Songs like Ave Maria a sey by Francesco da Milano
Based on a tempo of (+/- 10%) and a similar genre
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Giorgio Mainerio
La zanetta padovana
71 bpm • D min • 01:28 • -40db
22% Popularity • 43% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
22% Popularity • 43% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Giovanni Domenico del Giovane da Nola
Fontana che dai acqua
71 bpm • E Maj • 02:36 • -21db
16% Popularity • 47% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 47% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Christopher Tye
Rubum Quem
72 bpm • C Maj • 01:05 • -27.43db
20% Popularity • 36% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
20% Popularity • 36% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
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Giovanni Paolo Cima
Canzon la Gentile
70 bpm • C Maj • 01:43 • -27.43db
27% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
27% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
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Esaias Reusner
Suite in D Minor: V. Gavotte
71 bpm • C# min • 01:48 • -25.08db
10% Popularity • 50% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 48% Positiveness
10% Popularity • 50% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 48% Positiveness
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Michael Praetorius
Spagnoletta
70 bpm • A# Maj • 01:00 • -19db
25% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
25% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Giovanni Zamboni
Lute Sonata No. 1: I. Preludio
72 bpm • G# Maj • 01:51 • -24.14db
22% Popularity • 37% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
22% Popularity • 37% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Marchetto Cara
O mia cieca e dura sorte
70 bpm • A min • 04:29 • -21db
10% Popularity • 26% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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John Danyel
Pavan
72 bpm • B Maj • 03:55 • -21.21db
20% Popularity • 36% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
20% Popularity • 36% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
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Costanzo Porta
Capriccio (Sopra la bassa fiamenga)
72 bpm • D# min • 06:19 • -25.63db
9% Popularity • 18% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Giovanni Paolo Cima
Capriccio
70 bpm • D min • 03:30 • -26db
14% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
14% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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Michael Praetorius
Courant
70 bpm • D Maj • 01:09 • -24.04db
10% Popularity • 50% Danceability • 5% Energy • 17% Liveness
47% Instrumentalness • 68% Positiveness
10% Popularity • 50% Danceability • 5% Energy • 17% Liveness
47% Instrumentalness • 68% Positiveness
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Juan de Araujo
Tarantela por primer tono
72 bpm • F# Maj • 03:12 • -25.03db
7% Popularity • 26% Danceability • 15% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
7% Popularity • 26% Danceability • 15% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
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Gaspar Sanz
Hachas
72 bpm • C Maj • 01:29 • -18.28db
14% Popularity • 57% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 57% Positiveness
14% Popularity • 57% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 57% Positiveness
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Hans Judenkünig
Rossina ain welscher dantz
72 bpm • C min • 02:34 • -29.51db
12% Popularity • 49% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 17% Positiveness
12% Popularity • 49% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 17% Positiveness
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Edward Martin
Duel double duel (Lupi)
72 bpm • A# Maj • 02:45 • -27.26db
19% Popularity • 44% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
19% Popularity • 44% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
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Johannes Ockeghem
Alma redemptoris mater
70 bpm • F Maj • 03:49 • -28.88db
16% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Orlando Gibbons
The silver swan
72 bpm • F Maj • 01:19 • -27.69db
20% Popularity • 16% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 16% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 16% Positiveness
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Vincenzo Galilei
Recercare del dodicesimo tuono
73 bpm • F Maj • 00:53 • -25.96db
16% Popularity • 50% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 50% Positiveness
16% Popularity • 50% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 50% Positiveness
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Carlo Farina
Correnta quarta
74 bpm • G min • 01:05 • -20.88db
18% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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William Byrd
In Nomine No. 2
75 bpm • C# min • 03:07 • -28.64db
12% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
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Josquin des Prez
A l'eure que ie vous
69 bpm • C Maj • 01:26 • -29db
25% Popularity • 15% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
25% Popularity • 15% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
16% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
16% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Anonymous
Cancionero musical de palacio: No. 277, ...
75 bpm • C Maj • 01:48 • -27.54db
11% Popularity • 51% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 51% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Carlo Farina
Correnta sesta
67 bpm • C Maj • 01:27 • -20db
10% Popularity • 42% Danceability • 3% Energy • 4% Liveness
80% Instrumentalness • 55% Positiveness
10% Popularity • 42% Danceability • 3% Energy • 4% Liveness
80% Instrumentalness • 55% Positiveness
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John Playford
The Dancing Master: Come live with me an...
75 bpm • C Maj • 01:14 • -30db
28% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
28% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Giles Farnaby
Farnabys Humour
68 bpm • G Maj • 01:24 • -23db
28% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
28% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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René Mesangeau
Panmure 5: Courante - Sarabande - Couran...
75 bpm • B Maj • 04:18 • -19.14db
13% Popularity • 44% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
13% Popularity • 44% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
29% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Carlo Farina
Correnta settima
67 bpm • F Maj • 02:49 • -20.34db
8% Popularity • 22% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
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Vincenzo Galilei
Liete e felici spiriti
76 bpm • C# min • 01:49 • -20.97db
10% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
10% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Bellerofonte Castaldi
Cappricci a 2 stromenti cioe Tiorba et T...
76 bpm • G Maj • 02:11 • -27.21db
8% Popularity • 31% Danceability • 7% Energy • 15% Liveness
91% Instrumentalness • 61% Positiveness
8% Popularity • 31% Danceability • 7% Energy • 15% Liveness
91% Instrumentalness • 61% Positiveness
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Johann Daniel Mylius
Courante I
76 bpm • B min • 01:29 • -27db
17% Popularity • 30% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
17% Popularity • 30% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Edward Martin
Il me souffit (Sermisy)
76 bpm • G min • 01:17 • -27db
18% Popularity • 38% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
18% Popularity • 38% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
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William Byrd
Byrd: Fantasia a 3 III
66 bpm • C Maj • 01:19 • -32.85db
10% Popularity • 10% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 26% Positiveness
10% Popularity • 10% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 26% Positiveness
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Giovanni Gabrieli
Canzon seconda
66 bpm • G# Maj • 02:48 • -25db
11% Popularity • 21% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 31% Positiveness
11% Popularity • 21% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 31% Positiveness
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Robert Johnson
The Noble man - Instrumental
66 bpm • G Maj • 02:13 • -40.94db
31% Popularity • 33% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Hopkinson Smith
La Mallassis - Sarabande
76 bpm • F min • 02:35 • -28db
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Jakob Handl-Gallus
Si tibi gratia
66 bpm • A min • 01:12 • -26.18db
20% Popularity • 20% Danceability • 1% Energy • 9% Liveness
53% Instrumentalness • 62% Positiveness
20% Popularity • 20% Danceability • 1% Energy • 9% Liveness
53% Instrumentalness • 62% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Bouree
76 bpm • A Maj • 02:03 • -22db
16% Popularity • 56% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
16% Popularity • 56% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Ennemond Gaultier
Suite in F-Flat Minor: I. Prélude
66 bpm • E min • 01:00 • -27.42db
17% Popularity • 52% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
17% Popularity • 52% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Robert de Visée
Pièces de théorbe, Suite in A Minor: V...
77 bpm • A Maj • 02:01 • -25.78db
12% Popularity • 37% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
12% Popularity • 37% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Domenico Pellegrini
Armoniosi concerti sopra la chitarra spa...
77 bpm • G# min • 01:00 • -29db
18% Popularity • 60% Danceability • 3% Energy • 14% Liveness
45% Instrumentalness • 44% Positiveness
18% Popularity • 60% Danceability • 3% Energy • 14% Liveness
45% Instrumentalness • 44% Positiveness
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Orlando Gibbons
The Lord of Salisbury his Pavin
66 bpm • D min • 02:39 • -30.2db
13% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
13% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Jean-Baptiste Besard
Praambulum
65 bpm • E min • 00:59 • -22db
25% Popularity • 38% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
25% Popularity • 38% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
23% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
23% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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Giovanni Zamboni
Suonata: Sarabanda
78 bpm • G# Maj • 01:29 • -21db
26% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
26% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Giorgio Mainerio
Gagliarda
77 bpm • G Maj • 01:17 • -21.57db
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
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Heringman
Gintzler : Pater noster
78 bpm • D min • 07:03 • -28.96db
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 31% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 31% Positiveness
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Richard Farrant
O Jove, from stately throne
78 bpm • C# min • 02:14 • -22.6db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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William Byrd
Byrd: Pavan & Galliard a 5
78 bpm • F min • 04:09 • -22.17db
8% Popularity • 11% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
8% Popularity • 11% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Ennemond Gaultier
Suite in D Minor: IV. Canaries
65 bpm • C min • 02:07 • -23.71db
22% Popularity • 44% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
22% Popularity • 44% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Francesco da Milano
Ricercar?
64 bpm • A Maj • 01:07 • -27.1db
3% Popularity • 58% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
3% Popularity • 58% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
► Preview
Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
31% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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William Byrd
Byrd: Te lucis a 4 (Second Verse)
79 bpm • G min • 01:21 • -24.61db
15% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
► Preview
Paolo D'Aragon
Toccate
79 bpm • E min • 03:26 • -21db
17% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
17% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
► Preview
Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Jacob Clemens non Papa
Si mon amour
79 bpm • C Maj • 01:29 • -29.09db
20% Popularity • 7% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
20% Popularity • 7% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
► Preview
Robert de Visée
Suite in G Major: I. Prelude
64 bpm • F Maj • 01:14 • -29.84db
30% Popularity • 40% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
30% Popularity • 40% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
► Preview
Ennemond Gaultier
Suite in D Minor: III. L'adieu
79 bpm • C min • 02:48 • -26.69db
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Edward Martin
Basse dance :La Roque: (Attaingnant)
79 bpm • C Maj • 01:40 • -25.99db
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
► Preview
Francesco da Milano
Ricercar (69)
63 bpm • G min • 02:11 • -31.19db
21% Popularity • 52% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 38% Positiveness
21% Popularity • 52% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 38% Positiveness
► Preview
Antonio da Cividale
Lo vegio per stasone
79 bpm • F Maj • 02:30 • -32.07db
15% Popularity • 39% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 50% Positiveness
15% Popularity • 39% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Orlande de Lassus
Quia vidisti me, Thoma
63 bpm • A min • 02:05 • -26db
17% Popularity • 21% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
17% Popularity • 21% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Gaillarde
63 bpm • G min • 01:35 • -26.11db
27% Popularity • 30% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 30% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Heringman
Gintzler : Part II: Ave Maria
80 bpm • D min • 05:12 • -30.16db
11% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
11% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
► Preview
Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
32% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
32% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
![Lute Sonata in F Minor [Augsburg manuscript]: I. Affettuoso cover art](https://i.scdn.co/image/ab67616d00001e021c17a2fd1992f38fa11ce544)
Bernhard Joachim Hagen
Lute Sonata in F Minor [Augsburg manuscr...
80 bpm • E min • 03:32 • -20db
34% Popularity • 47% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
34% Popularity • 47% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
81 bpm • G min • 03:37 • -28.32db
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Bellerofonte Castaldi
Cecchina (Corrente)
81 bpm • G Maj • 01:19 • -32db
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Joan Ambrosio Dalza
Piva ala ferrarese - Intabulatura de lau...
81 bpm • A# Maj • 02:17 • -27.92db
15% Popularity • 38% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
15% Popularity • 38% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
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Christopher Tye
In Nomine à 5 "Trust"
62 bpm • C min • 02:05 • -23db
11% Popularity • 22% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
81 bpm • F# Maj • 01:45 • -30.89db
19% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
19% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
30% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Christian Zimmermann
Suite No. 1 in A Major
82 bpm • G# Maj • 01:36 • -19.37db
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Francesco da Milano
Canto I, Fortuna innamorata: Le plus gor...
82 bpm • A min • 01:30 • -26.47db
8% Popularity • 46% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
8% Popularity • 46% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
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Alessandro Piccinini
Ciaccona in G major
82 bpm • G Maj • 01:55 • -35.43db
19% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
19% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Dufaut
Tombeau de M. Blanrocher
82 bpm • C# min • 03:36 • -24db
14% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
14% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Hans Neusidler
Das Ander Buch. Ein New Künstlich Lautt...
82 bpm • F Maj • 01:32 • -22.6db
14% Popularity • 43% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
14% Popularity • 43% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
32% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
32% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Robert de Visée
Suite in C Minor: V. Gigue
82 bpm • F min • 01:53 • -33.5db
17% Popularity • 26% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
17% Popularity • 26% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Francesco da Milano
Ricercar No. 51
82 bpm • C min • 03:23 • -29.88db
9% Popularity • 41% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
9% Popularity • 41% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Edward Martin
Haulberroys (Attaignant)
82 bpm • G min • 01:29 • -23.5db
19% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
19% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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Claude Gervaise
Suite I: Bransle de Champaigne I
83 bpm • G min • 01:19 • -22.8db
11% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
11% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Luis de Narváez
La Canción del Emperador
83 bpm • F# min • 02:34 • -34db
18% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
