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Baby It's You
Songs like
Baby It's You
by
Janie Fricke
Based on a tempo of (+/- 10%) and a similar genre
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Earl Thomas Conley
The Closer You Are
97 bpm • E Maj • 03:10 • -7.69db
26% Popularity • 58% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Janie Fricke
Baby It's You
97 bpm • G# Maj • 02:46 • -11.67db
3% Popularity • 56% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 52% Positiveness
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John Schneider
I'm Gonna Leave You Tomorrow
97 bpm • G Maj • 03:45 • -16.49db
28% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sylvia
Tumbleweed
97 bpm • G# Maj • 03:13 • -10.52db
18% Popularity • 57% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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David Frizzell
You'e the Reason God Made Oklahoma
97 bpm • A Maj • 03:24 • -11.19db
36% Popularity • 49% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Roy Drusky
Three Hearts in a Tangle
97 bpm • C Maj • 02:38 • -12.47db
33% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Cal Smith
Country Bumpkin
96 bpm • G Maj • 03:00 • -9.27db
19% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Vince Gill
The Strings That Tie You Down
98 bpm • F# Maj • 03:40 • -11.04db
21% Popularity • 61% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Charly McClain
Radio Heart
98 bpm • A Maj • 03:09 • -13db
29% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Rosanne Cash
Blue Moon With Heartache
98 bpm • B Maj • 04:26 • -11.54db
18% Popularity • 57% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
98 bpm • A Maj • 03:24 • -12db
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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T. Graham Brown
The Last Resort
96 bpm • D# Maj • 03:26 • -10.32db
13% Popularity • 69% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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K.T. Oslin
80's Ladies
98 bpm • C Maj • 04:11 • -11.5db
43% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Isla Grant
A Single Yellow Rose
99 bpm • A# Maj • 03:22 • -8db
31% Popularity • 63% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Highway 101
River of Tears
99 bpm • D Maj • 02:47 • -9.24db
24% Popularity • 65% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Larry Gatlin
Sweet Becky Walker
95 bpm • A# Maj • 03:03 • -9.73db
10% Popularity • 54% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
96 bpm • A Maj • 03:24 • -10.71db
26% Popularity • 62% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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T. Graham Brown
Don't Go To Strangers
96 bpm • C Maj • 03:59 • -9db
18% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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K.T. Oslin
Lonely But Only For You
98 bpm • C Maj • 03:09 • -11.64db
22% Popularity • 71% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Sylvia
You Can't Go Back Home
95 bpm • G# Maj • 04:13 • -13.03db
11% Popularity • 60% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Roy Drusky
Yes, Mr. Peters
99 bpm • C Maj • 02:40 • -11.44db
38% Popularity • 56% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Roly Daniels
Funny Face
95 bpm • E Maj • 02:42 • -5.98db
25% Popularity • 62% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Deborah Allen
Baby I Lied
99 bpm • A# Maj • 03:35 • -6.64db
11% Popularity • 57% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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T. Graham Brown
Moonshadow Road
96 bpm • A Maj • 03:44 • -13.75db
14% Popularity • 73% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Janie Fricke
Where Does Love Go (When It's Gone)
95 bpm • D Maj • 02:44 • -10.16db
2% Popularity • 63% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Larry Gatlin & The Gatlin Brothers
Take Me To Your Lovin' Place
95 bpm • A# Maj • 02:43 • -11.73db
25% Popularity • 43% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Terri Gibbs
Somebody's Knockin
95 bpm • B min • 03:01 • -10.91db
38% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Holly Dunn
(It's Always Gonna Be) Someday
95 bpm • A# Maj • 02:57 • -15.21db
16% Popularity • 58% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Dave and Sugar
Gotta' Quit Lookin' at You Baby
99 bpm • F Maj • 02:02 • -9.66db
12% Popularity • 73% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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T. Graham Brown
Hell And High Water
95 bpm • D Maj • 03:06 • -10.38db
21% Popularity • 65% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Janie Fricke
Somebody Else's Fire
95 bpm • F Maj • 03:09 • -14.36db
4% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Ray Charles
Who Cares
100 bpm • G Maj • 02:58 • -14.79db
15% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jack Greene
All The Time
100 bpm • A# Maj • 02:34 • -16db
29% Popularity • 52% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Mac Davis
Let's Keep It That Way
94 bpm • E Maj • 03:44 • -14db
11% Popularity • 71% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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K.T. Oslin
Old Pictures
94 bpm • G Maj • 04:10 • -12.46db
22% Popularity • 58% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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T. Graham Brown
Hell And High Water
95 bpm • D Maj • 03:11 • -18db
39% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kathy Mattea
Life As We Knew It
100 bpm • D Maj • 03:20 • -16.2db
25% Popularity • 67% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Janie Fricke
What're You Doing Tonight
95 bpm • G Maj • 02:49 • -11.94db
9% Popularity • 53% Danceability • 54% Energy • 51% Liveness
1% Instrumentalness • 68% Positiveness
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Michael Martin Murphey
I'm Gonna Miss You, Girl
100 bpm • F Maj • 03:54 • -14.37db
27% Popularity • 76% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Sonny James
Take Good Care Of Her
100 bpm • G# Maj • 02:29 • -12db
34% Popularity • 38% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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K.T. Oslin
Wall Of Tears
100 bpm • G# Maj • 03:44 • -11db
25% Popularity • 78% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Exile
I Could Get Used To You
94 bpm • G Maj • 02:40 • -16.62db
20% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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John Schneider
I've Been Around Enough To Know
94 bpm • A Maj • 02:37 • -15.27db
42% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Janie Fricke
Heart
99 bpm • G Maj • 03:09 • -12.38db
3% Popularity • 65% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Vince Gill
Holding Things Together
94 bpm • C# Maj • 06:04 • -10.47db
19% Popularity • 61% Danceability • 33% Energy • 5% Liveness
1% Instrumentalness • 46% Positiveness
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Teea Goans
I Didn't Mean to Love You
94 bpm • B Maj • 03:22 • -8.47db
27% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Wynonna
To Be Loved By You
94 bpm • F# Maj • 04:52 • -9db
29% Popularity • 76% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Greene
What Locks The Door
94 bpm • D# Maj • 03:49 • -17.06db
13% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Mac Davis
Forever Lovers
101 bpm • E Maj • 03:41 • -11.01db
13% Popularity • 52% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Janie Fricke
One Way Ticket
95 bpm • G Maj • 02:56 • -16.56db
1% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Vince Gill
Oh Girl (You Know Where To Find Me)
100 bpm • G# min • 03:43 • -14.15db
20% Popularity • 70% Danceability • 42% Energy • 5% Liveness
4% Instrumentalness • 72% Positiveness
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Vern Gosdin
'til the End
93 bpm • A Maj • 02:46 • -13.64db
25% Popularity • 54% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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David Frizzell
Another Honky-Tonk Night On Broadway
93 bpm • C Maj • 02:52 • -10.13db
18% Popularity • 57% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
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Johnny Rodriguez
Pass Me By
101 bpm • G Maj • 02:37 • -6.51db
33% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Eddy Raven
Island
93 bpm • F Maj • 03:56 • -12.08db
37% Popularity • 68% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Tommy Overstreet
Heaven Is My Woman's Love
101 bpm • E Maj • 02:35 • -23db
32% Popularity • 79% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Vince Gill
I've Been Hearing Things About You
101 bpm • D Maj • 03:12 • -10.93db
14% Popularity • 62% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Vern Gosdin
Till the End
93 bpm • A Maj • 02:46 • -17db
38% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Teea Goans
A Way to Survive
101 bpm • E Maj • 03:57 • -6.43db
21% Popularity • 52% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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David Frizzell
Husbands And Wives
102 bpm • C Maj • 02:39 • -12.26db
15% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Deborah Allen
Baby I Lied
92 bpm • B Maj • 04:10 • -11db
41% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tommy Overstreet
Heaven Is My Woman's Love
101 bpm • A Maj • 02:34 • -14.74db
22% Popularity • 77% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Jack Greene
There Goes My Everything
93 bpm • A# Maj • 02:23 • -12.23db
33% Popularity • 40% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Baillie & The Boys
(Now and Then There's) A Fool Such As I
102 bpm • A Maj • 03:00 • -13.2db
22% Popularity • 61% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Highway 101
The Blame
92 bpm • A# Maj • 03:46 • -8db
23% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Statlers
Forever
92 bpm • F# Maj • 02:57 • -15.25db
18% Popularity • 49% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Mac Davis
Rock 'N Roll (I Gave You The Best Years ...
92 bpm • C Maj • 03:27 • -14db
27% Popularity • 58% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Vince Gill
I Can't Be Myself
102 bpm • E Maj • 03:46 • -8.62db
17% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jack Greene
Until My Dreams Come True
102 bpm • F Maj • 02:32 • -13db
28% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Larry Gatlin & The Gatlin Brothers
I Don't Wanna Cry
92 bpm • G Maj • 02:46 • -12.38db
26% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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David Houston
From a Jack to a King
92 bpm • G Maj • 02:31 • -10.31db
28% Popularity • 51% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Razzy Bailey
Loving Up a Storm
92 bpm • G Maj • 02:54 • -10.59db
11% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jeannie Seely
Can I Sleep In Your Arms
92 bpm • G Maj • 03:07 • -11.85db
30% Popularity • 53% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Vince Gill
The Only Love
92 bpm • F Maj • 03:52 • -8.47db
13% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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John Schneider
Too Good To Stop Now
92 bpm • G Maj • 02:48 • -16.32db
15% Popularity • 66% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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McBride & The Ride
Can I Count On You
92 bpm • D Maj • 03:19 • -10.15db
36% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jeannie C. Riley
Before the Next Teardrop Falls
91 bpm • A# Maj • 02:34 • -12.85db
34% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jack Greene
There Goes My Everything - Rerecorded
92 bpm • A# Maj • 02:26 • -10.85db
37% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jeannie Seely
If I Can't Have You
103 bpm • A Maj • 02:29 • -17db
15% Popularity • 41% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Larry Gatlin & The Gatlin Brothers
Broken Lady
91 bpm • A# Maj • 02:38 • -12db
28% Popularity • 51% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Susan Raye
Pitty, Pitty, Patter
103 bpm • F Maj • 02:23 • -11.1db
20% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Kathy Mattea
A Few Good Things Remain
91 bpm • A# Maj • 03:51 • -16.85db
24% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Vince Gill
No Future In The Past
103 bpm • C# Maj • 04:08 • -10.48db
29% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Lee Ann Womack
Someone I Used To Know
104 bpm • D# Maj • 02:26 • -7.24db
35% Popularity • 63% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Charlie Rich
There Won't Be Anymore
104 bpm • F Maj • 02:24 • -11.45db
38% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dean Dillon
I Go To Pieces
90 bpm • C# Maj • 03:44 • -14.54db
7% Popularity • 74% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Dawn Sears
No Relief in Sight
90 bpm • A# Maj • 03:17 • -13.71db
28% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Larry Gatlin & The Gatlin Brothers
Midnight Choir (Mogen David)
90 bpm • D Maj • 05:00 • -16.51db
21% Popularity • 37% Danceability • 29% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
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Johnny Rodriguez
How Could I Love Her So Much
104 bpm • D Maj • 03:14 • -13db
33% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Susan Raye
Stop The World (And Let Me Off)
90 bpm • A Maj • 02:21 • -8.85db
32% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Janie Fricke
Saddle the Wind
104 bpm • A Maj • 03:22 • -14db
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Ann Williamson
I Can't Help It (If I'm Still In Love Wi...
104 bpm • C Maj • 02:05 • -7db
38% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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K.T. Oslin
New Way Home
90 bpm • D Maj • 04:07 • -10.83db
20% Popularity • 68% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Larry Gatlin & The Gatlin Brothers
Broken Lady
90 bpm • G Maj • 02:47 • -12.28db
22% Popularity • 45% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Dave and Sugar
Golden Tears
90 bpm • G Maj • 02:28 • -8.68db
22% Popularity • 55% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
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Ricky Skaggs
You Make Me Feel Like A Man
104 bpm • F Maj • 04:13 • -9.22db
14% Popularity • 58% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 52% Positiveness
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Suzy Bogguss
Two Shades Of Blue
90 bpm • A Maj • 03:27 • -10db
28% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Janie Fricke
I Loved You All the Way
90 bpm • C Maj • 03:18 • -14.31db
39% Popularity • 43% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Three Amigos
My Woman, My Woman, My Wife
105 bpm • C# Maj • 03:34 • -7db
33% Popularity • 35% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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MEL STREET
Borrowed Angel
105 bpm • E Maj • 03:13 • -13db
32% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Baby It's You