Songs like Annie: Maybe by Charles Strouse
Based on a tempo of (+/- 10%) and a similar genre
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Andrea McArdle
Over the Rainbow - Live
91 bpm • G# Maj • 03:27 • -12.31db
1% Popularity • 40% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 40% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Charles Strouse
Maybe (Annie) - Voice
91 bpm • G Maj • 02:47 • -11.11db
31% Popularity • 34% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 34% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Anna Kendrick
A Very Nice Prince
91 bpm • D Maj • 01:31 • -15.21db
39% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Eddie Korbich as Scuttle
Positoovity
91 bpm • G# Maj • 04:04 • -16.28db
32% Popularity • 77% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 77% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Once On This Island Storytellers
We Dance
90 bpm • A# Maj • 05:32 • -12.32db
30% Popularity • 60% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 60% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Christopher Sieber
What's Up, Duloc?
90 bpm • B min • 04:25 • -7.01db
42% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
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Andrea McArdle
Tomorrow
93 bpm • F# Maj • 02:05 • -12.71db
9% Popularity • 45% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
9% Popularity • 45% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Original Cast of Billy Elliot
The Stars Look Down
89 bpm • A# Maj • 07:30 • -13db
30% Popularity • 44% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Original Broadway Cast of Frozen
Vuelie / Let the Sun Shine On
89 bpm • D# Maj • 04:34 • -9.2db
39% Popularity • 31% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 31% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Charles Strouse
Annie: Tomorrow
92 bpm • F# Maj • 02:07 • -13db
44% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
44% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
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Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Andrea McArdle
Time Heals Everything
88 bpm • C Maj • 03:19 • -19.22db
2% Popularity • 33% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 33% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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John Treacy Egan as Chef Louis
Les Poissons
88 bpm • D Maj • 01:54 • -14db
30% Popularity • 47% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 47% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 46% Positiveness
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Charles Strouse
She's No Longer A Gypsy
92 bpm • G# Maj • 02:56 • -9.67db
3% Popularity • 60% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
3% Popularity • 60% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
37% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Killer Instinct
94 bpm • A Maj • 02:58 • -6.15db
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Jeremy Jordan
The World Will Know
94 bpm • G Maj • 04:08 • -8db
49% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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John Williams
Far From The Home I Love
94 bpm • A Maj • 03:01 • -21db
37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Charles Strouse
Mayor: Act II: Ballad
93 bpm • F Maj • 02:17 • -21.66db
0% Popularity • 40% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 40% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Andrea McArdle
Meadowlark - Live
88 bpm • D Maj • 05:23 • -9.6db
1% Popularity • 32% Danceability • 49% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 32% Danceability • 49% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Allie Trimm
What It Means to Be a Friend
88 bpm • A Maj • 03:17 • -6.59db
29% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kevin Chamberlin
Horton Hears A Who - Original Broadway C...
87 bpm • A Maj • 02:37 • -16db
35% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Lindsay Mendez
First Date / Last Night
95 bpm • D Maj • 03:41 • -8.91db
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Brian D'Arcy James
Build A Wall
87 bpm • F Maj • 02:40 • -6.16db
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Charles Strouse
Rags: The New American Musical: Finale
87 bpm • A# Maj • 02:36 • -14.95db
0% Popularity • 25% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 25% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Caitlin Kinnunen
Just Breathe
87 bpm • F# Maj • 02:47 • -8db
40% Popularity • 74% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 74% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Aileen Quinn
Dumb Dog
95 bpm • A Maj • 00:54 • -21db
37% Popularity • 40% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Heidi Blickenstaff
I Got This
95 bpm • C# Maj • 04:51 • -5db
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Andrea McArdle
I’m Always Chasing Rainbows
87 bpm • C Maj • 02:58 • -9.13db
1% Popularity • 44% Danceability • 23% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 44% Danceability • 23% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Carolyn Maitland
Children of the Wind
86 bpm • G Maj • 02:55 • -9.9db
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Eddie Redmayne
Little Fall Of Rain
86 bpm • F# Maj • 02:32 • -28.05db
39% Popularity • 41% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 41% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Charles Strouse
Rags: The New American Musical: Nothing ...
86 bpm • G Maj • 02:00 • -13.62db
1% Popularity • 22% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 22% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Blunt
The Royal Doulton Music Hall
97 bpm • A Maj • 03:01 • -12.01db
39% Popularity • 56% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 56% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Annie
Maybe
85 bpm • A# Maj • 03:29 • -13.49db
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Riegler
What If
97 bpm • D Maj • 02:06 • -14db
36% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Charles Strouse
Annie: Overture
97 bpm • D# Maj • 03:21 • -14.33db
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
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Aileen Quinn
Finale from "Annie"
85 bpm • G Maj • 04:36 • -15.11db
31% Popularity • 34% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 34% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Original Broadway Cast Of School Of Rock
Horace Green Alma Mater
97 bpm • C Maj • 02:47 • -8.25db
31% Popularity • 45% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster
98 bpm • F# Maj • 02:59 • -9.39db
36% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Ben Fankhauser
Watch What Happens (Reprise)
85 bpm • F Maj • 01:53 • -11db
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Charles Strouse
Backstage Babble
98 bpm • F Maj • 01:27 • -10.41db
4% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
4% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Courtney Reed
These Palace Walls
98 bpm • A Maj • 02:40 • -7db
39% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Sherman Edwards
1776: Sit Down, John
98 bpm • G# Maj • 01:57 • -11db
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
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Hunter Foster
Suddenly Seymour
99 bpm • A Maj • 03:37 • -7.95db
50% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Strouse
Tomorrow
84 bpm • G# Maj • 02:29 • -8.48db
43% Popularity • 34% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 34% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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James Corden
Finale/Children Will Listen (Pt. 1)
99 bpm • D# min • 03:30 • -19.79db
36% Popularity • 29% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 29% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Caissie Levy
For the First Time in Forever (Reprise)
99 bpm • A Maj • 02:53 • -9.55db
36% Popularity • 39% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 39% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Charles Strouse
Tomorrow (Bonus Track)
99 bpm • A# Maj • 02:25 • -23.89db
16% Popularity • 47% Danceability • 14% Energy • 69% Liveness
43% Instrumentalness • 26% Positiveness
16% Popularity • 47% Danceability • 14% Energy • 69% Liveness
43% Instrumentalness • 26% Positiveness
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Santino Fontana
"Me, Who Am I?"
100 bpm • G min • 02:24 • -6.43db
32% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Nathan Lane
Live Before We Die - 2010 Original Cast ...
100 bpm • F# min • 02:48 • -15db
32% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Patti Murin
For the First Time in Forever
99 bpm • F# Maj • 04:14 • -7db
41% Popularity • 44% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 44% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Andrea McArdle
Tomorrow - Live
83 bpm • G# Maj • 02:58 • -7.09db
1% Popularity • 33% Danceability • 81% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 33% Danceability • 81% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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Charles Strouse
Something Was Missing (Oliver Warbucks) ...
83 bpm • C Maj • 03:40 • -11.69db
19% Popularity • 23% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
19% Popularity • 23% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Nathan Lane
Happy/Sad - 2010 Original Cast Recording...
101 bpm • C# Maj • 03:55 • -13.07db
35% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Kevin Chamberlin
The People Versus Horton The Elephant - ...
82 bpm • E Maj • 04:30 • -10.84db
31% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Chryssie Whitehead
Sing!
101 bpm • E Maj • 02:09 • -10.49db
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Charles Strouse
Annie: Tomorrow (Reprise)
101 bpm • C# Maj • 02:23 • -13.84db
25% Popularity • 52% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 52% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Aileen Quinn
Maybe (Reprise)
82 bpm • C Maj • 01:37 • -21.89db
31% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
32% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Jeremy Jordan
The Schmuel Song
82 bpm • F# min • 07:42 • -8.6db
34% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Janine LaManna
The One Feather Tail Of Miss Gertrude Mc...
82 bpm • C Maj • 01:16 • -16.14db
35% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Walter Bobbie
Fugue for Tinhorns
82 bpm • G# Maj • 01:27 • -17.93db
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Kelsey Grammer
Something About This Night - Original Br...
82 bpm • G Maj • 02:13 • -6.57db
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Carol Burnett
Little Girls
101 bpm • G# min • 03:12 • -15.57db
37% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ann Harada
"Stepsister's Lament"
101 bpm • C Maj • 02:40 • -6.93db
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Stephen Schwartz
Something Bad
101 bpm • C# Maj • 01:39 • -15.78db
35% Popularity • 55% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 55% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Here I Am
102 bpm • C min • 02:44 • -11.02db
29% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
28% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Jerry Orbach
Lullaby of Broadway
81 bpm • C Maj • 05:02 • -14db
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Aileen Quinn
Tomorrow
81 bpm • E Maj • 01:35 • -15db
45% Popularity • 44% Danceability • 30% Energy • 74% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 44% Danceability • 30% Energy • 74% Liveness
0% Instrumentalness • 68% Positiveness
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Charles Strouse
Rags: The New American Musical: Kaddish
81 bpm • G# Maj • 02:21 • -23.14db
0% Popularity • 19% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 19% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
28% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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The Cast of Mary Poppins
The Perfect Nanny
103 bpm • D Maj • 01:39 • -26.33db
9% Popularity • 56% Danceability • 1% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 1% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Jessie Mueller
Everything Changes
103 bpm • C# Maj • 03:02 • -7.96db
44% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
