Songs like Anyway by Noah Kahan
Based on a tempo of (+/- 10%) and a similar genre
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Caamp
See the World
134 bpm • C# Maj • 02:18 • -10.34db
60% Popularity • 42% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
60% Popularity • 42% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
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Gracie Abrams
Cedar
134 bpm • G Maj • 04:12 • -8.65db
61% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
61% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Abe Parker
it is what it is
135 bpm • D# min • 03:15 • -5.73db
71% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
71% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
74% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sam Barber
S.O.B.
133 bpm • F# min • 03:03 • -6.57db
67% Popularity • 58% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 58% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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The Head And The Heart
Tiebreaker
133 bpm • F# Maj • 03:59 • -5.24db
48% Popularity • 60% Danceability • 71% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 60% Danceability • 71% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
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Josiah and the Bonnevilles
Blood Moon
133 bpm • G# Maj • 02:48 • -9.52db
67% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Olivia Rodrigo
making the bed
133 bpm • G Maj • 03:18 • -7.74db
78% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
78% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Darren Kiely
Mom & Dad
135 bpm • A# Maj • 03:23 • -6.99db
49% Popularity • 35% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 35% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mt. Joy
Bathroom Light
135 bpm • D# Maj • 03:08 • -10.82db
63% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
63% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Benson Boone
Beautiful Things - Acoustic
133 bpm • A# Maj • 03:21 • -6.9db
65% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Gregory Alan Isakov
Southern Star
133 bpm • C Maj • 02:19 • -11db
67% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Niall Horan
The Show
135 bpm • C Maj • 03:11 • -5.44db
67% Popularity • 43% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
67% Popularity • 43% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
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The Lumineers
Where The Skies Are Blue
132 bpm • A Maj • 02:20 • -6.58db
63% Popularity • 57% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 57% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Alex Warren
Save You a Seat
136 bpm • F# Maj • 03:17 • -6.29db
70% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Chance Peña
Highs & Lows
132 bpm • D# Maj • 03:29 • -10.79db
61% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
61% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jessie Murph
Wild Ones
136 bpm • C Maj • 02:21 • -3.54db
83% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
83% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Matt Hansen
GRAVITY
136 bpm • D Maj • 02:54 • -9.12db
72% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
72% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Schuster
Ophelia
132 bpm • F Maj • 02:48 • -10.79db
59% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Caamp
So Long, Honey
131 bpm • E Maj • 04:51 • -13db
55% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
55% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Mt. Joy
I'm Your Wreck
131 bpm • E Maj • 03:53 • -6.96db
59% Popularity • 48% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 48% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
74% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
74% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Evan Honer
idk shit about cars
131 bpm • D# Maj • 02:38 • -6.17db
60% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Marcagi
Scared To Start - Sun Mountain Sessions
137 bpm • G Maj • 02:58 • -10.68db
58% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
137 bpm • E Maj • 03:24 • -11.62db
55% Popularity • 40% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 23% Positiveness
55% Popularity • 40% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 23% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Cordelia
Little Life
131 bpm • B Maj • 04:30 • -15.61db
61% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Jonah Kagen
Pollution
138 bpm • F# min • 03:54 • -9.81db
41% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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The Lumineers
Angela
130 bpm • E Maj • 03:21 • -8.23db
44% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Josiah and the Bonnevilles
Chronically Cautious - Country Version
138 bpm • A Maj • 02:12 • -5.9db
58% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Gracie Abrams
I should hate you
138 bpm • F Maj • 04:18 • -8.07db
62% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gregory Alan Isakov
Dark, Dark, Dark
130 bpm • D Maj • 02:59 • -8.19db
63% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Woodlock
Settle Down - Acoustic
138 bpm • C Maj • 02:45 • -7db
59% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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David Kushner
Daylight
130 bpm • D min • 03:32 • -9.48db
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Briston Maroney
Body
130 bpm • F# min • 03:20 • -6.63db
52% Popularity • 56% Danceability • 85% Energy • 31% Liveness
1% Instrumentalness • 55% Positiveness
52% Popularity • 56% Danceability • 85% Energy • 31% Liveness
1% Instrumentalness • 55% Positiveness
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The Lumineers
A.M. RADIO
138 bpm • C# Maj • 03:57 • -6.4db
51% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Gregory Alan Isakov
The Stable Song
138 bpm • D Maj • 06:00 • -11.95db
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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David Kushner
Dead Man
130 bpm • A Maj • 04:34 • -6.48db
69% Popularity • 56% Danceability • 54% Energy • 11% Liveness
60% Instrumentalness • 33% Positiveness
69% Popularity • 56% Danceability • 54% Energy • 11% Liveness
60% Instrumentalness • 33% Positiveness
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Briston Maroney
Small Talk
130 bpm • C Maj • 03:18 • -7.64db
64% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Schuster
Vienna
129 bpm • F Maj • 03:09 • -8.69db
67% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Kahan
Still
139 bpm • D# Maj • 03:07 • -12.32db
60% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
60% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tyler Childers
Shake the Frost (Live)
139 bpm • D Maj • 02:55 • -10db
77% Popularity • 45% Danceability • 34% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
77% Popularity • 45% Danceability • 34% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
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Chance Peña
break up song
129 bpm • E Maj • 02:49 • -14.4db
50% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Dean Lewis
Memories
129 bpm • D Maj • 02:59 • -6.51db
72% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hans Williams
Willows
140 bpm • C Maj • 03:41 • -8.3db
57% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Marcagi
Savannah
140 bpm • E Maj • 03:05 • -11.18db
51% Popularity • 61% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 61% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Wild Rivers
Amsterdam
140 bpm • C# Maj • 03:33 • -9.43db
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Megan Moroney
I'm Not Pretty
128 bpm • A# Maj • 03:01 • -5.56db
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Noah Kahan
Carlo's Song
128 bpm • D min • 03:54 • -6.46db
61% Popularity • 64% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 64% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
58% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Brenn!
4runner
128 bpm • C# Maj • 04:25 • -10.64db
71% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Mt. Joy
Jenny Jenkins
128 bpm • G# Maj • 03:19 • -9.39db
63% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Wild Rivers
I Do - Bonus Track
128 bpm • B min • 03:04 • -8.87db
59% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
80% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
80% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Kahan
She Calls Me Back
128 bpm • B Maj • 04:03 • -6.45db
70% Popularity • 75% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
70% Popularity • 75% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Mark Ambor
Curls In The Wind
128 bpm • E Maj • 02:37 • -5.46db
68% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
68% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Julia Pratt
A Little Love
128 bpm • D Maj • 03:21 • -6.68db
56% Popularity • 56% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 56% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Josiah and the Bonnevilles
Burn
141 bpm • A Maj • 02:10 • -4.82db
57% Popularity • 64% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 64% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Noah Kahan
She Calls Me Back
128 bpm • B Maj • 04:03 • -6.3db
77% Popularity • 74% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
77% Popularity • 74% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Childers
In Your Love
127 bpm • G Maj • 03:45 • -9.56db
70% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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boygenius
Not Strong Enough
127 bpm • C# Maj • 03:54 • -5.85db
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Henrik
Breathing
142 bpm • C Maj • 03:48 • -7.05db
52% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Lumineers
Charlie Boy
127 bpm • G Maj • 04:21 • -13.25db
56% Popularity • 41% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
56% Popularity • 41% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
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Alex Warren
Yard Sale
127 bpm • C Maj • 02:54 • -6.07db
64% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
73% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
73% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
81% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
81% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
73% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
73% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Wallen
Spin You Around (1/24)
142 bpm • E Maj • 03:29 • -6.02db
81% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
81% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Noah Kahan
Busyhead
142 bpm • A Maj • 04:14 • -6.36db
57% Popularity • 66% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 66% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Maeson
Rational
126 bpm • C Maj • 04:05 • -6.36db
46% Popularity • 61% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 61% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Josiah and the Bonnevilles
Basic Channels
143 bpm • F# Maj • 01:54 • -5.38db
64% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Hozier
From Eden
143 bpm • C Maj • 04:43 • -5.46db
65% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
65% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Maisie Peters
History Of Man
125 bpm • F Maj • 03:28 • -5.68db
67% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
67% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Max McNown
A Lot More Free
143 bpm • C# Maj • 03:18 • -9.02db
74% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
74% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Kahan
Bad Luck
143 bpm • B Maj • 03:11 • -9.72db
60% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
60% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
