Songs like Anything 'Cept the Truth by Eagles Of Death Metal
Based on a tempo of (+/- 10%) and a similar genre
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Hanni El Khatib
Melt Me
126 bpm • A# Maj • 03:40 • -5.22db
22% Popularity • 63% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 63% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Eagles Of Death Metal
Anything 'Cept the Truth
126 bpm • G# Maj • 04:34 • -2.31db
35% Popularity • 41% Danceability • 100% Energy • 24% Liveness
4% Instrumentalness • 40% Positiveness
35% Popularity • 41% Danceability • 100% Energy • 24% Liveness
4% Instrumentalness • 40% Positiveness
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Kings of Leon
Genius
126 bpm • G Maj • 02:48 • -5.98db
41% Popularity • 44% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 44% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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The Frst
Murderabilia
126 bpm • B min • 03:14 • -5.73db
25% Popularity • 58% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 58% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Louis XIV
Louis XIV - Album/EP Version
127 bpm • A Maj • 02:38 • -3db
23% Popularity • 45% Danceability • 95% Energy • 14% Liveness
18% Instrumentalness • 55% Positiveness
23% Popularity • 45% Danceability • 95% Energy • 14% Liveness
18% Instrumentalness • 55% Positiveness
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The Dead Weather
Hang You from the Heavens
127 bpm • E min • 03:36 • -7db
36% Popularity • 61% Danceability • 72% Energy • 6% Liveness
9% Instrumentalness • 50% Positiveness
36% Popularity • 61% Danceability • 72% Energy • 6% Liveness
9% Instrumentalness • 50% Positiveness
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Masters Of Reality
She Got Me (When She Got Her Dress On)
125 bpm • C# Maj • 02:47 • -7.06db
34% Popularity • 52% Danceability • 93% Energy • 37% Liveness
65% Instrumentalness • 79% Positiveness
34% Popularity • 52% Danceability • 93% Energy • 37% Liveness
65% Instrumentalness • 79% Positiveness
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The Atomic Bitchwax
Sometimes Wednesday
125 bpm • B min • 03:39 • -8.08db
8% Popularity • 59% Danceability • 93% Energy • 5% Liveness
6% Instrumentalness • 77% Positiveness
8% Popularity • 59% Danceability • 93% Energy • 5% Liveness
6% Instrumentalness • 77% Positiveness
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The Datsuns
Gold Halo
127 bpm • G# Maj • 04:04 • -4.49db
25% Popularity • 22% Danceability • 96% Energy • 10% Liveness
12% Instrumentalness • 32% Positiveness
25% Popularity • 22% Danceability • 96% Energy • 10% Liveness
12% Instrumentalness • 32% Positiveness
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Baby Woodrose
Pouring Water
125 bpm • G# min • 02:14 • -4.62db
29% Popularity • 59% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 96% Positiveness
29% Popularity • 59% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 96% Positiveness
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Electric Six
Naked Pictures (Of Your Mother)
127 bpm • A Maj • 02:11 • -4.32db
39% Popularity • 57% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 57% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Eagles Of Death Metal
High Voltage
125 bpm • A Maj • 02:43 • -2.22db
27% Popularity • 64% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 64% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The White Stripes
Little Cream Soda
125 bpm • F# min • 03:45 • -6.89db
40% Popularity • 36% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 36% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Dead Weather
Let Me Through
127 bpm • C# Maj • 04:17 • -7.58db
30% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Wellwater Conspiracy
Teen Lambchop
127 bpm • B Maj • 03:16 • -4.78db
18% Popularity • 45% Danceability • 89% Energy • 30% Liveness
26% Instrumentalness • 57% Positiveness
18% Popularity • 45% Danceability • 89% Energy • 30% Liveness
26% Instrumentalness • 57% Positiveness
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Valient Thorr
Double Crossed
125 bpm • A min • 04:18 • -4.69db
25% Popularity • 37% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
25% Popularity • 37% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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The Dandy Warhols
Smoke It
124 bpm • C Maj • 04:06 • -4.06db
22% Popularity • 45% Danceability • 94% Energy • 14% Liveness
14% Instrumentalness • 63% Positiveness
22% Popularity • 45% Danceability • 94% Energy • 14% Liveness
14% Instrumentalness • 63% Positiveness
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Black Pistol Fire
You're Not the Only One
124 bpm • A Maj • 03:49 • -5db
30% Popularity • 45% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 45% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Reignwolf
In the Dark
124 bpm • G Maj • 04:38 • -6.06db
41% Popularity • 39% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 39% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Desert Sessions
In My Head...Or Something
128 bpm • D Maj • 04:39 • -2.27db
30% Popularity • 44% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 44% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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The Ponys
Double Vision
124 bpm • D Maj • 03:38 • -6.18db
19% Popularity • 48% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
19% Popularity • 48% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Kings of Leon
Spiral Staircase
128 bpm • E Maj • 02:54 • -6.18db
41% Popularity • 50% Danceability • 84% Energy • 31% Liveness
1% Instrumentalness • 75% Positiveness
41% Popularity • 50% Danceability • 84% Energy • 31% Liveness
1% Instrumentalness • 75% Positiveness
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The Pack a.d.
Deer
124 bpm • B min • 03:55 • -3.77db
9% Popularity • 29% Danceability • 98% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
9% Popularity • 29% Danceability • 98% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
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Pearl Jam
Mind Your Manners
128 bpm • G Maj • 02:38 • -5db
48% Popularity • 57% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 57% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Dirty Sweet
Get up, Get Out
124 bpm • E min • 02:59 • -5db
23% Popularity • 68% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 68% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Dave Grohl
Mantra
124 bpm • A Maj • 07:43 • -6.6db
44% Popularity • 56% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
44% Popularity • 56% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Yellow Moon Band
Chimney
128 bpm • G Maj • 03:31 • -8.5db
12% Popularity • 56% Danceability • 90% Energy • 12% Liveness
70% Instrumentalness • 94% Positiveness
12% Popularity • 56% Danceability • 90% Energy • 12% Liveness
70% Instrumentalness • 94% Positiveness
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Them Crooked Vultures
Bandoliers
124 bpm • C Maj • 05:42 • -4db
47% Popularity • 38% Danceability • 98% Energy • 16% Liveness
2% Instrumentalness • 46% Positiveness
47% Popularity • 38% Danceability • 98% Energy • 16% Liveness
2% Instrumentalness • 46% Positiveness
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The Von Bondies
Been Swank
124 bpm • E min • 02:43 • -4.5db
21% Popularity • 52% Danceability • 91% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
21% Popularity • 52% Danceability • 91% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
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Black Pistol Fire
Silent Blue
124 bpm • B min • 03:21 • -5db
23% Popularity • 36% Danceability • 95% Energy • 20% Liveness
4% Instrumentalness • 28% Positiveness
23% Popularity • 36% Danceability • 95% Energy • 20% Liveness
4% Instrumentalness • 28% Positiveness
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The Datsuns
Harmonic Generator
128 bpm • C# Maj • 03:03 • -3.76db
34% Popularity • 67% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 67% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Homme
Centipede
128 bpm • C Maj • 05:10 • -7db
34% Popularity • 31% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 38% Positiveness
34% Popularity • 31% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 38% Positiveness
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The Stone Foxes
Beneath Mt. Sinai
123 bpm • C Maj • 04:18 • -8db
22% Popularity • 41% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 41% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Red Fang
Number Thirteen
129 bpm • C min • 04:45 • -4.22db
30% Popularity • 30% Danceability • 96% Energy • 12% Liveness
32% Instrumentalness • 36% Positiveness
30% Popularity • 30% Danceability • 96% Energy • 12% Liveness
32% Instrumentalness • 36% Positiveness
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Black Mountain
Old Fangs
123 bpm • G# Maj • 04:01 • -6db
22% Popularity • 62% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
22% Popularity • 62% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Black Pistol Fire
Without Love
129 bpm • B min • 02:35 • -6.65db
26% Popularity • 48% Danceability • 90% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 48% Danceability • 90% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
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Toadies
Animals
123 bpm • A min • 04:39 • -6.14db
14% Popularity • 63% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 63% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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The Faint
Birth
129 bpm • E min • 03:19 • -6.86db
31% Popularity • 71% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 71% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Hanni El Khatib
Fuck It, You Win
123 bpm • A Maj • 03:11 • -4.21db
21% Popularity • 55% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 55% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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The Raconteurs
These Stones Will Shout
129 bpm • A Maj • 03:52 • -6db
34% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Wellwater Conspiracy
Red Light Green Light
123 bpm • C# Maj • 02:59 • -5.22db
14% Popularity • 55% Danceability • 90% Energy • 9% Liveness
9% Instrumentalness • 60% Positiveness
14% Popularity • 55% Danceability • 90% Energy • 9% Liveness
9% Instrumentalness • 60% Positiveness
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Desert Sessions
Crawl Home
129 bpm • C Maj • 03:00 • -5.07db
34% Popularity • 46% Danceability • 92% Energy • 20% Liveness
5% Instrumentalness • 28% Positiveness
34% Popularity • 46% Danceability • 92% Energy • 20% Liveness
5% Instrumentalness • 28% Positiveness
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Earl Greyhound
S.O.S.
130 bpm • E min • 05:00 • -6.14db
23% Popularity • 32% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 32% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
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The Greenhornes
Pattern Skies
130 bpm • C Maj • 02:11 • -4.36db
18% Popularity • 48% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 48% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Black Pistol Fire
Sort Me Out
122 bpm • A Maj • 03:01 • -7.73db
29% Popularity • 61% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 61% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Raconteurs
Sunday Driver
122 bpm • A Maj • 03:38 • -6.35db
37% Popularity • 44% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 44% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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The Von Bondies
She's Dead to Me
122 bpm • G Maj • 01:24 • -2.68db
38% Popularity • 38% Danceability • 92% Energy • 35% Liveness
8% Instrumentalness • 65% Positiveness
38% Popularity • 38% Danceability • 92% Energy • 35% Liveness
8% Instrumentalness • 65% Positiveness
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Desert Sessions
Dead In Love
123 bpm • D min • 04:42 • -4.17db
26% Popularity • 20% Danceability • 81% Energy • 35% Liveness
2% Instrumentalness • 10% Positiveness
26% Popularity • 20% Danceability • 81% Energy • 35% Liveness
2% Instrumentalness • 10% Positiveness
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Radio Moscow
So Alone
122 bpm • C Maj • 04:14 • -8db
27% Popularity • 38% Danceability • 87% Energy • 12% Liveness
40% Instrumentalness • 50% Positiveness
27% Popularity • 38% Danceability • 87% Energy • 12% Liveness
40% Instrumentalness • 50% Positiveness
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The Dead Weather
Buzzkill(er)
122 bpm • E min • 03:08 • -7.06db
29% Popularity • 58% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 58% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Left Lane Cruiser
Lost My Mind
122 bpm • D Maj • 03:14 • -5db
34% Popularity • 51% Danceability • 94% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
34% Popularity • 51% Danceability • 94% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Eagles Of Death Metal
Fairy Tale In Real Time
122 bpm • F Maj • 03:03 • -6.68db
12% Popularity • 47% Danceability • 90% Energy • 26% Liveness
96% Instrumentalness • 55% Positiveness
12% Popularity • 47% Danceability • 90% Energy • 26% Liveness
96% Instrumentalness • 55% Positiveness
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Bob Mould
Star Machine
130 bpm • C# min • 03:25 • -4.44db
24% Popularity • 52% Danceability • 96% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
24% Popularity • 52% Danceability • 96% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Black Pistol Fire
Crows Feet
122 bpm • G Maj • 02:40 • -5.58db
33% Popularity • 39% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 39% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Turbowolf
Solid Gold
122 bpm • G min • 04:37 • -3.9db
27% Popularity • 41% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 41% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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The Stone Foxes
Cotto
131 bpm • D Maj • 04:17 • -5.52db
12% Popularity • 31% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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The Virginmarys
Portrait Of Red
121 bpm • F Maj • 03:30 • -2.87db
18% Popularity • 57% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
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The Raconteurs
The Switch and the Spur
131 bpm • G Maj • 04:25 • -4.08db
35% Popularity • 44% Danceability • 81% Energy • 60% Liveness
7% Instrumentalness • 47% Positiveness
35% Popularity • 44% Danceability • 81% Energy • 60% Liveness
7% Instrumentalness • 47% Positiveness
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Masters Of Reality
Always
121 bpm • B min • 03:24 • -4.02db
15% Popularity • 68% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 68% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 45% Positiveness
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Jack White
Sixteen Saltines
132 bpm • B min • 02:35 • -7.88db
52% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Electric Six
Dance Commander
121 bpm • B min • 02:36 • -5db
43% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The Brew
Every Gig Has a Neighbour
132 bpm • A min • 04:19 • -9.35db
16% Popularity • 43% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
16% Popularity • 43% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
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Black Pistol Fire
Dimestore Heartthrob
132 bpm • D Maj • 02:40 • -4.74db
23% Popularity • 37% Danceability • 96% Energy • 4% Liveness
7% Instrumentalness • 25% Positiveness
23% Popularity • 37% Danceability • 96% Energy • 4% Liveness
7% Instrumentalness • 25% Positiveness
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Louis XIV
God Killed the Queen
132 bpm • C# Maj • 03:13 • -6.62db
8% Popularity • 59% Danceability • 78% Energy • 59% Liveness
26% Instrumentalness • 9% Positiveness
8% Popularity • 59% Danceability • 78% Energy • 59% Liveness
26% Instrumentalness • 9% Positiveness
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Masters Of Reality
Absinthe Jim And Me
121 bpm • D# Maj • 03:03 • -5.84db
29% Popularity • 51% Danceability • 89% Energy • 9% Liveness
70% Instrumentalness • 45% Positiveness
29% Popularity • 51% Danceability • 89% Energy • 9% Liveness
70% Instrumentalness • 45% Positiveness
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The Reverend Horton Heat
Big Red Rocket Of Love
120 bpm • B min • 03:04 • -6.03db
33% Popularity • 50% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 50% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Left Lane Cruiser
Hillgrass Bluebilly
132 bpm • C Maj • 03:29 • -4.17db
27% Popularity • 40% Danceability • 96% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
27% Popularity • 40% Danceability • 96% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Gluecifer
Automatic Thrill
132 bpm • A# Maj • 03:26 • -3db
30% Popularity • 49% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 49% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Black Pistol Fire
Run Rabbit Run
120 bpm • C Maj • 03:51 • -4.44db
23% Popularity • 38% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 38% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Louis XIV
God Killed the Queen
132 bpm • C# Maj • 01:57 • -4.92db
37% Popularity • 70% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
37% Popularity • 70% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
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Black Mountain
Stormy High
120 bpm • F# min • 04:33 • -6.13db
27% Popularity • 42% Danceability • 92% Energy • 11% Liveness
70% Instrumentalness • 52% Positiveness
27% Popularity • 42% Danceability • 92% Energy • 11% Liveness
70% Instrumentalness • 52% Positiveness
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The Parlor Mob
Hard Times
132 bpm • G Maj • 03:36 • -4.5db
28% Popularity • 47% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 47% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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The Dandy Warhols
Horse Pills
120 bpm • A Maj • 03:24 • -4.19db
29% Popularity • 62% Danceability • 98% Energy • 7% Liveness
91% Instrumentalness • 55% Positiveness
29% Popularity • 62% Danceability • 98% Energy • 7% Liveness
91% Instrumentalness • 55% Positiveness
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Electric Six
Riding On A White Train
120 bpm • C Maj • 02:48 • -2.5db
26% Popularity • 66% Danceability • 95% Energy • 30% Liveness
24% Instrumentalness • 89% Positiveness
26% Popularity • 66% Danceability • 95% Energy • 30% Liveness
24% Instrumentalness • 89% Positiveness
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Them Crooked Vultures
Caligulove
120 bpm • D Maj • 04:55 • -4.27db
45% Popularity • 41% Danceability • 86% Energy • 45% Liveness
1% Instrumentalness • 46% Positiveness
45% Popularity • 41% Danceability • 86% Energy • 45% Liveness
1% Instrumentalness • 46% Positiveness
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Eagles Of Death Metal
Oh Girl
120 bpm • G Maj • 04:08 • -6.33db
33% Popularity • 67% Danceability • 73% Energy • 14% Liveness
9% Instrumentalness • 76% Positiveness
33% Popularity • 67% Danceability • 73% Energy • 14% Liveness
9% Instrumentalness • 76% Positiveness
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The Stone Foxes
Locomotion
132 bpm • G# min • 02:22 • -4.42db
15% Popularity • 25% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 25% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Wellwater Conspiracy
Ladder To The Moon
132 bpm • G# min • 03:23 • -4.72db
14% Popularity • 29% Danceability • 89% Energy • 7% Liveness
58% Instrumentalness • 63% Positiveness
14% Popularity • 29% Danceability • 89% Energy • 7% Liveness
58% Instrumentalness • 63% Positiveness
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Radio Moscow
Timebomb
132 bpm • E min • 03:17 • -9db
32% Popularity • 35% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 35% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Electric Six
Electric Demons In Love
120 bpm • C# Maj • 03:06 • -5.69db
28% Popularity • 63% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 63% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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All Them Witches
The Urn
120 bpm • G Maj • 03:37 • -5.57db
34% Popularity • 38% Danceability • 83% Energy • 12% Liveness
57% Instrumentalness • 52% Positiveness
34% Popularity • 38% Danceability • 83% Energy • 12% Liveness
57% Instrumentalness • 52% Positiveness
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Eagles Of Death Metal
I Love You All The Time
120 bpm • C Maj • 03:09 • -5.93db
42% Popularity • 62% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 62% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The Pack a.d.
Animal
120 bpm • F min • 03:32 • -4.78db
20% Popularity • 35% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 35% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Robert Levon Been
Heaven and All
120 bpm • D Maj • 05:27 • -5db
32% Popularity • 37% Danceability • 93% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
32% Popularity • 37% Danceability • 93% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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The Greenhornes
It Returns
133 bpm • E Maj • 02:47 • -6.88db
29% Popularity • 35% Danceability • 90% Energy • 12% Liveness
9% Instrumentalness • 70% Positiveness
29% Popularity • 35% Danceability • 90% Energy • 12% Liveness
9% Instrumentalness • 70% Positiveness
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Louis XIV
Hey Teacher
133 bpm • C Maj • 03:42 • -4.61db
14% Popularity • 58% Danceability • 97% Energy • 72% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 58% Danceability • 97% Energy • 72% Liveness
0% Instrumentalness • 19% Positiveness
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Electric Six
Improper Dancing
119 bpm • A Maj • 03:14 • -6.57db
31% Popularity • 67% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 67% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Eagles Of Death Metal
Now I'm a Fool
120 bpm • G Maj • 03:41 • -4.5db
36% Popularity • 72% Danceability • 84% Energy • 10% Liveness
22% Instrumentalness • 89% Positiveness
36% Popularity • 72% Danceability • 84% Energy • 10% Liveness
22% Instrumentalness • 89% Positiveness
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Queens of the Stone Age
In My Head
134 bpm • A Maj • 04:01 • -4.04db
54% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jack White
Lazaretto
118 bpm • F# min • 03:39 • -6.56db
55% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Greenhornes
Underestimator
134 bpm • A min • 02:32 • -7.18db
20% Popularity • 50% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 50% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Masters Of Reality
High Noon Amsterdam
134 bpm • A Maj • 03:45 • -4.76db
26% Popularity • 38% Danceability • 99% Energy • 20% Liveness
4% Instrumentalness • 41% Positiveness
26% Popularity • 38% Danceability • 99% Energy • 20% Liveness
4% Instrumentalness • 41% Positiveness
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Louis XIV
It's the Girl That Makes Him Happy
119 bpm • G Maj • 02:49 • -6.2db
10% Popularity • 57% Danceability • 63% Energy • 13% Liveness
29% Instrumentalness • 52% Positiveness
10% Popularity • 57% Danceability • 63% Energy • 13% Liveness
29% Instrumentalness • 52% Positiveness
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Electric Six
She's White
134 bpm • B min • 03:16 • -3.88db
28% Popularity • 57% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 57% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Darker My Love
Talking Words
118 bpm • D Maj • 03:14 • -3.91db
19% Popularity • 35% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 35% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Eagles Of Death Metal
(I Used to Couldn't Dance) Tight Pants
119 bpm • G Maj • 03:35 • -3.63db
24% Popularity • 65% Danceability • 96% Energy • 7% Liveness
27% Instrumentalness • 55% Positiveness
24% Popularity • 65% Danceability • 96% Energy • 7% Liveness
27% Instrumentalness • 55% Positiveness
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Walking Papers
The Whole World's Watching
134 bpm • D Maj • 03:49 • -6.36db
15% Popularity • 49% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 49% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
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The Parlor Mob
Real Hard Headed
135 bpm • E min • 04:14 • -3.79db
16% Popularity • 33% Danceability • 95% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
16% Popularity • 33% Danceability • 95% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness