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Arabic
Songs like
Arabic
by
Pleight
Based on a tempo of (+/- 10%) and a similar genre
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Viot
GOOD FOR ME
128 bpm • F# min • 06:32 • -7.76db
16% Popularity • 80% Danceability • 84% Energy • 5% Liveness
76% Instrumentalness • 50% Positiveness
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Late Replies
No Mixer
128 bpm • C# min • 06:00 • -9.02db
28% Popularity • 81% Danceability • 94% Energy • 7% Liveness
74% Instrumentalness • 86% Positiveness
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Gabe
About It
128 bpm • C# Maj • 03:33 • -6.83db
22% Popularity • 90% Danceability • 86% Energy • 10% Liveness
6% Instrumentalness • 79% Positiveness
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Technasia
Suga - Detlef Remix
128 bpm • C Maj • 03:45 • -5.37db
18% Popularity • 88% Danceability • 93% Energy • 8% Liveness
50% Instrumentalness • 23% Positiveness
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Arzenic
Hey Young People
128 bpm • A# min • 03:31 • -7.74db
11% Popularity • 80% Danceability • 89% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
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Gabe
Good Times
128 bpm • G# Maj • 02:48 • -8db
37% Popularity • 85% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Pleight
Arabic
128 bpm • A Maj • 03:26 • -9.16db
17% Popularity • 81% Danceability • 79% Energy • 6% Liveness
87% Instrumentalness • 69% Positiveness
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Jeff Sorkowitz
Hella Thick
128 bpm • G Maj • 03:46 • -8.72db
24% Popularity • 88% Danceability • 76% Energy • 10% Liveness
7% Instrumentalness • 77% Positiveness
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Nic Fanciulli
This Is Life - Extended Mix
128 bpm • A min • 06:36 • -8.55db
23% Popularity • 80% Danceability • 87% Energy • 62% Liveness
88% Instrumentalness • 70% Positiveness
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Damelo
The Goods - Edit
128 bpm • B min • 03:53 • -8.28db
15% Popularity • 80% Danceability • 74% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
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Ragie Ban
My Bank
128 bpm • C# Maj • 02:54 • -9.58db
31% Popularity • 97% Danceability • 53% Energy • 20% Liveness
24% Instrumentalness • 56% Positiveness
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Kevin Corral
East Coast
128 bpm • F Maj • 03:59 • -6.39db
7% Popularity • 79% Danceability • 93% Energy • 14% Liveness
91% Instrumentalness • 73% Positiveness
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Pleight
Jumpin
128 bpm • G Maj • 04:15 • -5.15db
4% Popularity • 82% Danceability • 90% Energy • 6% Liveness
55% Instrumentalness • 76% Positiveness
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Viot
Misstress
128 bpm • G Maj • 06:00 • -7.78db
13% Popularity • 80% Danceability • 76% Energy • 5% Liveness
81% Instrumentalness • 79% Positiveness
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TOBEHONEST
Maquina De Bailar
128 bpm • B min • 03:30 • -8db
35% Popularity • 77% Danceability • 90% Energy • 34% Liveness
85% Instrumentalness • 26% Positiveness
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Juanito
Atracando - Edit
128 bpm • G Maj • 03:37 • -10.03db
8% Popularity • 84% Danceability • 52% Energy • 11% Liveness
19% Instrumentalness • 61% Positiveness
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Wade
Turning up Dat
128 bpm • F# Maj • 03:15 • -9.16db
33% Popularity • 79% Danceability • 86% Energy • 8% Liveness
82% Instrumentalness • 48% Positiveness
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Supernova
A Good Day - Stefano Noferini & Alann M ...
128 bpm • F min • 03:29 • -10.48db
12% Popularity • 80% Danceability • 65% Energy • 9% Liveness
13% Instrumentalness • 59% Positiveness
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Pleight
Kaps
128 bpm • F min • 05:45 • -6.31db
4% Popularity • 77% Danceability • 94% Energy • 9% Liveness
72% Instrumentalness • 26% Positiveness
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Viot
Gold
128 bpm • D# min • 04:00 • -8.87db
28% Popularity • 83% Danceability • 76% Energy • 12% Liveness
27% Instrumentalness • 59% Positiveness
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Miguel Bastida
N.E.T. (Go Dancing)
128 bpm • A# min • 03:30 • -4.4db
12% Popularity • 80% Danceability • 79% Energy • 21% Liveness
64% Instrumentalness • 81% Positiveness
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Mat.Joe
Pan Praise
128 bpm • F min • 03:39 • -7.58db
31% Popularity • 81% Danceability • 86% Energy • 5% Liveness
86% Instrumentalness • 34% Positiveness
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Ninetoes
Honey Bee - Edit
128 bpm • A min • 04:23 • -8.89db
26% Popularity • 80% Danceability • 74% Energy • 9% Liveness
68% Instrumentalness • 76% Positiveness
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Clyde P
Stop Thinkin' - Radio Edit
128 bpm • G Maj • 03:00 • -9.57db
20% Popularity • 83% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 69% Positiveness
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Pleight
Not in Control
128 bpm • D Maj • 05:00 • -8.42db
2% Popularity • 79% Danceability • 88% Energy • 4% Liveness
76% Instrumentalness • 92% Positiveness
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Heider
Don't Bother
128 bpm • A Maj • 02:48 • -6.09db
12% Popularity • 80% Danceability • 98% Energy • 13% Liveness
76% Instrumentalness • 78% Positiveness
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Miane
Nanai
128 bpm • C Maj • 03:15 • -10.41db
26% Popularity • 80% Danceability • 94% Energy • 11% Liveness
95% Instrumentalness • 47% Positiveness
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Will Taylor (UK)
Ordinary Things
128 bpm • A min • 03:03 • -7.5db
27% Popularity • 80% Danceability • 78% Energy • 6% Liveness
47% Instrumentalness • 34% Positiveness
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Pirate Snake
iSolator
128 bpm • C# Maj • 03:15 • -7.09db
11% Popularity • 71% Danceability • 90% Energy • 14% Liveness
14% Instrumentalness • 61% Positiveness
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Poolhaus
Small Talk
128 bpm • D Maj • 02:50 • -10.86db
19% Popularity • 68% Danceability • 76% Energy • 24% Liveness
88% Instrumentalness • 49% Positiveness
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Pleight
Get Physical
128 bpm • A Maj • 05:03 • -8.15db
2% Popularity • 74% Danceability • 93% Energy • 5% Liveness
51% Instrumentalness • 55% Positiveness
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Reblok
Bardo
128 bpm • C min • 03:48 • -9.6db
16% Popularity • 84% Danceability • 61% Energy • 14% Liveness
78% Instrumentalness • 23% Positiveness
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ChaseWest
LONELY GIRL
128 bpm • D Maj • 05:32 • -8.02db
18% Popularity • 80% Danceability • 81% Energy • 12% Liveness
67% Instrumentalness • 41% Positiveness
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Mendo
Single Ladies - Radio Edit
128 bpm • C# Maj • 03:11 • -8.29db
19% Popularity • 79% Danceability • 95% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
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Gabe
L'amour
128 bpm • G# min • 03:30 • -8.75db
24% Popularity • 80% Danceability • 82% Energy • 7% Liveness
80% Instrumentalness • 73% Positiveness
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Mochakk
This Is Not a Simulation - Mochakk - Moc...
128 bpm • A Maj • 06:00 • -6.41db
16% Popularity • 83% Danceability • 75% Energy • 10% Liveness
25% Instrumentalness • 78% Positiveness
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Pleight
Percolate - Radio Edit
128 bpm • D Maj • 03:34 • -14.12db
0% Popularity • 80% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 45% Positiveness
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Will Taylor (UK)
Saltshaker
128 bpm • B min • 03:15 • -6.66db
27% Popularity • 80% Danceability • 52% Energy • 13% Liveness
74% Instrumentalness • 58% Positiveness
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Roddy Lima
Guzman
128 bpm • F# min • 05:30 • -9.61db
28% Popularity • 81% Danceability • 58% Energy • 9% Liveness
85% Instrumentalness • 40% Positiveness
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Disaia
Diamonds
128 bpm • D Maj • 02:58 • -5.71db
19% Popularity • 87% Danceability • 94% Energy • 13% Liveness
55% Instrumentalness • 78% Positiveness
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Dillon Nathaniel
That's The Way
128 bpm • E Maj • 03:22 • -6.78db
17% Popularity • 80% Danceability • 82% Energy • 7% Liveness
85% Instrumentalness • 86% Positiveness
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Eddy M
Look At The Sky
128 bpm • C# Maj • 02:48 • -5.65db
35% Popularity • 80% Danceability • 91% Energy • 7% Liveness
94% Instrumentalness • 60% Positiveness
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Pleight
Consciousness
128 bpm • F# min • 05:00 • -5.73db
2% Popularity • 76% Danceability • 97% Energy • 9% Liveness
80% Instrumentalness • 61% Positiveness
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Juanito
Atracando
128 bpm • G Maj • 06:07 • -10.46db
26% Popularity • 83% Danceability • 52% Energy • 3% Liveness
47% Instrumentalness • 60% Positiveness
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Viot
Space Cowboy
128 bpm • C# Maj • 02:52 • -6.2db
26% Popularity • 88% Danceability • 89% Energy • 14% Liveness
8% Instrumentalness • 86% Positiveness
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Jho Roscioli
The Girls
128 bpm • C Maj • 02:30 • -5.88db
15% Popularity • 84% Danceability • 81% Energy • 6% Liveness
90% Instrumentalness • 62% Positiveness
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Classmatic
Los Patrones
128 bpm • F min • 03:30 • -5.89db
32% Popularity • 80% Danceability • 78% Energy • 8% Liveness
62% Instrumentalness • 40% Positiveness
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Beltran
Basement
128 bpm • A Maj • 04:38 • -7.34db
30% Popularity • 81% Danceability • 92% Energy • 10% Liveness
91% Instrumentalness • 92% Positiveness
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Pleight
Don't Care
128 bpm • C# Maj • 03:30 • -6.83db
2% Popularity • 80% Danceability • 73% Energy • 4% Liveness
83% Instrumentalness • 62% Positiveness
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Kyle Walker
Zilla
128 bpm • B min • 03:26 • -6.43db
26% Popularity • 80% Danceability • 94% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Viot
So Easy
128 bpm • B min • 04:00 • -6.75db
12% Popularity • 84% Danceability • 84% Energy • 11% Liveness
22% Instrumentalness • 81% Positiveness
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Lex & Wood
Danza De Los Diablos
128 bpm • G# min • 03:46 • -5.09db
28% Popularity • 90% Danceability • 84% Energy • 11% Liveness
84% Instrumentalness • 55% Positiveness
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Mochakk
Campainhas
128 bpm • C# Maj • 06:15 • -6.07db
25% Popularity • 84% Danceability • 69% Energy • 5% Liveness
55% Instrumentalness • 54% Positiveness
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Nicolas Caprile
Sabor Latino
128 bpm • C# Maj • 03:35 • -6.08db
13% Popularity • 72% Danceability • 95% Energy • 5% Liveness
91% Instrumentalness • 30% Positiveness
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Pleight
Room 69
128 bpm • C# Maj • 03:33 • -7.95db
0% Popularity • 80% Danceability • 78% Energy • 5% Liveness
34% Instrumentalness • 69% Positiveness
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nocapz.
I'll Be Alright
128 bpm • C# Maj • 03:01 • -8.52db
24% Popularity • 80% Danceability • 82% Energy • 6% Liveness
86% Instrumentalness • 79% Positiveness
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Ren Phillips
Grandmaster Flash
128 bpm • B min • 03:12 • -5.99db
15% Popularity • 84% Danceability • 99% Energy • 6% Liveness
20% Instrumentalness • 50% Positiveness
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Classmatic
Fly Away
128 bpm • B min • 03:30 • -9.97db
31% Popularity • 77% Danceability • 80% Energy • 13% Liveness
27% Instrumentalness • 89% Positiveness
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Ben Hemsley
Ayee
128 bpm • B min • 03:04 • -6.56db
29% Popularity • 80% Danceability • 74% Energy • 8% Liveness
15% Instrumentalness • 6% Positiveness
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Fleur Shore
Manizer
128 bpm • A# min • 04:04 • -8.6db
29% Popularity • 78% Danceability • 95% Energy • 64% Liveness
72% Instrumentalness • 88% Positiveness
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Pleight
Shake It
128 bpm • C# Maj • 03:56 • -15.45db
2% Popularity • 86% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 28% Positiveness
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Will Taylor (UK)
Sacrifice
128 bpm • G# min • 03:45 • -8.7db
15% Popularity • 79% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Lost On Mars
Jungle Flute
128 bpm • G Maj • 03:56 • -4.89db
33% Popularity • 69% Danceability • 96% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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Blank Sense
Trip
128 bpm • E min • 02:51 • -6.8db
22% Popularity • 68% Danceability • 92% Energy • 29% Liveness
63% Instrumentalness • 65% Positiveness
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Rob Marion
Mothership
128 bpm • C# Maj • 03:34 • -5.5db
13% Popularity • 80% Danceability • 90% Energy • 13% Liveness
82% Instrumentalness • 87% Positiveness
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Mason Maynard
All Over U
128 bpm • G Maj • 03:03 • -7.04db
16% Popularity • 76% Danceability • 83% Energy • 27% Liveness
85% Instrumentalness • 8% Positiveness
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Pleight
Missing You - Radio Edit
128 bpm • F min • 03:41 • -14.1db
0% Popularity • 65% Danceability • 86% Energy • 18% Liveness
73% Instrumentalness • 52% Positiveness
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Sorley
Strung Up
128 bpm • C# Maj • 03:20 • -7.16db
28% Popularity • 87% Danceability • 71% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Ron Costa
Like This
128 bpm • A Maj • 03:23 • -7.62db
24% Popularity • 80% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 91% Positiveness
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Cour T.
Confined
128 bpm • B Maj • 06:00 • -6.7db
9% Popularity • 80% Danceability • 78% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Sharam Jey
Jam Hot - Hot Bullet Remix
128 bpm • G Maj • 05:01 • -10.77db
13% Popularity • 80% Danceability • 87% Energy • 3% Liveness
84% Instrumentalness • 63% Positiveness
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Nic Fanciulli
This Is Life
128 bpm • A min • 03:59 • -8.63db
32% Popularity • 80% Danceability • 87% Energy • 61% Liveness
88% Instrumentalness • 71% Positiveness
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Will Taylor (UK)
Love Songs & Sex
128 bpm • F# min • 03:11 • -8.75db
28% Popularity • 80% Danceability • 55% Energy • 11% Liveness
16% Instrumentalness • 51% Positiveness
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Stefano Noferini
You Can See
128 bpm • A min • 03:05 • -8.62db
26% Popularity • 80% Danceability • 91% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
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Miguel Bastida
Knones
128 bpm • F min • 03:22 • -9.22db
13% Popularity • 83% Danceability • 76% Energy • 8% Liveness
93% Instrumentalness • 53% Positiveness
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Arzenic
Dream Girl
128 bpm • A# min • 04:13 • -9.84db
14% Popularity • 75% Danceability • 74% Energy • 14% Liveness
85% Instrumentalness • 40% Positiveness
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Slow Motion
Work That Body
128 bpm • A# min • 03:00 • -11.2db
24% Popularity • 80% Danceability • 87% Energy • 7% Liveness
63% Instrumentalness • 77% Positiveness
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Tony Romera
Pitch Thing
128 bpm • C# Maj • 03:37 • -5.88db
31% Popularity • 72% Danceability • 85% Energy • 37% Liveness
90% Instrumentalness • 7% Positiveness
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Will Taylor (UK)
Sweet Shop
128 bpm • D Maj • 03:52 • -7.2db
14% Popularity • 80% Danceability • 97% Energy • 8% Liveness
70% Instrumentalness • 83% Positiveness
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R.E.A.D
Where's My Phone? - Marco Faraone Remix
128 bpm • G Maj • 03:35 • -7.33db
20% Popularity • 80% Danceability • 81% Energy • 7% Liveness
89% Instrumentalness • 10% Positiveness
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Damelo
El Toro
128 bpm • A min • 03:08 • -5.79db
27% Popularity • 68% Danceability • 98% Energy • 34% Liveness
93% Instrumentalness • 75% Positiveness
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Pleight
Going On - Extended
128 bpm • G Maj • 05:07 • -6.01db
0% Popularity • 77% Danceability • 98% Energy • 11% Liveness
79% Instrumentalness • 82% Positiveness
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Viot
Jiggy - Radio Edi
128 bpm • B min • 04:03 • -7.31db
22% Popularity • 80% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 60% Positiveness
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Galo
All Night
128 bpm • D Maj • 03:47 • -3.92db
16% Popularity • 65% Danceability • 98% Energy • 26% Liveness
75% Instrumentalness • 67% Positiveness
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Will Taylor (UK)
Wasting Time
128 bpm • A# min • 03:29 • -8.9db
8% Popularity • 74% Danceability • 86% Energy • 12% Liveness
6% Instrumentalness • 45% Positiveness
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George Z
Road Jack
128 bpm • A# min • 02:45 • -6.37db
22% Popularity • 80% Danceability • 94% Energy • 27% Liveness
75% Instrumentalness • 58% Positiveness
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Deeft
Black Coffee
128 bpm • C Maj • 03:33 • -9.96db
21% Popularity • 83% Danceability • 58% Energy • 5% Liveness
17% Instrumentalness • 30% Positiveness
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Cesar Nardini
4 A.m.
128 bpm • F# Maj • 05:08 • -6.56db
16% Popularity • 76% Danceability • 94% Energy • 14% Liveness
83% Instrumentalness • 43% Positiveness
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Tough Art
Don't Care
128 bpm • B min • 03:31 • -5.74db
9% Popularity • 86% Danceability • 98% Energy • 29% Liveness
61% Instrumentalness • 84% Positiveness
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Jøase
Feels
128 bpm • D min • 02:14 • -6.15db
22% Popularity • 64% Danceability • 93% Energy • 5% Liveness
81% Instrumentalness • 28% Positiveness
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Dillon Nathaniel
Bacana
128 bpm • B min • 03:24 • -7.65db
31% Popularity • 80% Danceability • 98% Energy • 22% Liveness
71% Instrumentalness • 63% Positiveness
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Hector Couto
Nomad
127 bpm • F# min • 03:20 • -8.77db
26% Popularity • 85% Danceability • 94% Energy • 11% Liveness
84% Instrumentalness • 84% Positiveness
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TOBEHONEST
Conga
127 bpm • G min • 03:14 • -5.98db
25% Popularity • 72% Danceability • 96% Energy • 54% Liveness
91% Instrumentalness • 29% Positiveness
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N2N
Hot Steppin'
129 bpm • C Maj • 02:40 • -7.64db
15% Popularity • 86% Danceability • 89% Energy • 10% Liveness
36% Instrumentalness • 69% Positiveness
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Caleb Dent
Anything Goes
127 bpm • F# Maj • 02:32 • -6.81db
14% Popularity • 85% Danceability • 70% Energy • 23% Liveness
34% Instrumentalness • 60% Positiveness
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Simon Kidzoo
Balanca
127 bpm • G Maj • 03:03 • -9.2db
19% Popularity • 80% Danceability • 94% Energy • 7% Liveness
87% Instrumentalness • 87% Positiveness
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Kyle Walker
All You Need
129 bpm • G# Maj • 03:43 • -8.06db
21% Popularity • 71% Danceability • 76% Energy • 18% Liveness
52% Instrumentalness • 52% Positiveness
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Needs No Sleep
Notorious
127 bpm • A Maj • 03:16 • -7.14db
20% Popularity • 77% Danceability • 74% Energy • 7% Liveness
77% Instrumentalness • 12% Positiveness
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Miguel Bastida
Gonna Be
127 bpm • C# Maj • 03:33 • -8.18db
9% Popularity • 80% Danceability • 89% Energy • 9% Liveness
85% Instrumentalness • 78% Positiveness
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Piem
Day & Night
129 bpm • F# Maj • 02:58 • -5.42db
28% Popularity • 68% Danceability • 96% Energy • 10% Liveness
91% Instrumentalness • 40% Positiveness
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Arabic