Songs like Arcade - Acoustic Version by Duncan Laurence
Based on a tempo of (+/- 10%) and a similar genre
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Duncan Laurence
Arcade - Acoustic Version
143 bpm • A min • 03:19 • -12.85db
55% Popularity • 32% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 32% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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FiloChill
D u s k T i l l D a w n (slowed reverb)
143 bpm • F# min • 05:05 • -13db
52% Popularity • 33% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
52% Popularity • 33% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Matthew Nolan
My Mistakes
144 bpm • G# Maj • 03:14 • -10.29db
44% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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LOVA
Lonely Ones
144 bpm • D Maj • 03:07 • -7db
57% Popularity • 64% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 64% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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BANNERS
Got It In You
144 bpm • G Maj • 03:41 • -9.16db
51% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Duncan Laurence
Arcade - Instrumental Version
144 bpm • A min • 03:03 • -15.59db
41% Popularity • 51% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
41% Popularity • 51% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Loving Caliber
We're In This Together Now
144 bpm • E Maj • 03:52 • -15db
37% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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xTheRuffy_
War is Love Amv
142 bpm • D# Maj • 03:54 • -12.58db
26% Popularity • 30% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 30% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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BANNERS
Where The Shadow Ends - Acoustic
144 bpm • A# Maj • 04:04 • -10.97db
38% Popularity • 63% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 63% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Hayd
What Did I Do?
142 bpm • F# Maj • 03:35 • -11.87db
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Adele
Easy On Me
142 bpm • F Maj • 03:44 • -7.52db
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Loi
Melody
142 bpm • F# Maj • 02:46 • -7.08db
43% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Duncan Laurence
Biting My Tongue
142 bpm • C# Maj • 03:59 • -6.85db
28% Popularity • 42% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 42% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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JC Stewart
I Need You To Hate Me - Piano Version
144 bpm • D Maj • 02:50 • -7.4db
33% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Chord Overstreet
Beautiful Disaster
145 bpm • G# min • 04:01 • -14db
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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A Great Big World
Say Something
141 bpm • D Maj • 03:49 • -8.82db
70% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
70% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Natalie Taylor
Surrender
145 bpm • F min • 03:03 • -8.57db
70% Popularity • 39% Danceability • 45% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
70% Popularity • 39% Danceability • 45% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
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Duncan Laurence
Biting My Tongue - THE HOLLYWOOD SESSION
142 bpm • C# Maj • 03:52 • -6.68db
22% Popularity • 42% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 42% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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remme
half a world away
141 bpm • D Maj • 03:27 • -8db
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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BANNERS
Someone To You - Stripped
146 bpm • D Maj • 03:40 • -7.65db
22% Popularity • 69% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 69% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Zevia
till death frees me
140 bpm • A# Maj • 02:46 • -11db
48% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Bruno Mars
Talking to the Moon
146 bpm • C# min • 03:37 • -4.72db
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Duncan Laurence
Lovin' Arms
144 bpm • G# Maj • 02:29 • -16.42db
33% Popularity • 35% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Alex & Sierra
Little Do You Know
146 bpm • C Maj • 03:05 • -8.55db
73% Popularity • 50% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
73% Popularity • 50% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Madison Kendall
Talking to the Moon
146 bpm • C# min • 03:36 • -10.38db
31% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Camylio
i tried
140 bpm • G min • 02:40 • -9.63db
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Freya Ridings
Blackout
140 bpm • F# Maj • 02:54 • -8.75db
47% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Duncan Laurence
Heaven Is a Hand to Hold
140 bpm • C# Maj • 02:41 • -6.28db
34% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Platt
In Case You Don't Live Forever
140 bpm • A Maj • 03:48 • -8.24db
53% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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SLANDER
Love Is Gone - Acoustic
140 bpm • F# Maj • 02:56 • -10.65db
77% Popularity • 54% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
77% Popularity • 54% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Passenger
Let Her Go (Acoustic Version)
139 bpm • E min • 04:26 • -13.96db
50% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Christina Perri
a thousand years
139 bpm • A# Maj • 04:45 • -7.45db
82% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
82% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Zoe Wees
Girls Like Us - Acoustic Version
139 bpm • C# Maj • 02:54 • -10db
38% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Duncan Laurence
Umbrella - Commentary
138 bpm • G# Maj • 00:52 • -18.16db
10% Popularity • 70% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 70% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Tom Rosenthal
It's Ok
148 bpm • G# min • 03:11 • -15.11db
67% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
67% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
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Alessia Cara
I Choose
138 bpm • C Maj • 03:37 • -6.46db
58% Popularity • 66% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 66% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Ethan Hodges
Slipping Through My Fingers
138 bpm • A# Maj • 03:41 • -12.39db
55% Popularity • 65% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 65% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 41% Positiveness
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Tate McRae
she's all i wanna be - Acoustic
138 bpm • F# Maj • 03:18 • -12db
50% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Luca Fogale
I Don't Want to Lose You
137 bpm • B Maj • 02:51 • -10db
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Billie Eilish
i love you
137 bpm • C Maj • 04:51 • -18.44db
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sia
Helium
137 bpm • E Maj • 04:12 • -6.68db
69% Popularity • 42% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
69% Popularity • 42% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Connie Talbot
I Would
150 bpm • F Maj • 03:44 • -6.19db
40% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tim Halperin
The Reason
150 bpm • G Maj • 03:20 • -9db
45% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Walker
Leave a Light On - Acoustic
137 bpm • F Maj • 03:37 • -6.76db
59% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Alexander Stewart
Halo
150 bpm • D Maj • 02:41 • -7.21db
64% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
64% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Mimi Webb
Before I Go
150 bpm • F# Maj • 03:07 • -5.23db
53% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Chloe Adams
She Used To Be Mine
150 bpm • F Maj • 02:42 • -13.63db
56% Popularity • 58% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 58% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Rosa Linn
SNAP - Low and Slow
150 bpm • A Maj • 03:23 • -9.35db
55% Popularity • 62% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 62% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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St. Lundi
Learn To Let Go
136 bpm • B Maj • 03:30 • -9.09db
31% Popularity • 48% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 48% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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BANNERS
Someone To You - Acoustic
150 bpm • D Maj • 03:34 • -5.87db
51% Popularity • 60% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 60% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.02db
65% Popularity • 66% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 66% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Calum Scott
Biblical
136 bpm • E Maj • 03:49 • -5db
57% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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James Smith
Hailey - Acoustic
136 bpm • C# Maj • 03:28 • -9.63db
35% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Duncan Laurence
Yet
151 bpm • D Maj • 03:03 • -11db
25% Popularity • 39% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 39% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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World's First Cinema
Cold Sets In
135 bpm • B Maj • 03:19 • -7db
30% Popularity • 48% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 48% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.71db
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Grace Carter
Wicked Game
136 bpm • D Maj • 02:50 • -9.7db
56% Popularity • 37% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
56% Popularity • 37% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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clide
broken parts
151 bpm • C Maj • 03:05 • -12.42db
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Declan J Donovan
Numb
135 bpm • C Maj • 03:31 • -5.45db
43% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Duncan Laurence
Beautiful - Commentary
152 bpm • G# Maj • 01:05 • -20.12db
10% Popularity • 66% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 66% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Jordan Smith
Only Love
135 bpm • F min • 04:04 • -6.28db
43% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Calum Scott
If Our Love Is Wrong
152 bpm • G min • 03:23 • -5.57db
54% Popularity • 41% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
54% Popularity • 41% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Martin Jasper
How To Be Friends
135 bpm • A Maj • 03:28 • -11.25db
41% Popularity • 62% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 62% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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JC Stewart
Break My Heart - Piano Acoustic
134 bpm • F# min • 03:38 • -10.45db
35% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Freya Ridings
Still Have You
152 bpm • F Maj • 03:53 • -3.72db
36% Popularity • 36% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 36% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Duncan Laurence
Between Good And Goodbye
134 bpm • C Maj • 04:06 • -7.7db
23% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sky McCreery
i looked into your eyes
134 bpm • A# Maj • 02:28 • -9.55db
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Forest Blakk
If You Love Her - Acoustic
154 bpm • C# Maj • 03:41 • -11db
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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James TW
My Somebody
155 bpm • G min • 03:23 • -5db
37% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Aidan Martin
I Blame You
132 bpm • C Maj • 03:24 • -5.83db
36% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Caleb Hearn
It's Always Been You
132 bpm • A# Maj • 02:49 • -8.73db
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Billy Lockett
Call Me In The Morning
132 bpm • G# Maj • 03:38 • -10.14db
38% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Edith Whiskers
It's Ok - Slowed
132 bpm • F# min • 03:34 • -13.6db
62% Popularity • 58% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 58% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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One Direction
You & I
131 bpm • C# Maj • 03:57 • -6.83db
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Before You Exit
The Butterfly Effect
132 bpm • B Maj • 04:15 • -14db
44% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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David Kushner
Daylight
130 bpm • D min • 03:32 • -9.48db
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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NF
Paralyzed
130 bpm • C Maj • 04:30 • -6.6db
69% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
69% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Lady Gaga
Always Remember Us This Way
130 bpm • C Maj • 03:30 • -5.97db
83% Popularity • 55% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 30% Positiveness
83% Popularity • 55% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 30% Positiveness
