Songs like Ángel Malo by Mercedes Cañas
Based on a tempo of (+/- 10%) and a similar genre
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Besmaya
Matar la Pena
145 bpm • G Maj • 02:32 • -7.05db
60% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 70% Positiveness
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Marazu
Abrázame
145 bpm • C# Maj • 04:10 • -4.85db
37% Popularity • 57% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 57% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Malmö 040
Inmortal
145 bpm • G# Maj • 03:35 • -4.44db
50% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Ultraligera
Recuerdos del Baile
145 bpm • G# min • 03:41 • -6db
30% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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mafalda cardenal
a ella la llevas a paris
145 bpm • C# Maj • 03:24 • -4db
36% Popularity • 56% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 56% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Paula Koops
Desde que no estás
145 bpm • C min • 02:52 • -4.97db
43% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Mercedes Cañas
Ángel Malo
145 bpm • A Maj • 03:02 • -8db
36% Popularity • 52% Danceability • 73% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
36% Popularity • 52% Danceability • 73% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
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Morochos
Agüita de Coco
146 bpm • A# Maj • 03:11 • -8db
31% Popularity • 70% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 70% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Paula Mattheus
Me Pasaste Tú
146 bpm • C Maj • 03:13 • -4.6db
44% Popularity • 65% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 65% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Sidecars
Volando en círculos
146 bpm • G Maj • 04:14 • -5.58db
25% Popularity • 53% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 53% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Cheti
Ojalá
146 bpm • G Maj • 02:57 • -10.42db
21% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Paula Koops
Tal Vez
146 bpm • D Maj • 03:07 • -4.18db
39% Popularity • 65% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 65% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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MARLENA
Último Baile
144 bpm • B min • 02:59 • -2.94db
59% Popularity • 74% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 74% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Marta Soto
Volvería
144 bpm • G# Maj • 03:37 • -5.07db
21% Popularity • 48% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 48% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Mercedes Cañas
Barquito de Nuez
144 bpm • C# Maj • 02:58 • -9.53db
39% Popularity • 61% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 61% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Pablo Moreno
Mi Reina Republicana
146 bpm • D Maj • 03:19 • -8db
30% Popularity • 54% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 54% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Cheti
No hay verano sin beso
144 bpm • F Maj • 02:40 • -6.75db
13% Popularity • 64% Danceability • 53% Energy • 76% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 64% Danceability • 53% Energy • 76% Liveness
0% Instrumentalness • 63% Positiveness
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Íñigo Merino
Si No Estáis
143 bpm • B Maj • 03:48 • -7.89db
20% Popularity • 70% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 70% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Ultraligera
Europa
143 bpm • D# Maj • 03:54 • -7.44db
25% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Paula Koops
Tiempo
148 bpm • F Maj • 03:08 • -6db
40% Popularity • 53% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 53% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Mercedes Cañas
8 que 80
148 bpm • A# Maj • 02:46 • -6.93db
32% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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David Cuello
Enero 2020
142 bpm • E Maj • 02:56 • -10db
22% Popularity • 84% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 84% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mr. Kilombo
Invencibles
142 bpm • E Maj • 03:49 • -6.23db
36% Popularity • 57% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 57% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Melocos
Cuando Me Vaya de Aquí
142 bpm • C# Maj • 03:29 • -3.62db
46% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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David Rees
Radio 2000
142 bpm • G Maj • 03:33 • -6.65db
38% Popularity • 65% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 65% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Íñigo Merino
Contigo y Sin Ti
142 bpm • G Maj • 02:32 • -9.82db
36% Popularity • 71% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 71% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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ERRE
Me pongo a brillar
149 bpm • A Maj • 02:34 • -8.2db
32% Popularity • 57% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 57% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Pablo Moreno
TR3S MESES
141 bpm • D Maj • 03:12 • -6.94db
28% Popularity • 63% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 63% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Mercedes Cañas
Que Se Sepa
150 bpm • E Maj • 02:10 • -17db
39% Popularity • 50% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 50% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Juana
Quebradizo
140 bpm • C# Maj • 03:13 • -7.03db
25% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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BER
Colmillos
150 bpm • G Maj • 03:40 • -6db
29% Popularity • 45% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Begut
En Común en Instagram
150 bpm • C Maj • 02:35 • -8.1db
11% Popularity • 67% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 67% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Ciao Marina
Todo Lo Que Pido
150 bpm • G# Maj • 02:40 • -9db
48% Popularity • 69% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 69% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Lucas Colman
Un instante
150 bpm • E Maj • 03:10 • -5.99db
12% Popularity • 41% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 41% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Borja Navarro
El tiempo me ha dicho (Ft. Marwan)
150 bpm • C Maj • 03:44 • -6db
27% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Despistaos
Expertos Kamikazes
150 bpm • C# Maj • 03:21 • -4.45db
25% Popularity • 50% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
25% Popularity • 50% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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BER
Vuelo
150 bpm • G# Maj • 02:54 • -3.93db
31% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Besmaya
Frágiles
150 bpm • C# min • 03:05 • -5.44db
34% Popularity • 63% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 63% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Paula Mattheus
Te Lo Dije de Verdad
150 bpm • C Maj • 03:08 • -6.11db
49% Popularity • 69% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 69% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Samuraï
Otro rollo
150 bpm • C Maj • 03:03 • -7db
45% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Ciao Marina
Wendy
150 bpm • F Maj • 03:22 • -14.02db
28% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Paula Koops
tres años sin verte
150 bpm • D Maj • 03:06 • -5.44db
29% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Malmö 040
Virginia
140 bpm • A# min • 03:49 • -4.84db
33% Popularity • 63% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 63% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Besmaya
Donosti
140 bpm • E Maj • 02:47 • -16db
40% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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ERRE
La Reina de los Rocks
140 bpm • G Maj • 03:11 • -7db
24% Popularity • 54% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
24% Popularity • 54% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Pol 3.14
No te lo pienses más
140 bpm • C Maj • 03:05 • -6.01db
33% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Noan
7 VIDAS
140 bpm • G# Maj • 03:48 • -6.31db
26% Popularity • 67% Danceability • 64% Energy • 59% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 67% Danceability • 64% Energy • 59% Liveness
0% Instrumentalness • 86% Positiveness
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Mercedes Cañas
Brillo
140 bpm • F min • 03:16 • -6.81db
31% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Malmö 040
Un Día Más (de Septiembre)
140 bpm • C# Maj • 03:00 • -6.76db
57% Popularity • 69% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
57% Popularity • 69% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Íñigo Merino
I Love You
140 bpm • E Maj • 02:50 • -6.13db
28% Popularity • 68% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 68% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Pavlenha
Tierno Galván
140 bpm • C Maj • 04:00 • -7.41db
23% Popularity • 56% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 56% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Inazio
Rutas Salvajes
140 bpm • G# min • 04:08 • -10.55db
41% Popularity • 53% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 53% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Paul Alone
No Valgo Pa' Ciudad
140 bpm • F Maj • 03:06 • -8.96db
45% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Besmaya
Me Dará Igual
140 bpm • A Maj • 03:27 • -4.28db
36% Popularity • 62% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 62% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Lemot
Estaba Claro
140 bpm • G# min • 03:37 • -10.14db
21% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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ERRE
Ahora que
140 bpm • F Maj • 03:45 • -6.82db
23% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Tres Caladas
Con Cada Luna
140 bpm • E min • 03:24 • -4.23db
33% Popularity • 52% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 52% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Hey Kid
te quedas?
140 bpm • F Maj • 02:48 • -13.49db
46% Popularity • 50% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 50% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Cheti
Tequila Sal
139 bpm • F# Maj • 02:55 • -9.76db
34% Popularity • 60% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 60% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Besmaya
si sales a x mi
140 bpm • C Maj • 03:18 • -6db
25% Popularity • 75% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 75% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Samuraï
Cafeína
139 bpm • D min • 02:53 • -3.94db
42% Popularity • 78% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 78% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Gonzalo Hermida
13500 Pulsaciones
140 bpm • G# min • 03:36 • -6.27db
26% Popularity • 50% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 50% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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MARLENA
bailamorena
152 bpm • C# Maj • 02:48 • -4.98db
61% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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LAFAMA
Malherido
138 bpm • G# min • 02:51 • -7.43db
27% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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DM
Ni te imaginas
152 bpm • G Maj • 03:00 • -4.42db
32% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Yoly Saa
Galicia
152 bpm • C min • 03:42 • -6.63db
27% Popularity • 46% Danceability • 53% Energy • 95% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 46% Danceability • 53% Energy • 95% Liveness
0% Instrumentalness • 34% Positiveness
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Mercedes Cañas
Tell Me How
138 bpm • F# min • 03:15 • -12.19db
17% Popularity • 50% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 50% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Pavlenha
El Sentimiento
138 bpm • F Maj • 03:15 • -7.14db
13% Popularity • 53% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 53% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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La Azotea
Madrid Es Rock 'N' Roll
138 bpm • A# Maj • 03:30 • -10db
17% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Mr. Kilombo
Ambivalencia
153 bpm • E Maj • 03:52 • -7.36db
35% Popularity • 74% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 74% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Paula Koops
por qué vuelvo a quererte?
153 bpm • C Maj • 02:46 • -3.81db
38% Popularity • 60% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 60% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Lemot
No Me Lo Creo Ni Yo
137 bpm • B Maj • 02:50 • -3.91db
29% Popularity • 61% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 61% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Sidecars
Noches de guardia
137 bpm • F Maj • 03:29 • -5db
41% Popularity • 69% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
41% Popularity • 69% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Yoly Saa
Expectativas
154 bpm • F min • 03:25 • -7.58db
21% Popularity • 53% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
21% Popularity • 53% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Éxtasis
Vivir Lento
154 bpm • F# Maj • 03:56 • -5.49db
12% Popularity • 48% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 48% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Mr. Kilombo
Cortocircuitos
153 bpm • B Maj • 04:05 • -6db
39% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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La Pegatina
Te veré cuando yo quiera
154 bpm • E min • 03:38 • -5db
27% Popularity • 62% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 62% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mi Hermano y Yo
Yo Me Voy Contigo
154 bpm • A Maj • 03:05 • -7db
27% Popularity • 52% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 52% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Noan
No me pidas perdón
154 bpm • A# Maj • 03:14 • -7.61db
23% Popularity • 59% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 59% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Paula Koops
siempre te olvidé
154 bpm • D Maj • 02:37 • -5.3db
38% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Samantha Palos
Nos volveremos a ver
154 bpm • C Maj • 03:05 • -6.57db
35% Popularity • 60% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 60% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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BER
El Último Portazo
154 bpm • E Maj • 03:01 • -8db
45% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Farga
A Medias
136 bpm • G Maj • 03:48 • -7.75db
27% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Tuki
El cielo
136 bpm • D Maj • 03:21 • -17.02db
23% Popularity • 56% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
23% Popularity • 56% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
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Noan
Nunca volverá
136 bpm • A Maj • 03:10 • -4db
39% Popularity • 54% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 54% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Pol 3.14
Lo bueno de lo malo
155 bpm • C Maj • 03:25 • -6.3db
39% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Íñigo Merino
Dudo y Tiemblo
155 bpm • G# Maj • 03:16 • -5.26db
20% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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mafalda cardenal
me gustas mas que un bigmac
155 bpm • C Maj • 03:19 • -5.14db
35% Popularity • 62% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 62% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Morochos
Vivir para mí
155 bpm • G Maj • 03:57 • -7db
45% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Malmö 040
Lo Que Hay Dentro de Mí
155 bpm • G# Maj • 03:10 • -5.67db
48% Popularity • 57% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 57% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
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Noan
Aquí Contigo
155 bpm • G# Maj • 03:01 • -7.88db
29% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Mercedes Cañas
Ruido - Acústico
135 bpm • A Maj • 02:27 • -12.13db
16% Popularity • 53% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 53% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Ciao Marina
Niña Pequeña
135 bpm • G min • 03:04 • -15.99db
13% Popularity • 62% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 62% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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MARLENA
Un Verano Sin Ti
135 bpm • A Maj • 03:03 • -6db
46% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sara Mostaza
Sin Mi
135 bpm • A# Maj • 03:20 • -7.92db
30% Popularity • 79% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 79% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Malmö 040
La Última Canción
135 bpm • E Maj • 03:05 • -8.71db
60% Popularity • 69% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 69% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
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Gala Nell
clones de ti
135 bpm • A Maj • 02:56 • -11.82db
21% Popularity • 67% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 67% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Paula Koops
Magia en Caos
135 bpm • F# Maj • 03:22 • -5.33db
49% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
