Songs like Baby I Love Your Way by Walter Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Willie Hutch
Anything Is Possible If You Believe in L...
77 bpm • F# min • 04:00 • -14.9db
14% Popularity • 54% Danceability • 37% Energy • 2% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 37% Energy • 2% Liveness
0% Instrumentalness • 44% Positiveness
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The Independents
Just as Long as You Need Me
77 bpm • G# Maj • 06:07 • -12.98db
8% Popularity • 62% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 62% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Walter Jackson
Baby I Love Your Way
77 bpm • E Maj • 03:46 • -9.51db
10% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Al Johnson
Tonight's the Night for Love
77 bpm • F min • 05:39 • -14db
16% Popularity • 57% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 57% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Bettye Swann
This Old Heart of Mine
77 bpm • G Maj • 04:32 • -8.36db
22% Popularity • 49% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 49% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Dee Dee Sharp Gamble
I Believe in Love
77 bpm • E Maj • 03:56 • -13.22db
27% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Taylor & The Vancouvers
Does Your Mama Know About Me
76 bpm • C Maj • 02:55 • -12.62db
40% Popularity • 25% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 25% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Emotions
Somebody Wants What I Got
78 bpm • G min • 03:11 • -14.85db
13% Popularity • 58% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 58% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Shirley Brown
Passion
78 bpm • A# Maj • 04:01 • -11.89db
22% Popularity • 58% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 58% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Al Johnson
You're a Different Lady
76 bpm • B Maj • 04:07 • -13db
9% Popularity • 53% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 53% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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The Independents
Leaving Me
76 bpm • A Maj • 03:12 • -9.16db
10% Popularity • 60% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 60% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Walter Jackson
Living Without You
78 bpm • A# min • 05:12 • -12.42db
2% Popularity • 43% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 43% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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The Originals
We Can Make It Baby
78 bpm • D# Maj • 02:53 • -9.56db
31% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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L.J. Reynolds
Baby Come Back
78 bpm • F min • 04:57 • -4.35db
10% Popularity • 55% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 55% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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William DeVaughn
Staying Power
76 bpm • C Maj • 04:11 • -13.13db
8% Popularity • 57% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 57% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Danny Pearson
What's Your Sign Girl
75 bpm • A# Maj • 04:20 • -6.1db
15% Popularity • 56% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 56% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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The Emotions
Me for You
79 bpm • G Maj • 04:16 • -11db
29% Popularity • 50% Danceability • 44% Energy • 18% Liveness
4% Instrumentalness • 71% Positiveness
29% Popularity • 50% Danceability • 44% Energy • 18% Liveness
4% Instrumentalness • 71% Positiveness
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Walter Jackson
Unchained Melody
78 bpm • A# Maj • 04:18 • -11.32db
3% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
3% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Archie Bell & The Drells
You're the Only One
75 bpm • G Maj • 05:13 • -11.84db
9% Popularity • 31% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 31% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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The Five Stairsteps
Baby Make Me Feel So Good
75 bpm • E Maj • 02:45 • -7.97db
28% Popularity • 47% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 47% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
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Bobby Taylor & The Vancouvers
Baby, I'm For Real
75 bpm • F Maj • 03:15 • -8.13db
10% Popularity • 44% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 44% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Enchantment
Moment of Weakness
75 bpm • B Maj • 03:46 • -9.15db
10% Popularity • 59% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
10% Popularity • 59% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
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Betty Everett
There'll Come A Time
81 bpm • C# Maj • 02:45 • -7.82db
28% Popularity • 53% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 53% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Walter Jackson
What Would You Do
79 bpm • F Maj • 02:37 • -9.9db
11% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Independents
Leaving Me
74 bpm • C# Maj • 03:22 • -10.07db
30% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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The Futures
Deep Inside Of Me
81 bpm • F# Maj • 05:00 • -10.97db
11% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Linda Jones
Hypnotized
73 bpm • B Maj • 02:40 • -10.52db
27% Popularity • 52% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 52% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Luther Ingram
I Remember
81 bpm • D Maj • 03:22 • -6.79db
9% Popularity • 63% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 63% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Sweet Inspirations
(Gotta Find) A Brand New Lover, Pt. 1
81 bpm • C min • 02:13 • -7.87db
13% Popularity • 47% Danceability • 47% Energy • 49% Liveness
2% Instrumentalness • 57% Positiveness
13% Popularity • 47% Danceability • 47% Energy • 49% Liveness
2% Instrumentalness • 57% Positiveness
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Walter Jackson
A Corner In the Sun
79 bpm • G Maj • 02:20 • -9.2db
0% Popularity • 42% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 42% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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L.T.D.
Promise You'll Stay
81 bpm • F Maj • 03:19 • -13.29db
20% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Don Covay
Feelings
81 bpm • E min • 06:01 • -10.65db
15% Popularity • 31% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 31% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Marlena Shaw
Yu-Ma/Go Away Little Boy
73 bpm • C Maj • 06:50 • -11.93db
27% Popularity • 38% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Keith Barrow
You Know You Want to Be Loved
73 bpm • D Maj • 03:38 • -10.42db
28% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Love Unlimited
I Love You So, Never Gonna Let You Go
82 bpm • G min • 03:20 • -6.78db
24% Popularity • 58% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 58% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Walter Jackson
It's Cool
80 bpm • G min • 04:31 • -11db
20% Popularity • 65% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 65% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Smoke
Oh Love (Well, We Finally Made It) - Sin...
82 bpm • F Maj • 03:42 • -6.4db
9% Popularity • 53% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 53% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The Knight Brothers
Temptation 'Bout To Get Me
72 bpm • A min • 03:27 • -8db
19% Popularity • 50% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 50% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Donny Hathaway
You Were Meant for Me
82 bpm • B Maj • 03:51 • -17.55db
28% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Love Unlimited Orchestra
Baby Blues
72 bpm • E Maj • 05:41 • -14db
29% Popularity • 45% Danceability • 25% Energy • 3% Liveness
72% Instrumentalness • 46% Positiveness
29% Popularity • 45% Danceability • 25% Energy • 3% Liveness
72% Instrumentalness • 46% Positiveness
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Bobby Taylor & The Vancouvers
I Am Your Man
83 bpm • F# Maj • 03:17 • -3.4db
10% Popularity • 50% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 50% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 44% Positiveness
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Walter Jackson
Not You
80 bpm • D min • 03:47 • -11.61db
4% Popularity • 42% Danceability • 44% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 42% Danceability • 44% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
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G.C. Cameron
It's So Hard To Say Goodbye To Yesterday
72 bpm • F Maj • 03:25 • -12.73db
20% Popularity • 22% Danceability • 28% Energy • 16% Liveness
9% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 28% Energy • 16% Liveness
9% Instrumentalness • 7% Positiveness
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The Intruders
Slow Drag
83 bpm • D Maj • 02:25 • -13.62db
24% Popularity • 38% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 38% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Jermaine Jackson
You're In Good Hands
83 bpm • C min • 03:18 • -13.57db
9% Popularity • 64% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 64% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Main Ingredient
You & Me - Me & You
84 bpm • C min • 03:01 • -6.33db
17% Popularity • 57% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 57% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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The Emotions
So I Can Love You
84 bpm • F Maj • 02:49 • -15.42db
45% Popularity • 65% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 65% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Walter Jackson
Tell Me Where It Hurts
74 bpm • C Maj • 05:34 • -11.17db
13% Popularity • 51% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 51% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Barry White
Early Years
71 bpm • D Maj • 06:28 • -14.81db
25% Popularity • 61% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 61% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Prince Phillip Mitchell
You're All I Got in the World - Remaster...
84 bpm • C Maj • 05:18 • -7.26db
12% Popularity • 47% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 47% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Cuba Gooding
Everybody Plays The Fool
84 bpm • A# Maj • 03:25 • -7.06db
12% Popularity • 60% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 60% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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The Natural Four
You Bring out the Best in Me
84 bpm • A min • 04:19 • -14.15db
18% Popularity • 59% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 59% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Howard Hewett
Imagine
84 bpm • C Maj • 05:33 • -8.13db
15% Popularity • 66% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 66% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Walter Jackson
Too Shy To Say
81 bpm • A Maj • 04:16 • -12.88db
2% Popularity • 22% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 22% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
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Nancy Wilson
Face It Girl, It's Over - Digitally Rema...
84 bpm • B min • 03:09 • -7.55db
8% Popularity • 49% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 49% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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The Jones Girls
This Feeling's Killing Me
85 bpm • F Maj • 03:30 • -10db
38% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Nash
Let's Move and Groove Together
87 bpm • A# min • 03:22 • -10.9db
10% Popularity • 51% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 51% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Ruby Andrews
Casanova (Your Playing Days Are over)
87 bpm • C min • 02:51 • -6.68db
18% Popularity • 45% Danceability • 49% Energy • 47% Liveness
2% Instrumentalness • 67% Positiveness
18% Popularity • 45% Danceability • 49% Energy • 47% Liveness
2% Instrumentalness • 67% Positiveness
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Barry White
Oh Love, Well We Finally Made It
87 bpm • G min • 03:54 • -9.88db
40% Popularity • 50% Danceability • 76% Energy • 17% Liveness
92% Instrumentalness • 44% Positiveness
40% Popularity • 50% Danceability • 76% Energy • 17% Liveness
92% Instrumentalness • 44% Positiveness
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Walter Jackson
My Ship Is Comin' In
82 bpm • D# Maj • 03:09 • -11.35db
9% Popularity • 34% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 34% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Johnny Bristol
Feeling The Magic
87 bpm • A min • 02:49 • -7.33db
10% Popularity • 61% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 61% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Smokey Robinson
Daylight & Darkness - Single Version
87 bpm • G min • 04:00 • -8.71db
37% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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O.C. Smith
After All Is Said & Done
87 bpm • A Maj • 04:01 • -9.45db
11% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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The Fantastic Four
The Whole World Is A Stage
88 bpm • C# Maj • 02:55 • -8db
28% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Margie Joseph
Come on Back to Me Lover
91 bpm • A min • 03:32 • -12.02db
22% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Walter Jackson
Funny (Not Much)
85 bpm • C# Maj • 04:09 • -9.11db
3% Popularity • 26% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
3% Popularity • 26% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Johnny Bristol
Leave My World
88 bpm • B Maj • 03:12 • -7.93db
11% Popularity • 65% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 65% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Dorothy Moore
It's So Good
91 bpm • A# Maj • 02:27 • -10.56db
24% Popularity • 68% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 68% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Barry White
September When I First Met You
91 bpm • C Maj • 06:55 • -14.32db
32% Popularity • 54% Danceability • 50% Energy • 34% Liveness
34% Instrumentalness • 69% Positiveness
32% Popularity • 54% Danceability • 50% Energy • 34% Liveness
34% Instrumentalness • 69% Positiveness
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Leroy Hutson
Nice and Easy
91 bpm • C# Maj • 04:30 • -10.33db
17% Popularity • 64% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 64% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Archie Bell & The Drells
It's Hard Not to Like You
92 bpm • F min • 04:00 • -8db
27% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Hot Sauce
Bring It Home (And Give It To Me)
92 bpm • D# Maj • 03:20 • -9.19db
11% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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The Natural Four
Love That Really Counts
93 bpm • G# Maj • 04:23 • -15.78db
16% Popularity • 60% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 60% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Bettye Swann
Time to Say Goodbye - Single Version
93 bpm • D Maj • 03:34 • -11.96db
9% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Walter Jackson
After You There Can Be Nothing
93 bpm • F Maj • 02:45 • -8.21db
3% Popularity • 47% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 47% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
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The Emotions
Show Me How - 45 Version
93 bpm • C# Maj • 03:19 • -14db
37% Popularity • 55% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 55% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Archie Bell & The Drells
Mama Didn't Teach Me That Way
93 bpm • C Maj • 02:39 • -8.5db
19% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Persuaders
Some Guys Have All the Luck
94 bpm • C Maj • 03:30 • -9.98db
25% Popularity • 66% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 66% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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The Floaters
No Stronger Love
94 bpm • D Maj • 05:05 • -14.62db
16% Popularity • 61% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 61% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Taylor & The Vancouvers
Malinda
94 bpm • A min • 02:47 • -10.03db
28% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Walter Jackson
It's an Uphill Climb (To the Bottom)
93 bpm • C# Maj • 02:48 • -10.31db
10% Popularity • 44% Danceability • 44% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 44% Danceability • 44% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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The Emotions
Show Me How - 45 Version
94 bpm • C# Maj • 03:03 • -13.55db
19% Popularity • 57% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 57% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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John Edwards
You're Messing Up A Good Thing
94 bpm • A# min • 02:58 • -9.43db
14% Popularity • 52% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 52% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Ronnie Dyson
(If You Let Me Make Love to You Then) Wh...
94 bpm • C Maj • 03:23 • -8.6db
20% Popularity • 40% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 40% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Rozetta Johnson
A Woman's Way
94 bpm • C Maj • 03:34 • -6.27db
13% Popularity • 54% Danceability • 60% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 54% Danceability • 60% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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The Fantastic Four
I Love You Madly
95 bpm • C Maj • 03:10 • -11db
25% Popularity • 62% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 62% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Walter Jackson
It's an Uphill Climb to the Bottom
94 bpm • C# Maj • 02:48 • -9db
9% Popularity • 44% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 44% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
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Archie Bell & The Drells
Don't Let Love Get You Down
95 bpm • F min • 04:19 • -8.31db
38% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Dorothy Moore
Dark End Of The Street
95 bpm • B Maj • 02:53 • -12.67db
23% Popularity • 69% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 69% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Originals
I'll Wait For You - Single Version
95 bpm • C min • 02:35 • -10.77db
31% Popularity • 49% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 49% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Sandra Wright
I'll Come Running Back (Mr Scruff Edit)
95 bpm • F Maj • 02:05 • -12.29db
29% Popularity • 49% Danceability • 57% Energy • 53% Liveness
2% Instrumentalness • 37% Positiveness
29% Popularity • 49% Danceability • 57% Energy • 53% Liveness
2% Instrumentalness • 37% Positiveness
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The Main Ingredient
I Only Have Eyes for You
96 bpm • F Maj • 03:48 • -9.58db
11% Popularity • 55% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 55% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Ronnie Dyson
I Think I'll Tell Her - Single Version
96 bpm • C Maj • 04:04 • -12.79db
23% Popularity • 50% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 50% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Love Land
96 bpm • C min • 03:06 • -11.22db
26% Popularity • 67% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 67% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Love Unlimited
Fragile - Handle With Care
96 bpm • F Maj • 04:00 • -12.83db
5% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Keith Barrow
If It's Love That You're Looking For
97 bpm • D# Maj • 04:16 • -10.72db
12% Popularity • 67% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 67% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Sandra Wright
I Come Running Back
96 bpm • F Maj • 02:48 • -7db
11% Popularity • 42% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 42% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Luther Ingram
I'll Be Your Shelter (In Time of Storm)
97 bpm • D Maj • 03:21 • -9.35db
21% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
