Songs like And a Just Man Howls - Disco Mordisco Remix by Hola A Todo El Mundo
Based on a tempo of (+/- 10%) and a similar genre
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Smile
Do as I Want
126 bpm • G Maj • 03:29 • -7db
19% Popularity • 87% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 87% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Standstill
Me Gusta Tanto
126 bpm • A min • 03:37 • -9.77db
15% Popularity • 60% Danceability • 46% Energy • 15% Liveness
80% Instrumentalness • 37% Positiveness
15% Popularity • 60% Danceability • 46% Energy • 15% Liveness
80% Instrumentalness • 37% Positiveness
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Klaus & Kinski
Forma, Sentido y Realidad
126 bpm • G min • 04:38 • -11.24db
8% Popularity • 59% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 59% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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We Are Standard
Can I Count on You?
126 bpm • F Maj • 04:32 • -6.06db
17% Popularity • 46% Danceability • 64% Energy • 25% Liveness
13% Instrumentalness • 22% Positiveness
17% Popularity • 46% Danceability • 64% Energy • 25% Liveness
13% Instrumentalness • 22% Positiveness
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L.A.
Hands
126 bpm • C min • 03:15 • -3.78db
32% Popularity • 63% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 63% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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ELYELLA
Sister
126 bpm • C min • 03:36 • -4db
27% Popularity • 37% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 37% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Hola A Todo El Mundo
And a Just Man Howls - Disco Mordisco Re...
126 bpm • D# min • 05:51 • -4.93db
3% Popularity • 68% Danceability • 80% Energy • 11% Liveness
21% Instrumentalness • 47% Positiveness
3% Popularity • 68% Danceability • 80% Energy • 11% Liveness
21% Instrumentalness • 47% Positiveness
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Jero Romero
Correcto
126 bpm • F Maj • 02:34 • -9db
37% Popularity • 91% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 91% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Joan Miquel Oliver
Somiers
126 bpm • A# Maj • 01:53 • -12.86db
16% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Neuman
The City of Love
126 bpm • C Maj • 04:31 • -6.72db
22% Popularity • 34% Danceability • 69% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
22% Popularity • 34% Danceability • 69% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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L.A.
Under Radar
126 bpm • B Maj • 03:09 • -5.69db
18% Popularity • 51% Danceability • 83% Energy • 22% Liveness
56% Instrumentalness • 54% Positiveness
18% Popularity • 51% Danceability • 83% Energy • 22% Liveness
56% Instrumentalness • 54% Positiveness
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Mishima
L'última ressaca
125 bpm • F Maj • 04:02 • -5.81db
19% Popularity • 50% Danceability • 89% Energy • 26% Liveness
90% Instrumentalness • 49% Positiveness
19% Popularity • 50% Danceability • 89% Energy • 26% Liveness
90% Instrumentalness • 49% Positiveness
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Hola A Todo El Mundo
Oh Lord Tell Them Wind Blows Far from Me
126 bpm • B Maj • 06:30 • -5.92db
2% Popularity • 32% Danceability • 76% Energy • 22% Liveness
19% Instrumentalness • 18% Positiveness
2% Popularity • 32% Danceability • 76% Energy • 22% Liveness
19% Instrumentalness • 18% Positiveness
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Modelo de Respuesta Polar
Dos amigos
127 bpm • A Maj • 03:58 • -6.54db
18% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jero Romero
Fue hoy
126 bpm • D# Maj • 04:23 • -6.5db
13% Popularity • 57% Danceability • 75% Energy • 18% Liveness
8% Instrumentalness • 46% Positiveness
13% Popularity • 57% Danceability • 75% Energy • 18% Liveness
8% Instrumentalness • 46% Positiveness
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Doble Pletina
Música para cerrar las discotecas - Ver...
125 bpm • C# min • 03:56 • -9db
35% Popularity • 71% Danceability • 50% Energy • 16% Liveness
3% Instrumentalness • 54% Positiveness
35% Popularity • 71% Danceability • 50% Energy • 16% Liveness
3% Instrumentalness • 54% Positiveness
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Buffetlibre
The Sun in the Shade
125 bpm • C Maj • 03:38 • -4.19db
8% Popularity • 75% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 75% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Mishima
Un tros de fang
125 bpm • C Maj • 03:09 • -10.32db
29% Popularity • 63% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
29% Popularity • 63% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Hola A Todo El Mundo
You Know We Found New Words - Tremmme Re...
125 bpm • G min • 03:45 • -10.38db
0% Popularity • 67% Danceability • 61% Energy • 12% Liveness
7% Instrumentalness • 23% Positiveness
0% Popularity • 67% Danceability • 61% Energy • 12% Liveness
7% Instrumentalness • 23% Positiveness
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IS TROPICAL
Dancing Anymore
127 bpm • A Maj • 05:18 • -7db
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
50% Instrumentalness • 39% Positiveness
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
50% Instrumentalness • 39% Positiveness
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Mendetz
FutureSex
125 bpm • A# Maj • 05:30 • -5.84db
23% Popularity • 62% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 62% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Fuel Fandango
New Life
127 bpm • C Maj • 03:57 • -8db
28% Popularity • 67% Danceability • 65% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
28% Popularity • 67% Danceability • 65% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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The Sunday Drivers
She
127 bpm • E Maj • 03:29 • -4.57db
18% Popularity • 54% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 54% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Alondra Bentley
I Feel Alive
127 bpm • E Maj • 02:29 • -14.23db
17% Popularity • 60% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 60% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Hola A Todo El Mundo
True Metal
125 bpm • C# Maj • 03:59 • -11.17db
1% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Neuman
I Have the Will
125 bpm • G Maj • 03:33 • -15.59db
15% Popularity • 58% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 58% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Luthea Salom
37 Kisses
124 bpm • B Maj • 03:04 • -6.97db
9% Popularity • 72% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 72% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Mishima
Mentre floreixen les flors
128 bpm • B Maj • 03:22 • -6.99db
16% Popularity • 63% Danceability • 80% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
16% Popularity • 63% Danceability • 80% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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The Sunday Drivers
Time Time Time
124 bpm • F Maj • 02:53 • -5.7db
13% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Hazte lapón
Cómo funciona un corazón
124 bpm • C Maj • 03:54 • -8.45db
14% Popularity • 55% Danceability • 46% Energy • 36% Liveness
69% Instrumentalness • 25% Positiveness
14% Popularity • 55% Danceability • 46% Energy • 36% Liveness
69% Instrumentalness • 25% Positiveness
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Hola A Todo El Mundo
Turn out the Light
125 bpm • G Maj • 05:07 • -10.34db
10% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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bigott
Dead Mum Walking
128 bpm • A Maj • 02:54 • -9.79db
18% Popularity • 59% Danceability • 36% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
18% Popularity • 59% Danceability • 36% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
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Luthea Salom
Happy
124 bpm • A Maj • 03:46 • -7.14db
10% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Russian Red
They Don´t Believe
124 bpm • C Maj • 03:11 • -11db
25% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Uniform Motion
The Telephone Box
124 bpm • G# Maj • 04:51 • -9.07db
15% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Jero Romero
Haciendo eses
124 bpm • D Maj • 02:52 • -6.56db
15% Popularity • 89% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 89% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Hola A Todo El Mundo
Leon Comunion
125 bpm • D Maj • 05:22 • -8.78db
5% Popularity • 38% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
5% Popularity • 38% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
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Fuel Fandango
Maze
124 bpm • C Maj • 04:34 • -8.46db
10% Popularity • 63% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
10% Popularity • 63% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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La iaia
L'ós
128 bpm • C Maj • 06:14 • -7.69db
23% Popularity • 62% Danceability • 64% Energy • 8% Liveness
24% Instrumentalness • 21% Positiveness
23% Popularity • 62% Danceability • 64% Energy • 8% Liveness
24% Instrumentalness • 21% Positiveness
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Dutch Party
Paper Moon
128 bpm • C Maj • 03:07 • -4.6db
18% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Mucho
Más Feliz Sin Televisión
128 bpm • B Maj • 04:15 • -5.63db
20% Popularity • 56% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 56% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Pauline En La Playa
El Mundo Se Va a Acabar
128 bpm • D# Maj • 03:38 • -6.75db
21% Popularity • 57% Danceability • 68% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
21% Popularity • 57% Danceability • 68% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
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Hola A Todo El Mundo
And a Just Man Howls
124 bpm • F# Maj • 06:16 • -5.93db
2% Popularity • 34% Danceability • 68% Energy • 38% Liveness
5% Instrumentalness • 18% Positiveness
2% Popularity • 34% Danceability • 68% Energy • 38% Liveness
5% Instrumentalness • 18% Positiveness
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Love of Lesbian
Los seres únicos
124 bpm • C Maj • 04:04 • -6.27db
36% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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We Are Standard
The First Girl Who Got a Kiss Without a ...
124 bpm • C Maj • 03:38 • -3.28db
24% Popularity • 64% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 64% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Standstill
Que No Acabe El Dia
124 bpm • C Maj • 01:40 • -8.04db
22% Popularity • 41% Danceability • 28% Energy • 25% Liveness
2% Instrumentalness • 7% Positiveness
22% Popularity • 41% Danceability • 28% Energy • 25% Liveness
2% Instrumentalness • 7% Positiveness
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Joan Miquel Oliver
Flors de Cactus
124 bpm • F# min • 03:31 • -7.58db
21% Popularity • 67% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
21% Popularity • 67% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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Julio de la Rosa
Colecciono Sabotajes
124 bpm • C Maj • 05:39 • -9.25db
8% Popularity • 28% Danceability • 58% Energy • 8% Liveness
8% Instrumentalness • 43% Positiveness
8% Popularity • 28% Danceability • 58% Energy • 8% Liveness
8% Instrumentalness • 43% Positiveness
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Maria Coma
L'últim Cercle Polar
128 bpm • F# Maj • 04:38 • -13.44db
11% Popularity • 31% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
11% Popularity • 31% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Maria Rodés
Desorden
128 bpm • D min • 03:33 • -13.26db
24% Popularity • 43% Danceability • 38% Energy • 82% Liveness
45% Instrumentalness • 25% Positiveness
24% Popularity • 43% Danceability • 38% Energy • 82% Liveness
45% Instrumentalness • 25% Positiveness
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Marion Harper
Mr. Ponytail
129 bpm • D Maj • 03:07 • -7.63db
8% Popularity • 64% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 64% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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León Benavente
Ánimo, Valiente
129 bpm • A# Maj • 03:44 • -4.64db
40% Popularity • 51% Danceability • 87% Energy • 9% Liveness
70% Instrumentalness • 67% Positiveness
40% Popularity • 51% Danceability • 87% Energy • 9% Liveness
70% Instrumentalness • 67% Positiveness
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La iaia
El Meu Gos Se'N Va
123 bpm • G Maj • 02:06 • -7.76db
33% Popularity • 66% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 66% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Luthea Salom
Be Me
129 bpm • C Maj • 03:25 • -7.09db
21% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Cuchillo
Hora Bruja
129 bpm • G Maj • 03:53 • -11.28db
21% Popularity • 49% Danceability • 46% Energy • 13% Liveness
6% Instrumentalness • 7% Positiveness
21% Popularity • 49% Danceability • 46% Energy • 13% Liveness
6% Instrumentalness • 7% Positiveness
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Niño y pistola
Catch The Sun
129 bpm • C Maj • 03:45 • -5.77db
12% Popularity • 55% Danceability • 92% Energy • 52% Liveness
14% Instrumentalness • 86% Positiveness
12% Popularity • 55% Danceability • 92% Energy • 52% Liveness
14% Instrumentalness • 86% Positiveness
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Templeton
Miedo de Verdad y en Condiciones
130 bpm • G Maj • 03:41 • -7db
10% Popularity • 54% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
10% Popularity • 54% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
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Pau Vallvé
Vacances
130 bpm • C Maj • 03:59 • -7.53db
8% Popularity • 57% Danceability • 84% Energy • 11% Liveness
68% Instrumentalness • 50% Positiveness
8% Popularity • 57% Danceability • 84% Energy • 11% Liveness
68% Instrumentalness • 50% Positiveness
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Smile
Lucky Day
130 bpm • D Maj • 03:32 • -12.06db
13% Popularity • 73% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
13% Popularity • 73% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Niños Mutantes
Náufragos
130 bpm • F# min • 04:27 • -7db
27% Popularity • 55% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 55% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Jero Romero
Las leves
130 bpm • B Maj • 02:37 • -6db
23% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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I'm From Barcelona
Violins
130 bpm • B Maj • 03:34 • -3db
23% Popularity • 50% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 50% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Modelo de Respuesta Polar
Momentos similares
130 bpm • F# Maj • 04:07 • -6.37db
13% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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La Bien Querida
Sentido Común
130 bpm • D Maj • 03:05 • -13.78db
24% Popularity • 59% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 59% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Polock
Fireworks
130 bpm • B Maj • 03:41 • -4.9db
17% Popularity • 57% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 57% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Sunday Drivers
Passing You By
122 bpm • D Maj • 02:19 • -5db
13% Popularity • 52% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 52% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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bigott
Vaporcito
130 bpm • G Maj • 04:04 • -12db
13% Popularity • 64% Danceability • 52% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
13% Popularity • 64% Danceability • 52% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Fanfarlo
Finish Line
122 bpm • D Maj • 03:39 • -7db
23% Popularity • 63% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 63% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Standstill
La Familia Inventada - I. Algunos Recuer...
130 bpm • C min • 05:16 • -8db
14% Popularity • 52% Danceability • 58% Energy • 13% Liveness
42% Instrumentalness • 11% Positiveness
14% Popularity • 52% Danceability • 58% Energy • 13% Liveness
42% Instrumentalness • 11% Positiveness
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Mishima
Tot torna a començar
130 bpm • D Maj • 03:23 • -5.31db
25% Popularity • 56% Danceability • 83% Energy • 17% Liveness
58% Instrumentalness • 33% Positiveness
25% Popularity • 56% Danceability • 83% Energy • 17% Liveness
58% Instrumentalness • 33% Positiveness
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Francisco Nixon
Erasmus Borrachas
130 bpm • D Maj • 02:53 • -5db
19% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Amatria
Los Sofás de Mis Amigos
130 bpm • F# min • 02:36 • -7.15db
16% Popularity • 80% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 80% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Love of Lesbian
Allí donde solíamos gritar - Remixed b...
130 bpm • A# Maj • 06:25 • -9.99db
18% Popularity • 61% Danceability • 73% Energy • 69% Liveness
4% Instrumentalness • 68% Positiveness
18% Popularity • 61% Danceability • 73% Energy • 69% Liveness
4% Instrumentalness • 68% Positiveness
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Fanfarlo
Comets
122 bpm • G Maj • 05:44 • -7db
19% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Hola A Todo El Mundo
Future Graves
130 bpm • D Maj • 03:45 • -8.46db
4% Popularity • 44% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 11% Positiveness
4% Popularity • 44% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 11% Positiveness
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Luthea Salom
The Way Things Are
122 bpm • C Maj • 02:18 • -9.7db
29% Popularity • 81% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 81% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Pau Vallvé
Protagonistes
130 bpm • F# Maj • 04:01 • -7.9db
34% Popularity • 54% Danceability • 74% Energy • 12% Liveness
94% Instrumentalness • 90% Positiveness
34% Popularity • 54% Danceability • 74% Energy • 12% Liveness
94% Instrumentalness • 90% Positiveness
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Pajaro Sunrise
Lil' Gunner
130 bpm • G Maj • 01:38 • -10.49db
11% Popularity • 67% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
11% Popularity • 67% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Amatria
Cara de Monstruito
130 bpm • D Maj • 02:34 • -6.43db
10% Popularity • 68% Danceability • 70% Energy • 16% Liveness
9% Instrumentalness • 83% Positiveness
10% Popularity • 68% Danceability • 70% Energy • 16% Liveness
9% Instrumentalness • 83% Positiveness
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Love of Lesbian
La noche eterna
122 bpm • C Maj • 07:59 • -7.9db
32% Popularity • 24% Danceability • 55% Energy • 18% Liveness
5% Instrumentalness • 8% Positiveness
32% Popularity • 24% Danceability • 55% Energy • 18% Liveness
5% Instrumentalness • 8% Positiveness
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Christina Rosenvinge
Chicago (con Vetusta Morla)
122 bpm • A Maj • 05:08 • -8db
34% Popularity • 65% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 65% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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L.A.
Elizabeth
122 bpm • A Maj • 03:22 • -3db
15% Popularity • 58% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 58% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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The Sunday Drivers
Rainbows of Colours
130 bpm • A Maj • 04:18 • -6.49db
16% Popularity • 53% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
16% Popularity • 53% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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Mazoni
Per primer cop
122 bpm • A# Maj • 03:48 • -7.63db
11% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Hola A Todo El Mundo
(Estrella de Seis Puntas)
122 bpm • D Maj • 01:33 • -16.56db
1% Popularity • 33% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 33% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 33% Positiveness
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Corizonas
Hey Hey Hey (The News Today)
130 bpm • G Maj • 04:19 • -7db
9% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Herman Düne
Tell Me Something I Don't Know
121 bpm • F Maj • 03:35 • -8.76db
5% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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L.A.
Living by the Ocean
121 bpm • E Maj • 02:42 • -7.99db
25% Popularity • 73% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
25% Popularity • 73% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
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bigott
Cool Single Wedding
132 bpm • C Maj • 02:06 • -5.81db
18% Popularity • 56% Danceability • 76% Energy • 9% Liveness
67% Instrumentalness • 56% Positiveness
18% Popularity • 56% Danceability • 76% Energy • 9% Liveness
67% Instrumentalness • 56% Positiveness
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The Sunday Drivers
Everything Remind Me of You
122 bpm • D min • 01:41 • -4.61db
22% Popularity • 43% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 43% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Hola A Todo El Mundo
1=0
130 bpm • A Maj • 01:35 • -17.51db
1% Popularity • 16% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 16% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Ruidoblanco
Ni las intenciones
120 bpm • B Maj • 06:53 • -6.6db
9% Popularity • 33% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 33% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Delorean
As Time Breaks Off
132 bpm • D Maj • 04:53 • -7db
23% Popularity • 54% Danceability • 94% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
23% Popularity • 54% Danceability • 94% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
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Love of Lesbian
Agost
132 bpm • G Maj • 04:39 • -5.44db
13% Popularity • 53% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 53% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Bishop Allen
Click, Click, Click, Click
132 bpm • A Maj • 03:07 • -5db
32% Popularity • 76% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 76% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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La iaia
Declaració De Principis
132 bpm • C# Maj • 04:40 • -6.82db
35% Popularity • 74% Danceability • 87% Energy • 13% Liveness
13% Instrumentalness • 59% Positiveness
35% Popularity • 74% Danceability • 87% Energy • 13% Liveness
13% Instrumentalness • 59% Positiveness
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Hola A Todo El Mundo
The Past and the Son
132 bpm • E Maj • 03:20 • -13.27db
2% Popularity • 53% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 53% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
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Grises
Despierto
132 bpm • C Maj • 04:08 • -3.78db
9% Popularity • 34% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 34% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
