Songs like Back Home Blues by Jimmy Dawkins
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Shaw
Stoop Down, Baby
114 bpm • C Maj • 04:01 • -9.98db
18% Popularity • 56% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 56% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Dawkins
Born In Poverty
114 bpm • A# Maj • 04:43 • -12db
4% Popularity • 46% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 46% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Champion Jack Dupree
Evil Woman
114 bpm • C Maj • 04:21 • -17.69db
35% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Luther Johnson
Everyday I Have the Blues
114 bpm • D Maj • 04:45 • -10.22db
23% Popularity • 73% Danceability • 51% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
23% Popularity • 73% Danceability • 51% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Willie Dixon
I Don't Trust Nobody
114 bpm • G Maj • 04:09 • -14.53db
9% Popularity • 67% Danceability • 40% Energy • 6% Liveness
3% Instrumentalness • 64% Positiveness
9% Popularity • 67% Danceability • 40% Energy • 6% Liveness
3% Instrumentalness • 64% Positiveness
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Lazy Lester
The Sun Is Shinning
114 bpm • C Maj • 05:19 • -7.8db
14% Popularity • 58% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 58% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Magic Slim & The Teardrops
Goin' To Mississippi
114 bpm • A Maj • 04:50 • -7db
18% Popularity • 50% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 50% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy Dawkins
Feel the Blues
114 bpm • G Maj • 04:44 • -10.05db
4% Popularity • 64% Danceability • 60% Energy • 16% Liveness
19% Instrumentalness • 26% Positiveness
4% Popularity • 64% Danceability • 60% Energy • 16% Liveness
19% Instrumentalness • 26% Positiveness
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John Hammond
Sweet Home Chicago
114 bpm • D Maj • 04:28 • -12.88db
32% Popularity • 64% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 64% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmie Vaughan
Just Like Putty
114 bpm • C Maj • 04:07 • -8.05db
28% Popularity • 69% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 83% Positiveness
28% Popularity • 69% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 83% Positiveness
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Mississippi Heat
Chicago Is My Home
113 bpm • A Maj • 04:49 • -4db
20% Popularity • 74% Danceability • 78% Energy • 7% Liveness
16% Instrumentalness • 69% Positiveness
20% Popularity • 74% Danceability • 78% Energy • 7% Liveness
16% Instrumentalness • 69% Positiveness
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Big Bill Morganfield
Devil At My Door
113 bpm • F min • 04:31 • -9.13db
18% Popularity • 58% Danceability • 54% Energy • 7% Liveness
9% Instrumentalness • 65% Positiveness
18% Popularity • 58% Danceability • 54% Energy • 7% Liveness
9% Instrumentalness • 65% Positiveness
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John Litttlejohn
What Would We Do Later On
113 bpm • G# Maj • 04:11 • -10db
0% Popularity • 81% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 81% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Jimmy Dawkins
Back Home Blues
114 bpm • A Maj • 03:51 • -6.91db
5% Popularity • 49% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
5% Popularity • 49% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Willie Dixon
The Seventh Son
115 bpm • A# Maj • 04:14 • -19db
26% Popularity • 64% Danceability • 34% Energy • 50% Liveness
11% Instrumentalness • 91% Positiveness
26% Popularity • 64% Danceability • 34% Energy • 50% Liveness
11% Instrumentalness • 91% Positiveness
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Jimmie Vaughan
Flamenco Dancer
113 bpm • C Maj • 04:18 • -10db
30% Popularity • 71% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 71% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Sam Myers
Ninety Nine
115 bpm • F min • 03:38 • -7.25db
15% Popularity • 78% Danceability • 68% Energy • 30% Liveness
9% Instrumentalness • 83% Positiveness
15% Popularity • 78% Danceability • 68% Energy • 30% Liveness
9% Instrumentalness • 83% Positiveness
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Magic Sam
Easy, Baby
113 bpm • F# min • 04:24 • -11.76db
10% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Little Charlie & The Nightcats
Hurry Up And Wait
113 bpm • G Maj • 03:45 • -12.08db
28% Popularity • 71% Danceability • 49% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
28% Popularity • 71% Danceability • 49% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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Jimmy Dawkins
My Way
114 bpm • G Maj • 05:15 • -14db
8% Popularity • 68% Danceability • 73% Energy • 7% Liveness
5% Instrumentalness • 82% Positiveness
8% Popularity • 68% Danceability • 73% Energy • 7% Liveness
5% Instrumentalness • 82% Positiveness
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J. B. Hutto
Leave Your Love In Greater Hands
115 bpm • D Maj • 03:08 • -10.04db
28% Popularity • 79% Danceability • 47% Energy • 15% Liveness
11% Instrumentalness • 55% Positiveness
28% Popularity • 79% Danceability • 47% Energy • 15% Liveness
11% Instrumentalness • 55% Positiveness
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Luther "Guitar Junior" Johnson
Sweet Home Chicago
115 bpm • B min • 04:39 • -7db
10% Popularity • 64% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
10% Popularity • 64% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
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Earl Hooker
You Don't Want Me
113 bpm • G Maj • 05:16 • -16.93db
41% Popularity • 59% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 59% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Larry Garner
Shut It Down
113 bpm • A Maj • 09:16 • -10db
13% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Detroit Junior
If I Hadn't Been High
113 bpm • G Maj • 04:06 • -17.31db
29% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Dawkins
I Don't Know What Love Is
115 bpm • C Maj • 06:01 • -6.98db
4% Popularity • 51% Danceability • 52% Energy • 44% Liveness
12% Instrumentalness • 70% Positiveness
4% Popularity • 51% Danceability • 52% Energy • 44% Liveness
12% Instrumentalness • 70% Positiveness
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Matt "Guitar" Murphy
Buck's Boogie
115 bpm • A min • 04:33 • -11db
27% Popularity • 71% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 72% Positiveness
27% Popularity • 71% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 72% Positiveness
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Byther Smith
Hello Mrs. Brown
115 bpm • F# min • 04:47 • -7.46db
12% Popularity • 83% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 83% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Sonny Boy Williamson II
One Way Out - Mono Version
113 bpm • D Maj • 02:48 • -6.15db
33% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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William Clarke
Evil
113 bpm • B min • 03:33 • -8.06db
25% Popularity • 59% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 59% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Luther "Guitar Junior" Johnson
Just Like Mama Said
115 bpm • F Maj • 03:04 • -12.08db
23% Popularity • 58% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 58% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Buster Benton
Love Like I Wanna
115 bpm • F Maj • 04:58 • -10.47db
25% Popularity • 76% Danceability • 67% Energy • 31% Liveness
56% Instrumentalness • 79% Positiveness
25% Popularity • 76% Danceability • 67% Energy • 31% Liveness
56% Instrumentalness • 79% Positiveness
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Lazy Lester
You're Gonna Ruin Me Baby
116 bpm • A Maj • 03:36 • -6.35db
23% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Snooky Pryor
Shake Your Boogie
116 bpm • A Maj • 04:16 • -6.41db
17% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Fenton Robinson
Checking On My Woman - Remastered
116 bpm • E Maj • 03:24 • -4.96db
42% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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William Clarke
Greasy Gravy
112 bpm • D Maj • 03:34 • -14db
28% Popularity • 72% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 81% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 81% Positiveness
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Luther "Guitar Junior" Johnson
Somebody Have Mercy
112 bpm • G Maj • 03:05 • -13db
36% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Buster Benton
Can't Wait to See My Baby's Face
112 bpm • C min • 04:58 • -8.63db
34% Popularity • 95% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 95% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmy Dawkins
You've Got to Keep On Tryin'
112 bpm • A# Maj • 06:13 • -12.82db
1% Popularity • 47% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 47% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Snooky Pryor
Coal Black Mare
116 bpm • C# Maj • 03:27 • -10.53db
18% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Luther Johnson
Born In Georgia
112 bpm • D Maj • 03:09 • -7.66db
41% Popularity • 62% Danceability • 55% Energy • 8% Liveness
18% Instrumentalness • 91% Positiveness
41% Popularity • 62% Danceability • 55% Energy • 8% Liveness
18% Instrumentalness • 91% Positiveness
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William Clarke
Cash Money
112 bpm • G Maj • 03:39 • -11.63db
28% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
28% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
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Hubert Sumlin
Jerking In Paris
112 bpm • G Maj • 03:59 • -9.25db
19% Popularity • 70% Danceability • 61% Energy • 15% Liveness
90% Instrumentalness • 75% Positiveness
19% Popularity • 70% Danceability • 61% Energy • 15% Liveness
90% Instrumentalness • 75% Positiveness
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Son Seals
I Believe To My Soul
112 bpm • G Maj • 04:13 • -7.54db
36% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Bobby Rush
Dust My Broom
112 bpm • A min • 03:35 • -7.84db
21% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Buster Benton
Loan Me a Dime
117 bpm • B Maj • 07:22 • -7.52db
19% Popularity • 62% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 62% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Jimmy Dawkins
Sad And Blues
117 bpm • F Maj • 04:55 • -6.77db
5% Popularity • 45% Danceability • 46% Energy • 13% Liveness
4% Instrumentalness • 50% Positiveness
5% Popularity • 45% Danceability • 46% Energy • 13% Liveness
4% Instrumentalness • 50% Positiveness
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Billy Branch
Back Alley Cat
117 bpm • G Maj • 02:20 • -5.91db
13% Popularity • 73% Danceability • 75% Energy • 24% Liveness
72% Instrumentalness • 87% Positiveness
13% Popularity • 73% Danceability • 75% Energy • 24% Liveness
72% Instrumentalness • 87% Positiveness
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Hubert Sumlin
Happy With My French Friends
111 bpm • C Maj • 04:00 • -12.65db
42% Popularity • 65% Danceability • 49% Energy • 13% Liveness
80% Instrumentalness • 82% Positiveness
42% Popularity • 65% Danceability • 49% Energy • 13% Liveness
80% Instrumentalness • 82% Positiveness
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Jimmie Vaughan
The Pleasure's All Mine
117 bpm • G min • 03:43 • -5.59db
39% Popularity • 74% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 74% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmy Reed
Take Out Some Insurance
111 bpm • A Maj • 02:23 • -14db
52% Popularity • 75% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 75% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Fenton Robinson
I Hear Some Blues Downstairs
117 bpm • C# Maj • 04:14 • -11.32db
43% Popularity • 78% Danceability • 58% Energy • 8% Liveness
53% Instrumentalness • 94% Positiveness
43% Popularity • 78% Danceability • 58% Energy • 8% Liveness
53% Instrumentalness • 94% Positiveness
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Jimmy Dawkins
Rockin D. Blues
117 bpm • A Maj • 05:53 • -9.96db
1% Popularity • 52% Danceability • 71% Energy • 26% Liveness
1% Instrumentalness • 71% Positiveness
1% Popularity • 52% Danceability • 71% Energy • 26% Liveness
1% Instrumentalness • 71% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
49% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Detroit Junior
I Got Money
117 bpm • F Maj • 02:41 • -15.71db
31% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Lafayette Leake
Short Dressed Woman
111 bpm • A# Maj • 04:12 • -11.4db
45% Popularity • 77% Danceability • 50% Energy • 9% Liveness
7% Instrumentalness • 75% Positiveness
45% Popularity • 77% Danceability • 50% Energy • 9% Liveness
7% Instrumentalness • 75% Positiveness
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Sean Costello
Double Trouble
117 bpm • D min • 07:36 • -6.96db
33% Popularity • 59% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
33% Popularity • 59% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Sonny Boy Williamson II
Too Old To Think - Mono Version
117 bpm • F Maj • 02:51 • -7.08db
17% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Snooky Pryor
Stick Way out Behind
111 bpm • C Maj • 03:23 • -12.55db
15% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmie Vaughan
The Ironic Twist
111 bpm • C min • 05:11 • -6.18db
15% Popularity • 59% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 79% Positiveness
15% Popularity • 59% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 79% Positiveness
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Magic Sam
I Have The Same Old Blues
111 bpm • F min • 03:35 • -9.98db
21% Popularity • 74% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
21% Popularity • 74% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
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Jimmy Rogers
Left Me With A Broken Heart - Single Ver...
111 bpm • C min • 02:58 • -8db
28% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Eddie Taylor
Blues In The Rain
111 bpm • E min • 03:41 • -14db
13% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Bobby Rush
Down in Mississippi
118 bpm • B min • 03:23 • -13.01db
22% Popularity • 73% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 73% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Snooky Pryor
Crazy 'Bout My Baby
111 bpm • D Maj • 03:34 • -12db
27% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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William Clarke
Pawnshop Bound
118 bpm • C Maj • 04:23 • -9.28db
27% Popularity • 65% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
27% Popularity • 65% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Lonnie Brooks
Two Guitars Shuffle - Take 2
118 bpm • A Maj • 06:16 • -10db
30% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
30% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
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Jimmy Rogers
I Lost A Good Woman
110 bpm • C Maj • 04:18 • -12.43db
16% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmie Vaughan
Midnight Hour
110 bpm • C# Maj • 03:18 • -6.74db
45% Popularity • 62% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
45% Popularity • 62% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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Hubert Sumlin
Blues is Here to Stay
118 bpm • D Maj • 03:14 • -6.41db
21% Popularity • 71% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 71% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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A.C. Reed
Going To New York
110 bpm • E min • 03:39 • -12.83db
28% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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The Johnny Shines Blues Band
Dynaflow Blues
110 bpm • C Maj • 02:40 • -16.76db
24% Popularity • 61% Danceability • 37% Energy • 30% Liveness
3% Instrumentalness • 96% Positiveness
24% Popularity • 61% Danceability • 37% Energy • 30% Liveness
3% Instrumentalness • 96% Positiveness
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Byther Smith
I Tried
118 bpm • F min • 03:07 • -12.12db
38% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Fenton Robinson
Somebody Loan Me A Dime - Remastered
118 bpm • D# Maj • 02:56 • -3.44db
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Steve Bailey & The Blue Flames
Eyesight to the Blind
110 bpm • D Maj • 03:39 • -10.52db
20% Popularity • 67% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 67% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Willie Dixon
Spoonful
118 bpm • F Maj • 04:55 • -17db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
61% Instrumentalness • 77% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
61% Instrumentalness • 77% Positiveness
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Snooky Pryor
Work With Me Annie
110 bpm • A Maj • 04:18 • -7.1db
34% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmy Johnson
Serves Me Right To Suffer aka Memory Pai...
110 bpm • B min • 03:59 • -9.96db
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Lazy Lester
Tell Me Pretty Baby
118 bpm • A Maj • 02:40 • -6.44db
19% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Dawkins
Too Bad Baby
110 bpm • F Maj • 04:31 • -10.31db
1% Popularity • 60% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 60% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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John Hammond
Cryin' for My Baby
119 bpm • A Maj • 02:42 • -10.44db
12% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Willie Dixon
Back Door Man
110 bpm • C Maj • 06:06 • -16.46db
32% Popularity • 80% Danceability • 43% Energy • 14% Liveness
4% Instrumentalness • 81% Positiveness
32% Popularity • 80% Danceability • 43% Energy • 14% Liveness
4% Instrumentalness • 81% Positiveness
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Lowell Fulson
Do Me Right
119 bpm • F min • 02:53 • -14db
33% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Shaw
My Baby's So Ugly
118 bpm • C Maj • 03:31 • -11.12db
22% Popularity • 68% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
22% Popularity • 68% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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Snooky Pryor
Come on Down to My House
119 bpm • E min • 05:49 • -6.58db
10% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmy Dawkins
Made the Hard Way
110 bpm • F# min • 05:52 • -10.26db
2% Popularity • 70% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 70% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Fenton Robinson
Texas Flood - Remastered
109 bpm • A Maj • 04:21 • -4.81db
38% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
38% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Elmore James
Talk To Me Baby (I Can’t Hold Out)
119 bpm • D Maj • 02:15 • -7.56db
34% Popularity • 49% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 86% Positiveness
34% Popularity • 49% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 86% Positiveness
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Luther Johnson
You Told Me You Love Me
109 bpm • E Maj • 03:39 • -8.67db
15% Popularity • 70% Danceability • 59% Energy • 6% Liveness
2% Instrumentalness • 86% Positiveness
15% Popularity • 70% Danceability • 59% Energy • 6% Liveness
2% Instrumentalness • 86% Positiveness
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Eddie Taylor
Bad boy
109 bpm • D Maj • 04:19 • -5.26db
13% Popularity • 67% Danceability • 81% Energy • 15% Liveness
35% Instrumentalness • 84% Positiveness
13% Popularity • 67% Danceability • 81% Energy • 15% Liveness
35% Instrumentalness • 84% Positiveness
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Snooky Pryor
Bury You in a Paper Sack
119 bpm • F Maj • 04:35 • -11.64db
20% Popularity • 64% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
20% Popularity • 64% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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Jimmy Dawkins
I'm Good For Nothing
119 bpm • A Maj • 05:15 • -6.73db
6% Popularity • 46% Danceability • 54% Energy • 9% Liveness
47% Instrumentalness • 83% Positiveness
6% Popularity • 46% Danceability • 54% Energy • 9% Liveness
47% Instrumentalness • 83% Positiveness
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Byther Smith
All For Business
109 bpm • C Maj • 03:19 • -8.12db
26% Popularity • 72% Danceability • 65% Energy • 38% Liveness
30% Instrumentalness • 89% Positiveness
26% Popularity • 72% Danceability • 65% Energy • 38% Liveness
30% Instrumentalness • 89% Positiveness
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Jerry "Boogie" McCain
Steady (Fifties Classic)
109 bpm • A# Maj • 02:07 • -9.89db
11% Popularity • 66% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
11% Popularity • 66% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Bonnie Lee
That's All Right
109 bpm • C Maj • 05:39 • -9.51db
29% Popularity • 56% Danceability • 53% Energy • 22% Liveness
4% Instrumentalness • 76% Positiveness
29% Popularity • 56% Danceability • 53% Energy • 22% Liveness
4% Instrumentalness • 76% Positiveness
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Lonnie Brooks
Don't Go To Sleep On Me
109 bpm • E Maj • 03:30 • -10.97db
32% Popularity • 76% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 76% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Hound Dog Taylor
My Baby's Coming Home
120 bpm • F# min • 02:55 • -14.06db
22% Popularity • 53% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 53% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy Dawkins
So Good to Me
119 bpm • G Maj • 06:29 • -8.97db
2% Popularity • 51% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
2% Popularity • 51% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
