Songs like Baby Steps by Amy Shark
Based on a tempo of (+/- 10%) and a similar genre
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Amy Shark
Adore - Dave Sitek Remix
135 bpm • F# Maj • 03:13 • -5db
19% Popularity • 62% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 62% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Sultan
Reaction
135 bpm • C Maj • 04:38 • -5.25db
28% Popularity • 55% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 41% Positiveness
28% Popularity • 55% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 41% Positiveness
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Holy Holy
Port Rd
135 bpm • F# min • 03:21 • -5.28db
20% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Ruby Fields
R.E.G.O
135 bpm • D Maj • 02:59 • -3.57db
30% Popularity • 44% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 44% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Newton Faulkner
Better Way
135 bpm • D Maj • 03:35 • -7.2db
13% Popularity • 30% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 30% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Something For Kate
Come Back Before I Come Back To My Sense...
136 bpm • D min • 03:34 • -3.73db
21% Popularity • 46% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 46% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Amy Shark
Baby Steps
135 bpm • F Maj • 03:11 • -5db
29% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Polish Club
No Heaven
136 bpm • E Maj • 03:29 • -6.46db
21% Popularity • 33% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 33% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Hope D
Toxic - triple j Like A Version
134 bpm • G# Maj • 04:04 • -11.22db
31% Popularity • 39% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 39% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Ruby Fields
Kitchen
135 bpm • D# Maj • 04:53 • -4.92db
38% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tyne-James Organ
Stranger
136 bpm • E Maj • 04:19 • -5.18db
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Something For Kate
Supercomputer
136 bpm • F# min • 04:00 • -6.72db
16% Popularity • 49% Danceability • 67% Energy • 9% Liveness
6% Instrumentalness • 40% Positiveness
16% Popularity • 49% Danceability • 67% Energy • 9% Liveness
6% Instrumentalness • 40% Positiveness
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Lisa Mitchell
Zombie
136 bpm • G Maj • 03:36 • -9.69db
20% Popularity • 56% Danceability • 53% Energy • 11% Liveness
22% Instrumentalness • 55% Positiveness
20% Popularity • 56% Danceability • 53% Energy • 11% Liveness
22% Instrumentalness • 55% Positiveness
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LAUREL
Wild Side
134 bpm • F min • 03:43 • -4.61db
37% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Donna Missal
Hurt By You
134 bpm • B min • 03:50 • -4db
32% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Drapht
Hypocrite
137 bpm • G Maj • 03:12 • -4.43db
21% Popularity • 70% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 70% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Something For Kate
cardigan - triple j Like A Version
133 bpm • G# Maj • 03:42 • -10.27db
36% Popularity • 33% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 33% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Meg Washington
Cement
133 bpm • D Maj • 03:35 • -4.43db
19% Popularity • 50% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 50% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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The Howl & The Hum
Hostages
133 bpm • A Maj • 03:57 • -6.64db
30% Popularity • 48% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 48% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Amy Shark
Psycho
137 bpm • A Maj • 03:26 • -7.7db
38% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alice Skye
Party Tricks
133 bpm • G Maj • 04:40 • -8.64db
12% Popularity • 30% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 30% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ladyhawke
Guilty Love
133 bpm • E min • 03:00 • -4.54db
29% Popularity • 63% Danceability • 81% Energy • 34% Liveness
1% Instrumentalness • 51% Positiveness
29% Popularity • 63% Danceability • 81% Energy • 34% Liveness
1% Instrumentalness • 51% Positiveness
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Peking Duk
Nothing to Love About Love
133 bpm • B min • 03:29 • -7db
40% Popularity • 51% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 51% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Jade Bird
Open up the Heavens
132 bpm • C Maj • 02:41 • -4.92db
27% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Vera Blue
Temper
138 bpm • F# min • 03:26 • -5.74db
38% Popularity • 70% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 70% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Amy Shark
Beautiful Eyes
133 bpm • A Maj • 02:49 • -3.77db
58% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chasing Ghosts
Busted Lung
138 bpm • G# Maj • 02:57 • -7.79db
19% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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HYYTS
Kinda Need You Here Tonight
138 bpm • G Maj • 03:13 • -4.19db
8% Popularity • 65% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 65% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Holy Holy
I.C.U.
132 bpm • A min • 03:46 • -4.99db
29% Popularity • 58% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 58% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Hope D
Life Sentence
132 bpm • G# Maj • 05:18 • -10.64db
13% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Close
Forgive or Forget
139 bpm • A# Maj • 03:47 • -12.02db
25% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Pyke
I Thought We Were a River
132 bpm • F Maj • 03:53 • -2.98db
23% Popularity • 55% Danceability • 83% Energy • 12% Liveness
22% Instrumentalness • 74% Positiveness
23% Popularity • 55% Danceability • 83% Energy • 12% Liveness
22% Instrumentalness • 74% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Robinson
How Can I Resist Her
139 bpm • F Maj • 02:39 • -8.32db
10% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Holy Holy
Maybe You Know
139 bpm • G# Maj • 03:57 • -5.04db
44% Popularity • 49% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 49% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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E^ST
FLIGHT PATH
131 bpm • C Maj • 02:45 • -8.71db
20% Popularity • 61% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 61% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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GRAACE
Complicated - triple j Like A Version
131 bpm • C# Maj • 03:16 • -8.15db
31% Popularity • 35% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 35% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Amy Shark
You'll Never Meet Anyone Like Me Again
140 bpm • A# Maj • 03:16 • -8.11db
27% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gang of Youths
spirit boy
140 bpm • C# Maj • 06:27 • -8db
28% Popularity • 49% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 49% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Tyne-James Organ
Not Ready For Love
140 bpm • C# min • 03:16 • -3db
32% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Allday
After All This Time
140 bpm • E Maj • 03:34 • -5.77db
20% Popularity • 48% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 48% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Cry Club
One Step
140 bpm • F# Maj • 04:04 • -4.32db
8% Popularity • 42% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 34% Positiveness
8% Popularity • 42% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 34% Positiveness
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Luca Brasi
Dying to Feel Alive
140 bpm • G Maj • 04:33 • -3db
22% Popularity • 50% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 50% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Jaguar Jonze
CURLED IN
130 bpm • C min • 03:15 • -7.3db
10% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Polish Club
Just Talking
140 bpm • A Maj • 03:02 • -5db
19% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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E^ST
TALK DEEP
130 bpm • E Maj • 03:27 • -6.71db
34% Popularity • 69% Danceability • 87% Energy • 12% Liveness
3% Instrumentalness • 55% Positiveness
34% Popularity • 69% Danceability • 87% Energy • 12% Liveness
3% Instrumentalness • 55% Positiveness
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Carla Wehbe
hurts to love you
130 bpm • C# Maj • 02:57 • -5.67db
34% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Pinkish Blu
Backward
130 bpm • E Maj • 03:29 • -2.75db
8% Popularity • 57% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
8% Popularity • 57% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
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STUMPS
Mt. Pleasant
140 bpm • D Maj • 04:29 • -6db
24% Popularity • 55% Danceability • 75% Energy • 10% Liveness
5% Instrumentalness • 8% Positiveness
24% Popularity • 55% Danceability • 75% Energy • 10% Liveness
5% Instrumentalness • 8% Positiveness
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EGOISM
You You
130 bpm • F Maj • 02:52 • -5.38db
28% Popularity • 58% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 58% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Hope D
Emerald
130 bpm • D Maj • 03:44 • -5.13db
25% Popularity • 77% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 77% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Holy Holy
The Aftergone
130 bpm • B min • 03:55 • -4.98db
34% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ruby Fields
Clothes Line
130 bpm • G Maj • 03:22 • -5.13db
28% Popularity • 60% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 60% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Hayley Mary
Chemtrails over the Country Club - tripl...
130 bpm • D# min • 04:36 • -7.76db
33% Popularity • 50% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 50% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Kita Alexander
I Miss You, I'm Sorry
130 bpm • C min • 03:31 • -5.08db
33% Popularity • 66% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 66% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Maisie Peters
You Signed Up For This
130 bpm • C Maj • 03:15 • -4.75db
49% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Hope D
Miscommunicate
130 bpm • C# min • 04:04 • -9.83db
23% Popularity • 63% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 63% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Gordi
Volcanic
140 bpm • C Maj • 03:13 • -11.94db
17% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Bryde
Silence
141 bpm • G# Maj • 03:40 • -9.88db
12% Popularity • 48% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 48% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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filous
Boys & Girls
129 bpm • B Maj • 03:31 • -6.14db
47% Popularity • 77% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 77% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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DMA'S
We Are Midnight
129 bpm • E Maj • 03:39 • -4.13db
23% Popularity • 40% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 40% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Amy Shark
Amy Shark
142 bpm • C Maj • 03:07 • -11.39db
33% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jaguar Jonze
WHO DIED AND MADE YOU KING?
142 bpm • D Maj • 02:11 • -5.49db
17% Popularity • 69% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 69% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Meg Washington
Dark Parts
142 bpm • C Maj • 02:59 • -4.91db
11% Popularity • 63% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 63% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Isabella Manfredi
Jealousy
142 bpm • G# Maj • 03:36 • -4.12db
12% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Holly Humberstone
Please Don't Leave Just Yet
128 bpm • C Maj • 03:49 • -9db
40% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Buoys
Lie To Me Again
128 bpm • A# Maj • 04:09 • -5.22db
39% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Shark
The Slow Song
142 bpm • E Maj • 02:52 • -5.7db
29% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Evermore
Hey Boys and Girls (Truth of the World, ...
128 bpm • E min • 05:48 • -4db
42% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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CLEWS
Want You That Way
128 bpm • G# Maj • 03:20 • -4.45db
11% Popularity • 52% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 52% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Thelma Plum
Backseat of My Mind
143 bpm • D Maj • 04:24 • -7.09db
41% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
41% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
57% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Allday
The Paris End of Collins St
127 bpm • G Maj • 03:42 • -5.69db
14% Popularity • 54% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 54% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Amy Shark
Can I Shower At Yours
128 bpm • E Maj • 01:54 • -1.86db
55% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Hope D
Happy Hangover
144 bpm • B Maj • 03:38 • -5.45db
25% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Dulcie
tell ur friends
144 bpm • G# Maj • 02:41 • -5.06db
27% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Thelma Plum
Backseat of My Mind - Radio Edit
143 bpm • D Maj • 03:30 • -7.19db
34% Popularity • 60% Danceability • 84% Energy • 23% Liveness
4% Instrumentalness • 70% Positiveness
34% Popularity • 60% Danceability • 84% Energy • 23% Liveness
4% Instrumentalness • 70% Positiveness
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Jack River
Dark Star
126 bpm • G Maj • 03:31 • -2.01db
22% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Carla Geneve
Dog Eared
126 bpm • B min • 03:21 • -3db
23% Popularity • 54% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Amy Shark
Lonely Still
144 bpm • E Maj • 02:48 • -6.39db
36% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Meg Mac
Matter Of Time
126 bpm • C# Maj • 03:58 • -6.7db
29% Popularity • 64% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 64% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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CLEWS
Overluck
126 bpm • A Maj • 03:30 • -5db
18% Popularity • 67% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 67% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Thelma Plum
The Brown Snake
143 bpm • C# Maj • 03:15 • -8db
36% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
36% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Polish Club
Baby We're Burning
126 bpm • E Maj • 03:38 • -6.22db
10% Popularity • 53% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
10% Popularity • 53% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Callum Beattie
Play
126 bpm • F Maj • 02:43 • -6.58db
24% Popularity • 77% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 77% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Aymee Weir
Your Car
126 bpm • E Maj • 02:54 • -9db
14% Popularity • 63% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 56% Positiveness
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Molly Millington
Outcast
126 bpm • E Maj • 02:38 • -6.38db
17% Popularity • 66% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 66% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Overcoats
Fire & Fury
126 bpm • A Maj • 03:45 • -5.76db
38% Popularity • 62% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 62% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Meg Washington
Batflowers
126 bpm • E Maj • 03:04 • -7.23db
21% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Cry Club
Nine Of Swords
145 bpm • F# min • 03:53 • -4db
23% Popularity • 44% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 44% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Alter Boy
Montero (Call Me by Your Name) - triple ...
145 bpm • E Maj • 03:00 • -9.04db
26% Popularity • 58% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 58% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Amy Shark
Spits on Girls
125 bpm • A Maj • 03:31 • -8.48db
33% Popularity • 75% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 75% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Something For Kate
Sweet Nothing - triple j Like A Version
125 bpm • B Maj • 03:36 • -6.14db
33% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Kita Alexander
Between You & I
125 bpm • G Maj • 04:13 • -4.46db
45% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Zuzu
Skin And Bone
125 bpm • C min • 03:28 • -7db
21% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Pierce Brothers
it's alright
125 bpm • G Maj • 04:00 • -5.56db
21% Popularity • 64% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 64% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
