Songs like At The Border, Guy by Joe Strummer
Based on a tempo of (+/- 10%) and a similar genre
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Beck
Sexx Laws
134 bpm • E Maj • 03:39 • -4.07db
48% Popularity • 65% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 65% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Joe Strummer
At The Border, Guy
134 bpm • G Maj • 07:01 • -6.94db
20% Popularity • 63% Danceability • 76% Energy • 40% Liveness
44% Instrumentalness • 70% Positiveness
20% Popularity • 63% Danceability • 76% Energy • 40% Liveness
44% Instrumentalness • 70% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Pete Townshend
Behind Blue Eyes
134 bpm • G Maj • 03:30 • -12.62db
29% Popularity • 48% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
29% Popularity • 48% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
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Grinderman
Go Tell the Women
134 bpm • G Maj • 03:24 • -10.91db
37% Popularity • 74% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 74% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Lowe
The Beast in Me
133 bpm • D# Maj • 02:28 • -25db
39% Popularity • 55% Danceability • 3% Energy • 15% Liveness
2% Instrumentalness • 38% Positiveness
39% Popularity • 55% Danceability • 3% Energy • 15% Liveness
2% Instrumentalness • 38% Positiveness
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Tom Waits
Cold Cold Ground - 2023 Remaster
135 bpm • C Maj • 04:07 • -19.21db
43% Popularity • 60% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 60% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ezra Furman
Take Off Your Sunglasses
133 bpm • A# Maj • 03:36 • -5db
43% Popularity • 49% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 49% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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John Cale
Dying On The Vine - Fragments
135 bpm • C min • 03:51 • -8.45db
20% Popularity • 60% Danceability • 54% Energy • 92% Liveness
1% Instrumentalness • 46% Positiveness
20% Popularity • 60% Danceability • 54% Energy • 92% Liveness
1% Instrumentalness • 46% Positiveness
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Rachid Taha
Rock El Casbah
135 bpm • F Maj • 04:34 • -3.94db
38% Popularity • 69% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 69% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
61% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
61% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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Turner Cody
Corner Of My Room
133 bpm • A Maj • 02:28 • -8db
22% Popularity • 64% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 64% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Bragg
Levi Stubbs' Tears
135 bpm • B min • 03:31 • -6db
41% Popularity • 44% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 44% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Strummer
15th Brigade
136 bpm • B min • 02:40 • -4.79db
1% Popularity • 57% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 57% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Steve Earle
Meet Me in the Alleyway
136 bpm • A min • 04:25 • -11.18db
35% Popularity • 65% Danceability • 56% Energy • 10% Liveness
70% Instrumentalness • 76% Positiveness
35% Popularity • 65% Danceability • 56% Energy • 10% Liveness
70% Instrumentalness • 76% Positiveness
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Johnny Thunders
You Can't Put Your Arms Around a Memory
136 bpm • D Maj • 02:52 • -17.41db
35% Popularity • 49% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 49% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Otis Taylor
Ten Million Slaves
132 bpm • C Maj • 04:09 • -8db
47% Popularity • 48% Danceability • 43% Energy • 21% Liveness
1% Instrumentalness • 57% Positiveness
47% Popularity • 48% Danceability • 43% Energy • 21% Liveness
1% Instrumentalness • 57% Positiveness
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World Party
Is It Like Today?
132 bpm • G Maj • 05:11 • -7.48db
49% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Kills
Monkey 23
132 bpm • B Maj • 03:06 • -9.77db
38% Popularity • 44% Danceability • 36% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 36% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
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Magnet
Lay Lady Lay
132 bpm • D min • 04:39 • -10db
40% Popularity • 53% Danceability • 44% Energy • 24% Liveness
1% Instrumentalness • 54% Positiveness
40% Popularity • 53% Danceability • 44% Energy • 24% Liveness
1% Instrumentalness • 54% Positiveness
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Joe Strummer
X-Ray Style
136 bpm • E Maj • 04:30 • -11.61db
15% Popularity • 74% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 69% Positiveness
15% Popularity • 74% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 69% Positiveness
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Richard Hawley
Tonight the Streets Are Ours
132 bpm • F Maj • 03:42 • -9.04db
47% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Nick Cave
Cosmic Dancer
132 bpm • C Maj • 05:54 • -12.3db
44% Popularity • 36% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
44% Popularity • 36% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Joe Strummer & The Mescaleros
X-Ray Style
136 bpm • E Maj • 04:34 • -12.88db
23% Popularity • 74% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 74% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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The 101ers
Don't Let It Go (Live) (2005 Remaster)
132 bpm • B min • 02:50 • -9.01db
5% Popularity • 38% Danceability • 98% Energy • 46% Liveness
51% Instrumentalness • 45% Positiveness
5% Popularity • 38% Danceability • 98% Energy • 46% Liveness
51% Instrumentalness • 45% Positiveness
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Vic Ruggiero
Lonely Nights
136 bpm • F min • 03:25 • -16.36db
17% Popularity • 65% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 65% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Raconteurs
Blue Veins
131 bpm • E min • 03:52 • -9.36db
47% Popularity • 37% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
47% Popularity • 37% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Joe Strummer
Trash City
137 bpm • C Maj • 04:11 • -4.31db
3% Popularity • 60% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
3% Popularity • 60% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Harry Nilsson
Coconut
137 bpm • F Maj • 03:51 • -14.79db
56% Popularity • 65% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 65% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Thalia Zedek Band
Bone
138 bpm • G Maj • 04:34 • -6.03db
12% Popularity • 42% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 42% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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The 101ers
Sweet Revenge
138 bpm • A Maj • 02:57 • -9.79db
16% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Sonics
Have Love Will Travel
130 bpm • A# Maj • 02:40 • -5.63db
57% Popularity • 51% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 51% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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RodrÃguez
Hate Street Dialogue
138 bpm • D# Maj • 02:33 • -3.66db
62% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
62% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Joe Strummer
Burnin' Streets
130 bpm • A# Maj • 04:31 • -6.27db
24% Popularity • 55% Danceability • 72% Energy • 37% Liveness
4% Instrumentalness • 49% Positiveness
24% Popularity • 55% Danceability • 72% Energy • 37% Liveness
4% Instrumentalness • 49% Positiveness
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Leonard Cohen
My Oh My
130 bpm • G Maj • 03:36 • -12.55db
50% Popularity • 74% Danceability • 31% Energy • 14% Liveness
43% Instrumentalness • 18% Positiveness
50% Popularity • 74% Danceability • 31% Energy • 14% Liveness
43% Instrumentalness • 18% Positiveness
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Eels
I Like Birds
138 bpm • D Maj • 02:31 • -7db
49% Popularity • 67% Danceability • 65% Energy • 16% Liveness
38% Instrumentalness • 78% Positiveness
49% Popularity • 67% Danceability • 65% Energy • 16% Liveness
38% Instrumentalness • 78% Positiveness
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Mira Billotte
As I Went out One Morning
130 bpm • F Maj • 02:53 • -8.58db
29% Popularity • 78% Danceability • 60% Energy • 21% Liveness
5% Instrumentalness • 97% Positiveness
29% Popularity • 78% Danceability • 60% Energy • 21% Liveness
5% Instrumentalness • 97% Positiveness
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Jonathan Richman
Roadrunner (Once)
139 bpm • A Maj • 04:44 • -8.24db
34% Popularity • 68% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 68% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Tweedy
Let's Find Each Other Tonight
138 bpm • G Maj • 02:14 • -8.09db
24% Popularity • 77% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
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Joe Strummer
Global A Go-Go
138 bpm • A min • 05:49 • -5.79db
25% Popularity • 67% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 67% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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The Detroit Cobras
Midnite Blues
130 bpm • B min • 02:34 • -6.91db
42% Popularity • 57% Danceability • 55% Energy • 17% Liveness
6% Instrumentalness • 77% Positiveness
42% Popularity • 57% Danceability • 55% Energy • 17% Liveness
6% Instrumentalness • 77% Positiveness
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Eels
Prizefighter
130 bpm • E Maj • 02:53 • -1.54db
37% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Beck
Leopard-Skin Pill-Box Hat
139 bpm • F min • 03:02 • -5.23db
21% Popularity • 57% Danceability • 82% Energy • 6% Liveness
19% Instrumentalness • 45% Positiveness
21% Popularity • 57% Danceability • 82% Energy • 6% Liveness
19% Instrumentalness • 45% Positiveness
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The 101ers
Lonely Mother's Son (Live)
139 bpm • E Maj • 03:45 • -8.82db
5% Popularity • 50% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 50% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Grant Lee Buffalo
Mockingbirds
129 bpm • C# Maj • 04:40 • -10db
47% Popularity • 46% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 46% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Joe Strummer
Blues On The River
129 bpm • A Maj • 04:37 • -8.25db
0% Popularity • 53% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 53% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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The Box Tops
The Letter
139 bpm • A min • 01:52 • -12.16db
71% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy
140 bpm • G Maj • 04:54 • -4.61db
47% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Richard & Linda Thompson
I Want To See The Bright Lights Tonight
140 bpm • C Maj • 03:09 • -10db
45% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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The 101ers
Maybelline (Live) (2005 Remaster)
139 bpm • D# min • 01:57 • -10.47db
5% Popularity • 55% Danceability • 72% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 55% Danceability • 72% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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The Be Good Tanyas
When Doves Cry
129 bpm • B min • 04:02 • -12db
45% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Tom Robinson Band
Power in the Darkness
129 bpm • E min • 04:56 • -6.9db
32% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Natalie Merchant
Which Side Are You on?
140 bpm • D min • 05:04 • -8db
31% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Mink DeVille
Spanish Stroll
129 bpm • E Maj • 03:39 • -15.04db
49% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
49% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Strummer
Arms Aloft
140 bpm • F Maj • 03:47 • -5.36db
26% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Curtis Harding
Need Your Love
140 bpm • G min • 02:57 • -5.94db
58% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Graham Nash
Better Days
128 bpm • F# Maj • 03:50 • -13.48db
49% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
49% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Canned Heat
On the Road Again
128 bpm • A Maj • 03:22 • -14.59db
61% Popularity • 39% Danceability • 28% Energy • 30% Liveness
25% Instrumentalness • 18% Positiveness
61% Popularity • 39% Danceability • 28% Energy • 30% Liveness
25% Instrumentalness • 18% Positiveness
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The Kinks
This Time Tomorrow (2020 Stereo Remaster...
128 bpm • G Maj • 03:23 • -6.87db
51% Popularity • 40% Danceability • 80% Energy • 30% Liveness
12% Instrumentalness • 66% Positiveness
51% Popularity • 40% Danceability • 80% Energy • 30% Liveness
12% Instrumentalness • 66% Positiveness
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Robert Plant
Rich Woman - Edit
128 bpm • A# min • 03:20 • -9.7db
19% Popularity • 76% Danceability • 55% Energy • 17% Liveness
48% Instrumentalness • 70% Positiveness
19% Popularity • 76% Danceability • 55% Energy • 17% Liveness
48% Instrumentalness • 70% Positiveness
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Nick Waterhouse
La Turnaround
127 bpm • F# Maj • 02:51 • -10.4db
39% Popularity • 71% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 77% Positiveness
39% Popularity • 71% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 77% Positiveness
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Joe Strummer
Island Hopping
127 bpm • D Maj • 02:36 • -12.76db
18% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Kitty, Daisy & Lewis
Don't Make a Fool out of Me
141 bpm • B min • 03:53 • -6db
34% Popularity • 65% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 65% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Tom Waits
Long Way Home
141 bpm • A# Maj • 03:10 • -16db
47% Popularity • 66% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 66% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Mavis Staples
You Are Not Alone
127 bpm • F Maj • 03:57 • -12.31db
47% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Kinks
Strangers (2020 Stereo Remaster)
127 bpm • C Maj • 03:21 • -8.65db
55% Popularity • 46% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 46% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Lively Ones
Surf Rider
141 bpm • A Maj • 03:18 • -13.26db
55% Popularity • 56% Danceability • 55% Energy • 11% Liveness
79% Instrumentalness • 82% Positiveness
55% Popularity • 56% Danceability • 55% Energy • 11% Liveness
79% Instrumentalness • 82% Positiveness
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Leonard Cohen
The Future
142 bpm • A min • 06:41 • -10.76db
46% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Nick Cave & The Bad Seeds
Death Is Not the End
127 bpm • A Maj • 04:26 • -10.39db
35% Popularity • 62% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 62% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Mano Negra
Out of Time Man
142 bpm • F Maj • 03:24 • -8.52db
58% Popularity • 65% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
58% Popularity • 65% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Modern Lovers
Roadrunner (Alternative Version)
142 bpm • D Maj • 04:55 • -7.11db
51% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
51% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Edwyn Collins
A Girl Like You
126 bpm • F min • 03:56 • -7.46db
67% Popularity • 62% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 62% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Solomon Burke
Fast Train
126 bpm • D# Maj • 05:43 • -10db
37% Popularity • 66% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
37% Popularity • 66% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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The Jam
That's Entertainment
142 bpm • C min • 03:32 • -11.52db
62% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
59% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
59% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Latin Playboys
Forever Night Shade Mary
126 bpm • D Maj • 03:04 • -23.26db
37% Popularity • 49% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
37% Popularity • 49% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
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Tom Waits
Walk Away
143 bpm • A Maj • 02:43 • -8db
39% Popularity • 69% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 63% Positiveness
39% Popularity • 69% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 63% Positiveness
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Joe Strummer
All In A Day
126 bpm • D Maj • 04:53 • -4.67db
23% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Charlotte Gainsbourg
Hey Joe
143 bpm • C Maj • 04:52 • -7.91db
45% Popularity • 39% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
45% Popularity • 39% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
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Lee Moses
Bad Girl (Pt. 1)
126 bpm • D min • 02:23 • -7.13db
42% Popularity • 51% Danceability • 74% Energy • 65% Liveness
1% Instrumentalness • 86% Positiveness
42% Popularity • 51% Danceability • 74% Energy • 65% Liveness
1% Instrumentalness • 86% Positiveness
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Richie Havens
Freedom
125 bpm • F# min • 05:47 • -8.17db
41% Popularity • 51% Danceability • 70% Energy • 35% Liveness
25% Instrumentalness • 35% Positiveness
41% Popularity • 51% Danceability • 70% Energy • 35% Liveness
25% Instrumentalness • 35% Positiveness
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Nick Cave & The Bad Seeds
Henry Lee
143 bpm • A min • 03:58 • -11.94db
52% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Waits
Clap Hands - 2023 Remaster
143 bpm • G Maj • 03:47 • -17.58db
49% Popularity • 78% Danceability • 34% Energy • 8% Liveness
13% Instrumentalness • 79% Positiveness
49% Popularity • 78% Danceability • 34% Energy • 8% Liveness
13% Instrumentalness • 79% Positiveness
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Joe Strummer
Czechoslovak Song / Where Is England?
143 bpm • D Maj • 03:48 • -5.96db
0% Popularity • 70% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 70% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Solomon Burke
None Of Us Are Free
143 bpm • F min • 05:29 • -10db
49% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Nick Waterhouse
It No. 3
125 bpm • F Maj • 03:03 • -8.64db
32% Popularity • 81% Danceability • 86% Energy • 9% Liveness
15% Instrumentalness • 88% Positiveness
32% Popularity • 81% Danceability • 86% Energy • 9% Liveness
15% Instrumentalness • 88% Positiveness
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RodrÃguez
Sandrevan Lullaby - Lifestyles
144 bpm • D min • 06:37 • -5.36db
44% Popularity • 37% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 37% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Nick Cave & The Bad Seeds
Do You Love Me?
125 bpm • F min • 05:57 • -8.45db
49% Popularity • 47% Danceability • 65% Energy • 14% Liveness
47% Instrumentalness • 70% Positiveness
49% Popularity • 47% Danceability • 65% Energy • 14% Liveness
47% Instrumentalness • 70% Positiveness
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Propellerheads
History Repeating - Knee Length Mix
144 bpm • A# min • 04:02 • -5.43db
53% Popularity • 72% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
53% Popularity • 72% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
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Taj Mahal
The Calypsonians
125 bpm • B min • 06:30 • -14.44db
20% Popularity • 71% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 71% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Strummer
Gangsterville
144 bpm • G Maj • 04:18 • -6.75db
15% Popularity • 44% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 44% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Nick Waterhouse
Song for Winners
125 bpm • C# Maj • 03:00 • -5.22db
35% Popularity • 59% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
35% Popularity • 59% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Ian Dury
Wake Up and Make Love with Me
124 bpm • C# Maj • 04:24 • -12.49db
40% Popularity • 80% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 96% Positiveness
40% Popularity • 80% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 96% Positiveness
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Harry Nilsson
Jump Into The Fire
145 bpm • D Maj • 07:02 • -12.31db
45% Popularity • 61% Danceability • 71% Energy • 8% Liveness
68% Instrumentalness • 93% Positiveness
45% Popularity • 61% Danceability • 71% Energy • 8% Liveness
68% Instrumentalness • 93% Positiveness
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Wilco
How to Fight Loneliness
124 bpm • B min • 03:52 • -12.67db
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Strummer
U.S. North
124 bpm • D Maj • 10:32 • -4.69db
1% Popularity • 71% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
1% Popularity • 71% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Nick Cave & The Bad Seeds
Fifteen Feet of Pure White Snow
124 bpm • A min • 05:36 • -10.56db
41% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
