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At The End of The Night
Songs like
At The End of The Night
by
Tone Stith
Based on a tempo of (+/- 10%) and a similar genre
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JYDN HILL
Regrets
116 bpm • E min • 03:06 • -5.15db
12% Popularity • 78% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Maeta
Babygirl
116 bpm • E min • 02:45 • -8db
40% Popularity • 72% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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JAWAN.mp3
Only Want U
116 bpm • G Maj • 04:14 • -10.01db
28% Popularity • 59% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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PHABO
Slippery
116 bpm • C# min • 02:39 • -5.58db
31% Popularity • 71% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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syd B
Lights On
116 bpm • G min • 02:42 • -9db
34% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Tone Stith
At The End of The Night
116 bpm • G# Maj • 02:27 • -12.62db
28% Popularity • 33% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Kia Harper
Problematic
117 bpm • A# min • 02:40 • -13.7db
18% Popularity • 45% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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DaniLeigh
Dead To Me
115 bpm • G Maj • 02:13 • -10.33db
40% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Elliott Trent
Luv Lyfe
117 bpm • D# min • 04:43 • -6.86db
28% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jamieboy
Relapse
115 bpm • A# Maj • 03:15 • -10.79db
32% Popularity • 69% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Nieman
Same Bed
115 bpm • A Maj • 03:28 • -7.68db
13% Popularity • 62% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tone Stith
Take It There
117 bpm • B min • 04:11 • -5.26db
34% Popularity • 66% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Natalie Kalei
Did You?
115 bpm • C# Maj • 02:38 • -7.41db
9% Popularity • 84% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Wolftyla
Play for Keeps
115 bpm • F min • 03:26 • -9.99db
19% Popularity • 74% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Xavier Omär
Feelings 4 You
118 bpm • G# min • 04:16 • -7db
46% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Giveon
Like I Want You - Acoustic
118 bpm • A# min • 03:05 • -7.66db
50% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Damonte
Together
118 bpm • C# min • 03:16 • -10.41db
29% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Tone Stith
Still Dancin'
115 bpm • F Maj • 04:00 • -8.01db
30% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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MIKExANGEL
Patient
118 bpm • F# min • 03:15 • -10.45db
14% Popularity • 80% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Liza
MEMORIZE FEELINGS
118 bpm • G# min • 03:31 • -9.06db
22% Popularity • 84% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Christian Kamaal
Scrutiny
118 bpm • G# min • 04:30 • -14.18db
30% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jayla Darden
Reminder
114 bpm • A min • 02:59 • -10.42db
52% Popularity • 68% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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Ley Vara
for you
114 bpm • G Maj • 03:28 • -10.81db
25% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Teyana Taylor
Bare Wit Me
118 bpm • F min • 02:08 • -8.5db
56% Popularity • 71% Danceability • 51% Energy • 21% Liveness
4% Instrumentalness • 54% Positiveness
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goodboy noah
tie down
119 bpm • D# min • 02:47 • -8.74db
29% Popularity • 49% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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JYDN HILL
Lies (Wasted Time)
118 bpm • F min • 02:13 • -5.98db
18% Popularity • 56% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Elliott Trent
Real Emotions
119 bpm • F# Maj • 03:51 • -7.72db
40% Popularity • 67% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Ginette Claudette
What Are We
119 bpm • A# min • 04:03 • -7.62db
18% Popularity • 42% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Jayla Darden
Let You Go
113 bpm • C# min • 02:53 • -6.59db
42% Popularity • 73% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Savannah Ré
DVP
113 bpm • C Maj • 02:37 • -10.54db
25% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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PRBLMSLVRS
Pay Attention
119 bpm • C# min • 03:00 • -5.65db
2% Popularity • 81% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Teenear
Come See Me
119 bpm • G Maj • 02:45 • -9db
33% Popularity • 79% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Alex Vaughn
Backslide
119 bpm • G# Maj • 01:16 • -10db
39% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Maeta
S(EX)
119 bpm • E min • 03:44 • -6.63db
41% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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THEHONESTGUY
Love is a losing game
113 bpm • C# min • 03:00 • -10.08db
32% Popularity • 73% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Damonte
I Really Want You
113 bpm • C min • 03:49 • -7.71db
20% Popularity • 75% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Marzz
Countless Times
113 bpm • C# min • 02:45 • -7.66db
45% Popularity • 79% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The Colleagues
No Conversation
113 bpm • C# min • 03:13 • -6.63db
33% Popularity • 57% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Casedi
You On You
120 bpm • E min • 03:39 • -6.46db
18% Popularity • 46% Danceability • 61% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
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Teenear
Special Attention
120 bpm • D Maj • 04:19 • -8.39db
31% Popularity • 53% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Baby B
Baddest Girl
120 bpm • D# min • 03:02 • -9db
35% Popularity • 45% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Shade Jenifer
The Two Of Us
120 bpm • C# Maj • 03:35 • -6db
30% Popularity • 66% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Savannah Ré
Nothing Into Something
120 bpm • C Maj • 02:27 • -9db
28% Popularity • 90% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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gabby parafina
as i express
120 bpm • G min • 04:10 • -9.81db
15% Popularity • 74% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Eric Bellinger
Go Get It - Remix
120 bpm • A Maj • 04:50 • -6.82db
30% Popularity • 70% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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ROE
Fool 4 U
120 bpm • A# min • 03:16 • -7.24db
20% Popularity • 66% Danceability • 49% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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Marzz
KMS
120 bpm • G# min • 02:25 • -8db
32% Popularity • 83% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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GRANT ALEXANDER
PSA
120 bpm • A# min • 03:13 • -15.91db
18% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Savannah Ré
Love Me Back
120 bpm • B Maj • 02:49 • -4.99db
22% Popularity • 72% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Trevor Jackson
Bouts to Be
120 bpm • A Maj • 03:37 • -5.28db
29% Popularity • 59% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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SANNI
Bling Up
120 bpm • E Maj • 02:57 • -12.52db
34% Popularity • 76% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Tone Stith
Like The First Time
120 bpm • C min • 02:59 • -10.19db
24% Popularity • 83% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Earldridge
Delight
120 bpm • C min • 03:33 • -6.93db
18% Popularity • 54% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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PRICE
Watermelon
120 bpm • F# min • 02:30 • -7.38db
3% Popularity • 71% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Elliott Trent
Safeside
120 bpm • C# Maj • 02:55 • -9db
43% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Romeyo Wilson
Risking It All
120 bpm • F min • 03:10 • -8.95db
24% Popularity • 70% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Desmond Dennis
How You Gonna Act Like That
112 bpm • D# min • 04:28 • -10.37db
19% Popularity • 69% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Tone Stith
Let Me
112 bpm • F# Maj • 03:35 • -6.33db
35% Popularity • 60% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Zay Johnny
Ride
120 bpm • C# Maj • 02:53 • -9db
26% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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NIKKAELA
Closer Than Air
112 bpm • G# Maj • 02:55 • -7.33db
16% Popularity • 73% Danceability • 36% Energy • 46% Liveness
0% Instrumentalness • 17% Positiveness
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RUSSELL!
SCARLETT'S WEEKEND
112 bpm • D Maj • 01:51 • -4db
48% Popularity • 71% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Samaria
Stuck
120 bpm • F min • 02:38 • -8db
31% Popularity • 80% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Lucky Daye
Love You Too Much
111 bpm • G# min • 07:45 • -11.38db
51% Popularity • 39% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Gemaine
No Questions
111 bpm • C# Maj • 02:44 • -9.89db
4% Popularity • 61% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Mike Rich
Cloud Nine
111 bpm • D min • 04:09 • -9.74db
9% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Dre Dennis
All Cap
121 bpm • D Maj • 03:25 • -5.59db
2% Popularity • 48% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
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Jermaine Elliott
Perfect Strangers
111 bpm • D# Maj • 03:36 • -6.98db
23% Popularity • 75% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Tone Stith
Girls Like You
122 bpm • C# Maj • 02:53 • -7.4db
43% Popularity • 70% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Dee Gatti
Timeless
122 bpm • C min • 03:14 • -9.23db
36% Popularity • 72% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Devon Culture
Energy
122 bpm • D# min • 02:42 • -4.49db
24% Popularity • 66% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Coco Jones
Until The End Of Time - Spotify Singles
122 bpm • G# Maj • 04:43 • -7.49db
54% Popularity • 70% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Roann
You Got Me (Ooh Ahh)
122 bpm • B Maj • 03:56 • -13.11db
16% Popularity • 84% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Eli Derby
Go Home
122 bpm • D# min • 02:15 • -9.44db
24% Popularity • 87% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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THEHONESTGUY
Deserve you (more)
122 bpm • C Maj • 04:06 • -7.15db
16% Popularity • 69% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Nakala
Ringer
122 bpm • D min • 01:56 • -10.45db
26% Popularity • 68% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Mack Keane
Hurt People
122 bpm • B Maj • 02:59 • -5.12db
22% Popularity • 57% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Carol Sipula
Smoke up the Room
122 bpm • E min • 03:00 • -9.83db
11% Popularity • 66% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Olivia Escuyos
Give It to Me
110 bpm • C Maj • 03:22 • -12db
34% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Tone Stith
Secrets
110 bpm • B min • 03:09 • -7.43db
27% Popularity • 60% Danceability • 50% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Inayah
What Are We?
122 bpm • C# min • 02:40 • -6.01db
55% Popularity • 62% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Devon Culture
On Demand
122 bpm • C# min • 02:37 • -7.55db
24% Popularity • 48% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Elle Eliades
Running
110 bpm • A min • 03:26 • -13db
30% Popularity • 62% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
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Romeyo Wilson
Keep Your Heels On
110 bpm • C# min • 02:38 • -10.76db
33% Popularity • 60% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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SHRETA
Go Get Her
110 bpm • A# min • 02:43 • -8db
28% Popularity • 67% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Giveon
At Least We Tried
123 bpm • G min • 03:32 • -9.15db
54% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Eric Penn
Heaven
123 bpm • E Maj • 03:23 • -11.62db
30% Popularity • 60% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Maeta
Habits
123 bpm • F# min • 02:57 • -8.03db
28% Popularity • 78% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Kyle Dion
Stay the Night
123 bpm • G Maj • 03:41 • -8.38db
37% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Christian Kuria
Complicated
123 bpm • D# min • 03:45 • -16.21db
38% Popularity • 68% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Von
Pretend
123 bpm • C Maj • 03:48 • -6.92db
7% Popularity • 37% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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George Lovett
Ruby
123 bpm • C# min • 01:37 • -12db
32% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Marzz
So Frequently
109 bpm • A min • 03:02 • -7db
29% Popularity • 68% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Ambré
ELEVATE
109 bpm • C# min • 03:33 • -9.92db
48% Popularity • 66% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Kyle Dion
Teach Me
109 bpm • F# min • 02:17 • -6db
41% Popularity • 51% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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PHABO
Jelly
109 bpm • F# min • 02:49 • -9db
39% Popularity • 86% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Maeta
Sexual Love
124 bpm • C# min • 03:25 • -6.92db
43% Popularity • 59% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Tone Stith
Pressure
109 bpm • C Maj • 03:27 • -7.89db
34% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Elliott Trent
Obsession
124 bpm • F min • 03:49 • -4.89db
33% Popularity • 43% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Nakala
Back At One
124 bpm • C Maj • 02:36 • -9db
34% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Kayla Rae
Practice
109 bpm • F min • 02:23 • -12db
37% Popularity • 66% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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At The End of The Night