Songs like Apple Pie by Lizzy McAlpine
Based on a tempo of (+/- 10%) and a similar genre
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Matilda Mann
Paper Mache World
180 bpm • D Maj • 02:59 • -5.82db
50% Popularity • 48% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 48% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Emily James
Brooklyn
180 bpm • A# Maj • 02:50 • -10db
51% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Griff
Vertigo
180 bpm • D Maj • 02:59 • -6.57db
64% Popularity • 54% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 54% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Lizzy McAlpine
Apple Pie
180 bpm • A# Maj • 04:19 • -12.27db
60% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Novo Amor
Opaline
182 bpm • C# Maj • 03:12 • -10db
62% Popularity • 37% Danceability • 34% Energy • 9% Liveness
12% Instrumentalness • 28% Positiveness
62% Popularity • 37% Danceability • 34% Energy • 9% Liveness
12% Instrumentalness • 28% Positiveness
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Benson Boone
Slow It Down
181 bpm • G# Maj • 02:41 • -4.68db
78% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
78% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Hozier
Work Song
178 bpm • A# Maj • 03:49 • -7.69db
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Tiny Habits
tiny things
178 bpm • E Maj • 02:30 • -10db
52% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Tommy Lefroy
Shoot
177 bpm • G Maj • 02:37 • -15.25db
41% Popularity • 36% Danceability • 17% Energy • 13% Liveness
17% Instrumentalness • 15% Positiveness
41% Popularity • 36% Danceability • 17% Energy • 13% Liveness
17% Instrumentalness • 15% Positiveness
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Lizzy McAlpine
chemtrails
183 bpm • C Maj • 03:57 • -16.8db
49% Popularity • 36% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 36% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
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Novo Amor
Lucky for You
178 bpm • A# Maj • 02:16 • -12.16db
63% Popularity • 53% Danceability • 31% Energy • 10% Liveness
51% Instrumentalness • 73% Positiveness
63% Popularity • 53% Danceability • 31% Energy • 10% Liveness
51% Instrumentalness • 73% Positiveness
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Taylor Swift
Sweet Nothing
177 bpm • C Maj • 03:08 • -14.92db
73% Popularity • 34% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
73% Popularity • 34% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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boygenius
We're In Love
176 bpm • A# Maj • 04:54 • -16.33db
59% Popularity • 38% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 38% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
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Delaney Bailey
For You
176 bpm • G Maj • 02:20 • -15.84db
56% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Matilda Mann
February
175 bpm • E Maj • 02:29 • -11.3db
43% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Stephen Sanchez
Lady by the Sea
186 bpm • G# Maj • 03:02 • -10.03db
61% Popularity • 44% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 44% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Paris Paloma
drywall
176 bpm • C# Maj • 03:42 • -7.36db
54% Popularity • 35% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 35% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Olivia Rodrigo
stranger
186 bpm • C Maj • 03:12 • -4.9db
81% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
81% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Lizzy McAlpine
Headstones and Land Mines
174 bpm • E Maj • 02:35 • -17.47db
48% Popularity • 44% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
48% Popularity • 44% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Holly Humberstone
Haunted House
173 bpm • A Maj • 02:13 • -10.01db
49% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Matilda Mann
If Only
174 bpm • G Maj • 03:06 • -11.48db
30% Popularity • 28% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 28% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Wasia Project
Is This What Love Is?
172 bpm • A min • 03:43 • -11.05db
59% Popularity • 44% Danceability • 62% Energy • 11% Liveness
60% Instrumentalness • 19% Positiveness
59% Popularity • 44% Danceability • 62% Energy • 11% Liveness
60% Instrumentalness • 19% Positiveness
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
55% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Noah Kahan
Call Your Mom
172 bpm • C Maj • 04:38 • -11.37db
68% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tors
Does He Make You Happy? (Demo)
172 bpm • G min • 04:03 • -7.03db
45% Popularity • 47% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 47% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Phoebe Bridgers
Killer
172 bpm • C Maj • 03:09 • -13.78db
57% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
57% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Lizzy McAlpine
Like It Tends To Do
171 bpm • F# Maj • 03:25 • -17.92db
63% Popularity • 34% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Taylor Swift
champagne problems
171 bpm • C Maj • 04:04 • -12.08db
80% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
80% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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dodie
Air So Sweet
170 bpm • C Maj • 01:05 • -18.69db
49% Popularity • 31% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
49% Popularity • 31% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
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Katie Gregson-MacLeod
complex
191 bpm • C Maj • 03:59 • -7.79db
50% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Phoebe Bridgers
Funeral
171 bpm • B Maj • 03:52 • -14.42db
68% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Lizzy McAlpine
Angelina
170 bpm • B Maj • 03:45 • -16.5db
56% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
56% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ryan Beatty
White Teeth
168 bpm • F# Maj • 03:58 • -7.61db
50% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Big Red Machine
Renegade
168 bpm • C Maj • 04:14 • -8.14db
71% Popularity • 53% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
71% Popularity • 53% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
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Avery Lynch
useless information
168 bpm • E Maj • 03:13 • -14.72db
40% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Matilda Mann
Margaux
167 bpm • D min • 02:26 • -14db
45% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Niall Horan
You Could Start A Cult
167 bpm • C Maj • 03:14 • -10.45db
58% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Lizzy McAlpine
When The World Stopped Moving
167 bpm • D# Maj • 03:14 • -18.57db
47% Popularity • 44% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 44% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Del Water Gap
Cigarettes & Wine
166 bpm • C# Maj • 03:01 • -7.83db
61% Popularity • 41% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 41% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Sydney Ross Mitchell
The Edge
166 bpm • D# Maj • 04:04 • -9.26db
46% Popularity • 41% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 41% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Odell
Black Friday
165 bpm • F# Maj • 03:41 • -12.4db
71% Popularity • 48% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
71% Popularity • 48% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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boygenius
Without You Without Them
165 bpm • E Maj • 01:21 • -13.98db
62% Popularity • 35% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 35% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Delaney Bailey
My Skin
165 bpm • F Maj • 02:50 • -19.43db
37% Popularity • 30% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 30% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lizzy McAlpine
How Do I Tell You?
165 bpm • G Maj • 03:06 • -13.75db
49% Popularity • 55% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 55% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Sophie Holohan
Codependent
198 bpm • G# Maj • 03:19 • -8.76db
39% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Katherine Li
If I Weren't Me
200 bpm • G Maj • 02:31 • -6.7db
45% Popularity • 29% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
45% Popularity • 29% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
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Avery Lynch
you're just a guy
162 bpm • D# Maj • 03:50 • -12.33db
49% Popularity • 43% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 43% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Headon
Bored
162 bpm • D Maj • 02:39 • -6.54db
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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girl in red
Too Much
162 bpm • F min • 03:03 • -5.98db
72% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lizzy McAlpine
reckless driving
200 bpm • C Maj • 03:09 • -10db
64% Popularity • 53% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 53% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Delaney Bailey
Love Letter From The Sea To The Shore
162 bpm • D Maj • 03:11 • -14.79db
50% Popularity • 38% Danceability • 26% Energy • 48% Liveness
7% Instrumentalness • 39% Positiveness
50% Popularity • 38% Danceability • 26% Energy • 48% Liveness
7% Instrumentalness • 39% Positiveness
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Trousdale
If I'm Honest
202 bpm • G# Maj • 02:42 • -6.92db
46% Popularity • 50% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 50% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Liang Lawrence
unposted letters
160 bpm • C# Maj • 03:25 • -8.71db
41% Popularity • 63% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
41% Popularity • 63% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Glass Animals
Creatures in Heaven
160 bpm • D Maj • 03:41 • -6.59db
73% Popularity • 51% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
73% Popularity • 51% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Tiny Habits
delay
160 bpm • G Maj • 03:37 • -8db
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Kessler
I Think I
159 bpm • D# Maj • 02:49 • -10db
41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Jaz Beeson
Short, Sweet Summer
159 bpm • E Maj • 01:04 • -9.01db
46% Popularity • 36% Danceability • 54% Energy • 32% Liveness
3% Instrumentalness • 25% Positiveness
46% Popularity • 36% Danceability • 54% Energy • 32% Liveness
3% Instrumentalness • 25% Positiveness
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Chappell Roan
Picture You
160 bpm • E Maj • 03:07 • -5.47db
64% Popularity • 36% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
64% Popularity • 36% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lizzy McAlpine
orange show speedway
158 bpm • C# Maj • 03:46 • -9db
57% Popularity • 63% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
57% Popularity • 63% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Alexander 23
How Much Longer?
158 bpm • C# Maj • 04:03 • -8.5db
53% Popularity • 46% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 46% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
60% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The National
The Alcott
156 bpm • C Maj • 04:27 • -10.6db
69% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Holly Humberstone
Down Swinging
156 bpm • B Maj • 02:56 • -6.91db
62% Popularity • 60% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
62% Popularity • 60% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
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Lizzy McAlpine
what a shame
156 bpm • A# Maj • 02:48 • -11db
48% Popularity • 66% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 37% Positiveness
48% Popularity • 66% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 37% Positiveness
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Ryan Beatty
Cinnamon Bread
156 bpm • D Maj • 03:08 • -9.74db
48% Popularity • 43% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
48% Popularity • 43% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
67% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
67% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
58% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
