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Ave Generosa
Songs like
Ave Generosa
by
Ola Gjeilo
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
► Preview
Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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George Arthur
One in Christ
139 bpm • D Maj • 05:49 • -28.43db
2% Popularity • 15% Danceability • 5% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
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Louis Andriessen
Un beau baiser
139 bpm • D Maj • 04:08 • -31.76db
11% Popularity • 15% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir
Contre Qui, Rose
139 bpm • A# min • 04:10 • -20.81db
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
30% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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John Tavener
Song for Athene
140 bpm • A# Maj • 06:10 • -25.5db
28% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Kinley Lange
Esto les digo
138 bpm • C Maj • 03:16 • -29.69db
19% Popularity • 20% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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James Whitbourn
Luminosity: I. Lux in tenebris
138 bpm • D Maj • 06:55 • -20db
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Dan Forrest
Jubilate Deo: I. Jubilate Deo (Oh Be Joy...
138 bpm • D Maj • 08:56 • -13db
12% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ubi Caritas II (Through Infinite Ages)
138 bpm • C Maj • 03:58 • -25.66db
14% Popularity • 17% Danceability • 11% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 4, O...
138 bpm • F min • 02:53 • -24db
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
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Hermann Contractus
Salve Regina
137 bpm • C# Maj • 03:22 • -31.31db
29% Popularity • 20% Danceability • 1% Energy • 18% Liveness
69% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
37% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Josef Rheinberger
J. G. Rheinberger: Abendlied
135 bpm • F Maj • 03:23 • -30db
17% Popularity • 16% Danceability • 3% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
28% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Johannes Brahms
Drei geistliche Chöre, Op. 37 No. 1: O ...
135 bpm • G min • 01:16 • -26.26db
21% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Zero8
Ubi Caritas
135 bpm • B min • 03:09 • -20.66db
15% Popularity • 17% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Second Eve
134 bpm • C min • 06:03 • -19.73db
19% Popularity • 18% Danceability • 15% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
28% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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Dan Forrest
Requiem for the Living: II. Vanitas Vani...
145 bpm • A min • 06:13 • -15.44db
19% Popularity • 22% Danceability • 38% Energy • 15% Liveness
83% Instrumentalness • 6% Positiveness
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Rudolf Mauersberger
Wie liegt die Stadt so wust
145 bpm • A# min • 06:34 • -28.67db
14% Popularity • 13% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
18% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
33% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
19% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Sanctus
132 bpm • A min • 04:55 • -23db
18% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Heinrich Poos
Auferstehn
146 bpm • A# Maj • 03:56 • -29.09db
8% Popularity • 15% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: I. Jubilate Deo...
146 bpm • D Maj • 08:38 • -14.38db
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Ola Gjeilo
The Rose
132 bpm • E min • 03:25 • -15db
38% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
11% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Alleluia, I Heard A Voice
131 bpm • G# min • 02:46 • -24.22db
2% Popularity • 23% Danceability • 12% Energy • 21% Liveness
48% Instrumentalness • 8% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
13% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Autumn
132 bpm • A min • 02:50 • -30.93db
22% Popularity • 17% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
14% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
30% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Song of the Universal
132 bpm • C Maj • 11:13 • -20.22db
29% Popularity • 16% Danceability • 13% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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Thomas Weelkes
When David Heard
129 bpm • B Maj • 03:51 • -27.76db
5% Popularity • 18% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Voces Nordicae
To the mothers in Brazil - Salve Regina ...
149 bpm • F# min • 04:48 • -18.65db
8% Popularity • 21% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Hugo Alfvén
Uti vår hage
128 bpm • F min • 02:29 • -34.32db
31% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Samuel Barber
Agnus Dei
128 bpm • A# min • 08:38 • -25.02db
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Sunrise
128 bpm • D Maj • 10:23 • -22db
13% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Tõnu Kõrvits
The Night Is Darkening Round Me
128 bpm • G min • 06:20 • -34.21db
4% Popularity • 17% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
17% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Howard Goodall
Eternal Light: A Requiem (2008): Hymn: L...
127 bpm • F Maj • 02:14 • -20.46db
17% Popularity • 28% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
► Preview
Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
29% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
14% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
16% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Dan Forrest
Requiem for the Living: V. Lux Aeterna
127 bpm • A Maj • 08:54 • -18.24db
17% Popularity • 17% Danceability • 19% Energy • 71% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Hildegard von Bingen
Ave generosa
127 bpm • C# Maj • 02:21 • -39db
10% Popularity • 19% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Ubi Caritas
129 bpm • F# min • 03:48 • -25.64db
31% Popularity • 21% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Ave Generosa