Songs like Autumn in New York (Los Angeles, December 3, 1955) by Hampton Hawes
Based on a tempo of (+/- 10%) and a similar genre
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The Ben Webster Quintet
Ill Wind
63 bpm • C# Maj • 03:34 • -18.5db
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Kenny Drew
Angie
63 bpm • F Maj • 05:38 • -21.85db
24% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
24% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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John Lewis
I Can't Get Started
64 bpm • C Maj • 03:36 • -16.33db
35% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
35% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
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Hampton Hawes
Autumn in New York
64 bpm • C min • 05:24 • -16.23db
5% Popularity • 49% Danceability • 15% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
5% Popularity • 49% Danceability • 15% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
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Barry Harris Trio
Bag's Groove
64 bpm • A# Maj • 04:45 • -10db
17% Popularity • 52% Danceability • 44% Energy • 21% Liveness
3% Instrumentalness • 32% Positiveness
17% Popularity • 52% Danceability • 44% Energy • 21% Liveness
3% Instrumentalness • 32% Positiveness
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Miles Davis Quartet
You Don't Know What Love Is
65 bpm • D# Maj • 04:23 • -19.44db
26% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Freddie Redd Trio
Beautiful Adela
60 bpm • G Maj • 03:17 • -14.35db
33% Popularity • 70% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 70% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 17% Positiveness
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Charles Mingus
I Can't Get Started - 2022 Remaster
66 bpm • D Maj • 06:30 • -18.56db
6% Popularity • 46% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
6% Popularity • 46% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Sonny Criss
We'll Be Together Again
67 bpm • C Maj • 02:59 • -14.1db
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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Curtis Fuller
Here's To My Lady
59 bpm • D# Maj • 06:43 • -16.45db
9% Popularity • 49% Danceability • 19% Energy • 11% Liveness
50% Instrumentalness • 36% Positiveness
9% Popularity • 49% Danceability • 19% Energy • 11% Liveness
50% Instrumentalness • 36% Positiveness
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Booker Little
Moonlight Becomes You
59 bpm • G# Maj • 05:40 • -14db
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
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Kenny Drew Trio
I Didn't Know What Time It Was
68 bpm • A min • 04:03 • -17.61db
22% Popularity • 48% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
22% Popularity • 48% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
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Jimmy Witherspoon
Sweet's Blues
68 bpm • A# Maj • 05:15 • -15.74db
0% Popularity • 62% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 62% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Charles Mingus
I Can't Get Started - Take 4 - 2022 Rem...
68 bpm • D Maj • 08:11 • -21db
2% Popularity • 44% Danceability • 14% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
2% Popularity • 44% Danceability • 14% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
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Tina Brooks
Everything Happens To Me
69 bpm • C min • 06:10 • -14.89db
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Hampton Hawes Trio
Easy Living
69 bpm • F min • 04:49 • -23db
28% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
28% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Hampton Hawes
Ill Wind
69 bpm • A# min • 03:53 • -26.1db
6% Popularity • 39% Danceability • 4% Energy • 8% Liveness
56% Instrumentalness • 17% Positiveness
6% Popularity • 39% Danceability • 4% Energy • 8% Liveness
56% Instrumentalness • 17% Positiveness
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Dizzy Reece
'Round About Midnight
55 bpm • A# min • 04:48 • -13.08db
35% Popularity • 42% Danceability • 18% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
35% Popularity • 42% Danceability • 18% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
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Jimmy Witherspoon
Out Blues
69 bpm • C Maj • 02:08 • -18.08db
1% Popularity • 52% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 62% Positiveness
1% Popularity • 52% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 62% Positiveness
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Sonny Clark Trio
I'll Remember April - Remastered 2001/Ru...
72 bpm • G Maj • 04:55 • -16.05db
17% Popularity • 38% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 38% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Bob Cooper
Easy Living
72 bpm • G# Maj • 04:21 • -25.86db
24% Popularity • 52% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
24% Popularity • 52% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
41% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
41% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Hampton Hawes
Stella by Starlight
72 bpm • D# Maj • 04:54 • -15.31db
6% Popularity • 51% Danceability • 24% Energy • 19% Liveness
16% Instrumentalness • 19% Positiveness
6% Popularity • 51% Danceability • 24% Energy • 19% Liveness
16% Instrumentalness • 19% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Jimmy Witherspoon
All That's Good
71 bpm • A# Maj • 03:01 • -18.58db
1% Popularity • 73% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 73% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Freddie Redd
Melanie - Digital Remaster/2007
74 bpm • D min • 05:03 • -8.82db
19% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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John Lewis
Skylark
73 bpm • C# min • 03:10 • -19.22db
32% Popularity • 56% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 39% Positiveness
32% Popularity • 56% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 39% Positiveness
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Cedar Walton
Blues For Myself
74 bpm • A# Maj • 03:54 • -21.84db
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Hampton Hawes
The More I See You
73 bpm • C# Maj • 05:32 • -23.22db
5% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmy Witherspoon
Tain't Nobody Business
72 bpm • A# Maj • 02:23 • -16.95db
0% Popularity • 54% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 54% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Gonsalves
I Cover The Waterfront
75 bpm • G min • 04:05 • -25.21db
39% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
39% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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Phineas Newborn Jr.
Daahoud
75 bpm • F min • 04:41 • -17.06db
12% Popularity • 48% Danceability • 40% Energy • 27% Liveness
68% Instrumentalness • 72% Positiveness
12% Popularity • 48% Danceability • 40% Energy • 27% Liveness
68% Instrumentalness • 72% Positiveness
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Shelly Manne and His Men
You're My Thrill - Remastered 1988
75 bpm • G min • 03:04 • -23db
22% Popularity • 55% Danceability • 6% Energy • 11% Liveness
58% Instrumentalness • 53% Positiveness
22% Popularity • 55% Danceability • 6% Energy • 11% Liveness
58% Instrumentalness • 53% Positiveness
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Sonny Criss
Summertime
75 bpm • C Maj • 04:01 • -8.06db
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
40% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
40% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Jimmy Witherspoon
When I've Been Drinkin'
72 bpm • C min • 03:36 • -15.6db
0% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bud Shank
Cool Fool
75 bpm • G# Maj • 03:26 • -10.24db
22% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Cedar Walton
Wonder Why
75 bpm • F Maj • 03:53 • -20.9db
35% Popularity • 41% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
35% Popularity • 41% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
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Elmo Hope Trio
Happy Hour
76 bpm • A# min • 02:52 • -14.62db
34% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
34% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
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Sonny Criss
Blues for Boppers
76 bpm • C min • 02:37 • -11.63db
3% Popularity • 60% Danceability • 21% Energy • 11% Liveness
43% Instrumentalness • 47% Positiveness
3% Popularity • 60% Danceability • 21% Energy • 11% Liveness
43% Instrumentalness • 47% Positiveness
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Kenny Drew
Polka Dots And Moonbeams
76 bpm • F Maj • 04:19 • -21.08db
26% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Hampton Hawes
Bag'S Groove
77 bpm • G min • 04:28 • -26.19db
4% Popularity • 41% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
4% Popularity • 41% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Gonsalves
Dukes Place
77 bpm • C Maj • 05:28 • -10.22db
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Oscar Pettiford
Rhumblues
77 bpm • A# Maj • 04:27 • -17db
14% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
14% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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Sonny Criss
Blue Prelude
76 bpm • G Maj • 02:36 • -8.14db
18% Popularity • 42% Danceability • 40% Energy • 15% Liveness
87% Instrumentalness • 47% Positiveness
18% Popularity • 42% Danceability • 40% Energy • 15% Liveness
87% Instrumentalness • 47% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Kenny Drew Trio
Lover Come Back To Me!
78 bpm • F min • 03:32 • -12.7db
14% Popularity • 47% Danceability • 54% Energy • 16% Liveness
55% Instrumentalness • 58% Positiveness
14% Popularity • 47% Danceability • 54% Energy • 16% Liveness
55% Instrumentalness • 58% Positiveness
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John Lewis
I Remember Clifford
78 bpm • D# Maj • 03:30 • -28.19db
40% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
40% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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Jimmy Witherspoon
There's Good Rockin' Tonight
78 bpm • C Maj • 04:11 • -13.56db
0% Popularity • 68% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 68% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Nat Adderley
Work Song
78 bpm • D# Maj • 04:12 • -18db
40% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
40% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
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Sonny Criss
Willow Weep For Me
77 bpm • G Maj • 03:50 • -11.02db
35% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
35% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Cedar Walton
Sixth Avenue
78 bpm • A# Maj • 03:51 • -21.06db
35% Popularity • 35% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
35% Popularity • 35% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
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Duke Pearson
Farewell Machelle
78 bpm • C min • 02:48 • -26.67db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Don Byas
Candy
79 bpm • A# Maj • 03:18 • -15.39db
24% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
24% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Fats Navarro
Nostalgia
79 bpm • G Maj • 02:45 • -10db
34% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie "Lockjaw" Davis
Body and Soul
79 bpm • C# Maj • 04:12 • -20db
10% Popularity • 44% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
10% Popularity • 44% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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Sonny Criss
Memories Of You
77 bpm • D# Maj • 03:47 • -8.48db
15% Popularity • 53% Danceability • 43% Energy • 33% Liveness
85% Instrumentalness • 46% Positiveness
15% Popularity • 53% Danceability • 43% Energy • 33% Liveness
85% Instrumentalness • 46% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
36% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
36% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Barry Harris Trio
Allen's Alley
80 bpm • G# Maj • 02:56 • -14.89db
24% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
24% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
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Hampton Hawes
The Awful Truth
80 bpm • A# Maj • 08:09 • -21.9db
4% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
4% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Johnny Griffin
Cherokee - Remastered 2006/Rudy Van Geld...
80 bpm • D# Maj • 04:17 • -5.88db
12% Popularity • 48% Danceability • 71% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
12% Popularity • 48% Danceability • 71% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
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Jimmy Witherspoon
Wee Baby Blues
81 bpm • F min • 03:16 • -17.16db
0% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Sonny Criss
Don't Blame Me
79 bpm • C min • 02:48 • -13.14db
20% Popularity • 40% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 50% Positiveness
20% Popularity • 40% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 50% Positiveness
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Miles Davis Quartet
Lazy Susan
81 bpm • E min • 04:02 • -14.54db
22% Popularity • 58% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 58% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Duke Pearson
Ready Rudy?
81 bpm • F Maj • 05:58 • -9.1db
31% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Thad Jones
Minor On Top - Remastered 1997
82 bpm • A# Maj • 08:43 • -13.29db
16% Popularity • 68% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 54% Positiveness
16% Popularity • 68% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 54% Positiveness
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Hampton Hawes
Thou Swell
81 bpm • F Maj • 04:54 • -20.64db
26% Popularity • 67% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 67% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Charles Mingus
Laura - 2022 Remaster
82 bpm • D Maj • 06:34 • -17.04db
6% Popularity • 53% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
6% Popularity • 53% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Johnny Hodges
Jeep's Blues
82 bpm • F Maj • 03:18 • -13.49db
20% Popularity • 45% Danceability • 13% Energy • 13% Liveness
77% Instrumentalness • 41% Positiveness
20% Popularity • 45% Danceability • 13% Energy • 13% Liveness
77% Instrumentalness • 41% Positiveness
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Woody Shaw
Rahsan's Run
82 bpm • D Maj • 08:04 • -13.38db
19% Popularity • 43% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
19% Popularity • 43% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
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Eddie "Lockjaw" Davis
You Stepped Out Of A Dream
82 bpm • G# Maj • 03:04 • -9.82db
28% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
28% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
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Jimmy Witherspoon
S.K.Blues
83 bpm • F# Maj • 02:49 • -13.16db
0% Popularity • 59% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 59% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Warne Marsh
Dixie's Dilemma
83 bpm • G# Maj • 04:22 • -17.18db
15% Popularity • 57% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 57% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
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Charles Mingus
Back Home Blues - 2022 Remaster
82 bpm • F Maj • 05:30 • -13.83db
9% Popularity • 62% Danceability • 26% Energy • 9% Liveness
80% Instrumentalness • 20% Positiveness
9% Popularity • 62% Danceability • 26% Energy • 9% Liveness
80% Instrumentalness • 20% Positiveness
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Hampton Hawes
Blues for Jacque
83 bpm • F min • 04:38 • -12.36db
7% Popularity • 64% Danceability • 35% Energy • 12% Liveness
11% Instrumentalness • 42% Positiveness
7% Popularity • 64% Danceability • 35% Energy • 12% Liveness
11% Instrumentalness • 42% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
27% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
27% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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McCoy Tyner Trio
Reaching Fourth
84 bpm • E Maj • 04:22 • -13.22db
35% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
35% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Jimmy Witherspoon
Spoon's Blues
83 bpm • A min • 02:25 • -14.3db
0% Popularity • 55% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 55% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Johnny Hodges
Autumn In New York
84 bpm • F min • 03:37 • -20db
40% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Charles Mingus
Back Home Blues - Take 6 - Incomplete -...
82 bpm • D min • 03:11 • -18.22db
3% Popularity • 64% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
3% Popularity • 64% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Johnny Griffin
It's All Right With Me - Remastered 2006...
84 bpm • D min • 05:00 • -6.91db
37% Popularity • 42% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 59% Positiveness
37% Popularity • 42% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 59% Positiveness
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Barry Harris Trio
Sro
84 bpm • G min • 03:52 • -14.88db
31% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
31% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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The Ben Webster Quintet
Time On My Hands
85 bpm • D Maj • 04:19 • -20.78db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Howard McGhee
Boperation
86 bpm • G min • 03:10 • -7.71db
12% Popularity • 59% Danceability • 46% Energy • 18% Liveness
6% Instrumentalness • 73% Positiveness
12% Popularity • 59% Danceability • 46% Energy • 18% Liveness
6% Instrumentalness • 73% Positiveness
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Stanley Turrentine & The Three Sounds
There Is No Greater Love - Remastered/20...
86 bpm • F min • 08:27 • -15.59db
15% Popularity • 67% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 67% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Charles Mingus
Yesterdays - Take 2 - Incomplete - 2022...
84 bpm • G min • 00:56 • -14.69db
3% Popularity • 53% Danceability • 26% Energy • 23% Liveness
92% Instrumentalness • 37% Positiveness
3% Popularity • 53% Danceability • 26% Energy • 23% Liveness
92% Instrumentalness • 37% Positiveness
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Johnny Griffin
The Way You Look Tonight - Remastered 20...
85 bpm • G# Maj • 06:19 • -7.84db
15% Popularity • 52% Danceability • 66% Energy • 21% Liveness
22% Instrumentalness • 62% Positiveness
15% Popularity • 52% Danceability • 66% Energy • 21% Liveness
22% Instrumentalness • 62% Positiveness
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Thelonious Monk Septet
Epistrophy - Fragment
87 bpm • G# Maj • 01:46 • -12.05db
37% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Horace Parlan
My foolish heart
87 bpm • G min • 04:57 • -22.6db
28% Popularity • 41% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
28% Popularity • 41% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Barry Harris Trio
Passport
88 bpm • G min • 03:44 • -13db
26% Popularity • 67% Danceability • 36% Energy • 8% Liveness
81% Instrumentalness • 62% Positiveness
26% Popularity • 67% Danceability • 36% Energy • 8% Liveness
81% Instrumentalness • 62% Positiveness
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Clifford Jordan
Bo-Fill - Rudy Van Gelder 24Bit Masterin...
88 bpm • A# Maj • 05:56 • -11db
39% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Charles Mingus
Yesterdays - 2022 Remaster
86 bpm • G min • 04:14 • -12.51db
7% Popularity • 46% Danceability • 39% Energy • 12% Liveness
80% Instrumentalness • 27% Positiveness
7% Popularity • 46% Danceability • 39% Energy • 12% Liveness
80% Instrumentalness • 27% Positiveness
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Hampton Hawes
Blue Skies
88 bpm • F Maj • 05:22 • -23.09db
5% Popularity • 41% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
5% Popularity • 41% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
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Hampton Hawes Trio
All The Things You Are
88 bpm • F min • 04:58 • -21db
28% Popularity • 53% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
28% Popularity • 53% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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Bobby Timmons Trio
Softly, As In A Morning Sunrise
88 bpm • C# Maj • 05:30 • -31.43db
29% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
29% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
