Songs like Autumn Music of the Loch Ness Water by Andrei Krylov
Based on a tempo of (+/- 10%) and a similar genre
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Andrei Krylov
Last Melody of This Realm
118 bpm • G# min • 01:50 • -15.31db
11% Popularity • 74% Danceability • 24% Energy • 11% Liveness
62% Instrumentalness • 37% Positiveness
11% Popularity • 74% Danceability • 24% Energy • 11% Liveness
62% Instrumentalness • 37% Positiveness
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Artesia
Lande Sauvage
118 bpm • A Maj • 02:47 • -14db
37% Popularity • 38% Danceability • 28% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
37% Popularity • 38% Danceability • 28% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
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The City Waites
Taunder naken
118 bpm • D min • 02:10 • -10.48db
25% Popularity • 57% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 57% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Amy Krupski
Carolan's Welcome / Coleraine Jig
118 bpm • A min • 04:37 • -18.51db
29% Popularity • 42% Danceability • 18% Energy • 7% Liveness
52% Instrumentalness • 34% Positiveness
29% Popularity • 42% Danceability • 18% Energy • 7% Liveness
52% Instrumentalness • 34% Positiveness
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Florie Brown
Humours of Ennistymon - Monaghan Jig
118 bpm • E min • 04:07 • -6.87db
35% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Adrian Le Roy
Passemeze
117 bpm • A# Maj • 03:35 • -28db
22% Popularity • 42% Danceability • 9% Energy • 15% Liveness
79% Instrumentalness • 76% Positiveness
22% Popularity • 42% Danceability • 9% Energy • 15% Liveness
79% Instrumentalness • 76% Positiveness
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Andrei Krylov
Autumn Music of the Loch Ness Water
118 bpm • D min • 01:07 • -18.02db
31% Popularity • 48% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 61% Positiveness
31% Popularity • 48% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 61% Positiveness
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Johannes Lang
Riften
119 bpm • C min • 03:06 • -21db
22% Popularity • 46% Danceability • 8% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
22% Popularity • 46% Danceability • 8% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
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Jan Valta
Fill Them Up Once More
117 bpm • F Maj • 02:32 • -14db
25% Popularity • 86% Danceability • 33% Energy • 12% Liveness
19% Instrumentalness • 55% Positiveness
25% Popularity • 86% Danceability • 33% Energy • 12% Liveness
19% Instrumentalness • 55% Positiveness
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Will Savino
Barleywine
119 bpm • D Maj • 03:14 • -11.11db
24% Popularity • 65% Danceability • 56% Energy • 16% Liveness
51% Instrumentalness • 62% Positiveness
24% Popularity • 65% Danceability • 56% Energy • 16% Liveness
51% Instrumentalness • 62% Positiveness
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Peter Nashel
Marco in Venice
119 bpm • D min • 01:56 • -24.16db
30% Popularity • 66% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
30% Popularity • 66% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Francis Pilkington
Eccho or Allmane
119 bpm • G Maj • 02:06 • -19db
35% Popularity • 55% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 63% Positiveness
35% Popularity • 55% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 63% Positiveness
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Andrei Krylov
Branle of Apennine Mountains for Renaiss...
118 bpm • A Maj • 02:26 • -11.25db
27% Popularity • 57% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
27% Popularity • 57% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
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Alessandro Penna
Lina's Lullaby
117 bpm • G# min • 02:07 • -15db
39% Popularity • 58% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
39% Popularity • 58% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Anna Moor
Menuet RCT 3
116 bpm • C# Maj • 00:54 • -18.23db
10% Popularity • 57% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 94% Positiveness
10% Popularity • 57% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 94% Positiveness
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Chris Palmer
Heloise and Abaelardus
120 bpm • A# Maj • 01:16 • -21.48db
28% Popularity • 56% Danceability • 4% Energy • 15% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 56% Danceability • 4% Energy • 15% Liveness
94% Instrumentalness • 61% Positiveness
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Paradox Interactive
England Anno 1066
120 bpm • C Maj • 02:01 • -22.74db
31% Popularity • 52% Danceability • 11% Energy • 12% Liveness
28% Instrumentalness • 21% Positiveness
31% Popularity • 52% Danceability • 11% Energy • 12% Liveness
28% Instrumentalness • 21% Positiveness
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Martin Egger
Calm Night Under Red Stars
120 bpm • G Maj • 01:17 • -13.54db
43% Popularity • 52% Danceability • 24% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
43% Popularity • 52% Danceability • 24% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
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Andrei Krylov
Dancing Around Fire
119 bpm • F Maj • 01:26 • -15.99db
12% Popularity • 71% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
12% Popularity • 71% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
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Trouvere Medieval Minstrels
Breaking The Pattern
120 bpm • D Maj • 05:06 • -18.07db
15% Popularity • 39% Danceability • 16% Energy • 28% Liveness
93% Instrumentalness • 27% Positiveness
15% Popularity • 39% Danceability • 16% Energy • 28% Liveness
93% Instrumentalness • 27% Positiveness
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Anna Moor
English Fortune, Renaissance Song
120 bpm • E min • 01:48 • -15.26db
13% Popularity • 34% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
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Edward Martin
Pieces in A Minor: II. Courante
116 bpm • B Maj • 01:38 • -15db
24% Popularity • 66% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
24% Popularity • 66% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
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Nicostrauss
Athelas
120 bpm • D min • 02:56 • -8db
19% Popularity • 49% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 49% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 14% Positiveness
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BrunuhVille
Guardians of the Woods
120 bpm • B min • 03:41 • -11.42db
35% Popularity • 53% Danceability • 54% Energy • 16% Liveness
96% Instrumentalness • 45% Positiveness
35% Popularity • 53% Danceability • 54% Energy • 16% Liveness
96% Instrumentalness • 45% Positiveness
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Pawel Blaszczak
Evening In The Tavern
120 bpm • B min • 00:57 • -13.4db
47% Popularity • 84% Danceability • 45% Energy • 13% Liveness
96% Instrumentalness • 97% Positiveness
47% Popularity • 84% Danceability • 45% Energy • 13% Liveness
96% Instrumentalness • 97% Positiveness
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Trouvere Medieval Minstrels
Across The Plain
120 bpm • C# min • 04:16 • -18.39db
17% Popularity • 74% Danceability • 23% Energy • 7% Liveness
95% Instrumentalness • 49% Positiveness
17% Popularity • 74% Danceability • 23% Energy • 7% Liveness
95% Instrumentalness • 49% Positiveness
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Saith Rhyfeddod
Hyd Y Frwynen/Rhuad Teirw'R Dyffryn
116 bpm • D min • 03:33 • -13db
29% Popularity • 57% Danceability • 32% Energy • 14% Liveness
36% Instrumentalness • 72% Positiveness
29% Popularity • 57% Danceability • 32% Energy • 14% Liveness
36% Instrumentalness • 72% Positiveness
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Anna Moor
German Renaissance Allemande
120 bpm • A min • 02:14 • -16.2db
13% Popularity • 34% Danceability • 15% Energy • 10% Liveness
47% Instrumentalness • 31% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 10% Liveness
47% Instrumentalness • 31% Positiveness
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ASKII
The Legend of Falkenfels
120 bpm • E min • 02:16 • -12db
32% Popularity • 71% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
32% Popularity • 71% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Ivan Duch
Tuatha'an
120 bpm • A min • 02:09 • -29.63db
31% Popularity • 28% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
31% Popularity • 28% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Krzysztof Wierzynkiewicz
Vergen By Night
120 bpm • D min • 05:16 • -16db
38% Popularity • 34% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
38% Popularity • 34% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Trouvere Medieval Minstrels
Per Tropo Fede
120 bpm • A Maj • 03:33 • -13.19db
14% Popularity • 85% Danceability • 25% Energy • 10% Liveness
64% Instrumentalness • 62% Positiveness
14% Popularity • 85% Danceability • 25% Energy • 10% Liveness
64% Instrumentalness • 62% Positiveness
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Ravnskjold
Wolf Forest
120 bpm • D Maj • 03:44 • -11.52db
20% Popularity • 66% Danceability • 71% Energy • 15% Liveness
87% Instrumentalness • 71% Positiveness
20% Popularity • 66% Danceability • 71% Energy • 15% Liveness
87% Instrumentalness • 71% Positiveness
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Fiddlewold
Bard's Tale
120 bpm • C# min • 02:38 • -25.93db
37% Popularity • 63% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 20% Positiveness
37% Popularity • 63% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 20% Positiveness
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Andrei Krylov
Story of Teutonic Knight in Jerusalem
116 bpm • A# min • 02:25 • -16db
22% Popularity • 45% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 62% Positiveness
22% Popularity • 45% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 62% Positiveness
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Facundo Cipolletti
Come to the Wind
120 bpm • D min • 03:00 • -17db
24% Popularity • 46% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
24% Popularity • 46% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Peter Gundry
The Harp of Tiertu
120 bpm • D# min • 03:28 • -17.37db
31% Popularity • 44% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 44% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Liad Abraham
Something Wicked This Way Comes
116 bpm • D min • 02:37 • -15.33db
14% Popularity • 42% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 42% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Nicostrauss
Leaving the Shire
120 bpm • A min • 01:46 • -9db
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
96% Instrumentalness • 51% Positiveness
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
96% Instrumentalness • 51% Positiveness
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Ravnskjold
Five Clans
120 bpm • D min • 03:32 • -10.95db
24% Popularity • 69% Danceability • 43% Energy • 14% Liveness
80% Instrumentalness • 36% Positiveness
24% Popularity • 69% Danceability • 43% Energy • 14% Liveness
80% Instrumentalness • 36% Positiveness
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Tylman Susato
Ronde III
120 bpm • G Maj • 02:30 • -14.42db
27% Popularity • 86% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 51% Positiveness
27% Popularity • 86% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 51% Positiveness
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ASKII
Lone Dragon Inn
120 bpm • A Maj • 03:19 • -14.7db
37% Popularity • 48% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
37% Popularity • 48% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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Anon. Ludus Danielis
Cum Doctorum
120 bpm • D Maj • 01:31 • -15db
22% Popularity • 58% Danceability • 16% Energy • 13% Liveness
91% Instrumentalness • 93% Positiveness
22% Popularity • 58% Danceability • 16% Energy • 13% Liveness
91% Instrumentalness • 93% Positiveness
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Two Worlds II
Tavern 01
120 bpm • E min • 00:55 • -10.33db
34% Popularity • 76% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 76% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Nicostrauss
The Inn of the Prancing Pony
120 bpm • C Maj • 03:13 • -8db
34% Popularity • 69% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 69% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Martin Egger
Hilltop Village
120 bpm • C Maj • 02:29 • -12.48db
31% Popularity • 45% Danceability • 36% Energy • 7% Liveness
62% Instrumentalness • 10% Positiveness
31% Popularity • 45% Danceability • 36% Energy • 7% Liveness
62% Instrumentalness • 10% Positiveness
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Lana Ross
Sephardic Romance
116 bpm • G min • 02:30 • -14.25db
4% Popularity • 52% Danceability • 36% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
4% Popularity • 52% Danceability • 36% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Lisa Lynne & Aryeh Frankfurter
Lauda
120 bpm • E min • 04:42 • -13.52db
20% Popularity • 60% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 60% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Anna Moor
Ground in Gamut for harpsichord in G maj...
115 bpm • F# Maj • 03:53 • -15.39db
8% Popularity • 45% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
8% Popularity • 45% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
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Two Worlds II
Play with me, my fellow!
120 bpm • E min • 02:03 • -15.16db
36% Popularity • 60% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 35% Positiveness
36% Popularity • 60% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 35% Positiveness
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Nicostrauss
The Gray Pilgrim
120 bpm • A min • 01:43 • -11.06db
16% Popularity • 49% Danceability • 39% Energy • 13% Liveness
91% Instrumentalness • 45% Positiveness
16% Popularity • 49% Danceability • 39% Energy • 13% Liveness
91% Instrumentalness • 45% Positiveness
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forfedre
Northern Spirits
115 bpm • G# min • 01:38 • -10.21db
38% Popularity • 42% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 24% Positiveness
38% Popularity • 42% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 24% Positiveness
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Tyler Sterrett
The Hamlet
115 bpm • C# Maj • 02:13 • -16.19db
5% Popularity • 68% Danceability • 42% Energy • 28% Liveness
73% Instrumentalness • 27% Positiveness
5% Popularity • 68% Danceability • 42% Energy • 28% Liveness
73% Instrumentalness • 27% Positiveness
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Robert L. Euvino
Harp 1
115 bpm • G Maj • 03:20 • -27.93db
21% Popularity • 37% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
21% Popularity • 37% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Adagio Trio
Brian Boru's March (Traditional Irish)
115 bpm • G Maj • 02:17 • -16db
19% Popularity • 46% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 43% Positiveness
19% Popularity • 46% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 43% Positiveness
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Enaid
Road to Camelot
115 bpm • D Maj • 03:40 • -7.73db
48% Popularity • 66% Danceability • 44% Energy • 26% Liveness
1% Instrumentalness • 40% Positiveness
48% Popularity • 66% Danceability • 44% Energy • 26% Liveness
1% Instrumentalness • 40% Positiveness
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Nicostrauss
Die Ruhe vor der Sturm
120 bpm • C Maj • 02:48 • -11.15db
21% Popularity • 68% Danceability • 50% Energy • 50% Liveness
84% Instrumentalness • 94% Positiveness
21% Popularity • 68% Danceability • 50% Energy • 50% Liveness
84% Instrumentalness • 94% Positiveness
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Andrei Krylov
Forever Away from the Homeland, We Born ...
121 bpm • G# Maj • 01:58 • -16.82db
10% Popularity • 49% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 34% Positiveness
10% Popularity • 49% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 34% Positiveness
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Erutan
Byrd One Brere
121 bpm • G Maj • 02:47 • -17.28db
22% Popularity • 43% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 58% Positiveness
22% Popularity • 43% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 58% Positiveness
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Robert L. Euvino
Labyrinth
115 bpm • A min • 05:02 • -19.98db
21% Popularity • 67% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
21% Popularity • 67% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Karen Biehl
The Arrival
121 bpm • G min • 02:24 • -11.74db
36% Popularity • 47% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
36% Popularity • 47% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
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Enaid
The Wedding
115 bpm • C Maj • 04:11 • -8.59db
34% Popularity • 59% Danceability • 48% Energy • 16% Liveness
20% Instrumentalness • 26% Positiveness
34% Popularity • 59% Danceability • 48% Energy • 16% Liveness
20% Instrumentalness • 26% Positiveness
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Adagio Trio
Bransle De La Torche
121 bpm • C Maj • 02:50 • -17.74db
24% Popularity • 52% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 28% Positiveness
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Trouvere Medieval Minstrels
Danse Of Cleves
115 bpm • A min • 02:39 • -13.94db
16% Popularity • 64% Danceability • 17% Energy • 5% Liveness
44% Instrumentalness • 61% Positiveness
16% Popularity • 64% Danceability • 17% Energy • 5% Liveness
44% Instrumentalness • 61% Positiveness
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Nicostrauss
Buckland's Market
120 bpm • G Maj • 02:33 • -11db
13% Popularity • 68% Danceability • 21% Energy • 9% Liveness
65% Instrumentalness • 54% Positiveness
13% Popularity • 68% Danceability • 21% Energy • 9% Liveness
65% Instrumentalness • 54% Positiveness
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Andrei Krylov
Highlander Love Story
115 bpm • G# min • 03:14 • -15db
38% Popularity • 28% Danceability • 39% Energy • 31% Liveness
27% Instrumentalness • 26% Positiveness
38% Popularity • 28% Danceability • 39% Energy • 31% Liveness
27% Instrumentalness • 26% Positiveness
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Lana Ross
Klezmer song
114 bpm • G min • 02:31 • -16.78db
2% Popularity • 72% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 81% Positiveness
2% Popularity • 72% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 81% Positiveness
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Enaid
Merlin's Secret
115 bpm • D Maj • 04:09 • -11db
34% Popularity • 25% Danceability • 46% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
34% Popularity • 25% Danceability • 46% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Philleann
Embers Dance
114 bpm • C# min • 02:59 • -13db
24% Popularity • 74% Danceability • 37% Energy • 33% Liveness
39% Instrumentalness • 70% Positiveness
24% Popularity • 74% Danceability • 37% Energy • 33% Liveness
39% Instrumentalness • 70% Positiveness
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Adam Sporka
Town Atmosphere 16
114 bpm • C Maj • 02:00 • -12.55db
22% Popularity • 59% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
22% Popularity • 59% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Anna Moor
Allemand
123 bpm • A min • 02:04 • -16.31db
9% Popularity • 30% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 17% Positiveness
9% Popularity • 30% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 17% Positiveness
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Celtic Muse
Off She Goes/ The Moon and Seven Stars
123 bpm • D Maj • 02:12 • -24.08db
21% Popularity • 64% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 50% Positiveness
21% Popularity • 64% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 50% Positiveness
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Lana Ross
Guitar Variations to Hava Nagila
114 bpm • G Maj • 04:23 • -20.46db
3% Popularity • 53% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
3% Popularity • 53% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Elane
The Vigilant Woods
123 bpm • C Maj • 05:49 • -19.12db
24% Popularity • 20% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
24% Popularity • 20% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Philleann
Call of the Mountain
114 bpm • A min • 03:34 • -11.8db
32% Popularity • 48% Danceability • 21% Energy • 8% Liveness
79% Instrumentalness • 16% Positiveness
32% Popularity • 48% Danceability • 21% Energy • 8% Liveness
79% Instrumentalness • 16% Positiveness
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Ensemble Galilei
Sitting in the Stern / Whistle O'er the ...
123 bpm • G Maj • 08:13 • -16.32db
10% Popularity • 46% Danceability • 13% Energy • 5% Liveness
27% Instrumentalness • 13% Positiveness
10% Popularity • 46% Danceability • 13% Energy • 5% Liveness
27% Instrumentalness • 13% Positiveness
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Valkyrion
Medieval Inn
113 bpm • E min • 01:19 • -11.74db
37% Popularity • 60% Danceability • 64% Energy • 12% Liveness
80% Instrumentalness • 68% Positiveness
37% Popularity • 60% Danceability • 64% Energy • 12% Liveness
80% Instrumentalness • 68% Positiveness
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Alessandro Penna
Hiking in Auriels Forest
123 bpm • A# min • 02:10 • -15.55db
32% Popularity • 70% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
32% Popularity • 70% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
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Andrei Krylov
Rosencrantz and Guildenstern Dance
113 bpm • E min • 02:29 • -15.17db
18% Popularity • 53% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 29% Positiveness
18% Popularity • 53% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 29% Positiveness
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Tales From The Dream World
Tavern Of Prancing Pony
113 bpm • F Maj • 01:17 • -19.97db
41% Popularity • 53% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 75% Positiveness
41% Popularity • 53% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 75% Positiveness
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Celia Briar
Farewell To Craigie Dhu
124 bpm • G Maj • 02:13 • -23.48db
35% Popularity • 55% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
35% Popularity • 55% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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Lana Ross
Variations to Hebrew folk song
113 bpm • E min • 01:54 • -16.53db
3% Popularity • 59% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
3% Popularity • 59% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
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Harpers Hall Ensemble
Chanters Tune - La Rotta
124 bpm • G Maj • 03:30 • -5.42db
28% Popularity • 66% Danceability • 43% Energy • 10% Liveness
19% Instrumentalness • 56% Positiveness
28% Popularity • 66% Danceability • 43% Energy • 10% Liveness
19% Instrumentalness • 56% Positiveness
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Alessandro Penna
Return to Greenflower
113 bpm • G min • 02:30 • -17db
36% Popularity • 61% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
36% Popularity • 61% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Andrei Krylov
Viking Boaters Dancing in Scotland
124 bpm • C# Maj • 03:02 • -18db
36% Popularity • 60% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
36% Popularity • 60% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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ASKII
Flying Colors
124 bpm • G Maj • 04:07 • -11.39db
21% Popularity • 57% Danceability • 55% Energy • 10% Liveness
76% Instrumentalness • 17% Positiveness
21% Popularity • 57% Danceability • 55% Energy • 10% Liveness
76% Instrumentalness • 17% Positiveness
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Adagio Trio
Scarborough Fair (Medieval Folk)
112 bpm • C Maj • 02:54 • -19.54db
30% Popularity • 28% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
30% Popularity • 28% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Anon. Ludus Danielis
Rex Tua Nolo Munera
112 bpm • A min • 03:29 • -25.39db
25% Popularity • 28% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
25% Popularity • 28% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Maggie Sansone
Greenfield of Woodford
112 bpm • G Maj • 01:44 • -19.15db
29% Popularity • 55% Danceability • 22% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
29% Popularity • 55% Danceability • 22% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Alessandro Penna
Campfire Tales
124 bpm • D min • 02:30 • -19.3db
37% Popularity • 44% Danceability • 35% Energy • 36% Liveness
95% Instrumentalness • 19% Positiveness
37% Popularity • 44% Danceability • 35% Energy • 36% Liveness
95% Instrumentalness • 19% Positiveness
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Andrei Krylov
French Ballad from Time Hundred Years' W...
112 bpm • E min • 02:24 • -14.65db
34% Popularity • 49% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
34% Popularity • 49% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Patrick Ball
Turlough MacDonough
112 bpm • B min • 04:05 • -17.99db
27% Popularity • 55% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
27% Popularity • 55% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Margie Butler
Siege of St. Malo - Flitter Dance
112 bpm • G min • 02:48 • -17db
35% Popularity • 81% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 38% Positiveness
35% Popularity • 81% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 38% Positiveness
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Jeremy Soule
A Chance Meeting
112 bpm • G# Maj • 03:09 • -32.9db
50% Popularity • 39% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
50% Popularity • 39% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
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David Arkenstone
May Dance
125 bpm • G Maj • 04:39 • -14.75db
26% Popularity • 34% Danceability • 25% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
26% Popularity • 34% Danceability • 25% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
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Alessandro Penna
Ancient Knowledge
124 bpm • A min • 02:08 • -16.05db
43% Popularity • 40% Danceability • 22% Energy • 13% Liveness
79% Instrumentalness • 22% Positiveness
43% Popularity • 40% Danceability • 22% Energy • 13% Liveness
79% Instrumentalness • 22% Positiveness
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Andrei Krylov
Medieval Carnival Dance
112 bpm • F# Maj • 02:31 • -12.51db
17% Popularity • 47% Danceability • 34% Energy • 13% Liveness
97% Instrumentalness • 42% Positiveness
17% Popularity • 47% Danceability • 34% Energy • 13% Liveness
97% Instrumentalness • 42% Positiveness
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Patrick Ball
Lamento Di Tristan
112 bpm • B min • 05:17 • -16.66db
22% Popularity • 52% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 52% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
