Songs like Baby I Love You by Jesse Gee
Based on a tempo of (+/- 10%) and a similar genre
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Bessie Banks
Don't You Worry Baby The Best Is Yet To ...
109 bpm • F Maj • 03:37 • -10.03db
18% Popularity • 52% Danceability • 71% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
18% Popularity • 52% Danceability • 71% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Z.Z. Hill
I Think I'd Do It
109 bpm • C Maj • 02:11 • -10.3db
28% Popularity • 70% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 70% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy "Bo" Horne
If We Were Still Together
109 bpm • G# Maj • 02:56 • -13.19db
13% Popularity • 62% Danceability • 39% Energy • 25% Liveness
92% Instrumentalness • 96% Positiveness
13% Popularity • 62% Danceability • 39% Energy • 25% Liveness
92% Instrumentalness • 96% Positiveness
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Enchantment
Call on Me - Single Version
109 bpm • B Maj • 03:29 • -12.14db
1% Popularity • 75% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 75% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Jesse Gee
Baby I Love You
109 bpm • A# Maj • 02:39 • -4.21db
0% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Gwen McCrae
Homesick Lovesick
109 bpm • F min • 03:21 • -3.1db
9% Popularity • 60% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 60% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Syl Johnson
I'm Yours
109 bpm • C# Maj • 02:52 • -6db
9% Popularity • 80% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 80% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Mayberry Movement
Two Wrongs Don't Make a Right
109 bpm • C Maj • 03:05 • -13.18db
11% Popularity • 55% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 55% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Travis Biggs
After the Storm
109 bpm • C# Maj • 04:39 • -8.64db
8% Popularity • 48% Danceability • 72% Energy • 9% Liveness
8% Instrumentalness • 59% Positiveness
8% Popularity • 48% Danceability • 72% Energy • 9% Liveness
8% Instrumentalness • 59% Positiveness
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Deep Heat
Do It Again
109 bpm • D min • 03:21 • -8.92db
16% Popularity • 50% Danceability • 82% Energy • 36% Liveness
58% Instrumentalness • 90% Positiveness
16% Popularity • 50% Danceability • 82% Energy • 36% Liveness
58% Instrumentalness • 90% Positiveness
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Risco Connection
Sitting In The Park - Vocal
109 bpm • F Maj • 05:22 • -9.43db
13% Popularity • 68% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 68% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Brief Encounter
Got a Good Feeling
109 bpm • G Maj • 04:52 • -10.5db
13% Popularity • 57% Danceability • 76% Energy • 8% Liveness
12% Instrumentalness • 96% Positiveness
13% Popularity • 57% Danceability • 76% Energy • 8% Liveness
12% Instrumentalness • 96% Positiveness
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Margie Joseph
Sign of the Times
108 bpm • B min • 03:04 • -13.71db
4% Popularity • 68% Danceability • 56% Energy • 84% Liveness
1% Instrumentalness • 60% Positiveness
4% Popularity • 68% Danceability • 56% Energy • 84% Liveness
1% Instrumentalness • 60% Positiveness
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Bohannon
A Happy Song for You, Pt. 1
109 bpm • G min • 05:32 • -14.41db
22% Popularity • 66% Danceability • 69% Energy • 7% Liveness
23% Instrumentalness • 90% Positiveness
22% Popularity • 66% Danceability • 69% Energy • 7% Liveness
23% Instrumentalness • 90% Positiveness
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Gaston
Clock In
110 bpm • F# min • 02:56 • -17.74db
10% Popularity • 87% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 87% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Cyril Ferguson
Gonna Build a Nation
110 bpm • A min • 04:05 • -8db
9% Popularity • 71% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 71% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Frank Hutton
Big Man
110 bpm • E Maj • 02:59 • -9.61db
10% Popularity • 73% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 73% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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7 Days Unlimited
Dirt (In the Sky)
110 bpm • A min • 03:27 • -10.45db
9% Popularity • 71% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
9% Popularity • 71% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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Maureen Bailey
Takin' My Time with You
110 bpm • C# Maj • 03:13 • -6.62db
12% Popularity • 63% Danceability • 72% Energy • 26% Liveness
20% Instrumentalness • 67% Positiveness
12% Popularity • 63% Danceability • 72% Energy • 26% Liveness
20% Instrumentalness • 67% Positiveness
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Split Decision Band
My Love Just For You
108 bpm • G# min • 04:09 • -8.33db
12% Popularity • 73% Danceability • 64% Energy • 15% Liveness
1% Instrumentalness • 90% Positiveness
12% Popularity • 73% Danceability • 64% Energy • 15% Liveness
1% Instrumentalness • 90% Positiveness
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Beloyd
Get Into Your Life
110 bpm • C# min • 03:19 • -15.32db
7% Popularity • 60% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 60% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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The Mighty Hannibal
Goodtimes Living & Loving
110 bpm • B min • 01:59 • -13.34db
12% Popularity • 57% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
12% Popularity • 57% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
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Bill Spoon
Love Is On The Way
108 bpm • A min • 05:12 • -8.33db
11% Popularity • 78% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 78% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Lolla Collins
Save The Children (If There Is To Be A T...
110 bpm • D Maj • 02:57 • -9.53db
6% Popularity • 74% Danceability • 53% Energy • 7% Liveness
46% Instrumentalness • 69% Positiveness
6% Popularity • 74% Danceability • 53% Energy • 7% Liveness
46% Instrumentalness • 69% Positiveness
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D.J. Rogers
Joy from You
108 bpm • A# Maj • 02:48 • -5.78db
5% Popularity • 68% Danceability • 87% Energy • 33% Liveness
2% Instrumentalness • 74% Positiveness
5% Popularity • 68% Danceability • 87% Energy • 33% Liveness
2% Instrumentalness • 74% Positiveness
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Scott Cunningham
Blues Take You Over
108 bpm • D Maj • 03:34 • -8.58db
8% Popularity • 60% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 60% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Felecia Johnson
Franchise on Love
108 bpm • A Maj • 02:25 • -9.54db
13% Popularity • 82% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 82% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Jesse Gee
Don't Mess with My Money
108 bpm • F min • 02:39 • -7.65db
0% Popularity • 79% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 79% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Inell Young
The Next Ball Game
108 bpm • A# Maj • 02:10 • -9.3db
10% Popularity • 61% Danceability • 88% Energy • 36% Liveness
81% Instrumentalness • 81% Positiveness
10% Popularity • 61% Danceability • 88% Energy • 36% Liveness
81% Instrumentalness • 81% Positiveness
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The Reality Band and Show
Gangsterboy
108 bpm • G# Maj • 03:50 • -9.34db
15% Popularity • 64% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 64% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy "Bo" Horne
If You Want My Love
110 bpm • C min • 02:26 • -5.98db
18% Popularity • 53% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 93% Positiveness
18% Popularity • 53% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 93% Positiveness
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Gwen McCrae
The Joy
110 bpm • G min • 03:41 • -9.62db
16% Popularity • 69% Danceability • 64% Energy • 61% Liveness
12% Instrumentalness • 83% Positiveness
16% Popularity • 69% Danceability • 64% Energy • 61% Liveness
12% Instrumentalness • 83% Positiveness
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Latimore
It Ain't Where You Been
110 bpm • F# Maj • 04:09 • -5.61db
20% Popularity • 69% Danceability • 86% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
20% Popularity • 69% Danceability • 86% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Jesse Gee
A Two Faced Friend
108 bpm • D# min • 02:50 • -5.4db
0% Popularity • 69% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 69% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Carolyn Crawford
Get Up And Move
110 bpm • B min • 02:50 • -10.69db
12% Popularity • 77% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 77% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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African Music Machine
Making Nassau Fruit Drink
108 bpm • F Maj • 02:29 • -7.53db
12% Popularity • 56% Danceability • 64% Energy • 12% Liveness
78% Instrumentalness • 95% Positiveness
12% Popularity • 56% Danceability • 64% Energy • 12% Liveness
78% Instrumentalness • 95% Positiveness
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Jimmy "Bo" Horne
If You Want My Love
110 bpm • F min • 02:28 • -9.27db
17% Popularity • 54% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 54% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Bubba Suggs
Everything That Looks Good
108 bpm • A min • 02:29 • -9db
16% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Clarence Reid
It's Good Enough for Daddy
108 bpm • B Maj • 02:57 • -15.58db
15% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
15% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
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William Bell
Nobody Walks Away From Love Unhurt
108 bpm • B min • 03:21 • -12.37db
12% Popularity • 86% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
12% Popularity • 86% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
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Jesse Gee
Don't You Mess with My Money
108 bpm • F min • 02:38 • -3.29db
2% Popularity • 75% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
2% Popularity • 75% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Jahneen
Gigolette
107 bpm • C# Maj • 04:59 • -7.93db
14% Popularity • 82% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 82% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Lalomie Washburn
Give Me Love With The Music
107 bpm • E min • 05:36 • -5.49db
9% Popularity • 74% Danceability • 93% Energy • 24% Liveness
1% Instrumentalness • 84% Positiveness
9% Popularity • 74% Danceability • 93% Energy • 24% Liveness
1% Instrumentalness • 84% Positiveness
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Sunbear
Mood 3 "Oliver"
107 bpm • A# min • 01:42 • -9.89db
22% Popularity • 72% Danceability • 62% Energy • 6% Liveness
15% Instrumentalness • 96% Positiveness
22% Popularity • 72% Danceability • 62% Energy • 6% Liveness
15% Instrumentalness • 96% Positiveness
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Harvey Scales
Trying To Survive
107 bpm • F# min • 03:39 • -8.25db
10% Popularity • 70% Danceability • 74% Energy • 66% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 70% Danceability • 74% Energy • 66% Liveness
0% Instrumentalness • 77% Positiveness
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Elvin Spencer
Lift This Hurt (1970)
107 bpm • C min • 02:22 • -8.53db
10% Popularity • 62% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 62% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Jesse Gee
Baby, I Need You
111 bpm • F min • 02:39 • -9.34db
0% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Formula 1
Walking with My Eyes Closed
111 bpm • A min • 03:05 • -6.44db
8% Popularity • 62% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 62% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Spade Brigade
I'm Your Man
107 bpm • D min • 03:48 • -8.21db
10% Popularity • 57% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 57% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Robert Tanner
Tell Me Your Name
111 bpm • G# min • 02:13 • -9.55db
14% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Pino Presti
C.so Buenos Aires
111 bpm • F min • 02:42 • -9.26db
9% Popularity • 57% Danceability • 72% Energy • 31% Liveness
2% Instrumentalness • 88% Positiveness
9% Popularity • 57% Danceability • 72% Energy • 31% Liveness
2% Instrumentalness • 88% Positiveness
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Silk
Midnight Dancer
111 bpm • C Maj • 05:01 • -10.48db
8% Popularity • 73% Danceability • 79% Energy • 4% Liveness
2% Instrumentalness • 90% Positiveness
8% Popularity • 73% Danceability • 79% Energy • 4% Liveness
2% Instrumentalness • 90% Positiveness
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Jesse Gee
Baby, I Need You
111 bpm • F min • 02:39 • -9.94db
0% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Jackie Dee
Who
107 bpm • B Maj • 02:58 • -10.27db
16% Popularity • 84% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 84% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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B.T. Express
Happiness
111 bpm • E min • 03:18 • -8.93db
9% Popularity • 89% Danceability • 64% Energy • 5% Liveness
56% Instrumentalness • 73% Positiveness
9% Popularity • 89% Danceability • 64% Energy • 5% Liveness
56% Instrumentalness • 73% Positiveness
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Four Wheel Drive
Fussin' And Cussin'
111 bpm • A# min • 02:28 • -5db
7% Popularity • 78% Danceability • 80% Energy • 14% Liveness
7% Instrumentalness • 96% Positiveness
7% Popularity • 78% Danceability • 80% Energy • 14% Liveness
7% Instrumentalness • 96% Positiveness
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Margie Joseph
I Can't Move No Mountains
107 bpm • C# Maj • 02:46 • -13.33db
26% Popularity • 48% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 48% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Denise LaSalle
May The Funk Be With You
111 bpm • F Maj • 04:55 • -10.32db
8% Popularity • 68% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 68% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Jesse Gee
Don't You Mess with My Money
107 bpm • E min • 03:57 • -8.95db
0% Popularity • 81% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 81% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy "Bo" Horne
I Can't Speak
107 bpm • A# Maj • 03:16 • -6.93db
15% Popularity • 60% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 60% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Samuel Jonathan Johnson
Sweet Love
112 bpm • G# Maj • 02:34 • -11db
26% Popularity • 71% Danceability • 76% Energy • 11% Liveness
6% Instrumentalness • 91% Positiveness
26% Popularity • 71% Danceability • 76% Energy • 11% Liveness
6% Instrumentalness • 91% Positiveness
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Mike James Kirkland
The Prophet
106 bpm • A Maj • 04:17 • -8.49db
8% Popularity • 58% Danceability • 80% Energy • 4% Liveness
7% Instrumentalness • 86% Positiveness
8% Popularity • 58% Danceability • 80% Energy • 4% Liveness
7% Instrumentalness • 86% Positiveness
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George Smallwood
Mr. Sunshine - Pt. 1
106 bpm • D min • 02:42 • -8db
11% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Boscoe
If I Had My Way
112 bpm • C# min • 04:24 • -8.41db
11% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Keef Hartley Band
Heartbreakin' Woman - Remastered
106 bpm • C Maj • 04:21 • -10.33db
32% Popularity • 71% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
32% Popularity • 71% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Cosmos Universal Band
Third Eye
112 bpm • G Maj • 03:23 • -13db
18% Popularity • 81% Danceability • 64% Energy • 9% Liveness
35% Instrumentalness • 91% Positiveness
18% Popularity • 81% Danceability • 64% Energy • 9% Liveness
35% Instrumentalness • 91% Positiveness
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Carolyn Franklin
Deal with It
106 bpm • E min • 03:18 • -12.16db
10% Popularity • 64% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
10% Popularity • 64% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Calender
Hypertension
112 bpm • D# Maj • 05:57 • -9.15db
10% Popularity • 71% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 71% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Dolly Gilmore
Sweet Sweet Baby
112 bpm • C min • 02:20 • -8db
8% Popularity • 73% Danceability • 78% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
8% Popularity • 73% Danceability • 78% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
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Chloe Gauguin
Whirlwind of Fading Echoes
106 bpm • E min • 02:00 • -13.11db
14% Popularity • 79% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 83% Positiveness
14% Popularity • 79% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 83% Positiveness
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Henry Picasso
Galactic Rhapsody
112 bpm • G Maj • 02:00 • -13.84db
13% Popularity • 81% Danceability • 52% Energy • 6% Liveness
80% Instrumentalness • 93% Positiveness
13% Popularity • 81% Danceability • 52% Energy • 6% Liveness
80% Instrumentalness • 93% Positiveness
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The Escorts
Little Green Apples
106 bpm • G Maj • 04:34 • -8.06db
11% Popularity • 42% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 42% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Keith Chism & Light
My Life And Song
106 bpm • E min • 04:48 • -8.16db
18% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Margie Lomax
God's Greatest Gift To Man Is A Woman - ...
106 bpm • C min • 03:52 • -10.7db
12% Popularity • 82% Danceability • 61% Energy • 38% Liveness
1% Instrumentalness • 78% Positiveness
12% Popularity • 82% Danceability • 61% Energy • 38% Liveness
1% Instrumentalness • 78% Positiveness
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Rockie Robbins
Hang Tough
112 bpm • A min • 04:01 • -7.33db
8% Popularity • 75% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 75% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Eugene Record
Danger! Love Under Pressure
106 bpm • C Maj • 03:49 • -9.2db
8% Popularity • 59% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 59% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Babe Ruth
The Mexican - 2022 Remaster
112 bpm • G Maj • 05:46 • -10.18db
9% Popularity • 70% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 53% Positiveness
9% Popularity • 70% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 53% Positiveness
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Stone Cold Hustle
Funk in Hell
106 bpm • A min • 05:34 • -7.52db
18% Popularity • 73% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 94% Positiveness
18% Popularity • 73% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 94% Positiveness
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Bohannon
A Happy Song for You, Pt. 2
112 bpm • A# Maj • 04:30 • -11.92db
28% Popularity • 72% Danceability • 66% Energy • 4% Liveness
34% Instrumentalness • 94% Positiveness
28% Popularity • 72% Danceability • 66% Energy • 4% Liveness
34% Instrumentalness • 94% Positiveness
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Mike James Kirkland
Give It to Me
106 bpm • A# Maj • 02:50 • -10.95db
9% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Black Heat
You Should've Listened
106 bpm • F# min • 05:39 • -13db
10% Popularity • 58% Danceability • 89% Energy • 23% Liveness
16% Instrumentalness • 80% Positiveness
10% Popularity • 58% Danceability • 89% Energy • 23% Liveness
16% Instrumentalness • 80% Positiveness
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Nathan Bartell
Jody & John
112 bpm • C# Maj • 02:53 • -5.1db
9% Popularity • 63% Danceability • 82% Energy • 11% Liveness
10% Instrumentalness • 88% Positiveness
9% Popularity • 63% Danceability • 82% Energy • 11% Liveness
10% Instrumentalness • 88% Positiveness
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Solomon Burke
Hold On (I'm Coming)
112 bpm • C min • 03:50 • -5.87db
17% Popularity • 66% Danceability • 96% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 66% Danceability • 96% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
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Sonics Band
Senore Soul
106 bpm • G Maj • 03:21 • -9.88db
13% Popularity • 60% Danceability • 90% Energy • 19% Liveness
59% Instrumentalness • 90% Positiveness
13% Popularity • 60% Danceability • 90% Energy • 19% Liveness
59% Instrumentalness • 90% Positiveness
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Renee Geyer
Be There In The Morning
106 bpm • D min • 04:16 • -6.7db
8% Popularity • 64% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 64% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Rahni Harris
He's My Friend
106 bpm • D# Maj • 04:51 • -9.88db
9% Popularity • 44% Danceability • 63% Energy • 15% Liveness
4% Instrumentalness • 41% Positiveness
9% Popularity • 44% Danceability • 63% Energy • 15% Liveness
4% Instrumentalness • 41% Positiveness
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Tina Turner
Bootsey Whitelaw
106 bpm • F# Maj • 05:10 • -6.59db
10% Popularity • 64% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
10% Popularity • 64% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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The Beginning Of The End
Trip To Nowhere
113 bpm • E min • 05:21 • -9.44db
13% Popularity • 51% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 51% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Boscoe
Money Won't Save You
113 bpm • F# min • 03:39 • -7.72db
8% Popularity • 55% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 55% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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South Funk Blvd.
Skying High - Getting Off On Your Lovin'
113 bpm • A min • 04:00 • -11.53db
10% Popularity • 75% Danceability • 76% Energy • 25% Liveness
6% Instrumentalness • 94% Positiveness
10% Popularity • 75% Danceability • 76% Energy • 25% Liveness
6% Instrumentalness • 94% Positiveness
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Odyssey
Georgia Song
113 bpm • G Maj • 03:26 • -7.78db
11% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The 3 Pieces
I Need You Girl
113 bpm • D min • 04:13 • -8db
14% Popularity • 58% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 58% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Uncle Louie
Badd Motor Folk
113 bpm • G# Maj • 03:57 • -6db
17% Popularity • 85% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
17% Popularity • 85% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
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Lafayette Afro Rock Band
The Gap - Remastered
113 bpm • D Maj • 03:03 • -5.85db
25% Popularity • 84% Danceability • 86% Energy • 4% Liveness
2% Instrumentalness • 58% Positiveness
25% Popularity • 84% Danceability • 86% Energy • 4% Liveness
2% Instrumentalness • 58% Positiveness
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Jimmy James & The Vagabonds
I Want You So Much
105 bpm • C Maj • 03:07 • -8.12db
9% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Sky's The Limit
Don't Be Afraid
113 bpm • D Maj • 03:48 • -9.61db
9% Popularity • 71% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 71% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Syl Johnson
Ms. Fine Brown Frame
113 bpm • A min • 05:49 • -8.6db
9% Popularity • 74% Danceability • 84% Energy • 26% Liveness
3% Instrumentalness • 97% Positiveness
9% Popularity • 74% Danceability • 84% Energy • 26% Liveness
3% Instrumentalness • 97% Positiveness
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Nat Turner Rebellion
Fat Back
105 bpm • A Maj • 03:27 • -11.67db
9% Popularity • 47% Danceability • 65% Energy • 30% Liveness
67% Instrumentalness • 79% Positiveness
9% Popularity • 47% Danceability • 65% Energy • 30% Liveness
67% Instrumentalness • 79% Positiveness
