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Anything Like You Dance (Stripped)
Songs like
Anything Like You Dance (Stripped)
by
Ray Fulcher
Based on a tempo of (+/- 10%) and a similar genre
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Ray Fulcher
Anything Like You Dance (Radio Mix)
114 bpm • B Maj • 03:18 • -5.37db
15% Popularity • 67% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Grant Gilbert
Six Pack State of Mind
114 bpm • C# Maj • 03:10 • -4.06db
22% Popularity • 53% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Paul
I'll Take the Blame
114 bpm • C# Maj • 03:14 • -4.74db
32% Popularity • 56% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Styles Haury
Truck I Grew Up In
114 bpm • F Maj • 03:08 • -6.7db
16% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Gallaher
Love You Like America
114 bpm • C Maj • 02:48 • -4.41db
15% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Dylan Marlowe
How to Say Goodbye
115 bpm • C Maj • 03:42 • -6db
35% Popularity • 38% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Ray Fulcher
Anything Like You Dance - Stripped
114 bpm • B Maj • 03:19 • -3.86db
27% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Owen
Friends Don’t Let Friends
113 bpm • A# Maj • 02:53 • -5.34db
34% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Josh Melton
Drink A Beer On It
115 bpm • G Maj • 02:51 • -5.82db
25% Popularity • 64% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Jameson Rodgers
Girls That Smoke
113 bpm • C# min • 03:35 • -5db
23% Popularity • 64% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Josh David
Drunk, Stoned, or Sober
115 bpm • E Maj • 02:54 • -4.34db
40% Popularity • 60% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Travis Denning
Going Places
113 bpm • C# Maj • 02:30 • -4.93db
41% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Ray Fulcher
Anything Like You Dance
114 bpm • B Maj • 03:18 • -5.46db
39% Popularity • 69% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Shane Profitt
Country Boys
115 bpm • F Maj • 02:53 • -5.28db
32% Popularity • 59% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Jordan Rowe
Boots in a Bar
113 bpm • G Maj • 03:16 • -4.01db
28% Popularity • 50% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Adam Sanders
Daddy Jesus and Earnhardt
115 bpm • G Maj • 03:29 • -5db
19% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Walker Montgomery
Work to Do
115 bpm • G Maj • 02:54 • -2.6db
28% Popularity • 61% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Mikele Buck Band
With Me Now
116 bpm • G Maj • 03:29 • -6db
31% Popularity • 62% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Ray Fulcher
All Gas No Brakes
116 bpm • A# Maj • 03:11 • -6db
25% Popularity • 64% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Chad Cooke Band
Country Like You
116 bpm • F# Maj • 03:59 • -6.63db
20% Popularity • 55% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 70% Positiveness
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Lane Pittman
Let's Get Lost
112 bpm • D Maj • 02:29 • -6.54db
48% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Jaden Hamilton
Heaven's Jukebox
116 bpm • F# Maj • 03:31 • -5.31db
32% Popularity • 56% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Styles Haury
What's Left of Me
112 bpm • G# Maj • 02:58 • -4db
13% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Kenton Bryant
Home in This Town
112 bpm • C# Maj • 03:13 • -6.01db
22% Popularity • 62% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ray Fulcher
The Battle Of Betty's Love
112 bpm • D Maj • 04:11 • -6.12db
9% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jameson Rodgers
Girls That Smoke
112 bpm • D Maj • 03:36 • -4.68db
42% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Ben Gallaher
Get on One
116 bpm • G# Maj • 03:34 • -4.84db
27% Popularity • 56% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Tyler Chambers
Bar Fight
112 bpm • F# Maj • 03:36 • -5.23db
25% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jaden Hamilton
Found Myself in a Country Song
112 bpm • G Maj • 03:36 • -5db
22% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Mitch Rossell
Slow as I Could
117 bpm • A Maj • 03:31 • -5.05db
25% Popularity • 55% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Ray Fulcher
Bucket List Beers
116 bpm • F Maj • 02:47 • -5.11db
17% Popularity • 61% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Clayton Mullen
South of Forever
117 bpm • C# Maj • 04:06 • -7db
29% Popularity • 74% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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William Michael Morgan
Pour A Little Whiskey On It
111 bpm • F min • 03:49 • -6.03db
40% Popularity • 66% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Tyler Chambers
Leave the Lights On
111 bpm • F# Maj • 02:35 • -6.22db
35% Popularity • 66% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Kameron Marlowe
Take You Up On It
111 bpm • D Maj • 03:32 • -3.14db
43% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Logan Samford
Lovin' for the Last Time
111 bpm • F min • 03:25 • -5db
18% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Trea Landon
When I Get There
117 bpm • C min • 03:15 • -4.7db
18% Popularity • 71% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Corey Kent
Long Story Short
118 bpm • G# Maj • 03:31 • -5.99db
36% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Colston
Bonnie & Clyde
118 bpm • G# Maj • 03:40 • -4.85db
16% Popularity • 66% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Brian Fuller
Somewhere in a Small Town
118 bpm • C Maj • 03:27 • -4.22db
16% Popularity • 62% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Lee Brice
If You
118 bpm • D Maj • 02:13 • -5.93db
39% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Johnny Dailey
Burns Like Whiskey
118 bpm • A Maj • 03:28 • -5.34db
26% Popularity • 55% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Adam Sanders
Make Em Wanna Change
110 bpm • F# Maj • 03:18 • -4.5db
37% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen Paul
Off My Chest
110 bpm • E Maj • 03:30 • -6db
20% Popularity • 55% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Shelby Lee Lowe
Be That Fire
110 bpm • E Maj • 03:30 • -7.86db
32% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ray Fulcher
3x5 In A 4x4
110 bpm • C# Maj • 03:00 • -5.61db
29% Popularity • 64% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Marlowe
That Truck
110 bpm • C# Maj • 03:25 • -7.23db
42% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Easton Corbin
Back to Me
110 bpm • D# Maj • 03:12 • -6.32db
24% Popularity • 70% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Josh Melton
Close Enough
110 bpm • A# Maj • 02:56 • -5.36db
28% Popularity • 67% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Hayden Haddock
Where You Come In
119 bpm • F# Maj • 02:55 • -5.9db
27% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Mikele Buck Band
Don't Wanna Miss You Tonight
109 bpm • G Maj • 03:53 • -6db
19% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Hunter Phelps
Whiskey Mode
120 bpm • F Maj • 03:30 • -3.76db
29% Popularity • 62% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Colston
Bombs Away
120 bpm • B Maj • 03:08 • -6.02db
16% Popularity • 58% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Jordan Fletcher
No Question
120 bpm • F# Maj • 02:54 • -5.67db
21% Popularity • 76% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Blane Rudd
Red, White, Blue Collar Town
120 bpm • A Maj • 03:18 • -2db
16% Popularity • 63% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Jameson Rodgers
Porch with a View
120 bpm • F# min • 02:43 • -6db
35% Popularity • 60% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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David Adam Byrnes
Still Have Some Cowboy Left
120 bpm • D Maj • 03:21 • -3.56db
25% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Hayden Coffman
Same Ole Song
120 bpm • G Maj • 03:28 • -4.89db
28% Popularity • 58% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Walker Montgomery
Out of Nowhere
120 bpm • D# Maj • 02:52 • -2.67db
38% Popularity • 61% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Elvie Shane
Keep On Strummin’
120 bpm • C Maj • 03:13 • -3.68db
24% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Chancey Williams
A Cowboy Who Would
120 bpm • A# Maj • 03:33 • -2.87db
39% Popularity • 65% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Paul
Love to Learn
108 bpm • F Maj • 02:57 • -4.72db
31% Popularity • 68% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Crawford & Power
Letting You Go
120 bpm • G Maj • 03:03 • -5.31db
23% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Clay Hollis
Leave My Boots On
108 bpm • A Maj • 03:09 • -3.66db
18% Popularity • 57% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Southerland
Down The Road
108 bpm • D Maj • 03:25 • -3.78db
23% Popularity • 58% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Ray Fulcher
Down on My Window
108 bpm • G Maj • 02:52 • -6.24db
22% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Travis Denning
River Named Mississippi
108 bpm • G Maj • 02:45 • -5.32db
36% Popularity • 71% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Conner Smith
Why I Can't Leave
108 bpm • E Maj • 03:25 • -4db
44% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Sanders
Do What We Do
108 bpm • G Maj • 03:17 • -4db
22% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Ross
Love Never Looked Like Us
108 bpm • G# min • 03:19 • -5.3db
39% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Trea Landon
Water & Beer
121 bpm • D Maj • 02:38 • -4.37db
18% Popularity • 72% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Fulcher
Sellin' Cars
121 bpm • C# Maj • 03:12 • -5.57db
18% Popularity • 60% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Jameson Rodgers
Bet You're from a Small Town
107 bpm • C Maj • 05:03 • -5.37db
25% Popularity • 56% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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Dustin Huff
Tonight I'm Drinkin' Whiskey
107 bpm • D Maj • 03:43 • -4db
20% Popularity • 65% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Chad Cooke Band
I Just Want You
122 bpm • C Maj • 03:44 • -6.44db
33% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jaden Hamilton
Buy You a Beer
106 bpm • E Maj • 03:25 • -4.41db
22% Popularity • 59% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Derek Austin
4WD
106 bpm • C# Maj • 02:38 • -4.68db
24% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Ray Fulcher
After The Rain
122 bpm • D# Maj • 03:44 • -6.47db
33% Popularity • 73% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Melton
I Get That With You
106 bpm • A Maj • 03:09 • -7db
41% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Jordan Rowe
Good for Nothin'
106 bpm • G# Maj • 03:22 • -3.76db
15% Popularity • 65% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Trea Landon
There's That Smile
106 bpm • B Maj • 02:43 • -4.1db
22% Popularity • 64% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
51% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Stephen Paul
Good Ole Boy's Girl
123 bpm • F# Maj • 03:20 • -6.32db
28% Popularity • 65% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ray Fulcher
After The Rain
122 bpm • D# Maj • 03:44 • -7.14db
12% Popularity • 73% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Southerland
Thing Is
123 bpm • G Maj • 03:09 • -2.71db
22% Popularity • 62% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Styles Haury
Whatever Happened To Her
105 bpm • C# Maj • 03:30 • -4.39db
23% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Kenton Bryant
Lonely Don't Look Good on You
105 bpm • B Maj • 02:52 • -5.95db
23% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Clayton Mullen
Side of Goodbye
105 bpm • D Maj • 02:30 • -11.22db
34% Popularity • 69% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Pat Cooper
Hung up on Hangin' around
105 bpm • F# Maj • 03:50 • -4.71db
13% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Ray Fulcher
Girl In It
106 bpm • A# min • 03:02 • -6db
23% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Jake Owen
Hope Less
105 bpm • E Maj • 03:05 • -6.65db
28% Popularity • 58% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Reed Foley
At Least It Ain't Raining
105 bpm • G Maj • 02:37 • -4.23db
32% Popularity • 35% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Drew Parker
Daddy Did
105 bpm • G# Maj • 03:38 • -4.59db
26% Popularity • 62% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Jaden Hamilton
Ain't That Something
105 bpm • G Maj • 03:28 • -6.09db
20% Popularity • 56% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Josh Melton
Old
124 bpm • G Maj • 03:03 • -6.2db
28% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Kelsey Hart
Reason To Raise 'Em
124 bpm • C# Maj • 02:52 • -3.51db
32% Popularity • 57% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ben McPeak
Hurry up Whiskey
124 bpm • B Maj • 03:07 • -6.31db
41% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Dylan Scott
Miami, My Amy
104 bpm • D# Maj • 03:13 • -6.52db
32% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Drew Parker
The Runway
124 bpm • E Maj • 02:47 • -5.19db
29% Popularity • 58% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Justin Moore
That Wasn’t Jack
104 bpm • D Maj • 03:13 • -5.3db
38% Popularity • 60% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Anything Like You Dance (Stripped)