Songs like Atrophy by Celine Vong
Based on a tempo of (+/- 10%) and a similar genre
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Celine Vong
Atrophy
174 bpm • B min • 02:38 • -6db
11% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Ethan Dufault
Right There
174 bpm • B Maj • 03:14 • -7db
27% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Skyclub
Be Yourself
174 bpm • C min • 02:59 • -7.44db
9% Popularity • 48% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 48% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Lance Tingey
kinda over it
174 bpm • A# Maj • 02:57 • -7.92db
11% Popularity • 66% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 66% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Hylynd
Us Against the World
174 bpm • D Maj • 03:54 • -7.92db
15% Popularity • 44% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 44% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
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PARRIS MITCHELL
by now.
174 bpm • B Maj • 03:11 • -7db
28% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Gamma Skies
Damn!
174 bpm • F# Maj • 03:27 • -3.95db
17% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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damnboy!
Everything You Said Was A Lie
173 bpm • B min • 02:27 • -5.05db
28% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Phangs
I'm Gonna Die with My Tattoos
175 bpm • G# Maj • 02:50 • -6.47db
11% Popularity • 69% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Mykyl
Insecure
175 bpm • F Maj • 02:57 • -7db
39% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Daniel Schulz
Bleeding
172 bpm • F# min • 02:59 • -5.3db
15% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ridgely
Busy Body
172 bpm • G# Maj • 02:44 • -7db
38% Popularity • 54% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 54% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Fake Whiz
Lost in Deep
176 bpm • F# min • 03:32 • -10.97db
33% Popularity • 70% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 70% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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R3SH
Take Care
172 bpm • D Maj • 02:19 • -16db
13% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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andreas owens
falling & falling
178 bpm • C# Maj • 02:24 • -7.36db
30% Popularity • 48% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 48% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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dezabel
A Little More
172 bpm • G# Maj • 03:05 • -7.87db
16% Popularity • 53% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 53% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Eleven Point Two
Lost!
170 bpm • E min • 03:48 • -11.12db
7% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Conor Matthews
Take All Night
170 bpm • C# min • 02:42 • -5db
42% Popularity • 58% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 58% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Valentina Ploy
Berlin
170 bpm • D Maj • 02:45 • -9.72db
18% Popularity • 70% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 70% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The WDK
Just a Little More Time
170 bpm • B Maj • 02:18 • -10.91db
13% Popularity • 69% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 69% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Labit
Soju
170 bpm • G Maj • 03:01 • -5.97db
10% Popularity • 59% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 59% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Celine Vong
Younger
170 bpm • D Maj • 02:22 • -5.64db
8% Popularity • 56% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 56% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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LiQWYD
Bottle of Wine
180 bpm • C Maj • 03:04 • -9.41db
17% Popularity • 54% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
17% Popularity • 54% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Nathan Trent
Growing Pains
180 bpm • F# Maj • 02:54 • -6.16db
31% Popularity • 57% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 57% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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penelope Q
Three Strikes
180 bpm • D Maj • 03:10 • -5.43db
8% Popularity • 44% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 44% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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marcos g
lights coming down
180 bpm • A Maj • 03:10 • -6.02db
26% Popularity • 52% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 52% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Marshall
Missing Memories
180 bpm • B min • 03:32 • -6.39db
8% Popularity • 52% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 52% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
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Celine Vong
2 Kids
170 bpm • G Maj • 03:19 • -5.58db
19% Popularity • 57% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 57% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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NIIVA
Welcome Back
168 bpm • C Maj • 02:36 • -7db
34% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Vince Palmeri
3:32
168 bpm • A# Maj • 04:08 • -7.78db
8% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Caryl
Back To You
168 bpm • A Maj • 02:43 • -7.17db
8% Popularity • 55% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 55% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Lance Tingey
Let's Go Back
182 bpm • G Maj • 02:53 • -7.64db
17% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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dreaming of cali
sorry mama
166 bpm • C# Maj • 03:11 • -8.36db
9% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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OKAY! KENJI
time to grow up
166 bpm • A# Maj • 02:24 • -5.79db
28% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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overtide
Neck
165 bpm • F Maj • 02:24 • -7.11db
13% Popularity • 44% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 44% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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VAIL
Ready or Not
165 bpm • C min • 02:19 • -7db
16% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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TY:DEL
No Heartbreaks
165 bpm • A# Maj • 02:33 • -4.66db
11% Popularity • 64% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 64% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Fate Under Fire
Boom Clap
184 bpm • C Maj • 02:56 • -8.24db
15% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Till
Echoes
184 bpm • G min • 03:20 • -6.48db
17% Popularity • 59% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 59% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Jack Newsome
All My Friends Are Falling in Love
184 bpm • B min • 03:07 • -5db
31% Popularity • 74% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 74% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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HIGHST
Art School
184 bpm • C min • 02:27 • -4.9db
20% Popularity • 44% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 44% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Beren Olivia
Early Hours of the AM
184 bpm • C# min • 02:50 • -5.94db
27% Popularity • 45% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 45% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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.irg
satisfy
184 bpm • G# min • 03:18 • -6.09db
26% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Celine Vong
Underwater
164 bpm • C# Maj • 02:45 • -5db
11% Popularity • 60% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 60% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Till
On Your Own
165 bpm • C# Maj • 02:57 • -5.8db
20% Popularity • 53% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 53% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Silver Lim
JADED
162 bpm • C min • 03:10 • -6.21db
20% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Catalina
Miss U Like
163 bpm • F Maj • 03:58 • -5.35db
15% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jonathan & Friends
Start Up
162 bpm • D# Maj • 02:58 • -10db
39% Popularity • 58% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 58% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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HIGHST
Falling Awake
188 bpm • C# min • 02:34 • -4.95db
28% Popularity • 53% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 53% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Ethan Dufault
View
160 bpm • C# min • 03:27 • -6.55db
42% Popularity • 55% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 55% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Chris James
Everything I Wanted
160 bpm • B min • 02:41 • -9.92db
28% Popularity • 50% Danceability • 67% Energy • 21% Liveness
5% Instrumentalness • 49% Positiveness
28% Popularity • 50% Danceability • 67% Energy • 21% Liveness
5% Instrumentalness • 49% Positiveness
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PACIFICA
fake friends
160 bpm • D# Maj • 02:30 • -7.93db
21% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Celine Vong
Nirvana
160 bpm • D Maj • 03:25 • -8.02db
4% Popularity • 66% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 66% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Tiger La Flor
lisbon
160 bpm • C# Maj • 02:45 • -10.99db
37% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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HIGHST
Good Times Back
160 bpm • B min • 02:50 • -3.68db
12% Popularity • 46% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 46% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Beren Olivia
Red Ripped Sweater
160 bpm • D Maj • 03:22 • -7.56db
30% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chris James
Lost At Sea
160 bpm • E Maj • 03:09 • -7db
23% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Dan Berk
Ghost Stories
190 bpm • D Maj • 03:06 • -8.65db
31% Popularity • 48% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 48% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Celine Vong
Suburbia
160 bpm • D Maj • 02:42 • -5.45db
6% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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盧子杰 James Lu
60
190 bpm • D# Maj • 02:04 • -7.15db
26% Popularity • 75% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 75% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Eila
Lavender Dreams
158 bpm • G Maj • 03:22 • -7.9db
22% Popularity • 78% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 78% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Fiji Blue
Before You
158 bpm • F Maj • 03:41 • -5.72db
31% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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YAØ
Broke Pop Kids
158 bpm • C# Maj • 01:54 • -8.87db
15% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Gentle Bones
Can We Have A Conversation?
156 bpm • G Maj • 02:34 • -5.17db
33% Popularity • 63% Danceability • 56% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 63% Danceability • 56% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
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Celine Vong
End of the Earth
159 bpm • F# Maj • 03:06 • -8.94db
4% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
4% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jonny Glenn
Don't Wanna Let You Down
156 bpm • F# Maj • 02:46 • -6.84db
27% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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HIGHST
PCH
156 bpm • A# Maj • 02:37 • -4.73db
8% Popularity • 50% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 50% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Hashy
Someone New
196 bpm • A min • 03:46 • -5.51db
17% Popularity • 62% Danceability • 79% Energy • 13% Liveness
54% Instrumentalness • 51% Positiveness
17% Popularity • 62% Danceability • 79% Energy • 13% Liveness
54% Instrumentalness • 51% Positiveness
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YAØ
I Can't Sleep
156 bpm • D Maj • 02:31 • -7.02db
23% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Yueku
Catch Me If You Can
154 bpm • A Maj • 03:09 • -8db
23% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Serena Sun
Breadcrumbs
152 bpm • D Maj • 03:25 • -7.08db
9% Popularity • 78% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 78% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Fiji Blue
Up Down
153 bpm • C Maj • 03:10 • -8.03db
44% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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enobe
Red Light Song
199 bpm • F min • 02:45 • -7.87db
13% Popularity • 53% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 53% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Dylan Emmet
Some Things Don't Change
151 bpm • G Maj • 03:23 • -8.84db
17% Popularity • 33% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 33% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 32% Positiveness
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Talitha.
dontyouseeme
150 bpm • C# Maj • 02:45 • -12.97db
26% Popularity • 70% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 70% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Amelie Jat
Faking Parties
150 bpm • A# min • 02:27 • -7.03db
11% Popularity • 67% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 67% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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CAELAN
Forever With You
150 bpm • G min • 02:04 • -5db
29% Popularity • 70% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 70% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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overtide
2Face
150 bpm • D Maj • 02:40 • -7.76db
31% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Wildcardz
Original
150 bpm • C# Maj • 03:04 • -10.85db
23% Popularity • 80% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
23% Popularity • 80% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
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R3SH
Lonely Nights
150 bpm • A min • 02:38 • -7.48db
15% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Brainheart
Feels Like Destiny
150 bpm • D Maj • 03:35 • -8db
22% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Black Sands
Deserve
150 bpm • C Maj • 02:56 • -9db
17% Popularity • 54% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 54% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Dylan Emmet
Promises
149 bpm • B Maj • 02:23 • -9db
5% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
