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Arcadiana: VI. O Albion
Songs like
Arcadiana: VI. O Albion
by
Thomas Adès
Based on a tempo of (+/- 10%) and a similar genre
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
78 bpm • F# Maj • 03:38 • -41db
34% Popularity • 16% Danceability • 0% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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William Alwyn
String Quartet No. 10 "En voyage": I. De...
78 bpm • G Maj • 05:20 • -30.69db
10% Popularity • 7% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 6% Positiveness
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Charles Ives
The Unanswered Question
78 bpm • C Maj • 06:18 • -42.28db
2% Popularity • 13% Danceability • 0% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Cello Sonata in A Minor: II. Lamento
78 bpm • D min • 02:05 • -34.39db
26% Popularity • 22% Danceability • 1% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
78 bpm • E min • 04:19 • -32db
22% Popularity • 10% Danceability • 1% Energy • 14% Liveness
9% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Morceau de concours for Flute and Piano ...
78 bpm • F Maj • 02:42 • -27.81db
1% Popularity • 18% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Thomas Adès
Adès: Asyla, Op. 17: I. —
78 bpm • B min • 05:33 • -24.83db
4% Popularity • 15% Danceability • 15% Energy • 23% Liveness
46% Instrumentalness • 4% Positiveness
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Peter Sculthorpe
Requiem for Cello Alone: VI. Lux aeterna
78 bpm • D Maj • 04:13 • -28.22db
26% Popularity • 8% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 3% Positiveness
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John Adams
Shaker Loops (version for string orchest...
78 bpm • C Maj • 04:09 • -29.15db
27% Popularity • 17% Danceability • 4% Energy • 22% Liveness
57% Instrumentalness • 8% Positiveness
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Alfredo Casella
11 Pezzi infantili, Op. 35: X. Berceuse
78 bpm • D# Maj • 02:16 • -40db
28% Popularity • 32% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Giya Kancheli
Miniature No. 7
78 bpm • F# min • 02:22 • -27.8db
36% Popularity • 14% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: VI. M...
78 bpm • A min • 02:20 • -34db
35% Popularity • 21% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Thomas Adès
Arcadiana: VI. O Albion
78 bpm • D# Maj • 03:26 • -43db
34% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
57% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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Pierre Boulez
12 Notations pour piano: I Fantasque - M...
79 bpm • C# Maj • 01:06 • -36.93db
24% Popularity • 50% Danceability • 0% Energy • 6% Liveness
9% Instrumentalness • 43% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 14 in E-Flat Major, K...
77 bpm • A# Maj • 06:37 • -21.99db
2% Popularity • 20% Danceability • 5% Energy • 28% Liveness
43% Instrumentalness • 11% Positiveness
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Traditional
Despair Not, O Heart (Arr. For String Qu...
79 bpm • G Maj • 01:21 • -38.82db
25% Popularity • 13% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Sofia Gubaidulina
String Quartet No. 2
77 bpm • D Maj • 08:11 • -23db
12% Popularity • 14% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
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Thomas Adès
In Seven Days: iv. Stars – Sun – Moo...
77 bpm • C# Maj • 03:16 • -17.97db
3% Popularity • 30% Danceability • 30% Energy • 69% Liveness
32% Instrumentalness • 7% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
59% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Aaron Copland
Rodeo: II. Corral Nocturne
79 bpm • C Maj • 03:46 • -27db
37% Popularity • 10% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Sculthorpe
A Little Book of Hours: VI. Singing Sun
79 bpm • A# Maj • 01:43 • -44.53db
60% Popularity • 35% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
Erbarm dich mein, o Herre Gott, BWV 721 ...
79 bpm • D Maj • 04:46 • -29db
38% Popularity • 19% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 5% Positiveness
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Louis Aubert
Feuille d'images (Version for Orchestra)...
77 bpm • A min • 03:13 • -37db
22% Popularity • 7% Danceability • 1% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VI. O Albion
77 bpm • D# Maj • 03:15 • -37db
36% Popularity • 11% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
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Claude Debussy
Images inédites, L. 87: I. Lent (mélan...
77 bpm • C# min • 04:11 • -25.39db
28% Popularity • 41% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Camille PĂ©pin
The Sound of Trees: Apaisé, boisé
79 bpm • B min • 03:27 • -19db
18% Popularity • 13% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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György Ligeti
Lontano
79 bpm • C# Maj • 09:25 • -26.7db
33% Popularity • 7% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
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Dobrinka Tabakova
Suite In Old Style: II. The Rose Garden,...
79 bpm • D min • 07:30 • -17db
12% Popularity • 14% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Moments of Poetry and Music: No. 2, Melo...
77 bpm • B Maj • 03:45 • -37db
25% Popularity • 8% Danceability • 1% Energy • 7% Liveness
70% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
String Quartet in D Major, Op. 18 No. 3:...
77 bpm • A# Maj • 08:08 • -25.91db
2% Popularity • 16% Danceability • 3% Energy • 14% Liveness
31% Instrumentalness • 8% Positiveness
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Federico Mompou
Musica callada XXII Molto lento e tranqu...
79 bpm • D Maj • 02:39 • -39db
14% Popularity • 46% Danceability • 0% Energy • 5% Liveness
88% Instrumentalness • 13% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (version Ă 2 violes) (Mr. de...
77 bpm • C# min • 02:24 • -23db
36% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Kaija Saariaho
7 Papillons: No. 4. —
79 bpm • G Maj • 02:13 • -22db
17% Popularity • 11% Danceability • 3% Energy • 16% Liveness
52% Instrumentalness • 5% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
49% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Leoš Janáček
On an Overgrown Path, Series I: The Barn...
76 bpm • G# min • 03:20 • -20.67db
2% Popularity • 41% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Witold Lutosławski
3 Fragmente: II. Ulysse en Itaque
80 bpm • G min • 01:33 • -27db
22% Popularity • 19% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Henryk GĂłrecki
3 Utwory w dawnym stylu (3 Pieces in Old...
76 bpm • A min • 03:17 • -23db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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György Kurtág
Sleepily - Grand Piano
80 bpm • C# Maj • 01:04 • -38.41db
25% Popularity • 28% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: String Quartet, M. 35: III. Très...
80 bpm • B Maj • 09:47 • -29.61db
26% Popularity • 10% Danceability • 1% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird (version for piano): Lullab...
80 bpm • G# min • 02:49 • -34db
24% Popularity • 31% Danceability • 0% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Leoš Janáček
On an Overgrown Path, Series I: Come wit...
80 bpm • D Maj • 01:06 • -25.63db
2% Popularity • 35% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
61% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Thomas Adès
Lost Your Touch
76 bpm • C Maj • 01:35 • -23.2db
5% Popularity • 16% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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David Lang
The National Anthems: fame and glory
76 bpm • E min • 05:40 • -21.65db
2% Popularity • 12% Danceability • 10% Energy • 47% Liveness
4% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VIII. Loua...
76 bpm • E Maj • 07:23 • -24.35db
19% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Alexei Stanchinsky
Sonata No. 2: I. Fuga
76 bpm • A min • 05:46 • -27.23db
2% Popularity • 24% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Luciano Berio
6 Encores for Piano (1965): No. 3, Wasse...
75 bpm • C# Maj • 02:19 • -47.9db
57% Popularity • 26% Danceability • 0% Energy • 7% Liveness
36% Instrumentalness • 17% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
37% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 2. Titanic H...
81 bpm • G# Maj • 05:09 • -37db
18% Popularity • 18% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
63% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
25% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
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Luciano Berio
6 Encores: No. 3, Wasserklavier
81 bpm • A# min • 02:10 • -31db
24% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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Thomas Adès
Berceuse from "The Exterminating Angel"
75 bpm • B Maj • 05:31 • -21.21db
6% Popularity • 39% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act II: Prelu...
81 bpm • C# Maj • 03:48 • -37db
26% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
81 bpm • C min • 06:37 • -30db
31% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Anja Lechner
Hymne
75 bpm • D min • 01:38 • -35.57db
35% Popularity • 46% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
23% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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David Lang
The National Anthems: our land with peac...
81 bpm • E min • 05:23 • -18.2db
5% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Thomas Adès
Jules Colette Burial
81 bpm • F min • 01:08 • -19.39db
6% Popularity • 12% Danceability • 11% Energy • 8% Liveness
58% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
48% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Morton Feldman
Rothko Chapel 4
82 bpm • A min • 04:38 • -38db
21% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
58% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Alex Baranowski
Musica Universalis
74 bpm • A Maj • 02:33 • -24.59db
35% Popularity • 19% Danceability • 5% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, Son...
74 bpm • D# Maj • 02:18 • -35db
53% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Thomas Adès
Hotel Suite from "Powder Her Face": IV. ...
82 bpm • A Maj • 04:19 • -28.49db
3% Popularity • 40% Danceability • 6% Energy • 19% Liveness
42% Instrumentalness • 15% Positiveness
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Anna Clyne
DANCE: III. in the middle of the fightin...
82 bpm • A min • 04:20 • -23db
18% Popularity • 13% Danceability • 9% Energy • 17% Liveness
88% Instrumentalness • 3% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
82 bpm • E Maj • 08:42 • -29db
21% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
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Claude Debussy
RĂŞverie, L. 68 (Arr. by Badzura)
82 bpm • F Maj • 06:08 • -21.46db
38% Popularity • 16% Danceability • 7% Energy • 13% Liveness
61% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
28% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Mason Bates
Anthology of Fantastic Zoology: Nymphs
82 bpm • F Maj • 02:48 • -35.46db
14% Popularity • 12% Danceability • 1% Energy • 22% Liveness
12% Instrumentalness • 16% Positiveness
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Thomas Adès
Arcadiana, Op. 12: III. Auf dem Wasser z...
82 bpm • C# Maj • 02:28 • -20.1db
5% Popularity • 24% Danceability • 17% Energy • 38% Liveness
73% Instrumentalness • 9% Positiveness
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Lera Auerbach
24 Preludes for Violin and Piano, Op. 46...
82 bpm • D Maj • 03:13 • -38.03db
27% Popularity • 16% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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BĂ©la BartĂłk
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
48% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Valentin Silvestrov
Hymn - 2001
74 bpm • A# Maj • 06:05 • -31.44db
38% Popularity • 14% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
17% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
48% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Elegy for Solo Viola
82 bpm • C min • 05:29 • -25db
16% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Alex Baranowski
Biafra
74 bpm • A# min • 02:10 • -31.21db
25% Popularity • 16% Danceability • 2% Energy • 8% Liveness
48% Instrumentalness • 8% Positiveness
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Thomas Adès
The Four Quarters: I. Nightfalls
82 bpm • F# Maj • 07:05 • -27.78db
4% Popularity • 12% Danceability • 1% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
74 bpm • G Maj • 02:50 • -39.4db
45% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Vladimir Martynov
Martynov: "Come in!", Movement II
82 bpm • A Maj • 04:21 • -22db
33% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Luciano Berio
Six Encores: Wasserklavier
82 bpm • C# Maj • 02:02 • -41.51db
26% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
► Preview
Johann Sebastian Bach
Widerstehe doch der SĂĽnde, BWV 54 (Tran...
82 bpm • D# Maj • 04:26 • -28.05db
46% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Francis Poulenc
Sonata for Four Hands, FP 8: I. Prelude
83 bpm • C min • 02:01 • -20.4db
19% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VII. Lethe
74 bpm • B min • 02:37 • -40.97db
5% Popularity • 7% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Morton Feldman
Rohtko Chapel 1
74 bpm • C# Maj • 09:06 • -37db
24% Popularity • 6% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Four Songs: No. 1, By Beauteous Softness...
83 bpm • D min • 04:24 • -29.11db
2% Popularity • 36% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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G. I. Gurdjieff
Woman´s Prayer
83 bpm • F min • 01:58 • -30db
47% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
61% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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John Tavener
Funeral Ikos
74 bpm • F min • 03:24 • -18.92db
26% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
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PÄ“teris Vasks
The Fruit of Silence
73 bpm • D# Maj • 07:27 • -32.51db
29% Popularity • 10% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
83 bpm • G Maj • 01:46 • -30db
36% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
► Preview
Nadia Boulanger
3 Pieces for cello and piano: No. 2. San...
83 bpm • F Maj • 01:43 • -30db
29% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
37% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
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Toru Takemitsu
Umi e (Toward the Sea): III - Cape Cod
73 bpm • G# Maj • 03:34 • -34.14db
20% Popularity • 27% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Henryk GĂłrecki
Concerto-Notturno: I. Lento
83 bpm • C Maj • 04:24 • -20db
10% Popularity • 10% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
42% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
49% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Arcadiana: VI. O Albion