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Ave virgo sanctissima
Songs like
Ave virgo sanctissima
by
Matthew Martin
Based on a tempo of (+/- 10%) and a similar genre
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Arthur Sullivan
O Taste and See How Gracious the Lord Is
79 bpm • F Maj • 03:00 • -24.1db
9% Popularity • 8% Danceability • 12% Energy • 24% Liveness
73% Instrumentalness • 4% Positiveness
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Guy Weitz
Paraphrase on Regina caeli
79 bpm • B min • 03:43 • -15.85db
0% Popularity • 8% Danceability • 12% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe brève No. 7: III. Sanctus
79 bpm • C Maj • 01:41 • -23db
15% Popularity • 13% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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John Sanders
The Reproaches
79 bpm • G min • 08:50 • -25.66db
8% Popularity • 10% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Matthew Martin
Adam Lay Ybounden (2)
79 bpm • D# Maj • 03:35 • -21.65db
2% Popularity • 10% Danceability • 11% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Knut Nystedt
I Will Praise Thee, Oh Lord
79 bpm • E min • 01:39 • -17db
12% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
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Charles Villiers Stanford
Magnificat | Magnificat in C
79 bpm • C Maj • 05:04 • -23.78db
7% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
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Jeanne Demessieux
Te Deum, Op. 11
79 bpm • C Maj • 07:49 • -14.4db
0% Popularity • 12% Danceability • 24% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
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Leo Sowerby
Come, Risen Lord: Come, risen Lord
79 bpm • A# Maj • 03:06 • -26db
7% Popularity • 17% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 9% Positiveness
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Jeff Lippencott
Veni Domine
79 bpm • G min • 03:53 • -18.27db
9% Popularity • 10% Danceability • 19% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Matthew Martin
Ave virgo sanctissima
79 bpm • C# min • 03:36 • -23.6db
0% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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John Goss
Praise, my soul, the King of heaven
79 bpm • D Maj • 02:21 • -21db
11% Popularity • 14% Danceability • 18% Energy • 15% Liveness
55% Instrumentalness • 22% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Matthew Martin
Organ Improvisation I
79 bpm • A# Maj • 00:59 • -19.92db
10% Popularity • 19% Danceability • 20% Energy • 21% Liveness
82% Instrumentalness • 14% Positiveness
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Jakarta Oratorio Society
God will Take Care of You
80 bpm • A# Maj • 02:43 • -25.84db
10% Popularity • 30% Danceability • 5% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
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The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield
Exultate Justi in Domino
78 bpm • F# Maj • 02:06 • -21.03db
9% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Charles William Everest
Breslau "Take Up Thy Cross, the Savior S...
80 bpm • G# Maj • 03:05 • -18.93db
19% Popularity • 14% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25, Pt. 2: No. 28,...
80 bpm • D Maj • 02:05 • -31.49db
10% Popularity • 21% Danceability • 4% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Lyle Stutzman
Alleluia, Gloria, Pt. 2 Arise, My Love
80 bpm • A# Maj • 01:26 • -20.71db
7% Popularity • 27% Danceability • 12% Energy • 12% Liveness
49% Instrumentalness • 22% Positiveness
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Matthew Martin
Ave Maria
78 bpm • D Maj • 02:29 • -23.23db
0% Popularity • 11% Danceability • 7% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
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Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
11% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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Stanley Alcock
Be Merciful unto Me, O God (Psalm 56)
80 bpm • A# min • 03:04 • -30.07db
9% Popularity • 27% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
All-night Vigil, Op. 44: Svete tihiy
78 bpm • D min • 03:54 • -23.77db
9% Popularity • 14% Danceability • 6% Energy • 20% Liveness
7% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a Garland
80 bpm • D# Maj • 03:06 • -20db
12% Popularity • 11% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Sir Sydney Hugo Nicholson
Psalm 101 "My Song Shall Be of Mercy and...
80 bpm • G# Maj • 03:02 • -30db
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Matthew Martin
A Hymn to St. Etheldreda
80 bpm • C Maj • 03:09 • -15db
0% Popularity • 14% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Georg Ebeling
Franconia "Blest Are the Pure in Heart"
80 bpm • A Maj • 01:59 • -32db
18% Popularity • 23% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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James MacMillan
The Lord’s Prayer
80 bpm • D min • 01:58 • -25.75db
13% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
17% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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César Franck
Franck: Dextera Domini, FWV 65
78 bpm • A# Maj • 10:27 • -19.3db
7% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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William Henry Monk
Unde et memores "And Now, O Father, Mind...
78 bpm • D# Maj • 03:50 • -20db
10% Popularity • 12% Danceability • 14% Energy • 10% Liveness
7% Instrumentalness • 14% Positiveness
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Five Creates
Release Now
78 bpm • C# Maj • 02:31 • -23.53db
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Thomas Tallis
O Lord, in Thee Is All My Trust
80 bpm • C# min • 02:37 • -17.49db
7% Popularity • 14% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Matthew Martin
Christe redemptor omnium
80 bpm • C min • 04:12 • -23.57db
0% Popularity • 12% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
10% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
11% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
All-night Vigil, Op. 44: Vzbrannoy voyev...
78 bpm • A min • 02:33 • -33.35db
13% Popularity • 7% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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J.V Ugland
Velsignet Vær, O Jesus Krist
80 bpm • B Maj • 03:00 • -17.72db
7% Popularity • 13% Danceability • 14% Energy • 13% Liveness
18% Instrumentalness • 13% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
14% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
18% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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James MacMillan
St Anne’s Mass: II. Gloria
78 bpm • D Maj • 02:30 • -27.08db
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Bernard Rose
Versicles and Responses I
78 bpm • A Maj • 01:21 • -29db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
14% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
14% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Samuel Sebastian Wesley
Hereford "O Thou Who Camest from Above"
81 bpm • E Maj • 03:03 • -17.82db
10% Popularity • 12% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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Margaret Bonds
The Ballad of the Brown King: VIII. That...
80 bpm • G# Maj • 01:24 • -18.26db
8% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Thomas Tallis
O nata lux de lumine
81 bpm • G min • 01:35 • -15db
24% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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The Concordia Choir
Abendlied
77 bpm • C# Maj • 03:47 • -21.92db
20% Popularity • 24% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
20% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
21% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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D.A. Cooper
Psalm 55 "Hear My Prayer, O God"
81 bpm • F min • 05:36 • -29.68db
9% Popularity • 17% Danceability • 5% Energy • 25% Liveness
7% Instrumentalness • 6% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
21% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré Requiem: Offertoire
77 bpm • D Maj • 07:53 • -27.52db
0% Popularity • 15% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Dora Garcidueñas
Sketch for Acappella (For Vocal Quartet)
77 bpm • A# min • 02:55 • -8.24db
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Patrick Cassidy
The Mass: Laudamus Te
77 bpm • D min • 03:13 • -23db
25% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Jean L'héritier
Regnum mundi et omne ornatum, IJL 13
81 bpm • F Maj • 03:57 • -22.29db
13% Popularity • 17% Danceability • 10% Energy • 8% Liveness
67% Instrumentalness • 8% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Dear Lord And Father
81 bpm • D# Maj • 03:47 • -31db
21% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Edward Miller
When I survey the wondrous cross (Rockin...
77 bpm • D Maj • 03:37 • -23.85db
19% Popularity • 7% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Matthew Martin
A Song of the New Jerusalem
81 bpm • C# Maj • 04:53 • -22.36db
0% Popularity • 17% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • F# min • 01:32 • -32.66db
13% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Zoltán Kodály
Veni, veni Emmanuel
77 bpm • F min • 03:26 • -24db
14% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
15% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Clement Schofield & des. Malcolm Archer
The day Thou gavest, Lord, is ended
81 bpm • G# Maj • 03:12 • -21.32db
12% Popularity • 13% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
24% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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George Malcolm
Ingrediente Domino
77 bpm • A# Maj • 02:48 • -19db
10% Popularity • 16% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
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John Ireland
Adam lay ybounden
81 bpm • C min • 01:36 • -28db
14% Popularity • 20% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Matthew Martin
Chester Missa Brevis: Agnus Dei
77 bpm • G min • 03:07 • -30.48db
0% Popularity • 7% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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George Job Elvey
Crown Him with many crowns
81 bpm • D Maj • 02:24 • -24.63db
7% Popularity • 21% Danceability • 13% Energy • 9% Liveness
79% Instrumentalness • 27% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Herbert Howells
All My Hope on God Is Founded
82 bpm • F Maj • 02:48 • -25db
13% Popularity • 11% Danceability • 10% Energy • 9% Liveness
70% Instrumentalness • 15% Positiveness
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Thomas Attwood Walmisley
Psalm 9 "I Will Give Thanks unto Thee, O...
82 bpm • A Maj • 05:38 • -25db
13% Popularity • 20% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
18% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
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James MacMillan
St Anne’s Mass: I. Kyrie
82 bpm • D min • 00:52 • -28db
18% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Steven Griffin
Jesus refulsit omnium
76 bpm • F Maj • 02:18 • -17.91db
8% Popularity • 18% Danceability • 19% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
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Michael John Trotta
I Shall See
77 bpm • E Maj • 03:38 • -28db
17% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Wells Cathedral Choir
Hymn - Light's Abode, Celestial Salem
82 bpm • A# Maj • 03:59 • -20.27db
9% Popularity • 13% Danceability • 12% Energy • 14% Liveness
86% Instrumentalness • 6% Positiveness
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Karl-Erik Welin
Vårmorgonen
76 bpm • E min • 02:20 • -33.07db
9% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Norwich Cathedral Choir
The Lord's My Shepherd - Psalm 23
82 bpm • F Maj • 03:14 • -30.28db
17% Popularity • 8% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Praise My Soul
76 bpm • D Maj • 02:53 • -21.23db
19% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Also hat Gott die Welt geliebt
76 bpm • A Maj • 02:41 • -23db
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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Joseph Stillwell
Songs of Love and Solace, Op. 10 (Versio...
76 bpm • D# Maj • 04:46 • -17.35db
8% Popularity • 22% Danceability • 13% Energy • 15% Liveness
33% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Michael John Trotta
Behold How Good
76 bpm • G Maj • 03:28 • -26db
14% Popularity • 10% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Joseph Barnby
Psalm 7 "O Lord My God, in Thee Have I P...
76 bpm • A min • 05:02 • -32.84db
12% Popularity • 23% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Orlande de Lassus
Cor meum conturbatum est, IOL 58
82 bpm • D min • 01:48 • -23.29db
24% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Richard Lloyd
The Lichfield Service: II. Nunc Dimittis
76 bpm • D# Maj • 02:57 • -25.27db
7% Popularity • 16% Danceability • 9% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Catholic Music Initiative
Ave Sacer Christi Sanguis
76 bpm • F min • 02:04 • -25.42db
13% Popularity • 15% Danceability • 8% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Herbert Howells
Michael "All My Hope on God Is Founded"
82 bpm • F Maj • 03:44 • -19db
16% Popularity • 16% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Prima Luce
Little Hymn to Saint Joseph
82 bpm • F# Maj • 02:26 • -23.54db
8% Popularity • 16% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Ave virgo sanctissima