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At An Early Hour
Songs like
At An Early Hour
by
last of the blacksmiths
Based on a tempo of (+/- 10%) and a similar genre
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Pyer
Let The Tide In
116 bpm • E Maj • 02:53 • -6.54db
26% Popularity • 59% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Ferran Palau
Terra De Blat
116 bpm • F Maj • 04:14 • -15db
10% Popularity • 71% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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Devendra Banhart
A Gain
116 bpm • D min • 01:35 • -18db
32% Popularity • 50% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 32% Positiveness
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Alex G
Ready
116 bpm • G Maj • 04:20 • -10.61db
40% Popularity • 65% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Waits
Downtown Train - 2023 Remaster
116 bpm • D# Maj • 03:52 • -15.85db
54% Popularity • 65% Danceability • 36% Energy • 9% Liveness
11% Instrumentalness • 70% Positiveness
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Sea Wolf
Whatever You Say, Say Nothing
116 bpm • G Maj • 02:17 • -17.31db
29% Popularity • 37% Danceability • 21% Energy • 10% Liveness
18% Instrumentalness • 11% Positiveness
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last of the blacksmiths
At An Early Hour
116 bpm • G Maj • 03:39 • -11.85db
0% Popularity • 57% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 23% Positiveness
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Sebadoh
Truly Great Thing
115 bpm • E Maj • 02:10 • -11.1db
18% Popularity • 80% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Iron & Wine
Cold Town
115 bpm • C Maj • 03:57 • -12.72db
19% Popularity • 77% Danceability • 24% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
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Fernando Ingles
Another Lonely Day
117 bpm • A min • 03:24 • -18.37db
11% Popularity • 52% Danceability • 16% Energy • 14% Liveness
6% Instrumentalness • 29% Positiveness
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Songs: Ohia
Blue Chicago Moon - Demo
115 bpm • G# min • 06:32 • -13.54db
15% Popularity • 55% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 9% Positiveness
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Sleepy Sun
Ooh Boy
115 bpm • A Maj • 02:05 • -15.1db
30% Popularity • 57% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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The Pilgrim
Peace of Mind
115 bpm • F# Maj • 04:00 • -10.71db
40% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Burton
I Can Go With You
115 bpm • E min • 03:36 • -8.7db
30% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Iron & Wine
Calm on the Valley
115 bpm • G Maj • 04:06 • -10.29db
23% Popularity • 72% Danceability • 40% Energy • 12% Liveness
44% Instrumentalness • 47% Positiveness
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Palace Brothers
O Lord Are You In Need?
115 bpm • C Maj • 02:58 • -14.19db
17% Popularity • 60% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
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Zane McWilliams
I Don't Give A Good Goddamn
115 bpm • A# Maj • 01:17 • -20.02db
8% Popularity • 58% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 74% Positiveness
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Graveola
Dois Lados da Canção
115 bpm • G# Maj • 04:48 • -12.71db
24% Popularity • 70% Danceability • 32% Energy • 8% Liveness
7% Instrumentalness • 20% Positiveness
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Nagisa Ni Te
On The Beach
117 bpm • C Maj • 04:39 • -10.96db
16% Popularity • 41% Danceability • 30% Energy • 8% Liveness
79% Instrumentalness • 16% Positiveness
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Jeremy Enigk
Explain
117 bpm • F Maj • 03:29 • -6db
12% Popularity • 38% Danceability • 52% Energy • 20% Liveness
1% Instrumentalness • 12% Positiveness
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Iron & Wine
Peng! 33
117 bpm • F# Maj • 03:28 • -10.47db
26% Popularity • 69% Danceability • 31% Energy • 18% Liveness
94% Instrumentalness • 72% Positiveness
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J Mascis
Very Nervous and Love
115 bpm • D min • 04:47 • -14db
19% Popularity • 43% Danceability • 31% Energy • 16% Liveness
26% Instrumentalness • 33% Positiveness
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Karl-Joakim Wisløff
You Should Have It All
115 bpm • E min • 04:44 • -12.26db
16% Popularity • 31% Danceability • 42% Energy • 17% Liveness
8% Instrumentalness • 38% Positiveness
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Wuicho kun
Eres para Mi
115 bpm • G Maj • 03:37 • -7.36db
20% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Calexico
Removed
114 bpm • A# Maj • 03:51 • -13.54db
8% Popularity • 56% Danceability • 16% Energy • 12% Liveness
70% Instrumentalness • 20% Positiveness
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The National
Val Jester
114 bpm • B min • 03:00 • -11.37db
32% Popularity • 47% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Uncle Tupelo
Black Eye
114 bpm • C Maj • 02:19 • -17.56db
28% Popularity • 47% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 62% Positiveness
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Elliott Smith
The Last Hour
118 bpm • G# Maj • 03:27 • -18db
33% Popularity • 59% Danceability • 17% Energy • 16% Liveness
5% Instrumentalness • 28% Positiveness
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German Error Message
Colossal Force
114 bpm • D# min • 02:18 • -17.15db
16% Popularity • 57% Danceability • 15% Energy • 10% Liveness
29% Instrumentalness • 29% Positiveness
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Derek Galicia
The Private Joseph Skilling
114 bpm • C# Maj • 03:18 • -12.44db
25% Popularity • 35% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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last of the blacksmiths
tree song
118 bpm • A min • 07:23 • -18.55db
0% Popularity • 38% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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The Black Heart Procession
Your Church Is Red
118 bpm • G Maj • 04:13 • -10.07db
15% Popularity • 52% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Neutral Milk Hotel
Oh Comely
118 bpm • E min • 08:18 • -6.23db
50% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Elliott Smith
Roman Candle
118 bpm • G Maj • 03:36 • -14db
44% Popularity • 46% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Daniel Heo Horizonhighway
Angelina Dream
113 bpm • C Maj • 03:50 • -15.16db
30% Popularity • 44% Danceability • 17% Energy • 14% Liveness
82% Instrumentalness • 49% Positiveness
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Ryan Davis & the Roadhouse Band
Bluebirds in a Fight
119 bpm • C Maj • 07:07 • -10.24db
21% Popularity • 45% Danceability • 25% Energy • 6% Liveness
2% Instrumentalness • 11% Positiveness
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100 Watt Horse
Bees 2
113 bpm • A Maj • 01:39 • -15.41db
21% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Sword
Mist & Shadow - Acoustic
119 bpm • G# Maj • 05:20 • -9.2db
22% Popularity • 50% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
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The Royal Belgian Conspiracy
Shot Down
119 bpm • G Maj • 02:41 • -10.91db
29% Popularity • 62% Danceability • 37% Energy • 10% Liveness
15% Instrumentalness • 16% Positiveness
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Ed Harcourt
Here Be Monsters
119 bpm • E Maj • 04:43 • -15.27db
31% Popularity • 30% Danceability • 19% Energy • 18% Liveness
41% Instrumentalness • 10% Positiveness
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Neutral Milk Hotel
You've Passed
119 bpm • A# Maj • 02:53 • -15.02db
28% Popularity • 50% Danceability • 33% Energy • 23% Liveness
19% Instrumentalness • 4% Positiveness
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Pavement
Range Life
113 bpm • A Maj • 04:54 • -9.43db
50% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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DOPE LEMON
Hey Man, Don't Look At Me Like That
113 bpm • F Maj • 05:28 • -14.91db
33% Popularity • 56% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Brown Bird
Some Boys' Scars
119 bpm • A min • 03:42 • -12.97db
14% Popularity • 39% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 29% Positiveness
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Pinback
West
120 bpm • B min • 03:50 • -15.57db
24% Popularity • 71% Danceability • 35% Energy • 12% Liveness
46% Instrumentalness • 20% Positiveness
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Radical Face
Sleepwalking (Acoustic)
120 bpm • C# Maj • 03:49 • -13.64db
12% Popularity • 44% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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貳伍吸菸所
十二樓序
120 bpm • A min • 01:19 • -12.42db
33% Popularity • 44% Danceability • 18% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
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The Black Heart Procession
Even Thieves Couldn't Lie
112 bpm • D Maj • 04:47 • -11.1db
12% Popularity • 45% Danceability • 26% Energy • 10% Liveness
41% Instrumentalness • 8% Positiveness
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last of the blacksmiths
in my hands
112 bpm • A Maj • 05:36 • -16.39db
0% Popularity • 34% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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The Mountain Goats
Peacocks
120 bpm • C Maj • 03:43 • -13.56db
30% Popularity • 67% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cedar & Soil
Video
120 bpm • A min • 02:57 • -19.45db
16% Popularity • 71% Danceability • 11% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
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Iron & Wine
Cinder and Smoke
112 bpm • B min • 05:44 • -15db
42% Popularity • 75% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
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Okkervil River
My Bad Days
120 bpm • A min • 06:22 • -11.35db
10% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Dead Sullivan
Sever
120 bpm • C Maj • 04:28 • -15.23db
21% Popularity • 46% Danceability • 22% Energy • 11% Liveness
24% Instrumentalness • 5% Positiveness
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สส. เต้ย
บอกแม่เธอว่าฉ�...
120 bpm • G# Maj • 02:49 • -15db
18% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Hayden
All in One Move
112 bpm • A Maj • 01:17 • -15.82db
17% Popularity • 73% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Attic Abasement
A Werewolf
120 bpm • G Maj • 03:49 • -12db
39% Popularity • 60% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Josiah
Norah
120 bpm • B Maj • 04:11 • -13.31db
11% Popularity • 69% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Brand New
Yeah (Sowing Season) (Demo 2006)
112 bpm • C# Maj • 05:01 • -10.3db
23% Popularity • 54% Danceability • 40% Energy • 30% Liveness
1% Instrumentalness • 42% Positiveness
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Helvetia
Cottage Grove
112 bpm • A min • 03:15 • -14.52db
11% Popularity • 51% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Devendra Banhart
Queen Bee
112 bpm • G Maj • 02:44 • -17.91db
28% Popularity • 45% Danceability • 13% Energy • 12% Liveness
60% Instrumentalness • 17% Positiveness
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Tom Waits
Little Drop Of Poison
112 bpm • C# Maj • 03:09 • -12.97db
49% Popularity • 62% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Shakey Graves
Oh My Poison
121 bpm • E Maj • 03:19 • -9.34db
24% Popularity • 67% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The American Analog Set
You Don't Want Me To Arrive, Do You?
111 bpm • A Maj • 02:25 • -11.99db
27% Popularity • 61% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Bombadil
Long Life
121 bpm • C Maj • 02:37 • -13.77db
10% Popularity • 74% Danceability • 32% Energy • 10% Liveness
20% Instrumentalness • 23% Positiveness
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The Last Dinosaur
Atoms
111 bpm • D min • 02:47 • -15.37db
19% Popularity • 44% Danceability • 20% Energy • 38% Liveness
84% Instrumentalness • 32% Positiveness
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Vian Izak
Things Will Get Better
121 bpm • D Maj • 01:53 • -10.25db
52% Popularity • 77% Danceability • 40% Energy • 7% Liveness
48% Instrumentalness • 76% Positiveness
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Pavement
Shady Lane
111 bpm • C Maj • 03:50 • -11.75db
46% Popularity • 48% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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The Shins
New Slang - Live with Sam Beam
121 bpm • A min • 03:51 • -9.68db
15% Popularity • 50% Danceability • 36% Energy • 85% Liveness
0% Instrumentalness • 36% Positiveness
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Jodi
Hawks
111 bpm • E Maj • 03:31 • -12.75db
18% Popularity • 82% Danceability • 20% Energy • 10% Liveness
12% Instrumentalness • 34% Positiveness
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Motopony
Vetiver
121 bpm • F Maj • 02:04 • -16.72db
10% Popularity • 53% Danceability • 17% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
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Tom Waits
Ol' 55
111 bpm • F# Maj • 03:56 • -11db
52% Popularity • 49% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Angels Of Light
Song For My Father
121 bpm • A# Maj • 03:41 • -9.08db
12% Popularity • 39% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Pavement
Cut Your Hair
111 bpm • E min • 03:06 • -9.82db
57% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Andy Shauf
Covered in Dust
111 bpm • G Maj • 02:49 • -12.14db
26% Popularity • 54% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Iron & Wine
Halfway To Richmond
111 bpm • B min • 05:19 • -13.19db
20% Popularity • 65% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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LAKE
I Look Up To You
111 bpm • C Maj • 03:03 • -16.25db
34% Popularity • 38% Danceability • 39% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
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Tom Waits
Martha
121 bpm • D# Maj • 04:28 • -12.41db
53% Popularity • 26% Danceability • 32% Energy • 17% Liveness
87% Instrumentalness • 26% Positiveness
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Jeff Tweedy
How Hard It Is For A Desert To Die
110 bpm • G Maj • 04:49 • -17.45db
19% Popularity • 75% Danceability • 10% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
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Josh Ritter
Wait for Love
122 bpm • A Maj • 03:46 • -15.27db
18% Popularity • 44% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Margot & The Nuclear So And So's
Cold, Kind, And Lemon Eyes - Takeaway Sh...
111 bpm • G Maj • 04:47 • -14.04db
8% Popularity • 39% Danceability • 29% Energy • 12% Liveness
10% Instrumentalness • 17% Positiveness
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The Magnetic Fields
I Don't Believe in the Sun
110 bpm • C# min • 04:16 • -9db
41% Popularity • 36% Danceability • 40% Energy • 18% Liveness
54% Instrumentalness • 16% Positiveness
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M. Ward
Carolina
110 bpm • A min • 04:21 • -14.02db
20% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Palace Music
Come In
122 bpm • E min • 02:59 • -20.01db
19% Popularity • 40% Danceability • 13% Energy • 15% Liveness
8% Instrumentalness • 4% Positiveness
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last of the blacksmiths
By the Cottonwoods
122 bpm • G Maj • 06:37 • -15.3db
0% Popularity • 45% Danceability • 18% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Songs: Ohia
Ring the Bell - Demo, Working Title: Dep...
110 bpm • G Maj • 06:48 • -13.89db
16% Popularity • 57% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Wood Brothers
Kitchen Floor
110 bpm • A# Maj • 04:28 • -13.74db
25% Popularity • 51% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Red House Painters
Cruiser
122 bpm • D# Maj • 08:39 • -10.95db
36% Popularity • 52% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Jesse Miles
I May Come Undone
110 bpm • A min • 03:33 • -12.02db
16% Popularity • 61% Danceability • 48% Energy • 14% Liveness
17% Instrumentalness • 58% Positiveness
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Kevin Michael Ozias
Monster
110 bpm • E Maj • 03:38 • -10.1db
16% Popularity • 65% Danceability • 52% Energy • 16% Liveness
14% Instrumentalness • 21% Positiveness
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Peej
Good For You
110 bpm • A Maj • 05:36 • -22.14db
0% Popularity • 37% Danceability • 11% Energy • 11% Liveness
7% Instrumentalness • 13% Positiveness
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Mook
Darkling
110 bpm • F# min • 03:14 • -16.91db
29% Popularity • 65% Danceability • 23% Energy • 12% Liveness
19% Instrumentalness • 35% Positiveness
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Neutral Milk Hotel
The Fool
110 bpm • D min • 01:53 • -4.91db
53% Popularity • 28% Danceability • 68% Energy • 53% Liveness
85% Instrumentalness • 31% Positiveness
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Bonnie Prince Billy
Lift Us Up
123 bpm • F Maj • 02:56 • -13.44db
18% Popularity • 48% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Smashing Pumpkins
To Sheila - Early Banjo Version
110 bpm • F# Maj • 04:24 • -10.77db
17% Popularity • 45% Danceability • 38% Energy • 14% Liveness
13% Instrumentalness • 26% Positiveness
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Mount Eerie
Who?
110 bpm • B min • 02:28 • -18.24db
24% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Toro y Moi
The View
123 bpm • D# Maj • 02:35 • -8.97db
32% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Hodges
alright
123 bpm • C Maj • 02:21 • -15.04db
8% Popularity • 70% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Six Organs Of Admittance
A New Name On An Old Cement Bridge
123 bpm • C Maj • 02:57 • -12.59db
16% Popularity • 44% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Songs: Ohia
Redhead
109 bpm • B min • 04:19 • -16.51db
18% Popularity • 44% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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At An Early Hour