Songs like Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) by George Frideric Handel

172 bpm • E Maj • 04:04 • -14db

40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness

172 bpm • D# min • 04:26 • -28.18db

4% Popularity • 11% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness

172 bpm • F# Maj • 05:18 • -20.87db

34% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness

172 bpm • A# Maj • 05:40 • -21.17db

5% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness

171 bpm • A min • 04:13 • -16db

5% Popularity • 33% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness

173 bpm • C# min • 04:12 • -17.62db

25% Popularity • 29% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness

174 bpm • B min • 04:21 • -25.56db

18% Popularity • 16% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness

173 bpm • G# min • 01:27 • -23.71db

6% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness

170 bpm • F# Maj • 08:54 • -18.68db

10% Popularity • 17% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness

175 bpm • A# Maj • 04:53 • -23.35db

21% Popularity • 10% Danceability • 6% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness

171 bpm • C min • 08:48 • -21.43db

5% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness

169 bpm • B min • 09:23 • -19.87db

4% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness

169 bpm • G min • 04:45 • -26db

18% Popularity • 14% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness

170 bpm • B min • 02:18 • -23.53db

6% Popularity • 17% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness

175 bpm • E Maj • 03:04 • -18.42db

40% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness

175 bpm • C# Maj • 10:06 • -22.36db

11% Popularity • 17% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness

173 bpm • G min • 01:38 • -16db

41% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness

168 bpm • G# Maj • 04:01 • -25.64db

6% Popularity • 16% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness

167 bpm • B Maj • 00:41 • -25.9db

4% Popularity • 34% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness

176 bpm • C# min • 01:46 • -20.82db

6% Popularity • 18% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness

167 bpm • C min • 06:40 • -19db

10% Popularity • 12% Danceability • 14% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness

169 bpm • A# min • 02:27 • -16.86db

5% Popularity • 25% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness

169 bpm • E min • 02:51 • -20db

35% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness

165 bpm • B Maj • 04:45 • -28.81db

21% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness

178 bpm • F# min • 03:33 • -14.05db

26% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness

178 bpm • F# min • 01:58 • -24.18db

7% Popularity • 9% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 3% Positiveness

164 bpm • D# Maj • 03:49 • -23db

31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness

176 bpm • D Maj • 02:26 • -21.17db

5% Popularity • 28% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 32% Positiveness

177 bpm • D min • 02:10 • -23.58db

40% Popularity • 17% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 7% Positiveness

166 bpm • G Maj • 06:21 • -22.48db

42% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness

181 bpm • G# Maj • 01:31 • -23db

45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness

187 bpm • E Maj • 02:37 • -21.89db

51% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness

190 bpm • C# min • 03:14 • -17.86db

2% Popularity • 27% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness

179 bpm • E Maj • 03:38 • -6.97db

6% Popularity • 36% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness

180 bpm • F# Maj • 04:05 • -20.28db

5% Popularity • 33% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness

151 bpm • D Maj • 04:10 • -18.79db

4% Popularity • 26% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness

146 bpm • C Maj • 02:41 • -21.52db

3% Popularity • 42% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness

146 bpm • C# Maj • 02:24 • -14db

50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness

179 bpm • C# min • 04:36 • -27db

29% Popularity • 12% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness

186 bpm • G Maj • 01:37 • -17.16db

4% Popularity • 23% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness

147 bpm • G# Maj • 06:29 • -20.57db

5% Popularity • 29% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness

146 bpm • C# min • 03:07 • -17db

15% Popularity • 32% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness