariharan
Ennai Thalatta Varuvala
117 bpm • E min • 05:04 • -13.63db
48% Popularity • 90% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
48% Popularity • 90% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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Karunya
Endhuko Pichi Pichi
124 bpm • E min • 04:31 • -6db
61% Popularity • 86% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 86% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Sreerama Chandra
Gelupu Thalupule
116 bpm • A min • 05:17 • -5.79db
57% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Karthik
Badhulu Thochani
116 bpm • C Maj • 04:11 • -5db
58% Popularity • 75% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 75% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Harish Raghavendra
Aagaya Suriyanai
116 bpm • A# min • 05:24 • -8.92db
57% Popularity • 75% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 75% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Santhosh Narayanan
Aasai Oru Pulveli
116 bpm • A Maj • 03:50 • -8.84db
54% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Ghibran
Laali Laali - Tamil
124 bpm • G Maj • 03:51 • -8.44db
59% Popularity • 72% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 72% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Hariharan
Kutti Puli Kootam
124 bpm • A min • 06:08 • -5.74db
44% Popularity • 80% Danceability • 87% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
44% Popularity • 80% Danceability • 87% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
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Ouseppachan
Oru Raajamalli
125 bpm • E min • 04:44 • -16.77db
38% Popularity • 75% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 75% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Sithara Krishnakumar
Wow Song - Ponnin Kanikkonna
125 bpm • G Maj • 04:13 • -8.51db
57% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Najim Arshad
Thotte Thotte
125 bpm • G Maj • 04:43 • -4.08db
53% Popularity • 77% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
53% Popularity • 77% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Santhosh Narayanan
Kannamma
125 bpm • E min • 04:49 • -13.43db
61% Popularity • 64% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 64% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Sathyaprakash
Saayaali
115 bpm • D Maj • 05:08 • -6db
49% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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KK
Avunu Nijam
115 bpm • D Maj • 05:03 • -6.82db
55% Popularity • 84% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 84% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Harris Jayaraj
Nenjukkul Peidhidum
115 bpm • A Maj • 06:09 • -10.31db
68% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Deva
Engengey
115 bpm • C# Maj • 05:51 • -12.92db
30% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Hariharan
Navami Dashami
125 bpm • F Maj • 04:23 • -7.67db
36% Popularity • 52% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 52% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Rex Vijayan
Mizhiyil
115 bpm • E Maj • 03:58 • -11db
61% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ratheesh Vega
Sakhiyeee
115 bpm • F# min • 04:54 • -8.66db
56% Popularity • 71% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 71% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Narendar Sankar
Venmegam - Lofi Flip
115 bpm • D# min • 03:01 • -9.05db
38% Popularity • 68% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 54% Positiveness
38% Popularity • 68% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 54% Positiveness
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Yuvan Shankar Raja
Venmegam
115 bpm • D# Maj • 04:34 • -11.54db
67% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Deva
Chinna Chinna Kiliye
115 bpm • C min • 05:33 • -11db
48% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Shaan Rahman
Rasathi
115 bpm • F Maj • 03:58 • -9.03db
55% Popularity • 54% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 54% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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K. S. Harisankar
Jeevana
115 bpm • F Maj • 04:19 • -8.84db
55% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ranjith Govind
Oruvenal Puzhayil
126 bpm • G Maj • 04:40 • -9.16db
57% Popularity • 75% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 75% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Harish Raghavendra
Nee Amrithadhare
126 bpm • G Maj • 04:45 • -5db
55% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Karthik
Ee Kaattu
126 bpm • F# min • 05:28 • -8.98db
60% Popularity • 66% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 66% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Tippu
Ennai Konjum
114 bpm • A min • 05:56 • -5.97db
37% Popularity • 84% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 84% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Prasanna.R
Mudhal Mazhai
114 bpm • A# min • 05:43 • -7.83db
55% Popularity • 80% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
55% Popularity • 80% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
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Vijay Prakash
Hello Rammante
114 bpm • G Maj • 04:41 • -6.71db
59% Popularity • 86% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 86% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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P. Jayachandran
Neeyoru Puzhayayi
114 bpm • A min • 03:50 • -11db
54% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ranjith Govind
Chamka Chamka
114 bpm • C# Maj • 05:07 • -6.35db
54% Popularity • 83% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
54% Popularity • 83% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
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Unnikrishnan
Nenjodu
113 bpm • F# Maj • 06:25 • -10.9db
49% Popularity • 42% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 42% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Tippu
Nanne Nanne
114 bpm • A min • 05:54 • -6db
57% Popularity • 72% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 72% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Deva
April Maathathil
114 bpm • A# min • 05:12 • -15.51db
56% Popularity • 77% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
56% Popularity • 77% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Jeans Srinivas
Bommanu Geesthey
113 bpm • D Maj • 03:54 • -8.22db
61% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Ajay-Atul
Jeev Rangla
127 bpm • E min • 04:41 • -14.7db
56% Popularity • 35% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
56% Popularity • 35% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Jassie Gift
Kondakaki
113 bpm • G min • 05:36 • -7.06db
47% Popularity • 78% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 78% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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M. G. Sreekumar
Thakilu Pukilu
128 bpm • G min • 05:42 • -8.17db
47% Popularity • 81% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 81% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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R. P. Patnaik
Gaajuvaka Pilla
112 bpm • A min • 03:46 • -4db
57% Popularity • 87% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 87% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Deva
Oh Nenje Nenje
113 bpm • C# Maj • 05:57 • -8.55db
46% Popularity • 92% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 92% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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D. Imman
Yeppa Maama Treatu?
128 bpm • C Maj • 04:25 • -3.9db
51% Popularity • 82% Danceability • 94% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 82% Danceability • 94% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
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Vijay Antony
Puli Urumudhu
112 bpm • A# min • 04:15 • -5.35db
55% Popularity • 84% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 84% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Karthik
Oru Nokku
128 bpm • F Maj • 04:54 • -8.27db
60% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
60% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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M. M. Keeravani
Konchem Konchem
112 bpm • C Maj • 04:04 • -12.2db
53% Popularity • 54% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 67% Positiveness
53% Popularity • 54% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 67% Positiveness
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Vidyasagar
Parayaan Njaan Marannu
112 bpm • D Maj • 06:46 • -14.26db
42% Popularity • 50% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 50% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Baba Sehgal
Jalsa Jalsa
112 bpm • G Maj • 04:18 • -9db
58% Popularity • 92% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 92% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Santhosh Narayanan
Agasatha
130 bpm • D min • 04:57 • -9db
53% Popularity • 55% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 55% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Yuvan Shankar Raja
Kaadhal Endral
130 bpm • C min • 01:27 • -7.79db
64% Popularity • 64% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
64% Popularity • 64% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Karthik
Oru Maalai
112 bpm • C min • 05:54 • -6.37db
63% Popularity • 80% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 80% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Mickey J. Meyer
Nijanga Nenena
130 bpm • G Maj • 05:19 • -12db
60% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Vidyasagar
Malare
111 bpm • C Maj • 05:05 • -11.33db
59% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Ilaiyaraaja
Thendral Vanthu Theendumbothu
130 bpm • E min • 05:18 • -11.66db
63% Popularity • 57% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 57% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Santhosh Narayanan
Kaarkuzhal Kadavaiye
130 bpm • E min • 05:12 • -11.24db
57% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hariharan
Pala Pala
130 bpm • F Maj • 05:25 • -7.7db
61% Popularity • 74% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 74% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Vineeth Sreenivasan
Ente Mavum Poothe
130 bpm • E min • 03:53 • -8.19db
57% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Vijay Yesudas
Uyirin Naadhane
130 bpm • G min • 04:24 • -10.27db
56% Popularity • 74% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 74% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Vidyasagar
Mizhiyariyaathe - Version, 1
111 bpm • D Maj • 05:50 • -11.29db
58% Popularity • 77% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 77% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Jassie Gift
Lajjavathiye
111 bpm • A# min • 04:37 • -9.75db
58% Popularity • 87% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 87% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Anirudh Ravichander
Nee Paata Madhuram - The Touch of Love
110 bpm • A min • 04:23 • -6db
56% Popularity • 65% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 65% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
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Harish Raghavendra
Devathaiya Kandein
110 bpm • G min • 05:10 • -11db
58% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
58% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Vineeth Sreenivasan
Hridhayavum
110 bpm • E Maj • 05:05 • -9.73db
53% Popularity • 70% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 70% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Bijibal
Manickyachirakulla
110 bpm • E Maj • 04:09 • -7.4db
59% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Srinivas
Ye Chilipi
110 bpm • A min • 05:15 • -7.34db
58% Popularity • 64% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 64% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Jassie Gift
Themma Themma Themmadikkatte - Version, ...
111 bpm • F min • 04:34 • -6.47db
55% Popularity • 85% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
55% Popularity • 85% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Anirudh Ravichander
Emannavoo
110 bpm • F Maj • 03:34 • -8db
60% Popularity • 46% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 46% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
