Songs like Astral (feat. Elise Trouw) by Mike Shinoda
Based on a tempo of (+/- 10%) and a similar genre
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Mike Shinoda
Neon Crickets
140 bpm • F Maj • 03:25 • -10.37db
18% Popularity • 70% Danceability • 75% Energy • 12% Liveness
79% Instrumentalness • 53% Positiveness
18% Popularity • 70% Danceability • 75% Energy • 12% Liveness
79% Instrumentalness • 53% Positiveness
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Elise Trouw
Make Believe
140 bpm • F Maj • 03:24 • -6.46db
20% Popularity • 73% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 73% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Algorithm
floating point - Void Chapter Remix
140 bpm • G Maj • 04:08 • -8db
19% Popularity • 43% Danceability • 88% Energy • 11% Liveness
70% Instrumentalness • 26% Positiveness
19% Popularity • 43% Danceability • 88% Energy • 11% Liveness
70% Instrumentalness • 26% Positiveness
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Gunship
Rise the Midnight Girl
140 bpm • F# min • 05:47 • -7.27db
36% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Fort Minor
There They Go
140 bpm • G# Maj • 03:17 • -4.34db
33% Popularity • 86% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 86% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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LoneFi
0°C Like my heart
140 bpm • D min • 02:50 • -12db
19% Popularity • 92% Danceability • 47% Energy • 51% Liveness
87% Instrumentalness • 90% Positiveness
19% Popularity • 92% Danceability • 47% Energy • 51% Liveness
87% Instrumentalness • 90% Positiveness
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Mike Shinoda
Astral
140 bpm • E min • 02:24 • -5.84db
21% Popularity • 59% Danceability • 93% Energy • 24% Liveness
81% Instrumentalness • 62% Positiveness
21% Popularity • 59% Danceability • 93% Energy • 24% Liveness
81% Instrumentalness • 62% Positiveness
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Elise Trouw
Make Believe (Loop Version)
140 bpm • A min • 04:17 • -7.26db
25% Popularity • 72% Danceability • 55% Energy • 11% Liveness
20% Instrumentalness • 38% Positiveness
25% Popularity • 72% Danceability • 55% Energy • 11% Liveness
20% Instrumentalness • 38% Positiveness
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Gunship
Her Winter
140 bpm • E min • 04:41 • -12db
20% Popularity • 48% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 17% Positiveness
20% Popularity • 48% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 17% Positiveness
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Gunship
Rise the Midnight Girl - Instrumental
140 bpm • F# min • 05:47 • -8.51db
18% Popularity • 52% Danceability • 71% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
18% Popularity • 52% Danceability • 71% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Danger
17:09 I Can't Stay Mad at You
140 bpm • F min • 05:05 • -4.64db
25% Popularity • 68% Danceability • 89% Energy • 12% Liveness
56% Instrumentalness • 56% Positiveness
25% Popularity • 68% Danceability • 89% Energy • 12% Liveness
56% Instrumentalness • 56% Positiveness
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Azedia
Endless
140 bpm • F# min • 05:01 • -13.11db
12% Popularity • 40% Danceability • 42% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
12% Popularity • 40% Danceability • 42% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Mike Shinoda
Super Galaxtica
140 bpm • G# Maj • 02:29 • -4.74db
22% Popularity • 71% Danceability • 78% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
22% Popularity • 71% Danceability • 78% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
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The Crystal Method
NY Gang
139 bpm • A min • 01:18 • -11.13db
11% Popularity • 66% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 44% Positiveness
11% Popularity • 66% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 44% Positiveness
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Enter Shikari
T.I.N.A.
141 bpm • F# Maj • 03:05 • -6.04db
43% Popularity • 53% Danceability • 93% Energy • 15% Liveness
1% Instrumentalness • 54% Positiveness
43% Popularity • 53% Danceability • 93% Energy • 15% Liveness
1% Instrumentalness • 54% Positiveness
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Chester Bennington
Jeff and Donna Connect
139 bpm • F Maj • 00:54 • -29.91db
7% Popularity • 15% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
7% Popularity • 15% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Bring Me The Horizon
±ªþ³§
138 bpm • A# min • 07:18 • -9.1db
42% Popularity • 62% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
42% Popularity • 62% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
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Elise Trouw
Your Way
142 bpm • F Maj • 02:47 • -12.87db
15% Popularity • 82% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 82% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Shinoda
Sunset Drive
140 bpm • A min • 02:39 • -7.57db
22% Popularity • 76% Danceability • 53% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
22% Popularity • 76% Danceability • 53% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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Gunship
Eleanor Rigby
138 bpm • E min • 02:57 • -8db
37% Popularity • 62% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
37% Popularity • 62% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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DEADLIFE
Her Broken Smile
137 bpm • D min • 04:49 • -5.57db
22% Popularity • 42% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 42% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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nervous_testpilot
Making Tax Digital
137 bpm • E min • 03:42 • -7.66db
12% Popularity • 50% Danceability • 54% Energy • 9% Liveness
74% Instrumentalness • 50% Positiveness
12% Popularity • 50% Danceability • 54% Energy • 9% Liveness
74% Instrumentalness • 50% Positiveness
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Bring Me The Horizon
Drone Bomb Me - Recorded at Spotify Stud...
137 bpm • B min • 03:52 • -9.46db
33% Popularity • 52% Danceability • 73% Energy • 36% Liveness
1% Instrumentalness • 42% Positiveness
33% Popularity • 52% Danceability • 73% Energy • 36% Liveness
1% Instrumentalness • 42% Positiveness
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Trifonic
Nightrun - Comaduster Remix
137 bpm • G# min • 05:01 • -8.18db
31% Popularity • 52% Danceability • 80% Energy • 11% Liveness
75% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 80% Energy • 11% Liveness
75% Instrumentalness • 33% Positiveness
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Mike Shinoda
Brooding (Instrumental) - Remastered
140 bpm • A min • 02:31 • -10.1db
28% Popularity • 38% Danceability • 52% Energy • 66% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 38% Danceability • 52% Energy • 66% Liveness
94% Instrumentalness • 4% Positiveness
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Chester Bennington
Mal vs. Helicopter
144 bpm • F Maj • 01:08 • -15.09db
10% Popularity • 33% Danceability • 26% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 26% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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The Glitch Mob
Saikuron (The Glitch Mob Remix)
144 bpm • G min • 05:07 • -2db
26% Popularity • 65% Danceability • 94% Energy • 12% Liveness
59% Instrumentalness • 44% Positiveness
26% Popularity • 65% Danceability • 94% Energy • 12% Liveness
59% Instrumentalness • 44% Positiveness
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Little Cecil
1982
144 bpm • D min • 05:10 • -12.9db
16% Popularity • 69% Danceability • 36% Energy • 8% Liveness
60% Instrumentalness • 18% Positiveness
16% Popularity • 69% Danceability • 36% Energy • 8% Liveness
60% Instrumentalness • 18% Positiveness
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Matt Bellamy
Behold, The Glove
144 bpm • G min • 02:28 • -6.1db
24% Popularity • 35% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
24% Popularity • 35% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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KONGOS
Mad Man
135 bpm • G# Maj • 05:17 • -10.62db
22% Popularity • 71% Danceability • 46% Energy • 9% Liveness
10% Instrumentalness • 44% Positiveness
22% Popularity • 71% Danceability • 46% Energy • 9% Liveness
10% Instrumentalness • 44% Positiveness
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Mike Shinoda
Isolation Bird
140 bpm • F# Maj • 03:03 • -6.8db
13% Popularity • 77% Danceability • 95% Energy • 68% Liveness
80% Instrumentalness • 82% Positiveness
13% Popularity • 77% Danceability • 95% Energy • 68% Liveness
80% Instrumentalness • 82% Positiveness
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Being As An Ocean
Intro (The Envoy)
135 bpm • C Maj • 02:12 • -7.48db
25% Popularity • 53% Danceability • 75% Energy • 59% Liveness
55% Instrumentalness • 15% Positiveness
25% Popularity • 53% Danceability • 75% Energy • 59% Liveness
55% Instrumentalness • 15% Positiveness
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The Glitch Mob
The Stance
144 bpm • G# Maj • 03:52 • -4.67db
16% Popularity • 55% Danceability • 96% Energy • 12% Liveness
30% Instrumentalness • 38% Positiveness
16% Popularity • 55% Danceability • 96% Energy • 12% Liveness
30% Instrumentalness • 38% Positiveness
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Elise Trouw
Awake
135 bpm • A min • 03:30 • -12.08db
23% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Yppah
Autumn Phase - Little People Edit
146 bpm • F min • 04:59 • -11db
18% Popularity • 60% Danceability • 66% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
18% Popularity • 60% Danceability • 66% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Gunship
Dark All Day - Instrumental
135 bpm • A# min • 05:27 • -6.86db
20% Popularity • 51% Danceability • 85% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
20% Popularity • 51% Danceability • 85% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
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Mike Shinoda
Sound Collector
142 bpm • C Maj • 02:58 • -4.78db
18% Popularity • 59% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
18% Popularity • 59% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Nine Inch Nails
Run Like Hell
146 bpm • A Maj • 05:37 • -11.5db
27% Popularity • 56% Danceability • 57% Energy • 28% Liveness
90% Instrumentalness • 8% Positiveness
27% Popularity • 56% Danceability • 57% Energy • 28% Liveness
90% Instrumentalness • 8% Positiveness
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The Glitch Mob
Fortune Days - Ambient Version
134 bpm • B min • 04:42 • -20.27db
20% Popularity • 50% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
20% Popularity • 50% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Dance With the Dead
The Dawn
146 bpm • C Maj • 03:50 • -5.32db
33% Popularity • 48% Danceability • 93% Energy • 13% Liveness
97% Instrumentalness • 59% Positiveness
33% Popularity • 48% Danceability • 93% Energy • 13% Liveness
97% Instrumentalness • 59% Positiveness
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AWOLNATION
Half Italian
134 bpm • A# Maj • 04:23 • -4.99db
27% Popularity • 65% Danceability • 91% Energy • 20% Liveness
6% Instrumentalness • 57% Positiveness
27% Popularity • 65% Danceability • 91% Energy • 20% Liveness
6% Instrumentalness • 57% Positiveness
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Elise Trouw
Unraveling
134 bpm • D Maj • 03:23 • -11.45db
26% Popularity • 75% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 75% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Mike Shinoda
Goodbye Cow
142 bpm • E min • 03:20 • -6.71db
15% Popularity • 70% Danceability • 62% Energy • 60% Liveness
87% Instrumentalness • 20% Positiveness
15% Popularity • 70% Danceability • 62% Energy • 60% Liveness
87% Instrumentalness • 20% Positiveness
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Essenger
Empire Of Steel - Instrumental
134 bpm • F# min • 03:51 • -8.22db
15% Popularity • 69% Danceability • 70% Energy • 12% Liveness
84% Instrumentalness • 65% Positiveness
15% Popularity • 69% Danceability • 70% Energy • 12% Liveness
84% Instrumentalness • 65% Positiveness
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Luke Holland
Katana
147 bpm • C# Maj • 02:41 • -8.49db
23% Popularity • 58% Danceability • 68% Energy • 10% Liveness
81% Instrumentalness • 35% Positiveness
23% Popularity • 58% Danceability • 68% Energy • 10% Liveness
81% Instrumentalness • 35% Positiveness
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Danger
11:17
133 bpm • D min • 02:58 • -2db
28% Popularity • 65% Danceability • 94% Energy • 10% Liveness
5% Instrumentalness • 49% Positiveness
28% Popularity • 65% Danceability • 94% Energy • 10% Liveness
5% Instrumentalness • 49% Positiveness
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You Me At Six
Our House (The Mess We Made)
133 bpm • C Maj • 03:40 • -6.7db
43% Popularity • 63% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 63% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Enter Shikari
Marionettes (I. The Discovery of Strings...
133 bpm • C# min • 02:53 • -8db
31% Popularity • 53% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 53% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
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Mike Shinoda
Mike's Gonna Mike
134 bpm • C Maj • 02:01 • -4.5db
15% Popularity • 83% Danceability • 96% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
15% Popularity • 83% Danceability • 96% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
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The Glitch Mob
Take Control
148 bpm • F min • 03:14 • -3.26db
25% Popularity • 62% Danceability • 85% Energy • 12% Liveness
66% Instrumentalness • 57% Positiveness
25% Popularity • 62% Danceability • 85% Energy • 12% Liveness
66% Instrumentalness • 57% Positiveness
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Chester Bennington
Barry's Story
148 bpm • G# Maj • 00:59 • -14.8db
17% Popularity • 72% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
17% Popularity • 72% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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65daysofstatic
five waves
148 bpm • G# Maj • 04:00 • -14.55db
15% Popularity • 40% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 40% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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PLEXXAGLASS
Lilith
132 bpm • G# min • 02:49 • -7.1db
6% Popularity • 50% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 50% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Gunship
The Gates of Disorder
132 bpm • E min • 05:44 • -9.59db
34% Popularity • 28% Danceability • 58% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
34% Popularity • 28% Danceability • 58% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Dead By Sunrise
Condemned
149 bpm • C Maj • 02:32 • -2db
32% Popularity • 45% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 45% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Danger
0:59
132 bpm • A# min • 04:14 • -7.51db
45% Popularity • 87% Danceability • 39% Energy • 14% Liveness
85% Instrumentalness • 48% Positiveness
45% Popularity • 87% Danceability • 39% Energy • 14% Liveness
85% Instrumentalness • 48% Positiveness
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Fort Minor
Cigarettes
150 bpm • F# Maj • 03:40 • -5.06db
34% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Shinoda
King Paprika
150 bpm • C# Maj • 02:22 • -6.57db
13% Popularity • 86% Danceability • 62% Energy • 11% Liveness
66% Instrumentalness • 14% Positiveness
13% Popularity • 86% Danceability • 62% Energy • 11% Liveness
66% Instrumentalness • 14% Positiveness
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Volkor X
In the House - In a Heartbeat
150 bpm • F Maj • 05:42 • -10db
36% Popularity • 39% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 15% Positiveness
36% Popularity • 39% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 15% Positiveness
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Forhill
Arboretum
150 bpm • F# Maj • 04:19 • -9.12db
33% Popularity • 43% Danceability • 56% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
33% Popularity • 43% Danceability • 56% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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El Huervo
214
150 bpm • G min • 02:39 • -10.43db
15% Popularity • 64% Danceability • 66% Energy • 30% Liveness
39% Instrumentalness • 52% Positiveness
15% Popularity • 64% Danceability • 66% Energy • 30% Liveness
39% Instrumentalness • 52% Positiveness
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Chester Bennington
White Noise
150 bpm • D Maj • 03:05 • -4.8db
40% Popularity • 48% Danceability • 100% Energy • 33% Liveness
1% Instrumentalness • 63% Positiveness
40% Popularity • 48% Danceability • 100% Energy • 33% Liveness
1% Instrumentalness • 63% Positiveness
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Nathan Kawanishi
Opulence
150 bpm • E min • 02:08 • -7.72db
27% Popularity • 68% Danceability • 68% Energy • 73% Liveness
8% Instrumentalness • 69% Positiveness
27% Popularity • 68% Danceability • 68% Energy • 73% Liveness
8% Instrumentalness • 69% Positiveness
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Mike Shinoda
Osiris
150 bpm • A Maj • 03:18 • -5.56db
16% Popularity • 46% Danceability • 57% Energy • 67% Liveness
93% Instrumentalness • 21% Positiveness
16% Popularity • 46% Danceability • 57% Energy • 67% Liveness
93% Instrumentalness • 21% Positiveness
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Dead By Sunrise
Let Down
150 bpm • E min • 03:58 • -5.88db
46% Popularity • 44% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 44% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Highly Suspect
Taking Off
150 bpm • D Maj • 03:29 • -7.52db
26% Popularity • 65% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 65% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Hadi X
Clarity
130 bpm • G# Maj • 02:57 • -5.69db
10% Popularity • 65% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 65% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Barretso
Ultimo - Remastered
130 bpm • C min • 05:24 • -4.95db
29% Popularity • 25% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
29% Popularity • 25% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
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Trendsetter
Count Zero
130 bpm • G min • 07:08 • -8db
9% Popularity • 76% Danceability • 60% Energy • 8% Liveness
92% Instrumentalness • 58% Positiveness
9% Popularity • 76% Danceability • 60% Energy • 8% Liveness
92% Instrumentalness • 58% Positiveness
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Mike Shinoda
El Rey Demonio
130 bpm • C min • 02:44 • -9.16db
16% Popularity • 81% Danceability • 48% Energy • 13% Liveness
56% Instrumentalness • 88% Positiveness
16% Popularity • 81% Danceability • 48% Energy • 13% Liveness
56% Instrumentalness • 88% Positiveness
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Dead By Sunrise
Give Me Your Name
130 bpm • C Maj • 04:56 • -6db
35% Popularity • 47% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 47% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Highly Suspect
Nairobi (Outro)
130 bpm • A Maj • 02:09 • -7.81db
24% Popularity • 27% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 3% Positiveness
24% Popularity • 27% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 3% Positiveness
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Moog
Losing Purity
130 bpm • G Maj • 01:34 • -12.57db
25% Popularity • 55% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
25% Popularity • 55% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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deadmau5
sniper
130 bpm • C# min • 01:36 • -20.83db
20% Popularity • 52% Danceability • 74% Energy • 10% Liveness
66% Instrumentalness • 77% Positiveness
20% Popularity • 52% Danceability • 74% Energy • 10% Liveness
66% Instrumentalness • 77% Positiveness
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Azedia
Forest
130 bpm • A min • 05:32 • -11.1db
10% Popularity • 65% Danceability • 55% Energy • 15% Liveness
86% Instrumentalness • 17% Positiveness
10% Popularity • 65% Danceability • 55% Energy • 15% Liveness
86% Instrumentalness • 17% Positiveness
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Mike Shinoda
Dungeon Crawler
130 bpm • F# Maj • 01:33 • -5.78db
22% Popularity • 76% Danceability • 76% Energy • 10% Liveness
71% Instrumentalness • 27% Positiveness
22% Popularity • 76% Danceability • 76% Energy • 10% Liveness
71% Instrumentalness • 27% Positiveness
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TOKiMONSTA
The Ghost Burns (TOKiMONSTA Remix)
130 bpm • G min • 03:59 • -6.38db
18% Popularity • 56% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 29% Positiveness
18% Popularity • 56% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 29% Positiveness
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Occams Laser
Quarantine
130 bpm • D# min • 04:22 • -4.5db
30% Popularity • 56% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 56% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Grey Daze
She Shines
130 bpm • D min • 03:35 • -4db
35% Popularity • 49% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 49% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 13% Positiveness
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Elise Trouw
How to Get What You Want (Live Loop)
151 bpm • C# min • 03:01 • -7.91db
23% Popularity • 68% Danceability • 77% Energy • 12% Liveness
27% Instrumentalness • 92% Positiveness
23% Popularity • 68% Danceability • 77% Energy • 12% Liveness
27% Instrumentalness • 92% Positiveness
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AWOLNATION
California Halo Blue
130 bpm • C Maj • 03:53 • -5.9db
37% Popularity • 51% Danceability • 62% Energy • 13% Liveness
47% Instrumentalness • 18% Positiveness
37% Popularity • 51% Danceability • 62% Energy • 13% Liveness
47% Instrumentalness • 18% Positiveness
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Scary Pockets
Lean On
152 bpm • F min • 02:54 • -8.1db
31% Popularity • 67% Danceability • 74% Energy • 19% Liveness
28% Instrumentalness • 79% Positiveness
31% Popularity • 67% Danceability • 74% Energy • 19% Liveness
28% Instrumentalness • 79% Positiveness
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Carpenter Brut
Grand Final
129 bpm • F min • 06:45 • -10.06db
28% Popularity • 21% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 21% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Gunship
Black Blood Red Kiss
129 bpm • G Maj • 05:36 • -7.49db
34% Popularity • 54% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
34% Popularity • 54% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
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Grey Daze
Morei Sky
129 bpm • D min • 03:52 • -4.62db
37% Popularity • 49% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 49% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Elise Trouw
How to Get What You Want
151 bpm • F# Maj • 02:45 • -2.96db
39% Popularity • 78% Danceability • 96% Energy • 90% Liveness
80% Instrumentalness • 93% Positiveness
39% Popularity • 78% Danceability • 96% Energy • 90% Liveness
80% Instrumentalness • 93% Positiveness
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Mike Shinoda
World's On Fire - Remastered
129 bpm • D Maj • 03:15 • -4.96db
29% Popularity • 74% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 74% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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RŮDE
Ego
152 bpm • F# Maj • 03:34 • -10.49db
13% Popularity • 58% Danceability • 70% Energy • 48% Liveness
74% Instrumentalness • 37% Positiveness
13% Popularity • 58% Danceability • 70% Energy • 48% Liveness
74% Instrumentalness • 37% Positiveness
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Wice
Start the War
128 bpm • D Maj • 03:26 • -4.22db
28% Popularity • 64% Danceability • 93% Energy • 7% Liveness
89% Instrumentalness • 10% Positiveness
28% Popularity • 64% Danceability • 93% Energy • 7% Liveness
89% Instrumentalness • 10% Positiveness
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Gunship
Black Blood Red Kiss - Instrumental
129 bpm • G Maj • 05:36 • -8.41db
17% Popularity • 55% Danceability • 69% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
17% Popularity • 55% Danceability • 69% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
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Danger
13:12
128 bpm • F# Maj • 04:52 • -7.72db
22% Popularity • 76% Danceability • 66% Energy • 5% Liveness
91% Instrumentalness • 86% Positiveness
22% Popularity • 76% Danceability • 66% Energy • 5% Liveness
91% Instrumentalness • 86% Positiveness
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DEADLIFE
Out of Anger and Avarice
128 bpm • F min • 05:02 • -5.92db
16% Popularity • 64% Danceability • 90% Energy • 12% Liveness
8% Instrumentalness • 6% Positiveness
16% Popularity • 64% Danceability • 90% Energy • 12% Liveness
8% Instrumentalness • 6% Positiveness
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Mike Shinoda
What The Words Meant
129 bpm • A min • 03:33 • -5.71db
32% Popularity • 35% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 35% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Aura Shred
People from the Dark Hill - The Algorith...
128 bpm • G# Maj • 03:37 • -7db
16% Popularity • 51% Danceability • 100% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 51% Danceability • 100% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Chester Bennington
Jeff Walks
128 bpm • F Maj • 01:00 • -15.83db
29% Popularity • 60% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 56% Positiveness
29% Popularity • 60% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 56% Positiveness
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Mitch Murder
Teguchi
128 bpm • D Maj • 04:16 • -8db
18% Popularity • 66% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
18% Popularity • 66% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Dead By Sunrise
Crawl Back In
128 bpm • D Maj • 03:02 • -3.36db
46% Popularity • 50% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 50% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Jasper Byrne
Night
128 bpm • D# Maj • 03:00 • -15.41db
19% Popularity • 62% Danceability • 43% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
19% Popularity • 62% Danceability • 43% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
