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Appassionata
Songs like
Appassionata
by
Ronaldo Miranda
Based on a tempo of (+/- 10%) and a similar genre
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Ronaldo Miranda
Suíte No. 3: Allegro Gracioso
107 bpm • D min • 01:38 • -16.68db
0% Popularity • 50% Danceability • 31% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
14% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Hans Leo Hassler
Dixit Maria
106 bpm • G Maj • 02:34 • -23.66db
11% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
108 bpm • A Maj • 01:19 • -27.66db
12% Popularity • 24% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Laestadian Lutheran Church
I Am Jesus' Little Lamb SHZ 452
108 bpm • F Maj • 02:05 • -22.29db
13% Popularity • 24% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
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Miklós Kocsár
Missa in A Major: IV. Sanctus - Benedict...
108 bpm • C# Maj • 03:07 • -23.88db
15% Popularity • 24% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
Appassionata
107 bpm • C Maj • 07:46 • -29.39db
4% Popularity • 33% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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Oslo Domkor
Å, for djup i Jesu kjærleik
106 bpm • C# Maj • 04:22 • -13.6db
9% Popularity • 24% Danceability • 31% Energy • 12% Liveness
79% Instrumentalness • 24% Positiveness
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Patrick Vu
I Believe
108 bpm • C# Maj • 04:02 • -21.84db
10% Popularity • 16% Danceability • 10% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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Martin Baker
Postquam surrexit Dominus
105 bpm • F# min • 06:12 • -31.63db
14% Popularity • 15% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Sister Maria Therese Sokol, OCD
Canticle of Love
105 bpm • D Maj • 06:12 • -24db
11% Popularity • 21% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Sigismondo D'India
Ha di serp'il velen, di tigr'il morso
109 bpm • G# Maj • 02:10 • -24db
10% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Ronaldo Miranda
Prelúdio e Fuga: Prelúdio
106 bpm • F min • 01:19 • -23.43db
0% Popularity • 40% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Lars Hoefs
Três Momentos Para Violoncelo Solo, III...
105 bpm • C Maj • 04:43 • -21.04db
0% Popularity • 57% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 10% Positiveness
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Jean Sibelius
6 Partsongs, Op. 18 (Version for Mixed C...
105 bpm • E Maj • 01:41 • -20.96db
2% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kerensa Briggs
Media Vita
104 bpm • F# Maj • 03:11 • -26.84db
11% Popularity • 15% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 3% Positiveness
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William Byrd
The Responses
110 bpm • A# Maj • 06:25 • -22.47db
3% Popularity • 21% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: Pie Jesu
110 bpm • A# Maj • 03:12 • -33.26db
10% Popularity • 17% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
Suite No. 3: Allegro gracioso
108 bpm • D min • 01:34 • -20.05db
2% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Dominican Liturgical Center
Hail, Queen of Heaven (Ave Regina Caelor...
104 bpm • D# Maj • 01:42 • -19.73db
15% Popularity • 24% Danceability • 15% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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São Paulo Schola Cantorum
À vossa proteção
103 bpm • D# Maj • 03:12 • -19.08db
9% Popularity • 21% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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John Sheppard
Sheppard: Gaude virgo Christiphera - 3. ...
111 bpm • E min • 02:05 • -16.25db
9% Popularity • 20% Danceability • 28% Energy • 9% Liveness
2% Instrumentalness • 13% Positiveness
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Yuri Alexandrovich Falik
Stranger
111 bpm • A min • 01:53 • -24.38db
17% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Ronaldo Miranda
Suite No. 3: IV. Allegro grazioso
105 bpm • A min • 01:36 • -22.41db
0% Popularity • 43% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
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Laestadian Lutheran Church
In a Wasteland Here We Tarry SHZ 562
111 bpm • C Maj • 02:25 • -22.42db
13% Popularity • 25% Danceability • 13% Energy • 25% Liveness
30% Instrumentalness • 12% Positiveness
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Heraldos del Evangelio
Magna Et Mirabilia
111 bpm • D Maj • 02:18 • -14.89db
14% Popularity • 18% Danceability • 22% Energy • 17% Liveness
64% Instrumentalness • 8% Positiveness
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Kerensa Briggs
Preces
103 bpm • D Maj • 01:31 • -29.28db
10% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ephrem Feeley
Servants of Your Peace
111 bpm • E Maj • 03:57 • -18.14db
9% Popularity • 19% Danceability • 18% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Victoria Vita Polevá
Life-giving Spring
103 bpm • C Maj • 01:43 • -28.22db
13% Popularity • 23% Danceability • 4% Energy • 9% Liveness
15% Instrumentalness • 3% Positiveness
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Ronaldo Miranda
Recitative, Variations and Fugue
104 bpm • C# Maj • 08:49 • -23.58db
0% Popularity • 46% Danceability • 11% Energy • 11% Liveness
25% Instrumentalness • 7% Positiveness
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John Stainer
How beautiful upon the mountains: How Be...
112 bpm • D Maj • 02:50 • -36db
9% Popularity • 16% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Henry Lawes
Have You e’er seen the Morning Sun? (A...
112 bpm • A Maj • 02:31 • -24.28db
20% Popularity • 35% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Sexteto Cantábile
O Magnum Mysterium (Francis Poulenc)
112 bpm • A# min • 02:44 • -24.29db
19% Popularity • 27% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Kim André Arnesen
What are children to the Lord?
102 bpm • G# Maj • 04:28 • -32.12db
17% Popularity • 14% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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William Crotch
Crotch: Palestine: No. 26, Chorus, "Lo! ...
102 bpm • G Maj • 04:49 • -19.37db
9% Popularity • 25% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Ronaldo Miranda
Allegro Gracioso
103 bpm • A min • 01:35 • -16.5db
0% Popularity • 37% Danceability • 16% Energy • 7% Liveness
93% Instrumentalness • 60% Positiveness
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Ymesei O. Ezekiel
パラオ共和国 我等がパラオ
102 bpm • D# Maj • 03:47 • -19.43db
9% Popularity • 20% Danceability • 19% Energy • 14% Liveness
20% Instrumentalness • 14% Positiveness
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The Shaar Hashomayim Synagogue Choir
L’cha Adonai
112 bpm • D min • 01:56 • -16.87db
11% Popularity • 23% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
112 bpm • C# Maj • 02:23 • -28.65db
15% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Peace. Intro
102 bpm • F Maj • 01:34 • -28.38db
21% Popularity • 20% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Phillip Faber
Sommerfugledalen: II. I Brajčinodalens ...
113 bpm • C Maj • 01:41 • -21.88db
14% Popularity • 29% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
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Ronaldo Miranda
Appassionata
103 bpm • A min • 08:56 • -20.5db
0% Popularity • 42% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Adrian Batten
O Sing Joyfully
113 bpm • G# Maj • 01:46 • -25.68db
10% Popularity • 24% Danceability • 12% Energy • 15% Liveness
18% Instrumentalness • 32% Positiveness
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Pablo Zerynger
Cantus Choralis Iii
113 bpm • D# Maj • 01:15 • -17.85db
13% Popularity • 25% Danceability • 22% Energy • 40% Liveness
99% Instrumentalness • 44% Positiveness
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Jakarta Oratorio Society
Speak to My Heart
113 bpm • F Maj • 02:48 • -28.43db
11% Popularity • 26% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Henryk Górecki
Christi crux
101 bpm • E min • 02:45 • -21.76db
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
11% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
Suite Nordestina: IV. Eu vou, eu vou (Li...
102 bpm • A# Maj • 00:59 • -21.08db
0% Popularity • 31% Danceability • 60% Energy • 94% Liveness
0% Instrumentalness • 33% Positiveness
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Lester Seigel
Avinu Malkeinu: Avinu Malkeinu
115 bpm • G# min • 02:08 • -23.83db
13% Popularity • 22% Danceability • 14% Energy • 14% Liveness
18% Instrumentalness • 4% Positiveness
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Shawn Crouch
Paradise: IV. Lullaby
115 bpm • E Maj • 02:43 • -28.66db
9% Popularity • 19% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Kestutis Daugiras
Plaudite, Psallite
100 bpm • E Maj • 03:47 • -17.98db
12% Popularity • 25% Danceability • 30% Energy • 24% Liveness
5% Instrumentalness • 23% Positiveness
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Samuel Scheidt
Ich ruf zu dir, Herr Jesu Christ, SSWV 2...
99 bpm • D min • 01:18 • -31.91db
23% Popularity • 18% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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St.Petersburg Chamber Choir
The Little Litany
115 bpm • C Maj • 01:03 • -35.06db
15% Popularity • 17% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 3% Positiveness
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Ronaldo Miranda
Suíte número 3: Allegro gracioso
112 bpm • D min • 01:30 • -20.54db
0% Popularity • 42% Danceability • 18% Energy • 9% Liveness
98% Instrumentalness • 52% Positiveness
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Hans Koessler
Missa in F Minor: III. Credo
99 bpm • A# Maj • 06:03 • -18.53db
14% Popularity • 22% Danceability • 16% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
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Philippe Verdelot
Igno soave
99 bpm • G# min • 01:59 • -19.29db
13% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Croce
Laudans exultet gaudio per doppio coro, ...
116 bpm • F Maj • 03:17 • -18.34db
9% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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João Lourenço Rebelo
Super Aspidem
99 bpm • A Maj • 02:52 • -23.34db
10% Popularity • 33% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
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Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
8% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Ronaldo Miranda
Suíte número 3: Allegretto
100 bpm • D min • 01:43 • -20.6db
0% Popularity • 42% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 57% Positiveness
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Plainchant
Psalm 148: O Praise the Lord of Heaven
116 bpm • G# Maj • 03:10 • -20.76db
17% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Enrique Lacárcel Bautista
I Am in Need of Music - Bonus Track
116 bpm • A# Maj • 03:48 • -21.11db
8% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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Jozef Swider
Magnificat
116 bpm • E Maj • 03:16 • -20.42db
13% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
19% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Nielsen
Der er etyndigt land (There is a Lovely ...
98 bpm • F Maj • 01:50 • -22.64db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
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Ronaldo Miranda
Frevo - piano a 4 mãos
116 bpm • F min • 05:28 • -15.84db
1% Popularity • 48% Danceability • 24% Energy • 8% Liveness
85% Instrumentalness • 18% Positiveness
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Finn Mathiassen
Lille Almanak – Little Almanac 3
98 bpm • D# Maj • 01:34 • -31.46db
10% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Les Petits Chanteurs à la Croix de Bois
Il est bel et bon
117 bpm • F min • 01:17 • -16.32db
14% Popularity • 37% Danceability • 49% Energy • 34% Liveness
36% Instrumentalness • 18% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
17% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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George Arthur
Missa Brevis: I. Kyrie
97 bpm • C min • 01:07 • -26.89db
11% Popularity • 22% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Gustav Holst
Five Partsongs, Op. 12, H. 61: Ye little...
119 bpm • D min • 02:18 • -20.86db
9% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ronaldo Miranda
Prelúdio e Fuga: Fuga
98 bpm • F min • 01:41 • -21.07db
0% Popularity • 62% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 64% Positiveness
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Williametta Spencer
At the Round Earth's Imagined Corners
97 bpm • A# Maj • 02:07 • -24.44db
9% Popularity • 18% Danceability • 1% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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University of Cape Town Choir
Modimo, reboka Wena - Directed by John W...
120 bpm • F# min • 02:53 • -24.09db
14% Popularity • 25% Danceability • 18% Energy • 8% Liveness
10% Instrumentalness • 19% Positiveness
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Gittan Glans
When Breathing like a Bird
120 bpm • D Maj • 01:57 • -23.06db
24% Popularity • 25% Danceability • 16% Energy • 12% Liveness
25% Instrumentalness • 22% Positiveness
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Giovanni Batista Cocciola
Veni Dilecte Mi
95 bpm • D Maj • 02:30 • -17.12db
14% Popularity • 34% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Johann Stadlmayr
Missa Jubilate Deo: Agnus Die
121 bpm • G min • 01:43 • -22.43db
26% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
Regina Coeli
118 bpm • A Maj • 02:30 • -24.83db
0% Popularity • 22% Danceability • 5% Energy • 36% Liveness
2% Instrumentalness • 4% Positiveness
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Cantores in Ecclesia
Congratulamini Mihi, Omnes
94 bpm • A# Maj • 02:35 • -15.5db
12% Popularity • 18% Danceability • 18% Energy • 8% Liveness
44% Instrumentalness • 8% Positiveness
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The Elysian Singers of London / Matthew Greenall
Two songs to be sung of a summer night o...
122 bpm • A# Maj • 02:26 • -26.21db
12% Popularity • 25% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Randall Thompson
The Last Words of David
94 bpm • G Maj • 03:56 • -24.61db
8% Popularity • 21% Danceability • 3% Energy • 7% Liveness
30% Instrumentalness • 4% Positiveness
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Quire of Voyces
Salvator mundi I
94 bpm • G# min • 02:10 • -21.47db
10% Popularity • 13% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
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Arild Sandvold
Fem Latinske Kirkekor: 1. Jubilate Deo O...
94 bpm • G# Maj • 02:01 • -23.7db
11% Popularity • 17% Danceability • 12% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
Tango - piano a 4 mãos
120 bpm • C# min • 06:24 • -15.14db
0% Popularity • 42% Danceability • 27% Energy • 27% Liveness
89% Instrumentalness • 9% Positiveness
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William Cornysh
Ah Robin
93 bpm • C min • 02:29 • -24.29db
18% Popularity • 21% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Walford Davies
I Will Lift Up Mine Eyes Unto the Hills ...
93 bpm • C min • 03:04 • -32.75db
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Margaret Bonds
Joy: Joy
123 bpm • F Maj • 02:13 • -13.42db
17% Popularity • 27% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 35% Positiveness
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Pukovet
Katavasija
93 bpm • D Maj • 01:01 • -15.95db
26% Popularity • 28% Danceability • 22% Energy • 45% Liveness
0% Instrumentalness • 24% Positiveness
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Wolfgang Amadeus Mozart
Piccolominimesse, KV 258: IV. Sanctus
93 bpm • C Maj • 01:09 • -7.55db
14% Popularity • 24% Danceability • 73% Energy • 10% Liveness
44% Instrumentalness • 37% Positiveness
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Ronaldo Miranda
Valsa Só
122 bpm • E min • 01:37 • -25.61db
1% Popularity • 36% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Saint Thomas Choir Of Men And Boys
Thompson: The Place Of The Blest: The Pe...
123 bpm • A min • 06:12 • -26.87db
16% Popularity • 24% Danceability • 6% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
Oh, Children, Hearken to the Calling Sav...
123 bpm • F Maj • 03:18 • -19.35db
11% Popularity • 22% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 15% Positiveness
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Arnfield Cudal
Qui Descendit
93 bpm • F min • 03:07 • -22.31db
18% Popularity • 14% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Antonio Gabriel "Ariel" G. Arambulo
When the Song of the Angels is Stilled
124 bpm • D# Maj • 02:47 • -36.34db
21% Popularity • 17% Danceability • 2% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Bob Chilcott
Circlesong: Part I, Birth: Newborn
92 bpm • G Maj • 02:31 • -29.34db
9% Popularity • 12% Danceability • 5% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
Suíte n.3 Allegretto
94 bpm • G min • 01:46 • -18.19db
0% Popularity • 43% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 77% Positiveness
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BBC Radio 4 Daily Service Singers
On A Hill Far Away Stood An Old Rugged C...
92 bpm • A# Maj • 04:05 • -25.24db
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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子羊の群れキリスト教会
いつもいつものアレルヤ
124 bpm • D min • 06:07 • -25.55db
10% Popularity • 24% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Dixit Maria
92 bpm • F Maj • 02:51 • -20.33db
8% Popularity • 23% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
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Appassionata