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Back To Life
Songs like
Back To Life
by
Rascal Flatts
Based on a tempo of (+/- 10%) and a similar genre
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Rascal Flatts
Back To Life
132 bpm • E Maj • 03:34 • -5db
55% Popularity • 47% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Keith Urban
Days Go By
132 bpm • D Maj • 03:44 • -3db
60% Popularity • 59% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Jerrod Niemann
God Made A Woman
132 bpm • G Maj • 03:28 • -8.7db
40% Popularity • 53% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Scotty McCreery
The Trouble With Girls
132 bpm • A# Maj • 03:49 • -7.27db
48% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
71% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Kenny Chesney
She's Got It All
133 bpm • G Maj • 03:25 • -7db
62% Popularity • 71% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Rascal Flatts
Are You Happy Now
132 bpm • G Maj • 03:59 • -2.29db
39% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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RaeLynn
Love Triangle
133 bpm • D Maj • 03:45 • -6.72db
57% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Diamond Rio
One More Day
131 bpm • E Maj • 03:36 • -7.63db
55% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Turner
I Wouldn't Be A Man
131 bpm • D Maj • 03:32 • -7.95db
50% Popularity • 62% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lonestar
I'm Already There
133 bpm • D# Maj • 04:13 • -8.62db
59% Popularity • 38% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Rhett
Unforgettable
130 bpm • G Maj • 02:37 • -5.5db
68% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Rascal Flatts
I Feel Bad
134 bpm • E Maj • 03:18 • -4.94db
40% Popularity • 51% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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RaeLynn
Queens Don't
134 bpm • C Maj • 03:05 • -5.5db
55% Popularity • 66% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Russell Dickerson
Yours - Wedding Edition
134 bpm • B Maj • 03:36 • -7.97db
54% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Rodney Atkins
Figure Out You (Riddle)
130 bpm • E Maj • 03:58 • -8db
37% Popularity • 58% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Hurd
Love in a Bar
134 bpm • C# Maj • 03:07 • -6.4db
41% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Thomas Rhett
Crash and Burn
130 bpm • F min • 03:10 • -5.1db
64% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Blake Shelton
Came Here to Forget
130 bpm • C# min • 03:40 • -6.87db
62% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Frankie Ballard
Helluva Life
134 bpm • F# Maj • 03:51 • -6db
49% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Bryan
Light It Up
130 bpm • F# min • 02:57 • -2.72db
63% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Kane Brown
What's Mine Is Yours
130 bpm • D# min • 03:36 • -6.33db
54% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
66% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Cody Johnson
Nothin' on You
135 bpm • F# Maj • 04:20 • -7.18db
63% Popularity • 36% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Rodney Atkins
Thank God For You
129 bpm • D# Maj • 03:35 • -6db
41% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Rascal Flatts
I'm Movin' On
129 bpm • C Maj • 04:02 • -5db
51% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Faith Hill
It Matters to Me
136 bpm • F# Maj • 03:17 • -8.22db
56% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Kenny Chesney
There Goes My Life
136 bpm • E Maj • 05:02 • -8.14db
59% Popularity • 58% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Brooks & Dunn
Red Dirt Road - with Cody Johnson
128 bpm • E Maj • 03:56 • -7.8db
55% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
57% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Rascal Flatts
My Wish
136 bpm • E Maj • 04:08 • -4.85db
66% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Parmalee
Be Alright
128 bpm • A# Maj • 03:21 • -3.22db
51% Popularity • 60% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Keith Urban
Long Hot Summer
128 bpm • D# Maj • 04:33 • -8.43db
62% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Maddie & Tae
Lay Here With Me
127 bpm • G Maj • 02:58 • -6db
43% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Blake Shelton
Sure Be Cool If You Did
137 bpm • B Maj • 03:35 • -4.63db
56% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
67% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Rascal Flatts
Ellsworth
136 bpm • F Maj • 04:01 • -6.13db
35% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
69% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Martina McBride
This One's for the Girls
127 bpm • G# Maj • 04:03 • -4.43db
60% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
46% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Langston
Prob'ly At A Bar
138 bpm • F# Maj • 03:22 • -4.48db
44% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
65% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Rascal Flatts
Let It Hurt
136 bpm • C Maj • 03:53 • -5.99db
42% Popularity • 47% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Bryan
Do I
138 bpm • A Maj • 03:59 • -5.33db
63% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
68% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
63% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Sara Evans
I Could Not Ask for More
138 bpm • G# Maj • 04:47 • -10db
48% Popularity • 58% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
66% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Rascal Flatts
Bless The Broken Road
136 bpm • C Maj • 03:46 • -6.37db
74% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Craig Campbell
When She Grows Up
138 bpm • A Maj • 03:50 • -7.26db
39% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Thompson Square
A Love Like This
126 bpm • C# Maj • 03:20 • -4db
34% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Walker Hayes
90's Country
125 bpm • C# min • 02:52 • -5.78db
51% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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LANCO
Born to Love You
125 bpm • G Maj • 03:50 • -6.19db
56% Popularity • 66% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Rascal Flatts
My Wish - 10th Anniversary
136 bpm • D# Maj • 04:10 • -2.09db
30% Popularity • 53% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
62% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
62% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Young
Sober Saturday Night
140 bpm • C# Maj • 03:14 • -5.23db
50% Popularity • 48% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Blake Shelton
Mine Would Be You
140 bpm • C Maj • 03:59 • -7db
59% Popularity • 57% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Combs
Used to You
140 bpm • F# Maj • 03:56 • -6.97db
62% Popularity • 58% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Rascal Flatts
What Hurts The Most
136 bpm • F min • 03:34 • -5.13db
71% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Craig Morgan
The Father, My Son, And The Holy Ghost
140 bpm • C Maj • 04:08 • -5.62db
45% Popularity • 60% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
61% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Kane Brown
For My Daughter
140 bpm • C# Maj • 03:43 • -8db
55% Popularity • 54% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Matt Stell
Prayed For You - Acoustic
140 bpm • E Maj • 03:25 • -7db
44% Popularity • 71% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Tyler Farr
I Should Go to Church Sometime
140 bpm • D Maj • 03:08 • -5.06db
41% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Rascal Flatts
Here's To You
126 bpm • G# Maj • 03:37 • -4.78db
38% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
52% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Brad Paisley
My Miracle
140 bpm • E Maj • 04:10 • -6db
40% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Hurd
Michigan for the Winter
140 bpm • F# Maj • 03:39 • -7db
41% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
62% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Craig Campbell
Me Missing You
140 bpm • C Maj • 02:46 • -5.68db
39% Popularity • 61% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Rascal Flatts
I Melt
140 bpm • A Maj • 03:54 • -4.46db
45% Popularity • 57% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Sara Evans
Better Off
140 bpm • C# Maj • 03:59 • -5.06db
38% Popularity • 45% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
54% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Carly Pearce
Finish Your Sentences
124 bpm • D Maj • 02:49 • -4.7db
43% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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High Valley
Single Man
124 bpm • C Maj • 03:26 • -4.63db
46% Popularity • 59% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
73% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Reba McEntire
Going Out Like That
124 bpm • F# Maj • 03:42 • -4.73db
50% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Chase Rice
Gonna Wanna Tonight
124 bpm • D Maj • 03:34 • -7db
30% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Rascal Flatts
Changed
141 bpm • E Maj • 04:22 • -6.93db
40% Popularity • 44% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Doleac
Whiskey's Fine
124 bpm • F Maj • 03:28 • -3.67db
38% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Combs
Moon Over Mexico
141 bpm • G Maj • 03:24 • -6db
59% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
59% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Chris Young
Tomorrow
142 bpm • B Maj • 03:40 • -5.77db
64% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Devin Dawson
Asking For A Friend
123 bpm • E Maj • 03:59 • -8db
47% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Rascal Flatts
Why
141 bpm • G Maj • 04:54 • -7.43db
45% Popularity • 35% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
53% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
59% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Darius Rucker
For The First Time
142 bpm • F# Maj • 03:17 • -5db
58% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Young
The Man I Want to Be
142 bpm • G Maj • 03:27 • -5.06db
56% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Brothers Osborne
Pushing Up Daisies (Love Alive)
142 bpm • A Maj • 03:39 • -7db
52% Popularity • 61% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Martina McBride
I'm Gonna Love You Through It
143 bpm • F Maj • 03:47 • -5db
45% Popularity • 43% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
64% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Chase Bryant
Little Bit of You
122 bpm • C# Maj • 03:06 • -4.28db
53% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
54% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
72% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
54% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Gracin
Good for You
144 bpm • C# Maj • 04:02 • -8.14db
38% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Back To Life