Songs like Android Ashley by Write Out Loud
Based on a tempo of (+/- 10%) and a similar genre
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Write Out Loud
Android Ashley
136 bpm • E Maj • 04:19 • -12db
30% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Steven Universe
Do It For Her
136 bpm • C Maj • 02:18 • -10db
59% Popularity • 48% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 48% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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SIX
Ex-Wives
136 bpm • C min • 06:39 • -8db
53% Popularity • 59% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 59% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 32% Positiveness
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Ferraro
wish you were gay
136 bpm • F Maj • 03:38 • -5.76db
46% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Kimiko Glenn
Separate Ways
136 bpm • G Maj • 02:08 • -14.44db
29% Popularity • 36% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 36% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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36 Questions
Answer 36
136 bpm • A Maj • 03:06 • -11.28db
30% Popularity • 62% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
30% Popularity • 62% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Andrew Underberg
Ready For This
137 bpm • C min • 03:29 • -4.87db
76% Popularity • 53% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
76% Popularity • 53% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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SIX
Ex-Wives
137 bpm • C min • 05:50 • -9.6db
66% Popularity • 70% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 70% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Sophia Anne Caruso
Dead Mom
135 bpm • D Maj • 03:04 • -6.55db
60% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
60% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor Trensch
Obvious - Bonus Track
135 bpm • G Maj • 04:14 • -8.85db
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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36 Questions
Hear Me Out
135 bpm • A Maj • 03:35 • -9db
33% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Sanders
Rhythm Redux
135 bpm • B Maj • 01:20 • -8db
43% Popularity • 76% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 76% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Ryan McCartan
Freeze Your Brain
135 bpm • G# Maj • 02:53 • -8.2db
59% Popularity • 50% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 50% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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SIX
Six
135 bpm • D# Maj • 03:59 • -6.25db
62% Popularity • 73% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 73% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Leanna Firestone
Suneater
135 bpm • D Maj • 03:59 • -10.57db
45% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bo Burnham
Hell of a Ride (Studio)
135 bpm • C# Maj • 04:23 • -4.62db
56% Popularity • 74% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 74% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Phillipa Soo
That Would Be Enough
137 bpm • D Maj • 02:58 • -10.28db
63% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Chris McCarrell
Good Kid
138 bpm • G# Maj • 03:24 • -6.81db
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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B. D'Addario as Flounder
She's In Love
138 bpm • C min • 03:39 • -16.89db
49% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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Oublaire
History Hates Lovers
138 bpm • F Maj • 03:43 • -15db
50% Popularity • 76% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 76% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Kate Rockwell
Sexy
134 bpm • G# Maj • 03:35 • -6.38db
62% Popularity • 82% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 82% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into
134 bpm • D# Maj • 02:44 • -7.28db
50% Popularity • 50% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 50% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Leslie Odom Jr.
Washington on Your Side
134 bpm • A# Maj • 03:01 • -10.22db
63% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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36 Questions
Natalie Cook
138 bpm • A min • 03:48 • -10db
35% Popularity • 59% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 59% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Steven Universe
Let Us Adore You - Reprise
138 bpm • D Maj • 01:52 • -10.82db
59% Popularity • 38% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 38% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Kate Gill
ken&barbie
133 bpm • C Maj • 04:11 • -6.51db
47% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Isabelle McCalla
Alyssa Greene
133 bpm • G# Maj • 02:30 • -10.69db
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Jeremy Jordan
Nothing Left to Lose
139 bpm • D Maj • 03:30 • -5.97db
51% Popularity • 36% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 36% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Leslie Odom Jr.
Guns and Ships
138 bpm • G Maj • 02:07 • -6.91db
68% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
68% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Megan Hilty
Fragile Things
133 bpm • C# min • 02:29 • -8db
36% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Steven Universe
Let Us Adore You
140 bpm • D Maj • 01:00 • -14.86db
49% Popularity • 47% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 47% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Kate Gill
barbie&ken
132 bpm • C Maj • 04:11 • -6db
46% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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PEGGY
Villains Aren't Born (They're Made)
140 bpm • F# min • 03:14 • -8db
55% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Daisy the Great
The Record Player Song
140 bpm • A Maj • 03:23 • -6db
48% Popularity • 64% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 64% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 69% Positiveness
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Cavetown
Lemon Boy
140 bpm • E Maj • 04:32 • -10.05db
64% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
64% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Barrett Wilbert Weed
I'd Rather Be Me
140 bpm • E Maj • 02:50 • -3.33db
56% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Melina KB
Ex-Girlfriend
140 bpm • B min • 02:19 • -6db
44% Popularity • 69% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 69% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Kaden MacKay
Your Stupid Face
140 bpm • D# Maj • 06:48 • -12.71db
54% Popularity • 58% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 58% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Gabby Sophia
fairytales
132 bpm • G min • 02:47 • -22.32db
52% Popularity • 75% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 75% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ricky Montgomery
This December
140 bpm • A Maj • 03:01 • -4.87db
63% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
63% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Halfy & Winks
Oblivion
140 bpm • F# min • 04:05 • -9.72db
43% Popularity • 36% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 36% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Leslie Odom Jr.
Alexander Hamilton
132 bpm • B min • 03:56 • -7.86db
71% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
71% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Lauren Marcus
Do You Wanna Ride?
141 bpm • A# Maj • 01:33 • -10.15db
30% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Barlow & Bear
If I Were a Man
141 bpm • F# min • 02:58 • -4.42db
52% Popularity • 71% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 71% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Wonu Ogunfowora
Wallflower
141 bpm • F# Maj • 02:51 • -7db
24% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Joriah Kwamé
Gia's Lament
142 bpm • E Maj • 03:34 • -9.69db
16% Popularity • 56% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 56% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Andrew Underberg
More Than Anything
131 bpm • F# Maj • 03:13 • -7.55db
78% Popularity • 49% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
78% Popularity • 49% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Phillipa Soo
Best of Wives and Best of Women
132 bpm • F Maj • 00:47 • -16.83db
58% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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StarKid Productions
Feast or Famine
131 bpm • C min • 02:50 • -9db
42% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Sydney Shepherd
Living Dead
142 bpm • E Maj • 04:38 • -5.24db
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Thomas Sanders
The Things We Used to Share
142 bpm • C Maj • 03:23 • -8.68db
41% Popularity • 62% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 62% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Jessica Keenan Wynn
Candy Store
142 bpm • C# min • 02:52 • -5.91db
67% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
67% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Katherine Lynn-Rose
Price of Perfection
142 bpm • C min • 03:26 • -9.66db
48% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Leslie Odom Jr.
A Winter's Ball
131 bpm • G# Maj • 01:09 • -10.83db
65% Popularity • 85% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
65% Popularity • 85% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Melina KB
Baby Steps
142 bpm • C Maj • 02:17 • -6db
31% Popularity • 82% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 82% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • G min • 05:58 • -8db
34% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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OR3O
Turn It Down
130 bpm • E min • 03:49 • -2.7db
48% Popularity • 58% Danceability • 93% Energy • 49% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 58% Danceability • 93% Energy • 49% Liveness
0% Instrumentalness • 80% Positiveness
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Varian
Let Me Make You Proud
142 bpm • C Maj • 02:07 • -6.28db
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Katherine Lynn-Rose
Fight Like a Girl
130 bpm • A min • 03:02 • -16.29db
38% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Original Broadway Cast of Hamilton
The Reynolds Pamphlet
142 bpm • C min • 02:08 • -8.54db
63% Popularity • 75% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 75% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Mad Tsai
Boy Bi
130 bpm • F Maj • 02:22 • -5.07db
54% Popularity • 71% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 71% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Cody Fry
Underground
130 bpm • F Maj • 02:51 • -12db
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Rob Rokicki
Try - Bonus Track
130 bpm • D Maj • 03:36 • -6db
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Jenny Rose Baker
Move On
130 bpm • C# Maj • 04:20 • -8.12db
18% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Renée Elise Goldsberry
It's Quiet Uptown
130 bpm • F Maj • 04:30 • -14.08db
62% Popularity • 48% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
62% Popularity • 48% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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36 Questions
Listen Back
129 bpm • C Maj • 04:27 • -13db
28% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Melina KB
Never Acting at All
129 bpm • C Maj • 02:25 • -7db
50% Popularity • 75% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 75% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
53% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Lightning Thief Company
Bring on the Monsters
144 bpm • C min • 02:44 • -6.46db
41% Popularity • 48% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
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Jessie Mueller
Rider's Lullaby
129 bpm • C Maj • 01:04 • -14db
50% Popularity • 36% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 36% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Penelope Scott
Rät
144 bpm • F min • 03:14 • -13db
72% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
72% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Thomas Sanders
The Bad Guy
144 bpm • D min • 03:32 • -4.55db
24% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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SIX
All You Wanna Do
144 bpm • B min • 06:50 • -7.97db
64% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Brightman
Fright of Their Lives
144 bpm • A Maj • 03:44 • -5.49db
50% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Melina KB
Playing Adult
128 bpm • F min • 02:05 • -6.43db
40% Popularity • 85% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 85% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Amber Efe
There! Right There!
128 bpm • D Maj • 03:27 • -11.14db
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Sanders
Recipe for Me
128 bpm • G# Maj • 05:42 • -8.78db
30% Popularity • 41% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 41% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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SIX
All You Wanna Do
144 bpm • B min • 07:42 • -9db
54% Popularity • 60% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 60% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Platt
Waving Through A Window
145 bpm • A Maj • 03:56 • -5.54db
60% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Madelynne Whitt
Where the Watermelons Rot
145 bpm • A Maj • 02:46 • -20.87db
50% Popularity • 46% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 46% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Melina KB
Let Me Explode
128 bpm • C min • 02:50 • -5.73db
30% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Write Out Loud
Pity Party
128 bpm • E Maj • 04:18 • -6.98db
14% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Sanders
On the Borderline
145 bpm • G Maj • 04:49 • -7.36db
30% Popularity • 32% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 32% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Aaliyah Rose
Warriors (She-Ra and the Princesses of P...
145 bpm • A min • 02:26 • -3.13db
44% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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SIX
The MegaSIX
144 bpm • G# Maj • 02:48 • -6db
53% Popularity • 53% Danceability • 94% Energy • 86% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 53% Danceability • 94% Energy • 86% Liveness
0% Instrumentalness • 31% Positiveness
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Patrick Page
Hey, Little Songbird
127 bpm • C min • 03:32 • -12.85db
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Will Connolly
More Than Survive
146 bpm • C Maj • 08:00 • -7.61db
40% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Barrett Wilbert Weed
Someone Gets Hurt (Reprise)
146 bpm • F# Maj • 00:49 • -5.5db
58% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kimiko Glenn
Hello Rainbow Road
126 bpm • C Maj • 02:27 • -7.62db
35% Popularity • 41% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 41% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Steven Universe
Found
126 bpm • F Maj • 01:26 • -17.49db
48% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Bo Burnham
Goodbye
126 bpm • G Maj • 04:09 • -9.94db
62% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Bryce Pinkham
It's Not Like In The Movies
147 bpm • A Maj • 04:44 • -6.67db
17% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Rob McClure
Ready Set, Not Yet
146 bpm • G Maj • 03:42 • -7.05db
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
