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As with gladness men of Old (abridged by W. H. Mon...
Songs like
As with gladness men of Old (abridged by W. H. Monk)
by
Conrad Kocher
Based on a tempo of (+/- 10%) and a similar genre
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Unplugged
I Don't Know
91 bpm • G# min • 03:53 • -7.2db
5% Popularity • 74% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Laestadian Lutheran Church
The Cross May Be a Burden SHZ 355
91 bpm • F Maj • 06:16 • -13.92db
11% Popularity • 21% Danceability • 16% Energy • 14% Liveness
11% Instrumentalness • 25% Positiveness
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William G. Fischer
Kommt her, ich will erzählen
91 bpm • A# Maj • 03:05 • -16.53db
7% Popularity • 26% Danceability • 12% Energy • 38% Liveness
1% Instrumentalness • 22% Positiveness
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James David
March Tumbao - Live
92 bpm • D# Maj • 03:45 • -25.74db
1% Popularity • 40% Danceability • 8% Energy • 74% Liveness
41% Instrumentalness • 38% Positiveness
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Jeff Lippencott
No More the Grave
90 bpm • G Maj • 03:23 • -16.28db
9% Popularity • 13% Danceability • 19% Energy • 8% Liveness
70% Instrumentalness • 5% Positiveness
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Don Latarski
River Suite, Pt. 5: March to the Sea
92 bpm • C# Maj • 02:36 • -18.98db
5% Popularity • 42% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Patrick Vu
A Golden Day
90 bpm • A# Maj • 05:18 • -26.61db
12% Popularity • 11% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
O Night of Holy Silence
92 bpm • D Maj • 03:09 • -22.59db
8% Popularity • 22% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Anam Cara
Ose Shalom (The One Who Makes Peace)
90 bpm • E min • 05:30 • -21.37db
5% Popularity • 17% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Sarah Songbourn
Christmas Love
90 bpm • A# Maj • 02:59 • -6.22db
19% Popularity • 78% Danceability • 31% Energy • 11% Liveness
35% Instrumentalness • 56% Positiveness
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David Rodgers
Diamond Dave
90 bpm • C Maj • 06:17 • -8.13db
0% Popularity • 69% Danceability • 63% Energy • 8% Liveness
51% Instrumentalness • 32% Positiveness
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Jordan Vanhemert
As the Willow Tree Grows
90 bpm • A# min • 07:08 • -18.85db
4% Popularity • 31% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Leo Sowerby
Come, Risen Lord
92 bpm • A# Maj • 03:26 • -17db
11% Popularity • 11% Danceability • 21% Energy • 23% Liveness
92% Instrumentalness • 19% Positiveness
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Frederic Dupont
Pastoral
90 bpm • G Maj • 03:07 • -15.81db
1% Popularity • 44% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Donna Adkins
Father We Love You
90 bpm • C Maj • 02:18 • -19.91db
13% Popularity • 22% Danceability • 18% Energy • 8% Liveness
10% Instrumentalness • 6% Positiveness
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London Festival Orchestra
Like A River Glorious - 32 Great Hymns O...
92 bpm • F Maj • 02:04 • -17.85db
17% Popularity • 23% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Jared Benjamin
Overwhelming
92 bpm • D Maj • 03:12 • -7.16db
2% Popularity • 60% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Walter Parratt
Huddersfield "Holy Father, Cheer Our Way...
92 bpm • D Maj • 01:44 • -29.27db
12% Popularity • 14% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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John Bacchus Dykes
Nicaea "Holy, Holy, Holy! Lord God Almig...
92 bpm • D Maj • 03:19 • -28.42db
25% Popularity • 11% Danceability • 4% Energy • 13% Liveness
7% Instrumentalness • 7% Positiveness
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James David
Secure. Contain. Protect: III. Scp-682 -...
89 bpm • F Maj • 04:03 • -9.1db
2% Popularity • 53% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Mount St. Mary's Vespers Schola
Immaculate Mary - Mount St. Mary Text
93 bpm • G Maj • 01:58 • -19.33db
29% Popularity • 19% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
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Conrad Kocher
Treuer Heiland, wir sind hier
89 bpm • D Maj • 02:24 • -14.9db
4% Popularity • 18% Danceability • 19% Energy • 20% Liveness
2% Instrumentalness • 34% Positiveness
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Royal Advent Choir
This Is The Threefold Truth
89 bpm • C Maj • 02:25 • -9.78db
9% Popularity • 12% Danceability • 36% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
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Jean Sourisse
Alleluia, In Resurrectione Tua Christe
93 bpm • G Maj • 01:51 • -24.98db
8% Popularity • 20% Danceability • 20% Energy • 31% Liveness
21% Instrumentalness • 32% Positiveness
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Archangel Voices
Kontakion - Nativity of Christ - Byzanti...
93 bpm • G Maj • 01:32 • -25.19db
11% Popularity • 21% Danceability • 7% Energy • 14% Liveness
76% Instrumentalness • 9% Positiveness
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James David
Secure. Contain. Protect: III. Scp-662 "...
89 bpm • F Maj • 04:03 • -19.58db
0% Popularity • 56% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 20% Positiveness
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Londonderry Choir
The Church In The Wildwood
93 bpm • A# Maj • 03:22 • -23.14db
8% Popularity • 27% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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William Croft
Hanover "O Worship the King all Glorious...
93 bpm • G Maj • 03:28 • -18db
15% Popularity • 19% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Concordia Publishing House
My Hope Is Built on Nothing Less
89 bpm • G Maj • 03:14 • -18.22db
12% Popularity • 13% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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David Rodgers
Maulana
93 bpm • C# Maj • 05:34 • -6.23db
0% Popularity • 42% Danceability • 73% Energy • 8% Liveness
20% Instrumentalness • 62% Positiveness
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Archangel Voices
Troparion - Nativity of Christ - Byzanti...
93 bpm • D Maj • 00:58 • -24.96db
8% Popularity • 23% Danceability • 12% Energy • 21% Liveness
53% Instrumentalness • 8% Positiveness
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Margaret Rizza
Life of Christ, Renew Me
89 bpm • A Maj • 03:46 • -19.52db
16% Popularity • 18% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 6% Positiveness
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Hubert Parry
O Praise Ye the Lord
89 bpm • A# Maj • 02:02 • -17db
8% Popularity • 20% Danceability • 25% Energy • 22% Liveness
2% Instrumentalness • 17% Positiveness
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John Antes
Monkland "Let Us, with a Gladsome Mind" ...
89 bpm • C Maj • 02:39 • -18.78db
17% Popularity • 15% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Emilio Pujol
El Abejorro
89 bpm • E min • 01:43 • -21.02db
4% Popularity • 28% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 90% Positiveness
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Federico Moreno Torroba
Sonatina: II. Andante
89 bpm • D Maj • 04:04 • -21.92db
1% Popularity • 52% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Augustana Band
I Saw the Figure 5 in Gold
93 bpm • A# Maj • 10:04 • -13.77db
0% Popularity • 19% Danceability • 17% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Cape Town Camerata
Servant Song
94 bpm • D# Maj • 02:22 • -22.5db
21% Popularity • 16% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Pierangelo Valtinoni
Messa per coro a due voci bianche e orga...
89 bpm • F min • 02:12 • -23.95db
12% Popularity • 19% Danceability • 14% Energy • 9% Liveness
43% Instrumentalness • 6% Positiveness
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Margaret Rizza
Sanctum Nomen
88 bpm • C Maj • 04:13 • -24.53db
13% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
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19th Century Welsh
Hymn: Llanfair "Welsh Hymn Melody"
88 bpm • G Maj • 03:45 • -22.04db
12% Popularity • 24% Danceability • 16% Energy • 37% Liveness
65% Instrumentalness • 12% Positiveness
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Laudesi Umbri
Gloria in excelsis Deo
88 bpm • F# Maj • 03:17 • -16db
27% Popularity • 14% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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David Rodgers
Cantaloop
88 bpm • C# Maj • 05:17 • -6.52db
0% Popularity • 54% Danceability • 57% Energy • 8% Liveness
68% Instrumentalness • 70% Positiveness
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Harvard University Choir
Lord of All Hopefulness, Lord of All Joy
88 bpm • D# Maj • 01:51 • -26.21db
11% Popularity • 16% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 8% Positiveness
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Phillipe Goldman
Gloria
94 bpm • B Maj • 01:59 • -20.43db
21% Popularity • 75% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 26% Positiveness
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The Paul Leddington Wright Singers
Praise Our God And Saviour
88 bpm • D Maj • 05:36 • -21.23db
6% Popularity • 20% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Kammerchor Wilhelmshaven
Wer nur den lieben Gott lässt walten
95 bpm • D min • 02:43 • -18.81db
11% Popularity • 40% Danceability • 10% Energy • 16% Liveness
12% Instrumentalness • 10% Positiveness
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Laestadian Lutheran Church
O God, Be with Us SHZ 507a
95 bpm • A# Maj • 05:03 • -16.95db
11% Popularity • 14% Danceability • 15% Energy • 18% Liveness
75% Instrumentalness • 6% Positiveness
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Independent Presbyterian Church Savannah
Psalm 136 (Constance)
95 bpm • D# Maj • 02:11 • -23.29db
11% Popularity • 16% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Al Walsh
Hark the Harold
95 bpm • G Maj • 02:43 • -19.92db
13% Popularity • 59% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Kelley Bern
Tap
95 bpm • F min • 01:24 • -11.63db
7% Popularity • 63% Danceability • 36% Energy • 14% Liveness
89% Instrumentalness • 23% Positiveness
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AFLBS Proclaim Choir
Celtic Advent Carol
87 bpm • F Maj • 03:17 • -22db
11% Popularity • 31% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
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Bode Afolabi
Aigbagbo Bila
87 bpm • G# Maj • 03:28 • -15.85db
12% Popularity • 19% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 8% Positiveness
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Christoph Ernst Friedrich Weyse
I østen stiger solen op
87 bpm • G# Maj • 03:36 • -21db
9% Popularity • 20% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Conrad Kocher
For the beauty of the earth
95 bpm • G Maj • 02:45 • -23.43db
0% Popularity • 22% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Samuel Sebastian Wesley
The Church's one foundation
87 bpm • D# Maj • 02:45 • -26.68db
20% Popularity • 15% Danceability • 11% Energy • 24% Liveness
26% Instrumentalness • 5% Positiveness
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James Whitbourn
A Prayer from South Africa
87 bpm • D Maj • 01:56 • -24db
18% Popularity • 22% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Celebration Choir
Go and Dark Gethsemane
87 bpm • E min • 03:15 • -13.37db
8% Popularity • 20% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Jacob Narverud
Lunar Lullaby
95 bpm • D Maj • 04:01 • -23.98db
11% Popularity • 18% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Boris Ord
Adam Lay Ybounden - Boris Ord version
87 bpm • D Maj • 01:31 • -19.05db
3% Popularity • 20% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Manuel Boltano
Full Of Life
95 bpm • C Maj • 03:07 • -16.28db
6% Popularity • 66% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Young Women's Chorus of San Francisco
Pat-a-Pan
87 bpm • A min • 01:48 • -29db
15% Popularity • 30% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
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Laestadian Lutheran Church
O Brother, Sister, Lift Your Heart SHZ 8...
87 bpm • A min • 03:13 • -17.89db
9% Popularity • 34% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
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John Høybye
God Rest Ye Merry, Gentlemen
95 bpm • F min • 01:54 • -20.55db
20% Popularity • 26% Danceability • 21% Energy • 15% Liveness
1% Instrumentalness • 66% Positiveness
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Þorvaldur Blöndal
Nú sefur jörðin sumargræn
87 bpm • F Maj • 02:42 • -33.06db
15% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
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Timothy Swan
Rainbow ("Tis by thy strength the mounta...
87 bpm • G Maj • 01:58 • -17db
8% Popularity • 34% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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John Wells
Hallelujah
96 bpm • A min • 04:25 • -14.77db
3% Popularity • 40% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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The Concordia Choir
Beautiful Savior
86 bpm • D Maj • 03:53 • -25.27db
20% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
I Truly Lack for Nothing
86 bpm • G Maj • 02:09 • -22db
15% Popularity • 14% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Traditional
The Holly and the Ivy (Arr. O. Gjeilo fo...
96 bpm • C min • 03:56 • -19db
13% Popularity • 18% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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David Rodgers
Intr0lude
96 bpm • C# Maj • 02:05 • -10.25db
0% Popularity • 61% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Laudate Mennonite Ensemble
Come to the Water
96 bpm • F# Maj • 02:15 • -21.26db
22% Popularity • 21% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Harmonious Chorale Ghana
Ayeyi Ndwom Na Meto Mema Nyame (Live)
86 bpm • A Maj • 07:00 • -16.25db
9% Popularity • 18% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Cecilia McDowall
The Girl from Aleppo: No. 5, Everyday Wo...
86 bpm • B min • 04:01 • -20.25db
8% Popularity • 19% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Constance Timon
Like my mother
96 bpm • C Maj • 01:54 • -27.14db
7% Popularity • 49% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Thomas Ravenscroft
Bristol "Hark, the Glad Sound"
86 bpm • G Maj • 01:53 • -24db
9% Popularity • 11% Danceability • 13% Energy • 20% Liveness
7% Instrumentalness • 19% Positiveness
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Hubert Parry
Jerusalem: And did those feet in ancient...
96 bpm • D Maj • 02:32 • -19.23db
21% Popularity • 13% Danceability • 17% Energy • 9% Liveness
65% Instrumentalness • 7% Positiveness
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Londonderry Choir
In The Garden
86 bpm • G# Maj • 03:08 • -24.28db
11% Popularity • 27% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Harmonious Chorale Ghana
Angels Voices, Ever Singing
86 bpm • D Maj • 03:31 • -12.17db
16% Popularity • 14% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Praetorius
Lo, How a Rose E'er Blooming
96 bpm • F Maj • 03:07 • -12db
14% Popularity • 24% Danceability • 38% Energy • 20% Liveness
92% Instrumentalness • 13% Positiveness
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Anonymous
The Summons (Hymnal #622)
86 bpm • F Maj • 03:43 • -17.38db
11% Popularity • 16% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kelley Bern
Softly and Tenderly
97 bpm • C# Maj • 02:26 • -10.78db
21% Popularity • 67% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 36% Positiveness
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BBC Radio 4 Daily Service Singers
Guide Me O Thou Great Redeemer
85 bpm • G# Maj • 02:41 • -16.98db
14% Popularity • 23% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Melchior Teschner
St. Theodulph "All Glory, Laud and Honou...
97 bpm • C Maj • 05:10 • -17db
21% Popularity • 21% Danceability • 27% Energy • 14% Liveness
13% Instrumentalness • 13% Positiveness
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George Job Elvey
Come, ye thankful people, come
85 bpm • F Maj • 02:45 • -26.3db
13% Popularity • 13% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 13% Positiveness
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John Hoybye
Hope. Easter Music: II. The Source
98 bpm • D Maj • 02:34 • -15.3db
12% Popularity • 35% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Laestadian Lutheran Church
Risen Is Our Son in Vict'ry SHZ 119
85 bpm • D min • 03:29 • -22.17db
8% Popularity • 25% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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Church of the Assumption Choir
Life-Giving Bread, Saving Cup
85 bpm • D# Maj • 05:36 • -15.19db
16% Popularity • 16% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 8% Positiveness
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Elektra Women's Choir
Deck the Hall
84 bpm • D Maj • 01:56 • -19.11db
10% Popularity • 22% Danceability • 19% Energy • 7% Liveness
76% Instrumentalness • 18% Positiveness
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Michael Tippett
Five Spirituals from "A Child of Our Tim...
84 bpm • G Maj • 02:31 • -22db
12% Popularity • 14% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Independent Presbyterian Church Savannah
Psalm 16 (Leominster)
84 bpm • D# Maj • 03:59 • -24.13db
8% Popularity • 13% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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The Choir of the Cathedral Church of the Advent
Come, Thou Redeemer of the Earth
84 bpm • D Maj • 04:24 • -15.74db
12% Popularity • 21% Danceability • 27% Energy • 15% Liveness
96% Instrumentalness • 9% Positiveness
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Tom Schipper
Hang the Code
98 bpm • A Maj • 05:58 • -14.74db
2% Popularity • 40% Danceability • 36% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Laub
Sov sødt, barnlille
98 bpm • E min • 01:30 • -26.75db
11% Popularity • 28% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Peter Anglea
Jubilate Deo
98 bpm • E Maj • 02:27 • -21.13db
22% Popularity • 20% Danceability • 18% Energy • 17% Liveness
83% Instrumentalness • 18% Positiveness
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Francisco Tárrega
La Paloma
84 bpm • D Maj • 04:26 • -16.49db
1% Popularity • 49% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
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Christopher Walker
Laudate, Laudate Dominum
98 bpm • G# Maj • 03:36 • -10db
12% Popularity • 21% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 15% Positiveness
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Conrad Kocher
As With Gladness Men of Old - Dix
99 bpm • F Maj • 03:01 • -12.73db
0% Popularity • 28% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Don Latarski
Silver Lining
84 bpm • A Maj • 05:00 • -17.2db
1% Popularity • 68% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Alexander Reinagle
In Christ there is no east or west
84 bpm • C Maj • 01:21 • -26db
17% Popularity • 23% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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As with gladness men of Old (abridged by W. H. Mon...