Songs like Annie's Song (Dompierre) by Angele Dubeau, Ensemble Amati, Raymond Dessaints
Based on a tempo of (+/- 10%) and a similar genre
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Dmitri Shostakovich
The Gadfly, Op. 97: 3. Youth (Romance)
79 bpm • C# Maj • 02:38 • -19.45db
17% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann: Barcarolle
79 bpm • D Maj • 04:36 • -30.03db
36% Popularity • 19% Danceability • 3% Energy • 36% Liveness
59% Instrumentalness • 8% Positiveness
36% Popularity • 19% Danceability • 3% Energy • 36% Liveness
59% Instrumentalness • 8% Positiveness
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Angele Dubeau, Ensemble Amati, Raymond Dessaints
Annie's Song (Dompierre)
79 bpm • F Maj • 04:53 • -23.51db
34% Popularity • 25% Danceability • 7% Energy • 11% Liveness
66% Instrumentalness • 16% Positiveness
34% Popularity • 25% Danceability • 7% Energy • 11% Liveness
66% Instrumentalness • 16% Positiveness
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Nicola Piovani
Hungry Hearts
79 bpm • G Maj • 03:58 • -20.31db
33% Popularity • 18% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: No. 2, Liebesleid...
79 bpm • A min • 03:40 • -25.96db
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
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Philharmonia Orchestra
Octopussy (Arr. C. Egan)
79 bpm • G# Maj • 03:52 • -17.65db
23% Popularity • 8% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
23% Popularity • 8% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Enrico Sabena
Fantasy on Themes
79 bpm • C Maj • 02:41 • -16db
17% Popularity • 23% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs - Meditation
79 bpm • D Maj • 05:33 • -11.72db
19% Popularity • 11% Danceability • 31% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 31% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Francis Lai
Love Story – Theme (Arr. Campbell)
78 bpm • C min • 03:31 • -11db
22% Popularity • 22% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
80 bpm • C# min • 06:43 • -37.14db
43% Popularity • 9% Danceability • 0% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
43% Popularity • 9% Danceability • 0% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Domenico Cimarosa
Oboe Concerto in C Major: I. Introduzion...
78 bpm • C min • 02:41 • -15.59db
16% Popularity • 17% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
16% Popularity • 17% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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John Barry
Flight Over Africa
80 bpm • D min • 02:43 • -26db
35% Popularity • 13% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
L'heure exquise
80 bpm • D Maj • 02:19 • -31.71db
24% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R. 125: XII...
78 bpm • G Maj • 02:49 • -19.65db
29% Popularity • 14% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
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Sacha Puttnam
Sailing Homeward
78 bpm • A Maj • 03:39 • -20.21db
17% Popularity • 14% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 14% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Royal Philharmonic Orchestra
Out of Africa: Main Theme
80 bpm • C Maj • 03:28 • -14db
37% Popularity • 18% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
38% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Guy Farley
Maria - Theme
80 bpm • F Maj • 01:29 • -15db
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Saint-Preux
Symphonie Rêvée
80 bpm • C min • 03:38 • -10.56db
32% Popularity • 25% Danceability • 36% Energy • 14% Liveness
11% Instrumentalness • 9% Positiveness
32% Popularity • 25% Danceability • 36% Energy • 14% Liveness
11% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Le Carnaval des animaux, R. 125: XIII. L...
80 bpm • G Maj • 02:43 • -28db
23% Popularity • 8% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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John Barry
Mozart: Clarinet Concerto In A major, K6...
80 bpm • D Maj • 07:42 • -25.13db
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Klarinettenkonzert A-Dur, K. 622: 2. Ada...
78 bpm • D Maj • 07:57 • -27.89db
44% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
44% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
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Rolf Løvland
Appassionata
78 bpm • D min • 04:25 • -14db
37% Popularity • 19% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
L'Inverno (Winter) Op. 8 No. 4 in F mino...
80 bpm • F min • 01:54 • -16.06db
36% Popularity • 33% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 16% Positiveness
36% Popularity • 33% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 16% Positiveness
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René Berman
Spiegel im Spiegel, für Violoncello und...
80 bpm • F Maj • 09:40 • -25db
24% Popularity • 8% Danceability • 4% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 4% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Xuefei Yang
楊雪霏
81 bpm • A Maj • 03:53 • -15db
23% Popularity • 19% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
23% Popularity • 19% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Saint-Preux
Concerto Pour Elle
81 bpm • E min • 03:53 • -12db
45% Popularity • 32% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
45% Popularity • 32% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
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Jules Massenet
Thaïs / Act 2: Méditation
77 bpm • E min • 05:20 • -21.67db
29% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Louis Aubert
Feuille d'images (Version for Orchestra)...
77 bpm • A min • 03:13 • -37db
19% Popularity • 7% Danceability • 1% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 1% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 in F minor Op. 21: ...
77 bpm • G# Maj • 09:13 • -24db
23% Popularity • 18% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Carlos Guastavino
Encantamiento (Seis Canciones de Cuna)
81 bpm • D min • 01:47 • -26.6db
32% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
32% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Saint-Preux
Thème De La Fête Triste
81 bpm • G min • 02:11 • -21.12db
43% Popularity • 32% Danceability • 6% Energy • 23% Liveness
87% Instrumentalness • 7% Positiveness
43% Popularity • 32% Danceability • 6% Energy • 23% Liveness
87% Instrumentalness • 7% Positiveness
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Lola & Hauser
Für Elise
77 bpm • A min • 03:09 • -15.14db
45% Popularity • 34% Danceability • 24% Energy • 13% Liveness
74% Instrumentalness • 15% Positiveness
45% Popularity • 34% Danceability • 24% Energy • 13% Liveness
74% Instrumentalness • 15% Positiveness
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Mikhail Glinka
Nocturne in E-Flat Major
81 bpm • D# Maj • 04:21 • -27.67db
22% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
22% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Léo Delibes
Lakmé: Flower Duet (Arr. for Violin and...
82 bpm • B Maj • 02:34 • -17.85db
45% Popularity • 22% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
45% Popularity • 22% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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The Ayoub Sisters
Mother's Pride
81 bpm • C Maj • 03:30 • -20.54db
35% Popularity • 26% Danceability • 9% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
35% Popularity • 26% Danceability • 9% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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Gabriel Yared
Theresa
82 bpm • D min • 03:02 • -15.99db
29% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
29% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Saint-Preux
Rhapsodie
76 bpm • C min • 03:45 • -11.57db
38% Popularity • 42% Danceability • 35% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
38% Popularity • 42% Danceability • 35% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
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Giovanni
Caruso
76 bpm • A min • 04:05 • -14.17db
29% Popularity • 17% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
29% Popularity • 17% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ernesto Cortazar
Our Waltz
76 bpm • C min • 02:22 • -10.97db
47% Popularity • 25% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 25% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Angele Dubeau, Ensemble Amati, Raymond Dessaints
Valse (Brahms)
82 bpm • A Maj • 03:01 • -23.48db
13% Popularity • 20% Danceability • 6% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 6% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Ronald Binge
Sailing By
76 bpm • D Maj • 02:37 • -26db
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Peter Warlock
Pieds-en-l'air from Capriol Suite for St...
82 bpm • G Maj • 02:13 • -20.72db
14% Popularity • 16% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 16% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 12% Positiveness
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Lola & Hauser
La La Land
82 bpm • A Maj • 03:43 • -12.12db
40% Popularity • 21% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
40% Popularity • 21% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
43% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
43% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Ernesto Cortazar
Embrasse-Moi
76 bpm • D Maj • 04:00 • -13.28db
41% Popularity • 15% Danceability • 20% Energy • 12% Liveness
47% Instrumentalness • 18% Positiveness
41% Popularity • 15% Danceability • 20% Energy • 12% Liveness
47% Instrumentalness • 18% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue for Three Vio...
82 bpm • D Maj • 07:24 • -16.13db
24% Popularity • 20% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
24% Popularity • 20% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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Tomaso Albinoni
Adagio Variation
82 bpm • G min • 03:12 • -19db
36% Popularity • 26% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
36% Popularity • 26% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
45% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
45% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Nicola Piovani
Buongiorno Principessa
82 bpm • A Maj • 03:23 • -31db
46% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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![Concierto de Aranjuez: II. Adagio [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Joaquín Rodrigo
Concierto de Aranjuez: II. Adagio [Excer...
76 bpm • B min • 02:47 • -27.3db
30% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
37% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
37% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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Charlie Chaplin
The Terry Theme From "Limelight" / La Vi...
82 bpm • C min • 07:15 • -20db
28% Popularity • 14% Danceability • 17% Energy • 33% Liveness
40% Instrumentalness • 5% Positiveness
28% Popularity • 14% Danceability • 17% Energy • 33% Liveness
40% Instrumentalness • 5% Positiveness
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Philippe Rombi
Une amitié
83 bpm • C Maj • 01:30 • -14.94db
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
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G. I. Gurdjieff
Woman´s Prayer
83 bpm • F min • 01:58 • -30db
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Joseph Haydn
Adagio in F Major, Hob. XVII:9
83 bpm • F Maj • 04:47 • -34.2db
23% Popularity • 38% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
23% Popularity • 38% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Philharmonia Orchestra
Polovtsian dances Dance 2 in F Major fro...
83 bpm • F Maj • 02:44 • -11.4db
33% Popularity • 16% Danceability • 28% Energy • 7% Liveness
91% Instrumentalness • 35% Positiveness
33% Popularity • 16% Danceability • 28% Energy • 7% Liveness
91% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Hajime Mizoguchi
The Girl with the Flaxen Hair
83 bpm • G Maj • 03:02 • -27db
37% Popularity • 11% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
37% Popularity • 11% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
Mělník Philharmonic Orchestra
Una Furtiva Lagrima - Instrumental
75 bpm • A# min • 03:20 • -15.27db
25% Popularity • 7% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Angele Dubeau, Ensemble Amati, Raymond Dessaints
On Wings Of Song (Mendelssohn)
75 bpm • D Maj • 03:35 • -17.45db
14% Popularity • 13% Danceability • 17% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
14% Popularity • 13% Danceability • 17% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Henri Seroka
Palace's Waltz
83 bpm • C# min • 01:21 • -13.69db
52% Popularity • 24% Danceability • 22% Energy • 6% Liveness
78% Instrumentalness • 4% Positiveness
52% Popularity • 24% Danceability • 22% Energy • 6% Liveness
78% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Eugen Doga
Black Veil
83 bpm • A min • 01:53 • -9.51db
36% Popularity • 20% Danceability • 32% Energy • 17% Liveness
10% Instrumentalness • 16% Positiveness
36% Popularity • 20% Danceability • 32% Energy • 17% Liveness
10% Instrumentalness • 16% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Satie / Arr. Barker & Balsom: 3 Gymnopé...
75 bpm • A min • 02:32 • -14.17db
23% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Stuart Mitchell
The Mausoleum at Halicarnassus
75 bpm • B min • 07:43 • -28db
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
77% Instrumentalness • 5% Positiveness
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
77% Instrumentalness • 5% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
58% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Edward Elgar
Elgar: Salut d'amour, Op. 12 (Version fo...
83 bpm • D Maj • 02:53 • -22.32db
27% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Secret Garden
Serenade To Spring
84 bpm • A Maj • 03:15 • -12.25db
50% Popularity • 12% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
50% Popularity • 12% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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John Barry
You Are Karen M'Sabu
84 bpm • C Maj • 01:20 • -22db
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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William Joseph
Cinema Paradiso
84 bpm • C min • 04:57 • -16.64db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
49% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
49% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Ion Ivanovici
"The Anniversary Song" (Waves Of The Dan...
84 bpm • E min • 01:36 • -34.23db
40% Popularity • 44% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
40% Popularity • 44% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
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Alfred Hause
Fantasie Impromptu Op. 66
74 bpm • D Maj • 03:11 • -15.36db
31% Popularity • 22% Danceability • 29% Energy • 17% Liveness
86% Instrumentalness • 20% Positiveness
31% Popularity • 22% Danceability • 29% Energy • 17% Liveness
86% Instrumentalness • 20% Positiveness
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Léo Delibes
Duo des fleurs
74 bpm • B Maj • 02:18 • -21db
28% Popularity • 20% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
28% Popularity • 20% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Christoph Willibald Gluck
Dance of the Blessed Spirits
74 bpm • F Maj • 07:15 • -22.94db
27% Popularity • 18% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
27% Popularity • 18% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
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Hubert Clifford
Five English Nursery Tunes: IV. Curly Lo...
74 bpm • A# Maj • 04:17 • -37.71db
36% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
36% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Erik Satie
Gnossienne No. 1 - Excerpt
74 bpm • F min • 03:26 • -30.87db
38% Popularity • 46% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
38% Popularity • 46% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Radio Symphony Orchestra Moscow
Má Vlast, JB 1:112: II. Vltava (Die Mol...
74 bpm • A min • 04:07 • -17.15db
8% Popularity • 16% Danceability • 21% Energy • 7% Liveness
75% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 21% Energy • 7% Liveness
75% Instrumentalness • 7% Positiveness
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Chad Lawson
Prelude in D Major
74 bpm • A Maj • 02:53 • -21.42db
42% Popularity • 24% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 24% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Angele Dubeau, Ensemble Amati, Raymond Dessaints
La Ronde Des Berceuses (Dompierre)
74 bpm • F Maj • 06:23 • -23.57db
3% Popularity • 14% Danceability • 7% Energy • 24% Liveness
21% Instrumentalness • 8% Positiveness
3% Popularity • 14% Danceability • 7% Energy • 24% Liveness
21% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Suite in E Minor: V. Les rappel des Oise...
84 bpm • E min • 03:05 • -33db
28% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Edward Elgar
Salut d'Amour, Op. 12: Salut d'amour, Op...
84 bpm • D Maj • 03:10 • -21.76db
25% Popularity • 17% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
25% Popularity • 17% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
