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Anything Goes
Songs like
Anything Goes
by
Sutton Foster
Based on a tempo of (+/- 10%) and a similar genre
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André De Shields
Road to Hell
99 bpm • G# Maj • 05:17 • -4.94db
37% Popularity • 51% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Kirby Ward
Slap That Bass
99 bpm • A# min • 05:08 • -17db
22% Popularity • 65% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Sutton Foster
Anything Goes
99 bpm • G Maj • 05:48 • -8.71db
45% Popularity • 62% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Tammy Blanchard
Suddenly Seymour
99 bpm • G Maj • 03:45 • -9.78db
43% Popularity • 37% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Maury Yeston
I Want to Go to Hollywood
99 bpm • B Maj • 03:24 • -6.94db
10% Popularity • 64% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Hunter Foster
Suddenly Seymour
99 bpm • A Maj • 03:37 • -7.95db
50% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
38% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Jeanine Tesori
Lay Down Your Head
98 bpm • G Maj • 02:35 • -15.06db
11% Popularity • 34% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Sutton Foster
Thoroughly Modern Millie
99 bpm • C Maj • 02:57 • -8.42db
30% Popularity • 68% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Joel Grey
Be Like the Blue Bird
98 bpm • D Maj • 03:33 • -18.27db
21% Popularity • 54% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Elijah Kelley
Without Love
98 bpm • A# Maj • 03:39 • -5db
53% Popularity • 58% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Broadway Cast Recording
So In Love
100 bpm • F Maj • 04:16 • -11.7db
21% Popularity • 24% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Alan Cumming
Money
100 bpm • G# Maj • 03:18 • -9.83db
35% Popularity • 57% Danceability • 46% Energy • 82% Liveness
0% Instrumentalness • 70% Positiveness
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Leslie Kritzer
No Reason
98 bpm • F# Maj • 03:11 • -5.6db
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Annaleigh Ashford
Dogfight
97 bpm • D min • 03:03 • -5.05db
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Pine
Agony
97 bpm • D# Maj • 02:32 • -14db
51% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Max Von Essen
I Got Rhythm
101 bpm • G# Maj • 04:57 • -10db
20% Popularity • 57% Danceability • 42% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Jeanine Tesori
Promise Me, Violet
101 bpm • A min • 03:38 • -11.92db
8% Popularity • 55% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Ann Harada
"Stepsister's Lament"
101 bpm • C Maj • 02:40 • -6.93db
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Renée Elise Goldsberry
The Schuyler Sisters
101 bpm • D Maj • 03:06 • -6.25db
69% Popularity • 74% Danceability • 73% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Kirby Ward
I Can't Be Bothered Now
102 bpm • D Maj • 04:14 • -18.47db
22% Popularity • 60% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jeremy Jordan
Santa Fe
96 bpm • G Maj • 03:12 • -11.7db
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Here I Am
102 bpm • C min • 02:44 • -11.02db
29% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Roger Bart
Puttin' On The Ritz
102 bpm • C Maj • 04:26 • -7.56db
25% Popularity • 53% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Ansel Elgort
Something's Coming
96 bpm • C Maj • 02:30 • -16db
40% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Gavin Creel
Finale: Thoroughly Modern Millie
102 bpm • C# Maj • 01:20 • -11.99db
17% Popularity • 41% Danceability • 25% Energy • 47% Liveness
0% Instrumentalness • 22% Positiveness
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Lea Michele
Mama Who Bore Me (Reprise) - Original Br...
102 bpm • E min • 01:15 • -5db
44% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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John Kander
Cabaret: Dont' Tell Mama
102 bpm • A Maj • 04:01 • -13db
23% Popularity • 61% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Christian Borle
Monks Chant / He Is Not Dead Yet - Origi...
95 bpm • D Maj • 02:51 • -6.82db
31% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Kristin Chenoweth
My New Philosophy
103 bpm • A Maj • 02:56 • -12.27db
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Jessica Stone
Buddie Beware
103 bpm • G# Maj • 03:28 • -9.04db
23% Popularity • 48% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
31% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Sutton Foster
My Heart Was Set on You - Live
103 bpm • E Maj • 04:28 • -12db
7% Popularity • 55% Danceability • 48% Energy • 95% Liveness
0% Instrumentalness • 40% Positiveness
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John Kander
Cabaret: Cabaret
95 bpm • A Maj • 04:29 • -11.1db
19% Popularity • 52% Danceability • 24% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
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Lindsay Mendez
First Date / Last Night
95 bpm • D Maj • 03:41 • -8.91db
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Joel Grey
Friendship
95 bpm • A# Maj • 03:29 • -8.21db
29% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Troy Britton Johnson
Cold Feets
104 bpm • C Maj • 03:50 • -8db
26% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Allison Janney, Megan Hilty, Charlie Pollock, Stephanie J. Block and Ensemble
Nine to Five
104 bpm • D Maj • 04:52 • -7.36db
40% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sutton Foster
Roller Coaster Highway - Reprise
104 bpm • G Maj • 01:33 • -6.65db
0% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Jordan
The World Will Know
94 bpm • G Maj • 04:08 • -8db
49% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Karen Prunczik
We're in the Money
104 bpm • C Maj • 03:08 • -13db
23% Popularity • 54% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Killer Instinct
94 bpm • A Maj • 02:58 • -6.15db
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Daniel Huttlestone
Your Fault
104 bpm • A Maj • 01:57 • -11db
50% Popularity • 88% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Jerry Herman
Dancing
94 bpm • A# min • 03:30 • -13.34db
27% Popularity • 47% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Sutton Foster
Air Conditioner
94 bpm • C# Maj • 02:15 • -8.87db
9% Popularity • 72% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Barbra Streisand
Don't Rain On My Parade
94 bpm • A Maj • 02:44 • -9.06db
50% Popularity • 51% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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John Williams
Matchmaker
105 bpm • F# min • 03:56 • -15db
39% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
37% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Zegler
I Feel Pretty
105 bpm • G min • 02:58 • -13db
47% Popularity • 76% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Barrett Wilbert Weed
A Cautionary Tale
105 bpm • D min • 01:36 • -4.21db
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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Hadestown Original Broadway Company
Way Down Hadestown
93 bpm • A# min • 05:00 • -5.41db
39% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Christian Borle
Chip on My Shoulder
105 bpm • G# Maj • 08:50 • -15.16db
48% Popularity • 67% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Amber Gray
Livin' it Up on Top
105 bpm • C Maj • 05:29 • -5.57db
51% Popularity • 54% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Andrew Lloyd Webber
Rainbow High - Original Cast Recording/1...
93 bpm • G min • 02:17 • -13db
25% Popularity • 42% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 54% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
29% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sutton Foster
You're the Top
106 bpm • G# Maj • 05:01 • -8.12db
34% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Potts
Hasa Diga Eebowai
106 bpm • F# Maj • 04:24 • -8.78db
47% Popularity • 76% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Harry Guardino
Everybody Says Don't
106 bpm • C Maj • 02:17 • -10db
19% Popularity • 54% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Charles Strouse
Annie: Little Girls
106 bpm • F min • 02:42 • -13.6db
32% Popularity • 61% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Prologue
106 bpm • E min • 04:21 • -8.85db
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Jeremy Jordan
Moving Too Fast
106 bpm • F Maj • 04:04 • -7.72db
43% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Natasha Richardson
Perfectly Marvelous
93 bpm • E min • 02:46 • -12.95db
30% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Annaleigh Ashford
Positive
106 bpm • A# min • 03:12 • -10.18db
47% Popularity • 88% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Sutton Foster
I'm on My Way / On My Way
106 bpm • D Maj • 02:46 • -8.34db
13% Popularity • 37% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Andrew Lloyd Webber
Mr. Mistoffelees
92 bpm • F# Maj • 04:25 • -7.98db
34% Popularity • 70% Danceability • 53% Energy • 48% Liveness
0% Instrumentalness • 68% Positiveness
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Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Alan Cumming
Willkommen
92 bpm • F Maj • 07:31 • -9.76db
37% Popularity • 52% Danceability • 48% Energy • 96% Liveness
0% Instrumentalness • 56% Positiveness
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Charles Strouse
Annie: Tomorrow
92 bpm • F# Maj • 02:07 • -13db
43% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
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James Monroe Iglehart
Friend Like Me
92 bpm • F Maj • 07:32 • -4.95db
44% Popularity • 66% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Sutton Foster
9 to 5
107 bpm • F Maj • 01:34 • -9.82db
7% Popularity • 89% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Broadway Cast Recording
Too Darn Hot
107 bpm • C# Maj • 06:00 • -10.98db
26% Popularity • 54% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Jeffrey Schecter
I Can Do That
107 bpm • D# Maj • 01:26 • -7.2db
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Jeanine Tesori
Water in the Well
91 bpm • A Maj • 01:21 • -11.44db
14% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Erika Henningsen
It Roars
107 bpm • A# Maj • 03:31 • -5db
51% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
36% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Mandy Gonzalez
Everything I Know
107 bpm • G# Maj • 03:56 • -11.33db
35% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Daniel Breaker
Make A Move
91 bpm • A# min • 03:03 • -6.89db
38% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jessica Lee Goldyn
Dance: Ten; Looks: Three
108 bpm • C Maj • 02:54 • -9.03db
31% Popularity • 70% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Jeanine Tesori
Raise Me up (Reprise)
91 bpm • A Maj • 01:00 • -7.53db
8% Popularity • 56% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Rachel Bay Jones
Anybody Have a Map?
108 bpm • G Maj • 02:26 • -6.37db
56% Popularity • 63% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Rose, Herbie and Louise
Together Wherever We Go
108 bpm • A min • 03:51 • -3.73db
17% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Renée Zellweger
Nowadays/Hot Honey Rag - Medley Title
108 bpm • G Maj • 03:26 • -8.26db
30% Popularity • 62% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Patti LuPone
I Get a Kick Out of You
90 bpm • C Maj • 02:10 • -21.51db
17% Popularity • 43% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
35% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sutton Foster
It's Not Fair
109 bpm • G min • 01:30 • -9.18db
0% Popularity • 71% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Benanti
Model Behavior
90 bpm • G# Maj • 05:10 • -10.06db
27% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Zero Mostel
Comedy Tonight
109 bpm • D Maj • 05:01 • -15db
14% Popularity • 68% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
38% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Gavin Lee as Bert
Anything Can Happen - London Cast Record...
109 bpm • C# Maj • 04:54 • -13db
27% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Cooper
Good Morning
109 bpm • F Maj • 03:45 • -7.92db
21% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Sutton Foster
Blow, Gabriel, Blow
109 bpm • C min • 07:32 • -7.8db
32% Popularity • 56% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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Christopher Sieber
What's Up, Duloc?
90 bpm • B min • 04:25 • -7.01db
42% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
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Molly Ranson
Carrie
110 bpm • D Maj • 04:09 • -5.11db
39% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Jane Krakowski
I Want to Go to Hollywood
110 bpm • A Maj • 03:33 • -13db
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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André De Shields
Wait for Me
89 bpm • D Maj • 03:34 • -6.72db
57% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Anything Goes