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Back to the Water
Songs like
Back to the Water (feat. Cydney Robinson)
by
Tree Adams
Based on a tempo of (+/- 10%) and a similar genre
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Rob Simonsen
Mary's Theme
124 bpm • C Maj • 02:00 • -24.55db
23% Popularity • 45% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Joel P West
Mountain Goat
124 bpm • F Maj • 02:28 • -13.36db
11% Popularity • 48% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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thenewno2
The Caster Library
124 bpm • C min • 02:50 • -14.16db
9% Popularity • 17% Danceability • 23% Energy • 32% Liveness
79% Instrumentalness • 4% Positiveness
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Brendan Angelides
13 Tapes
124 bpm • B min • 02:23 • -19.4db
19% Popularity • 28% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Anthony Gonzalez
Just A Fragment Of You
123 bpm • D Maj • 04:38 • -14.54db
19% Popularity • 17% Danceability • 20% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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James Newton Howard
Those We Don't Speak Of - Score
123 bpm • G min • 03:59 • -20.12db
24% Popularity • 19% Danceability • 13% Energy • 30% Liveness
96% Instrumentalness • 4% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Audiomachine
The Stars Align
123 bpm • D min • 03:21 • -9.46db
27% Popularity • 44% Danceability • 45% Energy • 9% Liveness
30% Instrumentalness • 9% Positiveness
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Tree Adams
Anaconda
125 bpm • C# Maj • 02:08 • -14.22db
4% Popularity • 28% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Paolo Buonvino
Lies
126 bpm • B min • 02:01 • -19.74db
33% Popularity • 30% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Steven Price
Tiangong
122 bpm • D min • 06:28 • -16.96db
25% Popularity • 17% Danceability • 27% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Zack Hemsey
Facing Demons
122 bpm • A min • 02:39 • -10.9db
29% Popularity • 18% Danceability • 37% Energy • 14% Liveness
82% Instrumentalness • 26% Positiveness
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David Arnold
The Woman
122 bpm • A min • 02:31 • -22.24db
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Thomas Newman
The Shame of Arcadia
126 bpm • A# min • 04:02 • -28.39db
19% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Rob Simonsen
When You Were Born
127 bpm • D Maj • 02:37 • -16.71db
17% Popularity • 17% Danceability • 20% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Tree Adams
The Program That Ended the World
127 bpm • C min • 01:55 • -17.88db
11% Popularity • 17% Danceability • 20% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Andrew Lockington
Hand on Knee
121 bpm • D Maj • 03:40 • -21db
19% Popularity • 23% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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David Arnold
Pick Up
127 bpm • A min • 05:15 • -23.95db
0% Popularity • 44% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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James Newton Howard
I Had To Do That
128 bpm • A# Maj • 02:22 • -34db
29% Popularity • 16% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Jed Kurzel
Second Regression
120 bpm • C# Maj • 03:42 • -18db
21% Popularity • 31% Danceability • 45% Energy • 36% Liveness
87% Instrumentalness • 20% Positiveness
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Tree Adams
Fate of the Mountain Man
128 bpm • G Maj • 03:10 • -22.07db
3% Popularity • 29% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Jeff Danna
Kingston Penitentiary, 1859
128 bpm • A# min • 01:54 • -16.06db
8% Popularity • 62% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Factor Eight
Life Is but a Dream
128 bpm • F min • 05:15 • -9.36db
12% Popularity • 52% Danceability • 80% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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thenewno2
Ridley's Claiming
120 bpm • A Maj • 02:27 • -14.24db
10% Popularity • 36% Danceability • 38% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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Audiomachine
The Truth
120 bpm • A min • 03:27 • -14.1db
29% Popularity • 43% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Adam Taylor
Juliet's Rose
120 bpm • A Maj • 01:02 • -23.19db
17% Popularity • 42% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Theodore Shapiro
Introducing Howard Inlet
120 bpm • D Maj • 01:04 • -30.78db
25% Popularity • 63% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Robert Duncan
Almost Kiss
120 bpm • C min • 01:19 • -27db
21% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Ryan Lott
I Don’t Even Know Me
120 bpm • C Maj • 02:36 • -21.85db
10% Popularity • 19% Danceability • 9% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Simonsen
Preparation
120 bpm • F# min • 03:15 • -16.02db
14% Popularity • 52% Danceability • 44% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Jamin Winans
Breathe
120 bpm • F Maj • 04:56 • -11.96db
10% Popularity • 52% Danceability • 77% Energy • 16% Liveness
84% Instrumentalness • 8% Positiveness
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Adam Taylor
This Isn't You
120 bpm • D Maj • 01:41 • -29.46db
10% Popularity • 40% Danceability • 6% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Jeremy Zuckerman
The Cycle
120 bpm • G min • 03:00 • -21.7db
9% Popularity • 36% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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The Newton Brothers
Against the Odds (End Credits)
120 bpm • G Maj • 04:13 • -18.77db
10% Popularity • 20% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Future Heroes
Worlds on Fire
120 bpm • G# Maj • 03:28 • -13.59db
14% Popularity • 41% Danceability • 35% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Brandon Roberts
One Less Witch in the World
120 bpm • A min • 01:23 • -13.41db
10% Popularity • 17% Danceability • 32% Energy • 4% Liveness
73% Instrumentalness • 4% Positiveness
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Mike Higham
Go to Her
119 bpm • C min • 06:16 • -16db
28% Popularity • 21% Danceability • 15% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Adam Taylor
One Good Thing
120 bpm • F# min • 01:33 • -26.99db
13% Popularity • 49% Danceability • 16% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Thomas Newman
The Starship Avalon (Main Title)
129 bpm • C min • 04:15 • -28.47db
33% Popularity • 37% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Animus
130 bpm • A Maj • 04:41 • -16.27db
26% Popularity • 34% Danceability • 36% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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NINJA TRACKS
Spectrum
130 bpm • D# Maj • 02:35 • -10.01db
13% Popularity • 29% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Audiomachine
The Gallows
130 bpm • C# Maj • 02:05 • -16db
30% Popularity • 61% Danceability • 54% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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John Paesano
Waiting in the Rain
130 bpm • G min • 01:50 • -27.04db
25% Popularity • 28% Danceability • 7% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Sean Callery
Jessica Jones Main Title
130 bpm • D Maj • 01:09 • -7.34db
35% Popularity • 59% Danceability • 59% Energy • 22% Liveness
76% Instrumentalness • 28% Positiveness
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Ólafur Arnalds
Defending Jacob Theme (Extended Version)
130 bpm • B min • 02:11 • -17db
25% Popularity • 36% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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thenewno2
The Spell That Left A Curse
130 bpm • A min • 02:58 • -13db
12% Popularity • 19% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Dominik Hauser
The Vampire Diaries: End Credits
130 bpm • D Maj • 02:49 • -27.22db
7% Popularity • 50% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Steve Jablonsky
Purity of Heart
118 bpm • G min • 03:34 • -16.11db
39% Popularity • 33% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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David Arnold
Lazarus
117 bpm • B min • 03:36 • -16.84db
2% Popularity • 34% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Running
131 bpm • A Maj • 02:03 • -14.52db
12% Popularity • 18% Danceability • 11% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Steven Price
Harley and Joker
131 bpm • A# min • 02:49 • -13.92db
10% Popularity • 18% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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thenewno2
The Caster Theme
131 bpm • A min • 02:56 • -13db
16% Popularity • 52% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Adam Taylor
Day with Izzy
132 bpm • C# min • 02:37 • -21.44db
16% Popularity • 39% Danceability • 22% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Theodore Shapiro
Whit's Plan
132 bpm • G Maj • 02:45 • -31.9db
10% Popularity • 55% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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David Arnold
One More Miracle
117 bpm • D Maj • 02:08 • -13.01db
26% Popularity • 21% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 21% Positiveness
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Dan Romer
A Beautiful Time
132 bpm • A min • 03:00 • -13.68db
13% Popularity • 52% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Nima Fakhrara
Nomad
116 bpm • D min • 01:32 • -28.88db
11% Popularity • 20% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Brian Reitzell
Towers Of The Void
116 bpm • E min • 02:31 • -15.94db
27% Popularity • 42% Danceability • 24% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Danna
Funeral at Sea
116 bpm • G Maj • 01:18 • -17.05db
7% Popularity • 22% Danceability • 13% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Ismael De Saint Leger
Tete a Tete
116 bpm • D min • 02:17 • -11.35db
19% Popularity • 68% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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David Arnold
Redbeard
116 bpm • G min • 02:10 • -12.76db
23% Popularity • 32% Danceability • 55% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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John Paesano
Please Tommy, Please
134 bpm • D# Maj • 10:38 • -21.92db
25% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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MASTERMINDS
Demolition
115 bpm • A# Maj • 01:39 • -11.29db
0% Popularity • 33% Danceability • 80% Energy • 15% Liveness
88% Instrumentalness • 43% Positiveness
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The Newton Brothers
I Want to Wake up So Badly
133 bpm • D Maj • 03:16 • -21.04db
26% Popularity • 16% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Tree Adams
Wanheda
134 bpm • C min • 03:22 • -21.25db
8% Popularity • 20% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Torin Borrowdale
The Mending Cabinet
115 bpm • F min • 03:27 • -29.13db
10% Popularity • 23% Danceability • 2% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
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Max Richter
Scream at the Sky
134 bpm • A# min • 06:04 • -27.86db
21% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Roque Baños
Back Home Down
114 bpm • G min • 04:34 • -22db
8% Popularity • 26% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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James Newton Howard
Coronation
115 bpm • E min • 02:06 • -15.7db
19% Popularity • 21% Danceability • 20% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Christopher Young
The Uninvited
114 bpm • G min • 03:28 • -25.09db
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Seppuku
114 bpm • F Maj • 03:44 • -15.76db
34% Popularity • 17% Danceability • 33% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Tree Adams
Sacrifice
114 bpm • C Maj • 03:46 • -16.69db
3% Popularity • 17% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Andrew Lockington
Biplane
114 bpm • C Maj • 03:51 • -15.4db
16% Popularity • 21% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Ryan Lott
The Way You Should Feel Your Whole Life
135 bpm • C Maj • 01:42 • -16.98db
18% Popularity • 27% Danceability • 3% Energy • 19% Liveness
85% Instrumentalness • 4% Positiveness
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Brendan Angelides
Tyler
114 bpm • G# Maj • 01:55 • -21.98db
10% Popularity • 60% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Sean Redmond
Nothing Left to Lose (Extended)
114 bpm • D# Maj • 02:41 • -13db
13% Popularity • 39% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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James Newton Howard
Snow’s Execution
135 bpm • D Maj • 01:57 • -16.42db
27% Popularity • 15% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Torin Borrowdale
Ellie - Remembrance
135 bpm • D Maj • 01:46 • -13.68db
17% Popularity • 15% Danceability • 25% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Thomas Newman
Indiana
136 bpm • D Maj • 02:14 • -17.67db
17% Popularity • 26% Danceability • 12% Energy • 8% Liveness
78% Instrumentalness • 21% Positiveness
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Jeremy Zuckerman
Dangling Threads
113 bpm • D min • 01:37 • -16.46db
10% Popularity • 90% Danceability • 11% Energy • 16% Liveness
84% Instrumentalness • 38% Positiveness
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David Buckley
FEMA Camp
113 bpm • C Maj • 04:59 • -18.62db
8% Popularity • 20% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Rob Simonsen
Love, Simon
113 bpm • C Maj • 02:36 • -13.25db
17% Popularity • 40% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Steven Price
I Am No Longer Hungry
113 bpm • D Maj • 05:20 • -19.36db
11% Popularity • 19% Danceability • 14% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement II (Tea Pa...
113 bpm • C Maj • 02:44 • -23.7db
22% Popularity • 18% Danceability • 12% Energy • 16% Liveness
96% Instrumentalness • 5% Positiveness
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Dan Romer
I Fear the Nite
113 bpm • G min • 02:37 • -22.52db
25% Popularity • 51% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Theodore Shapiro
The War Is Over
136 bpm • C min • 01:19 • -38.23db
16% Popularity • 16% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Christopher Tyng
She Knows
112 bpm • F Maj • 01:26 • -29.68db
28% Popularity • 39% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Tree Adams
Clarke Is The Flamekeeper
112 bpm • C min • 03:25 • -21.75db
5% Popularity • 26% Danceability • 10% Energy • 19% Liveness
72% Instrumentalness • 4% Positiveness
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Steven Price
To Lose Himself in Vengeance
112 bpm • E min • 07:01 • -13.51db
28% Popularity • 24% Danceability • 34% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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The Newton Brothers
Come Home
137 bpm • F Maj • 05:11 • -27.99db
32% Popularity • 16% Danceability • 0% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
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Superhuman
1982
112 bpm • A min • 04:47 • -13db
20% Popularity • 36% Danceability • 36% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Andrew Lockington
I Love You Dad
138 bpm • D Maj • 03:25 • -15.68db
10% Popularity • 46% Danceability • 54% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Nathan Barr
Pact Air Raid
138 bpm • D Maj • 03:27 • -16.22db
10% Popularity • 23% Danceability • 26% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Roya
Penitence
138 bpm • A min • 03:29 • -13.24db
31% Popularity • 17% Danceability • 37% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Geoff Zanelli
The Phoenix
111 bpm • G min • 04:41 • -16.51db
14% Popularity • 17% Danceability • 29% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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thenewno2
Dark Magic
111 bpm • E min • 01:47 • -11.09db
10% Popularity • 32% Danceability • 66% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Jean-Pierre Taïeb
Some Love
139 bpm • D min • 02:10 • -27.64db
7% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Brian Reitzell
Dead Sister
139 bpm • C# Maj • 02:00 • -26.01db
13% Popularity • 14% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Meeting the Others
139 bpm • D# min • 03:38 • -23db
30% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
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Back to the Water