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As the World Caves In
Songs like
As the World Caves In
by
Matt Maltese
Based on a tempo of (+/- 10%) and a similar genre
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Sarah Cothran
As the World Caves In
124 bpm • C Maj • 02:41 • -6.84db
72% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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The Neighbourhood
Sweater Weather
124 bpm • A# Maj • 04:00 • -2.81db
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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WILLIS
I Think I Like When It Rains
124 bpm • A Maj • 04:38 • -7db
71% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Yot Club
YKWIM?
124 bpm • A Maj • 03:32 • -7.62db
82% Popularity • 37% Danceability • 54% Energy • 29% Liveness
87% Instrumentalness • 23% Positiveness
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Adventure Time
Monster
125 bpm • E min • 01:39 • -16.62db
62% Popularity • 76% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Maltese
Paper Thin Hotel
124 bpm • C Maj • 04:26 • -12.68db
42% Popularity • 48% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Mitski
Class of 2013
125 bpm • C Maj • 01:49 • -11db
68% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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alex_g_offline
I Wait for You
123 bpm • G Maj • 02:38 • -14.39db
76% Popularity • 59% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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The Honeysticks
Out Like a Light
126 bpm • B Maj • 04:16 • -7.79db
57% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Current Joys
Blondie
122 bpm • F# Maj • 03:14 • -12.56db
76% Popularity • 78% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 87% Positiveness
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Matt Maltese
Driving Just to Drive
125 bpm • F min • 03:32 • -9.08db
44% Popularity • 57% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
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Hot Freaks
I Wanna Be Your Boyfriend
122 bpm • C# Maj • 02:36 • -2.51db
67% Popularity • 59% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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boy pablo
Dance, Baby!
122 bpm • A Maj • 03:18 • -8.52db
64% Popularity • 60% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Vansire
Metamodernity
122 bpm • F Maj • 02:42 • -10.08db
71% Popularity • 82% Danceability • 54% Energy • 11% Liveness
16% Instrumentalness • 83% Positiveness
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Nick Cave & The Bad Seeds
O Children
122 bpm • E min • 06:49 • -7.02db
69% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Radiohead
Exit Music (For A Film)
122 bpm • E min • 04:27 • -11.36db
72% Popularity • 29% Danceability • 28% Energy • 17% Liveness
12% Instrumentalness • 20% Positiveness
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Elton John
Goodbye Yellow Brick Road - Remastered 2...
121 bpm • F Maj • 03:12 • -7.71db
78% Popularity • 56% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Hot Freaks
Puppy Princess
122 bpm • C# Maj • 04:15 • -4.34db
63% Popularity • 64% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Montell Fish
Fall in Love with You.
121 bpm • E Maj • 02:12 • -23.16db
80% Popularity • 54% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Harry Styles
Fine Line
121 bpm • D Maj • 06:17 • -8.5db
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Matt Maltese
Mortals
127 bpm • C Maj • 05:25 • -8db
35% Popularity • 36% Danceability • 46% Energy • 25% Liveness
70% Instrumentalness • 7% Positiveness
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Tally Hall
Hidden In the Sand
121 bpm • F# Maj • 01:52 • -12.28db
76% Popularity • 55% Danceability • 29% Energy • 12% Liveness
77% Instrumentalness • 18% Positiveness
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Bruno Major
The Most Beautiful Thing
127 bpm • G Maj • 03:55 • -10.39db
67% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Zabawa
Butterfly's Repose
120 bpm • C Maj • 05:09 • -27.29db
53% Popularity • 30% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Frankie Cosmos
Fool
120 bpm • A Maj • 02:04 • -10.25db
70% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Sufjan Stevens
Fourth of July
120 bpm • F# min • 04:39 • -22.39db
79% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
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Matt Maltese
Smile in the Face of the Devil
121 bpm • D# Maj • 02:38 • -7.56db
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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A-Wall
Loverboy
120 bpm • C Maj • 03:44 • -10.09db
68% Popularity • 60% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 50% Positiveness
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BØRNS
Electric Love
120 bpm • F# min • 03:38 • -7.63db
80% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Mother Mother
Oh Ana
128 bpm • F Maj • 03:17 • -7.15db
70% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Edith Whiskers
Home
120 bpm • D Maj • 03:17 • -12.49db
72% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Wallows
Are You Bored Yet?
120 bpm • G# min • 02:58 • -6.44db
82% Popularity • 68% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Maltese
Strange Time
128 bpm • C# Maj • 03:20 • -11db
42% Popularity • 37% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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New West
Those Eyes
120 bpm • E Maj • 03:40 • -8.27db
82% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Mitski
Goodbye, My Danish Sweetheart
120 bpm • C# Maj • 02:17 • -6.59db
67% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sushi Soucy
I Deserve to Bleed
120 bpm • G Maj • 01:44 • -11.51db
66% Popularity • 76% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Adventure Time
Island Song (Come Along with Me)
120 bpm • A min • 01:48 • -12.63db
63% Popularity • 73% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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The Daughters Of Eve
Hey Lover
128 bpm • G min • 02:24 • -11.45db
73% Popularity • 48% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Jack Stauber's Micropop
Baby Hotline
120 bpm • C Maj • 04:51 • -9.92db
68% Popularity • 74% Danceability • 36% Energy • 33% Liveness
5% Instrumentalness • 45% Positiveness
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Billie Eilish
Bored
120 bpm • G Maj • 03:00 • -12.7db
81% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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mxmtoon
prom dress
120 bpm • A# Maj • 03:17 • -6.05db
68% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Black Skirts
EVERYTHING
120 bpm • F# Maj • 04:53 • -8.59db
69% Popularity • 54% Danceability • 37% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Duster
Me and the Birds
120 bpm • G# min • 01:35 • -6.55db
71% Popularity • 48% Danceability • 53% Energy • 53% Liveness
6% Instrumentalness • 22% Positiveness
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Strawberry Guy
What Would I Do?
129 bpm • B Maj • 03:54 • -7.67db
74% Popularity • 54% Danceability • 46% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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Matt Maltese
Studio 6
120 bpm • F Maj • 03:13 • -12.61db
43% Popularity • 50% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Jeff Buckley
Lover, You Should've Come Over
119 bpm • D Maj • 06:44 • -5.67db
73% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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beabadoobee
Coffee
119 bpm • A Maj • 02:06 • -18.21db
70% Popularity • 53% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Pomplamoose
Bust Your Knee Caps - Johnny Don't Leave...
119 bpm • A min • 03:05 • -5.97db
60% Popularity • 41% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Crisaunt
Dream Girl
119 bpm • E Maj • 02:59 • -17.86db
71% Popularity • 94% Danceability • 24% Energy • 12% Liveness
29% Instrumentalness • 58% Positiveness
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Matt Maltese
Hello Black Dog
129 bpm • F# min • 03:14 • -9.47db
46% Popularity • 51% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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girl in red
summer depression
130 bpm • A Maj • 02:31 • -15.64db
66% Popularity • 69% Danceability • 31% Energy • 13% Liveness
48% Instrumentalness • 68% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Rex Orange County
Sunflower
130 bpm • F# Maj • 04:12 • -4.46db
73% Popularity • 55% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
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Dayglow
Can I Call You Tonight?
130 bpm • A Maj • 04:38 • -7.27db
77% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
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sign crushes motorist
Better
130 bpm • G Maj • 01:38 • -25.2db
75% Popularity • 70% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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beabadoobee
Cologne
130 bpm • D Maj • 02:44 • -3.61db
67% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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girl in red
dead girl in the pool.
130 bpm • G Maj • 03:06 • -7db
58% Popularity • 69% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:35 • -5.61db
50% Popularity • 57% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Ghost
Mary On A Cross
130 bpm • B Maj • 04:04 • -4.51db
73% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Lana Del Rey
Dealer
130 bpm • C min • 04:34 • -6.35db
73% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Maltese
Nightclub Love
130 bpm • A Maj • 04:10 • -8.36db
46% Popularity • 62% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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The Oh Hellos
Soldier, Poet, King
118 bpm • G# Maj • 02:45 • -7.75db
74% Popularity • 35% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Steven Universe
Love Like You - End Credits
118 bpm • C min • 02:23 • -10.1db
73% Popularity • 59% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Rex Orange County
It's Not The Same Anymore
118 bpm • F Maj • 06:26 • -10.64db
62% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mitski
Last Words of a Shooting Star
130 bpm • D Maj • 02:44 • -19.02db
67% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Matt Maltese
Good Morning
131 bpm • C# Maj • 02:51 • -7.85db
40% Popularity • 63% Danceability • 49% Energy • 37% Liveness
1% Instrumentalness • 43% Positiveness
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Mac DeMarco
Chamber Of Reflection
131 bpm • B Maj • 03:51 • -8.67db
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Big Thief
Vampire Empire
131 bpm • A Maj • 03:12 • -7.8db
76% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Mitski
Nobody
117 bpm • C Maj • 03:13 • -5.25db
77% Popularity • 40% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
78% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Faye Webster
Right Side of My Neck
117 bpm • C# Maj • 02:33 • -9.07db
72% Popularity • 72% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Wabie
Hey Lover!
117 bpm • E Maj • 02:42 • -10.14db
73% Popularity • 59% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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beabadoobee
the way things go
132 bpm • A Maj • 03:07 • -8.27db
75% Popularity • 53% Danceability • 51% Energy • 33% Liveness
1% Instrumentalness • 46% Positiveness
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Matt Maltese
Curl up & Die
132 bpm • B Maj • 03:22 • -8.47db
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
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Mitski
I Want You
132 bpm • D# Maj • 03:03 • -11.29db
75% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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d4vd
Romantic Homicide
132 bpm • F# Maj • 02:12 • -10.61db
87% Popularity • 57% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 22% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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alex_g_offline
Pretend
116 bpm • A Maj • 05:59 • -2.92db
74% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Current Joys
Become the Warm Jets
132 bpm • G Maj • 05:34 • -15.49db
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Lana Del Rey
Let The Light In
132 bpm • A Maj • 04:38 • -9.73db
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jack Stauber's Micropop
Coffee
116 bpm • F# Maj • 00:58 • -10.96db
70% Popularity • 81% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Strawberry Guy
Mrs Magic
133 bpm • G# Maj • 03:28 • -7.41db
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
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beabadoobee
If You Want To
116 bpm • A Maj • 03:43 • -5.85db
61% Popularity • 67% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Joji
Like You Do
133 bpm • A# Maj • 04:00 • -10.03db
71% Popularity • 56% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
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Sir Chloe
Michelle
116 bpm • E Maj • 03:34 • -5.24db
72% Popularity • 37% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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TV Girl
Louise
116 bpm • C Maj • 03:14 • -4.56db
71% Popularity • 73% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 92% Positiveness
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Patrick Watson
Je te laisserai des mots
133 bpm • D Maj • 02:40 • -16.76db
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
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girl in red
watch you sleep.
133 bpm • D Maj • 03:00 • -16.38db
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Winter Aid
The Wisp Sings
115 bpm • E Maj • 05:13 • -19.46db
69% Popularity • 52% Danceability • 9% Energy • 10% Liveness
18% Instrumentalness • 5% Positiveness
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Kali Uchis
Melting
115 bpm • G# Maj • 03:28 • -7.78db
80% Popularity • 57% Danceability • 48% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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As the World Caves In