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Ave Rosa
Songs like
Ave Rosa
by
The Singers - Minnesota Choral Artists
Based on a tempo of (+/- 10%) and a similar genre
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Samuel Barber
Reincarnations: No. 3, The Coolin
83 bpm • G min • 03:58 • -30.44db
0% Popularity • 14% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Elizabeth Poston
Jesus Christ the Apple Tree
83 bpm • C Maj • 03:44 • -28.29db
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Nordic Chamber Choir - Nicol Matt
In Te, Domine, Spreavi
83 bpm • D min • 04:28 • -36db
4% Popularity • 12% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Ave Rosa
83 bpm • E min • 06:02 • -22.97db
0% Popularity • 8% Danceability • 7% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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Kristina Arakelyan
You Know Me
83 bpm • A# Maj • 04:04 • -25.32db
28% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Samuel Barber
Sure on this shining night, Op. 13, No. ...
83 bpm • A# Maj • 02:33 • -26.46db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Cantus
If Ye Love Me
83 bpm • C Maj • 02:02 • -27db
12% Popularity • 11% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
25% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Psalm 23
83 bpm • D min • 02:43 • -31db
13% Popularity • 13% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Ostrzyga
Iuppiter
83 bpm • E min • 04:27 • -18db
10% Popularity • 18% Danceability • 12% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
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John David
You Are the New Day (Arr. P. Knight)
83 bpm • C Maj • 02:46 • -22.12db
8% Popularity • 15% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kammerkoor Head Ööd Vend
Muusika
83 bpm • F Maj • 02:37 • -30.67db
30% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Ēriks Ešenvalds
Ubi caritas et amor
82 bpm • C min • 04:15 • -26.78db
10% Popularity • 20% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
82 bpm • C# Maj • 02:34 • -28db
25% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Eliza Gilkyson
Requiem (Arr. Johnson)
83 bpm • A# Maj • 04:11 • -30.04db
25% Popularity • 12% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
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Edith Franklin Wyatt
My Companion - SATB
82 bpm • E Maj • 05:00 • -22.73db
17% Popularity • 13% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: IV. Epilogue: Voici Le Soir (...
84 bpm • F# Maj • 02:26 • -38db
10% Popularity • 13% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Alice Tegner
O Salve Regina
82 bpm • G min • 01:40 • -22.76db
24% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Sven-David Sandström
To See a World
84 bpm • G min • 04:01 • -33db
12% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
Rytmus
82 bpm • C Maj • 01:43 • -25db
11% Popularity • 21% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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David Dickau
i carry your heart with me
82 bpm • E Maj • 05:12 • -26.49db
10% Popularity • 17% Danceability • 10% Energy • 68% Liveness
12% Instrumentalness • 13% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
18% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
15% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Sjaella
Ubi Caritas
82 bpm • A# min • 03:19 • -24.47db
30% Popularity • 28% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Eric William Barnum
Dawn
84 bpm • F Maj • 04:18 • -29db
11% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Hubert Parry
I was glad when they said unto me
84 bpm • A# Maj • 06:48 • -15.83db
9% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Michael Tippett
Five Spirituals from "A Child of Our Tim...
84 bpm • G Maj • 02:31 • -22db
11% Popularity • 14% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
35% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Henry Purcell
One Charming Night (Secrecy)
85 bpm • F# min • 02:13 • -25db
29% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
85 bpm • B min • 01:55 • -31.7db
24% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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Ēriks Ešenvalds
The New Moon
85 bpm • D min • 03:47 • -20db
9% Popularity • 13% Danceability • 9% Energy • 25% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Nordic Chamber Choir - Nicol Matt
Contre Qui, Rose
81 bpm • A# min • 04:10 • -35db
18% Popularity • 8% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Knut Nystedt
Cry Out and Shout
85 bpm • D min • 01:30 • -16db
23% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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Cantus
Simple Gifts
81 bpm • A Maj • 03:29 • -27db
16% Popularity • 16% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Reena Esmail
Tuttarana (Version for SATB Choir)
85 bpm • D Maj • 03:01 • -24.28db
12% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
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Fredrik Sixten
Alleluia
85 bpm • D Maj • 03:23 • -21.8db
11% Popularity • 11% Danceability • 7% Energy • 5% Liveness
76% Instrumentalness • 3% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
Thou Hope and Deliverer
85 bpm • E Maj • 02:04 • -23.71db
39% Popularity • 13% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
30% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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John Alexander
There Will Be Rest
81 bpm • D# Maj • 06:23 • -25db
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Tarik O'Regan
Threshold of Night
81 bpm • A# Maj • 06:19 • -31db
8% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
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Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
18% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
The Road Home
81 bpm • F Maj • 03:14 • -25.43db
12% Popularity • 18% Danceability • 9% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
22% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mass brevis in C major, K.220 "Sparrow M...
81 bpm • C Maj • 01:48 • -17.16db
19% Popularity • 19% Danceability • 19% Energy • 65% Liveness
64% Instrumentalness • 20% Positiveness
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Ēriks Ešenvalds
Long Road
81 bpm • F Maj • 06:09 • -24db
12% Popularity • 8% Danceability • 6% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
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Bob Chilcott
Be thou my vision - SATB
86 bpm • G# Maj • 03:20 • -25.32db
13% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
16% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Thomas Campion
Never Weather-beaten Sail
80 bpm • G Maj • 02:38 • -24db
20% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Susan Brumfield
No Time
86 bpm • F Maj • 06:05 • -30.76db
14% Popularity • 17% Danceability • 2% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
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John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
12% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
29% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
8% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Glory
80 bpm • A# Maj • 01:57 • -14db
32% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
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Samuel Barber
Reincarnations: No. 2, Anthony O'Daly
86 bpm • E min • 03:15 • -23.2db
0% Popularity • 12% Danceability • 11% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
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William Bradbury
Angel Band (arr. Shawn Kirchner)
80 bpm • G Maj • 06:14 • -24.94db
11% Popularity • 9% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Ēriks Ešenvalds
O salutaris hostia
80 bpm • D Maj • 03:37 • -24.69db
28% Popularity • 15% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Phoenix Chamber Choir
Let my Love be Heard
80 bpm • E Maj • 05:13 • -24.57db
21% Popularity • 8% Danceability • 5% Energy • 16% Liveness
59% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
The Day Is Done
80 bpm • D Maj • 05:51 • -20.8db
5% Popularity • 9% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Knut Nystedt
3 Motets, Op. 43: No. 2, Peace I Leave w...
86 bpm • C# min • 02:41 • -20.75db
16% Popularity • 16% Danceability • 3% Energy • 28% Liveness
73% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
35% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Ēriks Ešenvalds
Ancient Prairie
79 bpm • D Maj • 05:04 • -25.7db
12% Popularity • 9% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 3% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Phoenix Chamber Choir
Hark I Hear the Harps Eternal
87 bpm • C Maj • 02:10 • -21db
16% Popularity • 31% Danceability • 16% Energy • 15% Liveness
5% Instrumentalness • 19% Positiveness
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Georgy Sviridov
Christmas Troparion (Inexpressible Wonde...
87 bpm • C# Maj • 01:23 • -25db
26% Popularity • 20% Danceability • 8% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
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Strathclyde University Chamber Choir
Ye Banks And Braes
79 bpm • G# Maj • 02:46 • -20db
6% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Floriani
Tota Pulchra
79 bpm • G# min • 02:50 • -43.41db
16% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Joan Szymko
Illumina le tenebre
87 bpm • A Maj • 05:21 • -26.72db
10% Popularity • 11% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
Veni, Sancte Spiritus
87 bpm • A Maj • 02:32 • -18.4db
12% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Akademiska Damkören Lyran
Sügismaastikud: V. Tuul kõnnumaa kohal
79 bpm • D min • 01:14 • -23db
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Pavel Chesnokov
Cherubic Hymn, Op. 7, No. 1
79 bpm • B min • 04:34 • -23.19db
26% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
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Hubert Parry
Music, When Soft Voices Die
87 bpm • E Maj • 02:14 • -26db
9% Popularity • 13% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
Entreat Me Not To Leave You
79 bpm • A# min • 06:48 • -18db
24% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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John Bennet
Weep, Oh Mine Eyes
87 bpm • A# min • 02:39 • -23db
24% Popularity • 14% Danceability • 10% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Thomas Morley
Nolo mortem peccatoris
79 bpm • F min • 03:12 • -26.17db
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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Elaine Hagenberg
Song of Miriam (Live)
87 bpm • D# min • 04:33 • -19.87db
10% Popularity • 17% Danceability • 14% Energy • 70% Liveness
0% Instrumentalness • 5% Positiveness
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Sergey Khvoshchinsky
Bogoroditse Devo, raduysia
87 bpm • D# Maj • 05:18 • -19db
10% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Ēriks Ešenvalds
My Luve Is Like A Red, Red Rose
87 bpm • A# Maj • 03:52 • -26.21db
9% Popularity • 18% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
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Jacob Narverud
Dominus Vobiscum
88 bpm • D# min • 04:09 • -31.43db
15% Popularity • 10% Danceability • 1% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
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Benedictines of Mary, Queen of Apostles
Lorica Of St. Patrick
79 bpm • G# min • 03:59 • -18.55db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Mia Makaroff
Spes
78 bpm • G Maj • 04:26 • -22.72db
17% Popularity • 21% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Ave Rosa