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Aningaaq
Songs like
Aningaaq
by
Steven Price
Based on a tempo of (+/- 10%) and a similar genre
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Michael Giacchino
More Red Than Alive
59 bpm • G min • 02:41 • -18.24db
23% Popularity • 14% Danceability • 3% Energy • 62% Liveness
93% Instrumentalness • 4% Positiveness
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Steven Price
Baby Blue
59 bpm • C Maj • 04:51 • -20.86db
28% Popularity • 13% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Clinton Shorter
What Did You Do
59 bpm • A# min • 03:10 • -14.9db
33% Popularity • 6% Danceability • 24% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
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Daniel Ciurlizza
Great Sacrifices
60 bpm • B min • 01:01 • -17.71db
51% Popularity • 15% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Rob Simonsen
January 1st, 1908
60 bpm • D Maj • 03:56 • -21.22db
23% Popularity • 20% Danceability • 14% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Benji Merrison
A New Landscape
57 bpm • F# min • 01:13 • -16.15db
13% Popularity • 17% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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John Ottman
You're Not One of Them
61 bpm • A min • 02:20 • -22.37db
28% Popularity • 10% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Marco Beltrami
A Quiet Family
61 bpm • G Maj • 01:58 • -26.51db
31% Popularity • 24% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Martin Phipps
Black Widow
57 bpm • D min • 02:01 • -26.77db
40% Popularity • 7% Danceability • 9% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Trevor Jones
In Search Of The Grail
57 bpm • D min • 04:03 • -18.04db
25% Popularity • 6% Danceability • 10% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
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Michael Giacchino
Migration
62 bpm • C Maj • 02:03 • -18.4db
25% Popularity • 22% Danceability • 12% Energy • 14% Liveness
62% Instrumentalness • 2% Positiveness
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Audiomachine
Paramount
62 bpm • D Maj • 03:35 • -9.91db
30% Popularity • 17% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Tyler Bates
Goodbye My Love
63 bpm • D min • 03:21 • -16.16db
39% Popularity • 22% Danceability • 15% Energy • 10% Liveness
64% Instrumentalness • 3% Positiveness
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Marco Beltrami
Encouraging Feedback
63 bpm • E Maj • 02:09 • -16.6db
29% Popularity • 28% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
Photo Montage
55 bpm • C min • 02:31 • -15.81db
29% Popularity • 17% Danceability • 28% Energy • 37% Liveness
91% Instrumentalness • 3% Positiveness
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Michael Giacchino
Paradise Found
63 bpm • C Maj • 05:35 • -18.8db
26% Popularity • 6% Danceability • 5% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
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Jeff Beal
Making History
63 bpm • G min • 05:34 • -18.52db
30% Popularity • 12% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Harald Kloser
I Was Not Brave
55 bpm • G min • 01:47 • -28.4db
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Trevor Rabin
Treasure
63 bpm • D# Maj • 03:38 • -16.97db
36% Popularity • 6% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Thomas Wander
The Only Family I Got
55 bpm • D min • 01:01 • -35.69db
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
52% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Nicholas Britell
Song of Hal: Strings in B Minor
55 bpm • B min • 04:20 • -18.38db
38% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Thomas Newman
Coffey on the Mile
64 bpm • C# min • 05:12 • -26.37db
35% Popularity • 6% Danceability • 4% Energy • 17% Liveness
43% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Weyland
64 bpm • C Maj • 02:04 • -28.64db
37% Popularity • 29% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Larry Groupé
In a Moment of Greatness
64 bpm • F Maj • 02:25 • -10.67db
34% Popularity • 14% Danceability • 38% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Stephen Warbeck
A Nation Died
64 bpm • D min • 01:42 • -17.8db
50% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Martin Phipps
Philip
65 bpm • A min • 03:03 • -21.73db
37% Popularity • 6% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Brand X Music
Into The Light
65 bpm • C min • 02:55 • -14db
43% Popularity • 17% Danceability • 23% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Nicholas Britell
Hymn - Mvmt 2: Lament
65 bpm • G min • 03:41 • -22.96db
37% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
Lead Them
53 bpm • C min • 02:27 • -16.64db
27% Popularity • 10% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Thomas Roussel
Jumbo Is Alive
65 bpm • E min • 03:06 • -17db
15% Popularity • 13% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Ryan Amon
Elysium
66 bpm • A min • 03:45 • -15.86db
41% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Mark Isham
Frank Gehry
66 bpm • F Maj • 02:13 • -28db
38% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Rob Simonsen
Spiral
66 bpm • F# min • 02:53 • -30db
43% Popularity • 6% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Anne Nikitin
Birth Of The Solar System
66 bpm • A# min • 01:42 • -20.74db
50% Popularity • 20% Danceability • 21% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Take It, It's Yours
53 bpm • B min • 02:07 • -13.74db
45% Popularity • 24% Danceability • 17% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
The Final Arrow
66 bpm • F min • 02:29 • -17.15db
46% Popularity • 18% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Atli Örvarsson
Esca's Freedom
66 bpm • E min • 01:42 • -25.06db
33% Popularity • 20% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Price
Machine
66 bpm • C min • 03:21 • -23.54db
31% Popularity • 18% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Belief
66 bpm • A# Maj • 03:03 • -21db
35% Popularity • 22% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Moby Dick
67 bpm • A min • 02:49 • -26.43db
18% Popularity • 19% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin Kiner
Death of a Master
67 bpm • G min • 01:25 • -15.27db
44% Popularity • 22% Danceability • 24% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
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Thomas Wander
Worth Fighting For
67 bpm • G# Maj • 01:12 • -20.64db
23% Popularity • 6% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Ursine Vulpine
Arcanine
67 bpm • A min • 05:04 • -15.72db
38% Popularity • 15% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Nathan Johnson
Everything Comes Around
52 bpm • D# Maj • 02:38 • -16.62db
42% Popularity • 22% Danceability • 19% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Jacob Shea
South American Puma
67 bpm • E min • 02:06 • -17.44db
22% Popularity • 20% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Sonya Belousova
Happy Childhoods Make For Dull Company
67 bpm • A# Maj • 03:16 • -16.43db
42% Popularity • 14% Danceability • 26% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
41% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Michael Giacchino
Primates for Life
67 bpm • C Maj • 05:42 • -17.94db
21% Popularity • 6% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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John Murphy
Frank's Death - Soldiers (Requiem in D M...
67 bpm • D min • 02:41 • -13.48db
33% Popularity • 6% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Christian Henson
Open Seas
68 bpm • G Maj • 01:33 • -16.28db
33% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Martin Phipps
Mirrors
68 bpm • D# min • 01:32 • -20db
31% Popularity • 25% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Jóhann Jóhannsson
Through Falling Snow
68 bpm • C min • 02:44 • -15.74db
39% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Steven Price
The Importance Of This River
68 bpm • A Maj • 02:40 • -18.19db
29% Popularity • 19% Danceability • 20% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
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Anne Nikitin
The Earth Spins
68 bpm • A# Maj • 01:49 • -18.97db
49% Popularity • 7% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Tyler Bates
Tonight We Dine in Hell
68 bpm • A min • 01:13 • -19.04db
41% Popularity • 22% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Jacob Shea
Albatross Facing Extinction
68 bpm • C# min • 04:39 • -17.37db
16% Popularity • 18% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
19% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Clinton Shorter
Sacrifice
69 bpm • G min • 01:26 • -18.88db
52% Popularity • 22% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Steven Price
Reduced To Ruins
70 bpm • F min • 02:54 • -27.76db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
37% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
59% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jed Kurzel
Chest Burster
71 bpm • D# Maj • 01:24 • -25.37db
36% Popularity • 16% Danceability • 7% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Atli Örvarsson
The Ninth Legion
71 bpm • A min • 02:18 • -21.55db
35% Popularity • 6% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Jacob Shea
The House Of Gods (Angel Falls)
71 bpm • C Maj • 02:13 • -16.77db
26% Popularity • 15% Danceability • 15% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Steven Price
We Must Preserve What's Left
71 bpm • B Maj • 02:28 • -26.99db
18% Popularity • 7% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
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Steve Jablonsky
Sir Edmund Burton
71 bpm • D min • 04:10 • -23.05db
31% Popularity • 9% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Twelve Titans Music
Dust and Light
71 bpm • G# min • 03:14 • -14db
38% Popularity • 25% Danceability • 34% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Clint Mansell
Make Thee an Ark
71 bpm • A min • 05:09 • -12.93db
18% Popularity • 7% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Marco Beltrami
Main Titles
71 bpm • G Maj • 02:21 • -15.04db
35% Popularity • 48% Danceability • 18% Energy • 7% Liveness
35% Instrumentalness • 4% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Steven Price
Arctic Refugees
71 bpm • D Maj • 06:38 • -20.49db
15% Popularity • 6% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Rob Simonsen
The Adam Project
72 bpm • A# Maj • 04:55 • -18.91db
30% Popularity • 7% Danceability • 11% Energy • 36% Liveness
96% Instrumentalness • 4% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Jeff Russo
Sweet Brutal Suite
72 bpm • D Maj • 03:12 • -26.76db
12% Popularity • 27% Danceability • 0% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Hands Dealt
73 bpm • G min • 02:56 • -27.27db
34% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Alpha
73 bpm • C Maj • 02:16 • -22db
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Mychael Danna
Coaching
73 bpm • C Maj • 01:01 • -27db
45% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Pink Room
73 bpm • G# Maj • 01:24 • -32.22db
39% Popularity • 19% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Benji Merrison
Raj Bera Finale
73 bpm • D Maj • 01:52 • -15.54db
4% Popularity • 14% Danceability • 26% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Clinton Shorter
Welwala
73 bpm • D min • 02:16 • -22db
33% Popularity • 15% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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The Newton Brothers
Beginning of the End Movement III
73 bpm • A min • 02:29 • -22.72db
29% Popularity • 28% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Marco Beltrami
Friendship Theme
73 bpm • G Maj • 01:58 • -18db
30% Popularity • 18% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Martin Phipps
Mountbatten
73 bpm • D# Maj • 01:40 • -26db
39% Popularity • 14% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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John Ottman
He Lost Everything
74 bpm • A min • 01:51 • -37db
29% Popularity • 7% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Benji Merrison
Offspring / Come To His Side
73 bpm • C min • 03:57 • -25.62db
3% Popularity • 10% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Marc Streitenfeld
Returning the Crown
74 bpm • G Maj • 01:13 • -13.58db
51% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
► Preview
The Newton Brothers
Beginning of the End Movement I
74 bpm • F Maj • 03:28 • -22.72db
32% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Torin Borrowdale
The Locke Lullaby
74 bpm • C# Maj • 02:43 • -35.48db
25% Popularity • 15% Danceability • 1% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
► Preview
Jeff Beal
The Ring
74 bpm • G Maj • 02:52 • -20.09db
27% Popularity • 14% Danceability • 19% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Atli Örvarsson
I Want To Go Out
74 bpm • G# Maj • 01:32 • -17.15db
30% Popularity • 22% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
West Dylan Thordson
Dr. Fletcher and the World
75 bpm • A# Maj • 02:00 • -22.77db
36% Popularity • 18% Danceability • 10% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
48% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Alan Silvestri
A Promise
75 bpm • E min • 03:34 • -13.83db
41% Popularity • 10% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Thomas Newman
Lúthien Tinúviel
75 bpm • D# Maj • 01:45 • -29.15db
31% Popularity • 20% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 5% Positiveness
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Aningaaq