Songs like Animate-Inanimate by John Petrucci
Based on a tempo of (+/- 10%) and a similar genre
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John Petrucci
Animate-Inanimate
134 bpm • D Maj • 11:37 • -6db
24% Popularity • 42% Danceability • 86% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
24% Popularity • 42% Danceability • 86% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Michael Angelo Batio
All Systems
134 bpm • A# Maj • 01:39 • -8.02db
19% Popularity • 49% Danceability • 96% Energy • 10% Liveness
91% Instrumentalness • 70% Positiveness
19% Popularity • 49% Danceability • 96% Energy • 10% Liveness
91% Instrumentalness • 70% Positiveness
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Guthrie Govan
Sevens
134 bpm • C min • 05:57 • -5db
33% Popularity • 49% Danceability • 87% Energy • 3% Liveness
62% Instrumentalness • 65% Positiveness
33% Popularity • 49% Danceability • 87% Energy • 3% Liveness
62% Instrumentalness • 65% Positiveness
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The Winery Dogs
How Long
134 bpm • C# min • 03:55 • -5.21db
3% Popularity • 49% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 49% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Derek Sherinian
Die Kobra
133 bpm • B min • 06:44 • -6.56db
10% Popularity • 30% Danceability • 91% Energy • 36% Liveness
89% Instrumentalness • 42% Positiveness
10% Popularity • 30% Danceability • 91% Energy • 36% Liveness
89% Instrumentalness • 42% Positiveness
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Circus Maximus
Used
135 bpm • E Maj • 04:51 • -6db
22% Popularity • 47% Danceability • 95% Energy • 25% Liveness
26% Instrumentalness • 45% Positiveness
22% Popularity • 47% Danceability • 95% Energy • 25% Liveness
26% Instrumentalness • 45% Positiveness
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John Petrucci
Temple Of Circadia
133 bpm • E min • 07:10 • -5db
37% Popularity • 27% Danceability • 96% Energy • 11% Liveness
50% Instrumentalness • 32% Positiveness
37% Popularity • 27% Danceability • 96% Energy • 11% Liveness
50% Instrumentalness • 32% Positiveness
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Michael Angelo Batio
No Boundaries
133 bpm • G min • 03:43 • -10.28db
34% Popularity • 18% Danceability • 88% Energy • 13% Liveness
60% Instrumentalness • 40% Positiveness
34% Popularity • 18% Danceability • 88% Energy • 13% Liveness
60% Instrumentalness • 40% Positiveness
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Bumblefoot
Cintaku
133 bpm • C# min • 04:47 • -6db
28% Popularity • 57% Danceability • 88% Energy • 9% Liveness
44% Instrumentalness • 35% Positiveness
28% Popularity • 57% Danceability • 88% Energy • 9% Liveness
44% Instrumentalness • 35% Positiveness
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Kiko Loureiro
Enfermo
135 bpm • C# Maj • 04:02 • -5db
28% Popularity • 42% Danceability • 96% Energy • 56% Liveness
92% Instrumentalness • 13% Positiveness
28% Popularity • 42% Danceability • 96% Energy • 56% Liveness
92% Instrumentalness • 13% Positiveness
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Ethan Brosh
The Hit Man
135 bpm • G Maj • 04:05 • -5.87db
10% Popularity • 46% Danceability • 87% Energy • 15% Liveness
88% Instrumentalness • 64% Positiveness
10% Popularity • 46% Danceability • 87% Energy • 15% Liveness
88% Instrumentalness • 64% Positiveness
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Subsignal
La Muerta
135 bpm • G# min • 06:00 • -4.88db
31% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Timmons
Theme from a Perfect World
133 bpm • F# Maj • 07:26 • -9.34db
24% Popularity • 27% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
24% Popularity • 27% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Octavision
Coexist
135 bpm • B min • 07:48 • -3db
16% Popularity • 38% Danceability • 95% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
16% Popularity • 38% Danceability • 95% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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Gus G.
Fearless
135 bpm • F Maj • 04:24 • -6db
31% Popularity • 47% Danceability • 98% Energy • 18% Liveness
87% Instrumentalness • 32% Positiveness
31% Popularity • 47% Danceability • 98% Energy • 18% Liveness
87% Instrumentalness • 32% Positiveness
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Circus Maximus
Glory of the Empire
135 bpm • G Maj • 10:27 • -4.55db
20% Popularity • 51% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 51% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Romeo
Just Before the Dawn
135 bpm • G min • 05:01 • -6.4db
28% Popularity • 48% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 48% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Andy Wood
A Lie
133 bpm • D min • 03:15 • -6.16db
15% Popularity • 44% Danceability • 96% Energy • 33% Liveness
89% Instrumentalness • 67% Positiveness
15% Popularity • 44% Danceability • 96% Energy • 33% Liveness
89% Instrumentalness • 67% Positiveness
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Joe Stump
Prelude
133 bpm • G# min • 01:03 • -5db
33% Popularity • 20% Danceability • 94% Energy • 40% Liveness
91% Instrumentalness • 38% Positiveness
33% Popularity • 20% Danceability • 94% Energy • 40% Liveness
91% Instrumentalness • 38% Positiveness
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Guthrie Govan
Eric
132 bpm • D# Maj • 05:05 • -4.15db
29% Popularity • 35% Danceability • 83% Energy • 34% Liveness
7% Instrumentalness • 22% Positiveness
29% Popularity • 35% Danceability • 83% Energy • 34% Liveness
7% Instrumentalness • 22% Positiveness
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Mattias IA Eklundh
Midsummer Night in Hell
132 bpm • G Maj • 02:01 • -6.44db
17% Popularity • 52% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
17% Popularity • 52% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Joey Tafolla
Out of the Sun
136 bpm • E min • 02:58 • -10.67db
13% Popularity • 24% Danceability • 86% Energy • 14% Liveness
91% Instrumentalness • 20% Positiveness
13% Popularity • 24% Danceability • 86% Energy • 14% Liveness
91% Instrumentalness • 20% Positiveness
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The Neal Morse Band
Bird on a Wire
132 bpm • A# min • 07:22 • -6.68db
18% Popularity • 42% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 42% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Angelo Batio
Wherever I May Roam
132 bpm • D# Maj • 05:31 • -5.95db
11% Popularity • 45% Danceability • 92% Energy • 7% Liveness
55% Instrumentalness • 27% Positiveness
11% Popularity • 45% Danceability • 92% Energy • 7% Liveness
55% Instrumentalness • 27% Positiveness
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Joe Stump
Chasin’ The Dragon
132 bpm • C# min • 05:11 • -2db
17% Popularity • 38% Danceability • 100% Energy • 23% Liveness
81% Instrumentalness • 13% Positiveness
17% Popularity • 38% Danceability • 100% Energy • 23% Liveness
81% Instrumentalness • 13% Positiveness
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John Petrucci
Damage Control
136 bpm • D Maj • 09:15 • -4.52db
33% Popularity • 43% Danceability • 91% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
33% Popularity • 43% Danceability • 91% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Andy Timmons
All Is Forgiven
132 bpm • G Maj • 04:32 • -9.9db
26% Popularity • 51% Danceability • 81% Energy • 10% Liveness
67% Instrumentalness • 32% Positiveness
26% Popularity • 51% Danceability • 81% Energy • 10% Liveness
67% Instrumentalness • 32% Positiveness
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Guthrie Govan
Uncle Skunk
136 bpm • E Maj • 05:29 • -6.68db
32% Popularity • 54% Danceability • 94% Energy • 32% Liveness
60% Instrumentalness • 66% Positiveness
32% Popularity • 54% Danceability • 94% Energy • 32% Liveness
60% Instrumentalness • 66% Positiveness
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Sieges Even
When Alpha and Omega Collide
136 bpm • A Maj • 05:52 • -6.15db
11% Popularity • 52% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 52% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Winery Dogs
Oblivion
132 bpm • G Maj • 04:11 • -5db
13% Popularity • 44% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 44% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Transatlantic
The World We Used to Know
137 bpm • C min • 09:21 • -7.4db
15% Popularity • 28% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 28% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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George Bellas
Fast and Furious
131 bpm • B min • 03:10 • -3.54db
13% Popularity • 50% Danceability • 99% Energy • 31% Liveness
70% Instrumentalness • 37% Positiveness
13% Popularity • 50% Danceability • 99% Energy • 31% Liveness
70% Instrumentalness • 37% Positiveness
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John Petrucci
Damage Control - Live at the Tokyo Forum...
137 bpm • G Maj • 10:31 • -6.14db
24% Popularity • 28% Danceability • 97% Energy • 72% Liveness
93% Instrumentalness • 37% Positiveness
24% Popularity • 28% Danceability • 97% Energy • 72% Liveness
93% Instrumentalness • 37% Positiveness
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Jan Cyrka
Hairy Times
137 bpm • E Maj • 02:17 • -4.32db
30% Popularity • 39% Danceability • 84% Energy • 13% Liveness
78% Instrumentalness • 43% Positiveness
30% Popularity • 39% Danceability • 84% Energy • 13% Liveness
78% Instrumentalness • 43% Positiveness
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Sieges Even
Sequence II: The Lonely Views of Condors
137 bpm • D Maj • 06:14 • -5db
12% Popularity • 38% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 38% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Bad Salad
Crowded Sky
131 bpm • D Maj • 06:31 • -6db
13% Popularity • 49% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
13% Popularity • 49% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Transatlantic
Overture
131 bpm • C# Maj • 08:11 • -7.68db
20% Popularity • 25% Danceability • 83% Energy • 54% Liveness
80% Instrumentalness • 18% Positiveness
20% Popularity • 25% Danceability • 83% Energy • 54% Liveness
80% Instrumentalness • 18% Positiveness
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George Lynch
Love Power from the Mama Head
131 bpm • C# min • 05:29 • -7.58db
19% Popularity • 45% Danceability • 94% Energy • 5% Liveness
92% Instrumentalness • 83% Positiveness
19% Popularity • 45% Danceability • 94% Energy • 5% Liveness
92% Instrumentalness • 83% Positiveness
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Liquid Tension Experiment
Paradigm Shift
137 bpm • G Maj • 08:55 • -3db
38% Popularity • 30% Danceability • 91% Energy • 40% Liveness
88% Instrumentalness • 65% Positiveness
38% Popularity • 30% Danceability • 91% Energy • 40% Liveness
88% Instrumentalness • 65% Positiveness
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Mullmuzzler
Statued
131 bpm • D min • 03:25 • -6.87db
17% Popularity • 57% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 57% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Johnston
Silver Tongued Devil
130 bpm • C# min • 08:14 • -5db
21% Popularity • 39% Danceability • 90% Energy • 26% Liveness
80% Instrumentalness • 38% Positiveness
21% Popularity • 39% Danceability • 90% Energy • 26% Liveness
80% Instrumentalness • 38% Positiveness
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Cosmosquad
Jam Forjason
130 bpm • C# min • 08:05 • -7.9db
8% Popularity • 56% Danceability • 89% Energy • 14% Liveness
80% Instrumentalness • 58% Positiveness
8% Popularity • 56% Danceability • 89% Energy • 14% Liveness
80% Instrumentalness • 58% Positiveness
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Transatlantic
Reaching for the Sky
131 bpm • A# Maj • 05:40 • -6.24db
13% Popularity • 38% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 38% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 32% Positiveness
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Bumblefoot
Women Rule the World
138 bpm • G min • 05:06 • -3.85db
9% Popularity • 44% Danceability • 94% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 44% Danceability • 94% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
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Spock's Beard
Minion
130 bpm • G Maj • 06:56 • -7.47db
9% Popularity • 61% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 61% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Neil Zaza
I'm Alright
130 bpm • E Maj • 04:02 • -6.53db
32% Popularity • 48% Danceability • 86% Energy • 20% Liveness
72% Instrumentalness • 33% Positiveness
32% Popularity • 48% Danceability • 86% Energy • 20% Liveness
72% Instrumentalness • 33% Positiveness
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Guthrie Govan
Slidey Boy
130 bpm • G Maj • 04:35 • -6.61db
30% Popularity • 62% Danceability • 82% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
30% Popularity • 62% Danceability • 82% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
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Dali's Dilemma
Within A Stare
130 bpm • E min • 05:50 • -7db
11% Popularity • 52% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 52% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Transatlantic
Heart Like a Whirlwind
131 bpm • A# Maj • 05:11 • -6.19db
22% Popularity • 39% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 39% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 28% Positiveness
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Opeth
Continuum
130 bpm • A min • 07:22 • -8.7db
23% Popularity • 51% Danceability • 53% Energy • 15% Liveness
51% Instrumentalness • 25% Positiveness
23% Popularity • 51% Danceability • 53% Energy • 15% Liveness
51% Instrumentalness • 25% Positiveness
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Torben Enevoldsen
Indian Summer
130 bpm • A Maj • 04:48 • -6db
10% Popularity • 42% Danceability • 71% Energy • 4% Liveness
62% Instrumentalness • 21% Positiveness
10% Popularity • 42% Danceability • 71% Energy • 4% Liveness
62% Instrumentalness • 21% Positiveness
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Cesar Huesca
Rockin' Red Carpet
130 bpm • B min • 04:58 • -9.72db
9% Popularity • 56% Danceability • 82% Energy • 32% Liveness
83% Instrumentalness • 85% Positiveness
9% Popularity • 56% Danceability • 82% Energy • 32% Liveness
83% Instrumentalness • 85% Positiveness
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Nick Johnston
Last Deals of Dead Men
130 bpm • D# min • 06:18 • -5db
23% Popularity • 38% Danceability • 76% Energy • 19% Liveness
84% Instrumentalness • 49% Positiveness
23% Popularity • 38% Danceability • 76% Energy • 19% Liveness
84% Instrumentalness • 49% Positiveness
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James Labrie
Pretender
130 bpm • F# Maj • 05:33 • -3.98db
19% Popularity • 50% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 50% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Kiko Loureiro
Liquid Times
130 bpm • E Maj • 04:49 • -5.44db
24% Popularity • 45% Danceability • 95% Energy • 46% Liveness
74% Instrumentalness • 19% Positiveness
24% Popularity • 45% Danceability • 95% Energy • 46% Liveness
74% Instrumentalness • 19% Positiveness
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Vanden Plas
Silently - Christ 0
130 bpm • G# Maj • 08:31 • -5.79db
19% Popularity • 51% Danceability • 90% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
19% Popularity • 51% Danceability • 90% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
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Neil Zaza
Violet Twilight
138 bpm • G# min • 04:18 • -2.52db
22% Popularity • 34% Danceability • 90% Energy • 10% Liveness
71% Instrumentalness • 40% Positiveness
22% Popularity • 34% Danceability • 90% Energy • 10% Liveness
71% Instrumentalness • 40% Positiveness
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David Valdes
Run Up te Melody
130 bpm • D# min • 04:10 • -2.59db
10% Popularity • 41% Danceability • 98% Energy • 6% Liveness
88% Instrumentalness • 39% Positiveness
10% Popularity • 41% Danceability • 98% Energy • 6% Liveness
88% Instrumentalness • 39% Positiveness
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Plini
Cascade
130 bpm • F# Maj • 06:00 • -5.8db
41% Popularity • 49% Danceability • 84% Energy • 13% Liveness
90% Instrumentalness • 45% Positiveness
41% Popularity • 49% Danceability • 84% Energy • 13% Liveness
90% Instrumentalness • 45% Positiveness
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James Labrie
Drained
130 bpm • C# min • 05:10 • -4.65db
15% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Circus Maximus
Why Am I Here
130 bpm • C Maj • 06:05 • -3.66db
15% Popularity • 53% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 53% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Jan Cyrka
Hell and High Water
130 bpm • A Maj • 01:01 • -6db
36% Popularity • 48% Danceability • 90% Energy • 59% Liveness
92% Instrumentalness • 57% Positiveness
36% Popularity • 48% Danceability • 90% Energy • 59% Liveness
92% Instrumentalness • 57% Positiveness
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Andromeda
Going Under
130 bpm • D Maj • 06:27 • -9.64db
21% Popularity • 30% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
21% Popularity • 30% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Andy Timmons
Groove or Die
130 bpm • C# Maj • 02:28 • -7.34db
35% Popularity • 39% Danceability • 93% Energy • 30% Liveness
82% Instrumentalness • 43% Positiveness
35% Popularity • 39% Danceability • 93% Energy • 30% Liveness
82% Instrumentalness • 43% Positiveness
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Haken
Messiah Complex iii: Marigold
138 bpm • G Maj • 02:24 • -7.4db
31% Popularity • 26% Danceability • 91% Energy • 17% Liveness
12% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 91% Energy • 17% Liveness
12% Instrumentalness • 7% Positiveness
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Paul Gilbert
Gilberto Concerto
139 bpm • A Maj • 07:50 • -5.98db
21% Popularity • 49% Danceability • 56% Energy • 9% Liveness
76% Instrumentalness • 81% Positiveness
21% Popularity • 49% Danceability • 56% Energy • 9% Liveness
76% Instrumentalness • 81% Positiveness
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Nili Brosh
The Spring Tune
139 bpm • A min • 04:09 • -6.02db
25% Popularity • 23% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
25% Popularity • 23% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Liquid Tension Experiment
Liquid Evolution
139 bpm • B min • 03:22 • -10.8db
31% Popularity • 55% Danceability • 59% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
31% Popularity • 55% Danceability • 59% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
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Circus Maximus
Biosfear
129 bpm • C Maj • 05:22 • -4db
17% Popularity • 48% Danceability • 98% Energy • 29% Liveness
86% Instrumentalness • 21% Positiveness
17% Popularity • 48% Danceability • 98% Energy • 29% Liveness
86% Instrumentalness • 21% Positiveness
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Mattias IA Eklundh
The Road Less Traveled
129 bpm • G min • 02:48 • -4.38db
18% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Derek Sherinian
Oceana
129 bpm • D min • 05:39 • -5.81db
9% Popularity • 32% Danceability • 64% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
9% Popularity • 32% Danceability • 64% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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Michael Romeo
F*Cking Robots
139 bpm • D Maj • 04:29 • -8db
23% Popularity • 26% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 26% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
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Andy Timmons
Deliver Us
140 bpm • G min • 04:02 • -3.9db
29% Popularity • 33% Danceability • 97% Energy • 21% Liveness
25% Instrumentalness • 34% Positiveness
29% Popularity • 33% Danceability • 97% Energy • 21% Liveness
25% Instrumentalness • 34% Positiveness
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Liquid Tension Experiment
Kindred Spirits
129 bpm • A Maj • 06:29 • -3.14db
31% Popularity • 28% Danceability • 96% Energy • 69% Liveness
75% Instrumentalness • 48% Positiveness
31% Popularity • 28% Danceability • 96% Energy • 69% Liveness
75% Instrumentalness • 48% Positiveness
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Opeth
Spring MCMLXXIV
140 bpm • A Maj • 06:11 • -7.08db
31% Popularity • 42% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 42% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Dali's Dilemma
Miracles In Yesteryear
140 bpm • F# min • 07:11 • -8.16db
8% Popularity • 52% Danceability • 94% Energy • 16% Liveness
12% Instrumentalness • 29% Positiveness
8% Popularity • 52% Danceability • 94% Energy • 16% Liveness
12% Instrumentalness • 29% Positiveness
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Andromeda
Survival of the Richest
140 bpm • G# min • 06:01 • -9.59db
26% Popularity • 55% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 55% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Thammarat
Never Again
140 bpm • D Maj • 04:20 • -6.24db
30% Popularity • 24% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
30% Popularity • 24% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Buckethead
Claymation Courtyard
140 bpm • A# min • 05:02 • -8.79db
31% Popularity • 58% Danceability • 89% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
31% Popularity • 58% Danceability • 89% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
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Jan Cyrka
Dirt and Dust
140 bpm • F# Maj • 02:49 • -6.66db
25% Popularity • 47% Danceability • 90% Energy • 5% Liveness
63% Instrumentalness • 53% Positiveness
25% Popularity • 47% Danceability • 90% Energy • 5% Liveness
63% Instrumentalness • 53% Positiveness
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Opeth
Moon Above, Sun Below
140 bpm • E min • 10:52 • -11.96db
33% Popularity • 34% Danceability • 62% Energy • 8% Liveness
11% Instrumentalness • 16% Positiveness
33% Popularity • 34% Danceability • 62% Energy • 8% Liveness
11% Instrumentalness • 16% Positiveness
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Icefish
5 Years
140 bpm • E min • 04:35 • -7.29db
14% Popularity • 37% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 37% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Circus Maximus
Alive
140 bpm • E min • 05:38 • -4.23db
20% Popularity • 47% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 47% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Gilbert
Down to Mexico
140 bpm • D min • 03:30 • -5.14db
32% Popularity • 41% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 64% Positiveness
32% Popularity • 41% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 64% Positiveness
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Reb Beach
Attack Of The Massive
128 bpm • A# min • 06:12 • -4.09db
8% Popularity • 52% Danceability • 96% Energy • 65% Liveness
94% Instrumentalness • 72% Positiveness
8% Popularity • 52% Danceability • 96% Energy • 65% Liveness
94% Instrumentalness • 72% Positiveness
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Racer X
Catapult to Extinction
128 bpm • B min • 04:58 • -6.62db
12% Popularity • 34% Danceability • 96% Energy • 24% Liveness
80% Instrumentalness • 33% Positiveness
12% Popularity • 34% Danceability • 96% Energy • 24% Liveness
80% Instrumentalness • 33% Positiveness
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Firewind
Oceans
140 bpm • C min • 01:50 • -7.75db
43% Popularity • 30% Danceability • 46% Energy • 10% Liveness
78% Instrumentalness • 22% Positiveness
43% Popularity • 30% Danceability • 46% Energy • 10% Liveness
78% Instrumentalness • 22% Positiveness
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John Petrucci
The Way Things Fall
128 bpm • D Maj • 07:33 • -4.83db
28% Popularity • 49% Danceability • 96% Energy • 22% Liveness
46% Instrumentalness • 50% Positiveness
28% Popularity • 49% Danceability • 96% Energy • 22% Liveness
46% Instrumentalness • 50% Positiveness
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Gus G.
Thrill of the Chase
128 bpm • A# min • 04:14 • -4.33db
26% Popularity • 39% Danceability • 96% Energy • 35% Liveness
72% Instrumentalness • 51% Positiveness
26% Popularity • 39% Danceability • 96% Energy • 35% Liveness
72% Instrumentalness • 51% Positiveness
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Bumblefoot
Planetary Lockdown
128 bpm • F# min • 05:16 • -6.9db
31% Popularity • 30% Danceability • 78% Energy • 53% Liveness
47% Instrumentalness • 62% Positiveness
31% Popularity • 30% Danceability • 78% Energy • 53% Liveness
47% Instrumentalness • 62% Positiveness
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Spock's Beard
On A Perfect Day
140 bpm • B min • 07:45 • -8.37db
21% Popularity • 46% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 46% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 15% Positiveness
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Octavision
Stormbringer
128 bpm • A Maj • 05:41 • -5.75db
11% Popularity • 40% Danceability • 69% Energy • 44% Liveness
78% Instrumentalness • 6% Positiveness
11% Popularity • 40% Danceability • 69% Energy • 44% Liveness
78% Instrumentalness • 6% Positiveness
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Transatlantic
Swing High, Swing Low
128 bpm • A# Maj • 03:48 • -8.28db
17% Popularity • 35% Danceability • 70% Energy • 77% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 35% Danceability • 70% Energy • 77% Liveness
0% Instrumentalness • 46% Positiveness
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Sieges Even
Sequence IV: Stigmata
141 bpm • E min • 08:22 • -5.48db
8% Popularity • 43% Danceability • 70% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
8% Popularity • 43% Danceability • 70% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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John Petrucci
Gemini
127 bpm • G Maj • 06:05 • -5.25db
33% Popularity • 28% Danceability • 96% Energy • 33% Liveness
80% Instrumentalness • 38% Positiveness
33% Popularity • 28% Danceability • 96% Energy • 33% Liveness
80% Instrumentalness • 38% Positiveness
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Joe Stump
Paganini`s Revenge
141 bpm • G# min • 05:25 • -7db
11% Popularity • 15% Danceability • 92% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 92% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
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Jeff Loomis
Shouting Fire at a Funeral
127 bpm • B Maj • 04:54 • -3.7db
23% Popularity • 43% Danceability • 97% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
23% Popularity • 43% Danceability • 97% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
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The Aristocrats
ZZ Top
127 bpm • A Maj • 05:14 • -8db
22% Popularity • 43% Danceability • 70% Energy • 16% Liveness
83% Instrumentalness • 49% Positiveness
22% Popularity • 43% Danceability • 70% Energy • 16% Liveness
83% Instrumentalness • 49% Positiveness