Songs like Aria: "But you do not know this man" by Arnold Weinstein
Based on a tempo of (+/- 10%) and a similar genre
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Richard Strauss
Sechs Lieder op.19: 2. Breit über mein ...
76 bpm • C# Maj • 02:45 • -23.37db
13% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Arnold Weinstein
Aria: "But you do not know this man"
76 bpm • A# Maj • 03:20 • -26.88db
0% Popularity • 29% Danceability • 7% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 7% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
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Komitas
Armenian Songs: Mankakan aghotq - Hayr M...
76 bpm • D Maj • 00:58 • -23.28db
9% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
23% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Lasciatemi morire!
77 bpm • F min • 01:24 • -16.4db
17% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Petite Messe Solennelle / Credo: Crucifi...
77 bpm • G# Maj • 03:19 • -23.43db
9% Popularity • 23% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • E min • 03:19 • -20.86db
13% Popularity • 31% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
13% Popularity • 31% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Arnold Weinstein
Red Hook
76 bpm • D min • 03:51 • -21.77db
0% Popularity • 33% Danceability • 9% Energy • 49% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 33% Danceability • 9% Energy • 49% Liveness
0% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
16% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Richard Strauss
Four Last Songs, TrV 296 (Arr. for Piano...
75 bpm • D Maj • 05:59 • -21.86db
8% Popularity • 20% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
9% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Maurice Ravel
Trois poemes de Stephane Mallarme: I. So...
75 bpm • G Maj • 03:48 • -30.18db
8% Popularity • 18% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Carl Orff
Carmina Burana: In trutina
75 bpm • D Maj • 02:16 • -23.03db
17% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Bernstein - I hate music!: I hate music!
77 bpm • E min • 01:29 • -16db
9% Popularity • 44% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 44% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Durante
Danza, danza, fanciulla gentile
77 bpm • C# Maj • 01:01 • -20.11db
15% Popularity • 49% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 49% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588, Act II: Rondo. "...
75 bpm • E Maj • 07:19 • -21.22db
14% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Pie Jesu
75 bpm • F min • 03:40 • -25.64db
7% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Charles Koechlin
4 Poèmes d'Edmond Haraucourt, Op. 7: No...
77 bpm • F Maj • 04:09 • -19.07db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Liza Lehmann
Evensong
75 bpm • G# Maj • 02:36 • -26.6db
12% Popularity • 29% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Louise Reichardt
Sei Canzoni di Metastasio: VI. Se non pi...
74 bpm • G Maj • 01:00 • -7.75db
9% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Francesco Durante
Danza, danza, fanciulla gentile
75 bpm • A# min • 01:38 • -20.51db
9% Popularity • 28% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
9% Popularity • 28% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Ricky Ian Gordon
27, Act IV: Introduction, "Twice Denying...
78 bpm • C Maj • 07:33 • -16.59db
8% Popularity • 27% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 27% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Traditional
Traditional / Arr. Moore: Blow the Wind ...
74 bpm • G Maj • 03:07 • -20.03db
9% Popularity • 38% Danceability • 15% Energy • 86% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 38% Danceability • 15% Energy • 86% Liveness
0% Instrumentalness • 28% Positiveness
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Robert Schumann
Schumann: Liederkreis, Op. 39: No. 1, In...
74 bpm • A min • 02:05 • -24.57db
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Teresa Berganza
El majo tímido
74 bpm • A# Maj • 00:56 • -30.37db
13% Popularity • 49% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Nicola D'Agostino
Un bel dì vedremo (As heard in the seri...
74 bpm • A# min • 03:52 • -22.41db
16% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Aimons-nous
74 bpm • A# Maj • 03:36 • -18.05db
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
74 bpm • G Maj • 04:17 • -26.56db
13% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
4 Romances, Op. 2: No. 2, Eastern Song: ...
74 bpm • B min • 02:57 • -20.25db
8% Popularity • 34% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 34% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
78 bpm • E Maj • 01:50 • -23.64db
11% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Cecilia Livingston
Breath Alone: Paula Modersohn-Becker (Ve...
74 bpm • G min • 07:13 • -20.93db
13% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Cécile Chaminade
Labsente
78 bpm • C Maj • 02:49 • -13.72db
18% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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William Bolcom
Waitin
74 bpm • D# Maj • 01:48 • -19.31db
1% Popularity • 43% Danceability • 1% Energy • 12% Liveness
17% Instrumentalness • 23% Positiveness
1% Popularity • 43% Danceability • 1% Energy • 12% Liveness
17% Instrumentalness • 23% Positiveness
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Gian Carlo Menotti
The Medium, Act I: "the Sun has fallen" ...
78 bpm • G min • 02:08 • -26db
9% Popularity • 22% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Strauss
Mädchenblumen, Op. 22, TrV 153: No. 4, ...
78 bpm • F# Maj • 04:23 • -22.88db
9% Popularity • 36% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 36% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Dilyana Georgieva
Mandoline, L. 29
74 bpm • C Maj • 02:14 • -8.52db
18% Popularity • 41% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
18% Popularity • 41% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Bernat Vivancos
Vocal Ice: II. Calme, tendre
74 bpm • C# Maj • 05:51 • -21.88db
10% Popularity • 7% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Per L'efon, Serie 4, No. 3
78 bpm • A# min • 02:45 • -28.51db
7% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
7% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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James Whitbourn
Annelies (chamber version): V. Life in h...
78 bpm • A min • 10:44 • -20.73db
10% Popularity • 31% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 31% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 4 in G: 4. Sehr behaglich: ...
73 bpm • E min • 08:35 • -29.35db
1% Popularity • 16% Danceability • 3% Energy • 6% Liveness
10% Instrumentalness • 8% Positiveness
1% Popularity • 16% Danceability • 3% Energy • 6% Liveness
10% Instrumentalness • 8% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 3, Beim Sc...
74 bpm • C# Maj • 05:26 • -22.19db
12% Popularity • 12% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Jean Sibelius
Maan virsi (Hymn to the Earth), Op. 95
73 bpm • C Maj • 07:43 • -22.76db
11% Popularity • 8% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 8% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Anonymous
Ah ! toi belle hirondelle (Arr. for Sopr...
79 bpm • D# Maj • 03:41 • -19.05db
19% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Alma Mahler
Laue Sommernacht - Vocal
79 bpm • E Maj • 01:50 • -24db
10% Popularity • 27% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 27% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part II: Out on...
79 bpm • C Maj • 05:59 • -31.86db
11% Popularity • 20% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 3% Positiveness
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Dilyana Georgieva
Deux chansons: No. 2, Chanson de l'adieu
73 bpm • D Maj • 02:11 • -8.47db
18% Popularity • 36% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 10% Positiveness
18% Popularity • 36% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 10% Positiveness
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Karl Jenkins
Truth
79 bpm • C Maj • 04:15 • -14.51db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Mieczysław Weinberg
Jewish Songs, Op. 13: No. 6, Der yesoyme...
73 bpm • G Maj • 05:29 • -27.34db
8% Popularity • 19% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Arnold Weinstein
Aria: "On December twenty-seventh I saw ...
73 bpm • G# Maj • 03:51 • -28.37db
0% Popularity • 32% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 32% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Théodore Dubois
Seven Last Words - Introduction - Theodo...
79 bpm • G min • 05:58 • -28.96db
9% Popularity • 10% Danceability • 3% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
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Francesco Cilea
Adriana Lecouvreur Act II, Scene 2: L'an...
79 bpm • B min • 01:53 • -19.93db
10% Popularity • 24% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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Rebecca Clarke
Down by the Salley Gardens
79 bpm • E min • 01:41 • -27db
13% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Cécile Chaminade
Rosemonde
79 bpm • E Maj • 03:02 • -17.13db
19% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act III: Duet...
80 bpm • A# Maj • 02:38 • -20.84db
15% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
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Francesco Durante
Il mio bel foco
73 bpm • A min • 04:31 • -21db
3% Popularity • 27% Danceability • 7% Energy • 70% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 27% Danceability • 7% Energy • 70% Liveness
0% Instrumentalness • 8% Positiveness
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Théodore Dubois
Chansons de Marjolie: No. 7, En paradis
73 bpm • C Maj • 02:41 • -21.21db
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: XVII. Benedictus
73 bpm • A# Maj • 02:14 • -23.41db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: Mädchenblumen, Op. 22: No. ...
73 bpm • F# Maj • 03:30 • -21.51db
14% Popularity • 41% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 41% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
James MacMillan
Seven Last Words from the Cross: I. Fath...
80 bpm • B Maj • 05:48 • -25.9db
8% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Humphrey Searle
2 Practical Cats: No. 2, Growltiger's La...
80 bpm • C# Maj • 05:42 • -23.78db
8% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Elena Kats-Chernin
The Little Green Road to Fairyland: No. ...
72 bpm • E min • 03:29 • -16.09db
9% Popularity • 32% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
9% Popularity • 32% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
► Preview
Matthew Coleridge
Requiem: Lacrimosa
72 bpm • D min • 05:14 • -27.71db
8% Popularity • 13% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
Madama Butterfly, Act III: Addio, fiorit...
79 bpm • C# Maj • 01:56 • -16.3db
8% Popularity • 20% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
3 Poèmes de Stéphane Mallarmé, M. 64:...
72 bpm • D Maj • 04:16 • -21.01db
9% Popularity • 25% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
L'assedio di Corinto / Giusto ciel: Gius...
80 bpm • F# min • 03:25 • -17.24db
13% Popularity • 18% Danceability • 15% Energy • 10% Liveness
65% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 15% Energy • 10% Liveness
65% Instrumentalness • 5% Positiveness
► Preview
Dhristian Eigueroa
My Room
80 bpm • G Maj • 02:21 • -31.69db
19% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Carl Orff
Carmina Burana, Pt. 1: No. 3, Veris leta...
72 bpm • A min • 04:06 • -44.08db
8% Popularity • 7% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 14% Positiveness
8% Popularity • 7% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 14% Positiveness
► Preview
Ned Rorem
Rorem : "Early in the morning"
72 bpm • C min • 02:02 • -27db
8% Popularity • 39% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 39% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
Le Villi: Act I - Se come voi piccina io...
80 bpm • G Maj • 06:18 • -19.85db
10% Popularity • 20% Danceability • 9% Energy • 21% Liveness
4% Instrumentalness • 8% Positiveness
10% Popularity • 20% Danceability • 9% Energy • 21% Liveness
4% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Final...
72 bpm • E Maj • 05:01 • -23.99db
10% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen: "Parle-moi de ma mére" - Remast...
72 bpm • A# Maj • 04:17 • -13.93db
9% Popularity • 28% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 28% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
80 bpm • G# min • 03:45 • -38.57db
9% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
9% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
► Preview
Carlisle Floyd
Susannah / Act 1: "Ain't it a pretty nig...
80 bpm • B Maj • 05:57 • -17db
8% Popularity • 23% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Max Reger
Ich sehe dich in tausend Bildern, Op.105...
72 bpm • F# min • 02:26 • -34.86db
6% Popularity • 24% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 24% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: IV. Gratias
72 bpm • C# Maj • 03:40 • -22.16db
14% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 2: "...
81 bpm • A Maj • 06:11 • -21.45db
10% Popularity • 30% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 6, Fragment fro...
81 bpm • G Maj • 02:08 • -21.69db
13% Popularity • 29% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ernest Chausson
Le Charme, Op. 2, No. 2
81 bpm • D# Maj • 01:42 • -31db
8% Popularity • 32% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 32% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Kevin Puts
Puts: The Hours, Act 1: "Here on This Co...
81 bpm • A# min • 05:01 • -24.88db
15% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Nadia Boulanger
Lux Aeterna
81 bpm • A# Maj • 04:08 • -22.85db
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Little David Play on Your Harp
81 bpm • G# Maj • 01:24 • -17.45db
10% Popularity • 48% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 48% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part II: Welcom...
81 bpm • F Maj • 02:43 • -30.06db
12% Popularity • 25% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
72 bpm • A Maj • 02:01 • -24db
17% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Nyman
Six Celan Songs: No. 2, Es war Erde in i...
81 bpm • F Maj • 03:40 • -18.8db
7% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Arrigo Boito
Mefistofele, Act I, Scene 2: Dai campi, ...
81 bpm • F Maj • 02:06 • -18.06db
13% Popularity • 23% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Canto d'anime, SC 75 (Arr. for Voice & O...
81 bpm • A# Maj • 01:29 • -13.62db
16% Popularity • 27% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 27% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Arnold Weinstein
Hey, Eddie!
71 bpm • A Maj • 02:39 • -21.58db
0% Popularity • 48% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 48% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Tobias Picker
Awakenings, Act I, Scene 7: Later that a...
81 bpm • B min • 08:11 • -15.25db
8% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91 (Arr. Fontanel...
71 bpm • D min • 02:13 • -16.89db
8% Popularity • 34% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Oley Speaks
On the Road to Mandalay
71 bpm • C Maj • 04:57 • -19.89db
7% Popularity • 26% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
7% Popularity • 26% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Umberto Giordano
Andrea Chénier, Act I: Colpito qui m'av...
81 bpm • A# Maj • 05:16 • -14.44db
8% Popularity • 18% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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William Bolcom
Amor - Cabaret Songs
81 bpm • D Maj • 02:39 • -10.6db
0% Popularity • 54% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 54% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Arnold Weinstein
Eddie, listen to me!
71 bpm • C# min • 00:55 • -15.57db
0% Popularity • 46% Danceability • 22% Energy • 18% Liveness
4% Instrumentalness • 19% Positiveness
0% Popularity • 46% Danceability • 22% Energy • 18% Liveness
4% Instrumentalness • 19% Positiveness
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Gioachino Rossini
Petite messe solennelle: VI. Gloria. Gra...
71 bpm • A Maj • 04:55 • -22.97db
10% Popularity • 17% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 17% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VIII. ...
81 bpm • D Maj • 04:27 • -33.27db
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
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Dhristian Eigueroa
My Life
82 bpm • A min • 02:52 • -22.81db
19% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
19% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
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Traditional
Amazing Grace (Arr. for Treble and Harp)
82 bpm • G Maj • 02:47 • -26.93db
18% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
