Songs like Aperçus désagréables: 1. Pastorale by Erik Satie
Based on a tempo of (+/- 10%) and a similar genre
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 2...
142 bpm • G Maj • 04:39 • -21.07db
53% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
53% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
141 bpm • E Maj • 10:44 • -24.88db
62% Popularity • 19% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
62% Popularity • 19% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Jeux d'eaux, M. 30
140 bpm • F# min • 05:38 • -21.49db
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Erik Satie
Mercure, Scene 1: La nuit
139 bpm • C Maj • 01:13 • -35.36db
59% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
59% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
60% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
60% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Lavinia Meijer
Suite bergamasque, L. 75: III. Clair de ...
141 bpm • C# Maj • 04:38 • -26db
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Manuel Blancafort
7 Peces de joventut (Youthful Pieces): R...
137 bpm • B Maj • 02:26 • -32.96db
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 7....
138 bpm • F Maj • 01:05 • -34db
63% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
63% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
136 bpm • C min • 03:14 • -29.89db
54% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
54% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
55% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
55% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Erik Satie
3 Gymnopédies: Gymnopédie nr 3 (Arr. A...
135 bpm • A min • 02:49 • -35.54db
35% Popularity • 49% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
35% Popularity • 49% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Franz Gordon
The Beggar
135 bpm • F min • 03:05 • -20.54db
40% Popularity • 37% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
40% Popularity • 37% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Joep Beving
Zoetrope
134 bpm • D min • 03:53 • -28db
47% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
47% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Erik Satie
Gnossiennes: No. 3. Lent
134 bpm • A min • 02:56 • -23.33db
22% Popularity • 46% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
22% Popularity • 46% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei
134 bpm • F Maj • 02:28 • -32.82db
27% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 27% Positiveness
27% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Lang Lang
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
133 bpm • A min • 03:26 • -27.7db
51% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
51% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Erik Satie
3 Gymnopédies: No. 2, Lent et triste
133 bpm • F Maj • 02:32 • -35.85db
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Erik Satie
Petite Ouverture à danser
134 bpm • A# Maj • 01:15 • -25.16db
32% Popularity • 38% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
32% Popularity • 38% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Antonio Vivaldi
I. Allegro non molto
158 bpm • F min • 03:24 • -19.12db
61% Popularity • 48% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
61% Popularity • 48% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Joep Beving
An Amalgamation Waltz 1839
128 bpm • D min • 04:06 • -30.37db
49% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
49% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Erik Satie
Gnossiennes: 1. Lent
133 bpm • F min • 03:22 • -35.49db
33% Popularity • 38% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
33% Popularity • 38% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Jeroen van Veen
Sur le fil
127 bpm • E min • 05:15 • -23.88db
38% Popularity • 46% Danceability • 2% Energy • 36% Liveness
92% Instrumentalness • 29% Positiveness
38% Popularity • 46% Danceability • 2% Energy • 36% Liveness
92% Instrumentalness • 29% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
35% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Joep Beving
Etude
126 bpm • A min • 04:35 • -28db
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Giya Kancheli
Piano Piece No. 23
162 bpm • F Maj • 01:23 • -35.74db
41% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
41% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
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Erik Satie
Gnossiennes: No. 5, Modéré
132 bpm • G Maj • 04:07 • -32db
29% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
29% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
132 bpm • G Maj • 04:10 • -34db
33% Popularity • 59% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
33% Popularity • 59% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Frédéric Chopin
Chopin: Nocturne No. 20 in C-Sharp Minor...
164 bpm • C# min • 04:19 • -30.93db
68% Popularity • 22% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
68% Popularity • 22% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
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Alma Deutscher
The Lonely Pine-Tree
165 bpm • A min • 03:22 • -30.72db
16% Popularity • 32% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
16% Popularity • 32% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Erik Satie
Gnossienne: No. 1
124 bpm • F min • 03:34 • -28.35db
62% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
62% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Carlos Marquez
minimal nocturne no. 4
123 bpm • C# Maj • 01:33 • -23.19db
45% Popularity • 35% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 35% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Frédéric Schubert
L'autre Valse D'amélie
168 bpm • C# Maj • 01:05 • -16db
63% Popularity • 26% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
63% Popularity • 26% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
AntonÃn Dvořák
Dvorák / Transc. Lenaerts: Rusalka, Op....
168 bpm • F# Maj • 05:53 • -26.4db
47% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
47% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Erik Satie
Satie / Orch. Ducros: Gymnopédie No. 1
167 bpm • G Maj • 02:52 • -31.86db
66% Popularity • 9% Danceability • 2% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
66% Popularity • 9% Danceability • 2% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
173 bpm • C min • 06:14 • -28.78db
50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Tomaso Albinoni
Adagio in G Minor (Arr. for Harp and Orc...
175 bpm • C min • 05:00 • -16.16db
54% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
54% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): IV...
176 bpm • D Maj • 02:01 • -36.55db
62% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
62% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: VI. A...
176 bpm • F# min • 03:06 • -38db
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
54% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
54% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
179 bpm • G Maj • 02:11 • -25.7db
62% Popularity • 29% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
62% Popularity • 29% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
177 bpm • C min • 06:02 • -39db
52% Popularity • 16% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 5% Positiveness
52% Popularity • 16% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 5% Positiveness
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Philip Glass
Glassworks: Opening
213 bpm • D# Maj • 07:44 • -39.51db
50% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
