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Songs like
Back with the People
by
Ulysses Wells
Based on a tempo of (+/- 10%) and a similar genre
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Justin Wade Tam
Patchwork Heart
75 bpm • D Maj • 03:59 • -12.22db
31% Popularity • 61% Danceability • 20% Energy • 11% Liveness
22% Instrumentalness • 18% Positiveness
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Joe Bel
Dreams
75 bpm • F Maj • 03:03 • -15.13db
40% Popularity • 60% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Flora Falls
Where the Grass Grows High
75 bpm • C Maj • 03:35 • -8.55db
39% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ours
Les montagnes de Corée
75 bpm • D# Maj • 03:17 • -15.31db
25% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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James Vincent McMorrow
We Don't Kiss Under Umbrellas Like We Us...
75 bpm • G Maj • 03:57 • -12db
22% Popularity • 53% Danceability • 30% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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NAYAD
Holy Lakes (Dusk)
75 bpm • G min • 04:09 • -16.08db
19% Popularity • 37% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 14% Positiveness
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Metò
Gan Eden
75 bpm • C Maj • 05:57 • -13.2db
8% Popularity • 41% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Freyr
Nicotine Bunker
76 bpm • E Maj • 03:00 • -10.25db
45% Popularity • 69% Danceability • 57% Energy • 12% Liveness
70% Instrumentalness • 80% Positiveness
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The Staves
Nothing’s Gonna Happen
75 bpm • D Maj • 03:36 • -12db
45% Popularity • 36% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Sterre Weldring
Never Leave You
76 bpm • C Maj • 03:27 • -11.28db
29% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Joshua Burnside
The Only Thing I Fear
76 bpm • D Maj • 03:30 • -16.84db
35% Popularity • 44% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Foy Vance
System
74 bpm • A# Maj • 03:53 • -12.34db
43% Popularity • 63% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Western Den
Spark, Set Fire
76 bpm • F# min • 03:51 • -11.02db
41% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Elliot Maginot
Holy Water
74 bpm • C# Maj • 04:05 • -13.93db
23% Popularity • 47% Danceability • 31% Energy • 7% Liveness
2% Instrumentalness • 33% Positiveness
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Ulysses Wells
Mend A Man
77 bpm • C Maj • 04:53 • -5.11db
1% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Lily Kershaw
New Names
77 bpm • C Maj • 02:46 • -13.18db
18% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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James Vincent McMorrow
Waiting
77 bpm • A# Maj • 03:32 • -14db
25% Popularity • 36% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Pomme
A Lonely One - Session live montréalais...
77 bpm • G# Maj • 04:04 • -17.64db
26% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Nina Versyp
Mechanic
77 bpm • G# min • 02:15 • -11.92db
39% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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SYML
Sweet Home - Nostalgia Version
78 bpm • G Maj • 04:07 • -15.81db
35% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ulysses Wells
Sand of Love
78 bpm • D# min • 03:24 • -9.49db
0% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Rosie Carney
tidal wave
78 bpm • F# Maj • 04:01 • -14.37db
17% Popularity • 48% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Flyte
Never Get To Heaven
72 bpm • C Maj • 02:38 • -11db
42% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Peter Henry Phillips
Bloom
78 bpm • D min • 03:34 • -14.97db
22% Popularity • 52% Danceability • 11% Energy • 7% Liveness
20% Instrumentalness • 17% Positiveness
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Chloe Foy
Birds
78 bpm • A# Maj • 03:22 • -13.66db
29% Popularity • 20% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alice Markham
New Song
78 bpm • A Maj • 04:36 • -10.3db
33% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ulysses Wells
Drift On Out Of Sight
78 bpm • D# Maj • 03:58 • -9.87db
12% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Stu Larsen
My Love My Love
78 bpm • F# Maj • 04:04 • -14.03db
16% Popularity • 39% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Anna Leone
Love You Now
79 bpm • A Maj • 02:49 • -14.92db
33% Popularity • 31% Danceability • 22% Energy • 11% Liveness
36% Instrumentalness • 24% Positiveness
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Grey Reverend
Skies Can Bring
79 bpm • D Maj • 02:55 • -9.84db
31% Popularity • 59% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 36% Positiveness
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Winnie Raeder
Are You Waiting?
79 bpm • A# Maj • 03:10 • -11.73db
28% Popularity • 40% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Francesca Blanchard
Happy for You
72 bpm • D Maj • 03:42 • -14.02db
19% Popularity • 58% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Ulysses Wells
Miles Away
78 bpm • E Maj • 04:45 • -10.4db
29% Popularity • 52% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Abraham
Requiem
72 bpm • B Maj • 03:38 • -12.87db
32% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Leif Vollebekk
29 #Strafford APTS
79 bpm • E Maj • 04:02 • -13.55db
38% Popularity • 29% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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A Blaze of Feather
Another Lifetime
79 bpm • C# Maj • 04:04 • -11.66db
17% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Saguru
About You
80 bpm • A# min • 03:37 • -17.97db
32% Popularity • 41% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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S. T. Manville
A Rock
79 bpm • F Maj • 03:18 • -12.54db
34% Popularity • 52% Danceability • 26% Energy • 9% Liveness
9% Instrumentalness • 32% Positiveness
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Ulysses Wells
Sober
78 bpm • C# Maj • 03:14 • -10.47db
1% Popularity • 58% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Jolé
Tie Dye Sky
80 bpm • E Maj • 03:01 • -15.43db
40% Popularity • 45% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Harrison Storm
Eyes Wide
80 bpm • C Maj • 03:51 • -14.45db
33% Popularity • 39% Danceability • 23% Energy • 9% Liveness
7% Instrumentalness • 27% Positiveness
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Elliot Maginot
(Am I Here Now?)
80 bpm • D Maj • 02:30 • -16.23db
18% Popularity • 28% Danceability • 26% Energy • 31% Liveness
3% Instrumentalness • 4% Positiveness
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Jekyll Wood
How Much
80 bpm • G Maj • 03:47 • -14.77db
39% Popularity • 32% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Max Jury
Feel Free
80 bpm • F Maj • 03:39 • -9.84db
9% Popularity • 65% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ulysses Wells
Hollow Stone
78 bpm • G# Maj • 04:46 • -7.21db
1% Popularity • 51% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Pearson
All These Little Lies
70 bpm • G Maj • 03:56 • -9.3db
40% Popularity • 56% Danceability • 42% Energy • 59% Liveness
2% Instrumentalness • 32% Positiveness
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Tom Rosenthal
Tractor
81 bpm • D Maj • 03:26 • -13.61db
33% Popularity • 41% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Cara Rose
Learn to Speak
70 bpm • F# min • 04:16 • -15.07db
39% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Beta Radio
I Need My Prayers - Acoustic
81 bpm • C Maj • 03:07 • -10.54db
17% Popularity • 42% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Maude Audet
On Gallaway Road
81 bpm • A Maj • 03:27 • -8.56db
26% Popularity • 48% Danceability • 54% Energy • 9% Liveness
18% Instrumentalness • 39% Positiveness
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Ulysses Wells
Blues Runs The Game
80 bpm • C Maj • 03:49 • -17.44db
39% Popularity • 53% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Anna Leone
Your Light
81 bpm • C Maj • 02:40 • -12.16db
32% Popularity • 41% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Ella Grace
She
81 bpm • B Maj • 02:17 • -12.25db
30% Popularity • 52% Danceability • 16% Energy • 19% Liveness
7% Instrumentalness • 26% Positiveness
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Geoffroy
Strangers on a Train
81 bpm • F# min • 03:17 • -11db
36% Popularity • 57% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
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Tom Joshua
Suckers
81 bpm • D Maj • 05:14 • -9.79db
11% Popularity • 47% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Luke Sital-Singh
California
82 bpm • G# Maj • 03:13 • -12.58db
33% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jodie Nicholson
Second Sun
81 bpm • F# min • 05:00 • -19.33db
31% Popularity • 39% Danceability • 11% Energy • 21% Liveness
2% Instrumentalness • 18% Positiveness
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Jon Middleton
Overseas
82 bpm • E Maj • 03:31 • -18.02db
41% Popularity • 54% Danceability • 25% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness
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Frà nçois & The Atlas Mountains
1982 - English Version
82 bpm • F# min • 03:23 • -16db
39% Popularity • 56% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 23% Positiveness
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Will Knox
Fraction
82 bpm • C min • 03:01 • -14.22db
17% Popularity • 68% Danceability • 40% Energy • 14% Liveness
6% Instrumentalness • 20% Positiveness
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Dekker
A Better Way
82 bpm • A# min • 02:53 • -9.69db
38% Popularity • 72% Danceability • 50% Energy • 22% Liveness
12% Instrumentalness • 49% Positiveness
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Scout LaRue Willis
Love Without Possession
83 bpm • A Maj • 04:01 • -11.16db
32% Popularity • 46% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Tommy Ashby
Moonflowers (Best Friend)
83 bpm • F Maj • 03:02 • -12.92db
18% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Roo Panes
Pacific
83 bpm • C Maj • 05:37 • -16.79db
33% Popularity • 41% Danceability • 21% Energy • 31% Liveness
10% Instrumentalness • 11% Positiveness
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Leif Vollebekk
Phaedrus
83 bpm • D# Maj • 02:54 • -12.58db
32% Popularity • 54% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Douglas Firs
Heart of a Mother
83 bpm • G Maj • 04:32 • -13.97db
35% Popularity • 34% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Tulliah
Okay
67 bpm • B Maj • 04:13 • -10db
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Harrison Storm
For a While
84 bpm • D Maj • 03:21 • -12.47db
42% Popularity • 36% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Memorial
Fake Moon
84 bpm • E Maj • 02:14 • -15.76db
38% Popularity • 65% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Angus & Julia Stone
In My Arms
84 bpm • C Maj • 03:02 • -16.7db
30% Popularity • 65% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Daniel Pearson
Come Back Around
84 bpm • F Maj • 03:04 • -17db
49% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Holubowski
Flirt With Boredom
84 bpm • F# Maj • 03:20 • -11.89db
24% Popularity • 50% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Sital-Singh
Blind Missiles - Piano Version
84 bpm • A# Maj • 03:25 • -13.22db
9% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Gabi Hartmann
Always Seem to Get Things Wrong
85 bpm • E Maj • 03:11 • -13.99db
30% Popularity • 43% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Chris Staples
Park Bench
85 bpm • F# Maj • 02:44 • -11.61db
53% Popularity • 60% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Roseaux
Waves of Sorrow
66 bpm • A min • 03:03 • -12.41db
31% Popularity • 47% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Camille Camille
Be Kind
86 bpm • G Maj • 04:24 • -15db
14% Popularity • 40% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Holubowski
Down the Rabbit Hole
84 bpm • E Maj • 02:27 • -12.11db
18% Popularity • 28% Danceability • 29% Energy • 31% Liveness
7% Instrumentalness • 9% Positiveness
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Luke Sital-Singh
Wiser Too
86 bpm • E Maj • 03:19 • -14.72db
17% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sam De Nef
Requiem for a Dreamer
87 bpm • C# Maj • 03:10 • -19db
13% Popularity • 52% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Tomas Ferdinand
Crossroads
87 bpm • F Maj • 02:35 • -13.03db
40% Popularity • 78% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Matt Sucich
Upper West Side
87 bpm • D Maj • 03:32 • -15.03db
26% Popularity • 63% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Axel Flóvent
Picture of You
65 bpm • E Maj • 04:21 • -15.53db
39% Popularity • 43% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Matt Holubowski
Weird Ones
86 bpm • F Maj • 02:51 • -18.44db
20% Popularity • 27% Danceability • 10% Energy • 9% Liveness
59% Instrumentalness • 8% Positiveness
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Ailbhe Reddy
Walk Away
87 bpm • F# Maj • 03:12 • -16db
37% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Anna Leone
All That I Ever Did
87 bpm • G# Maj • 02:16 • -14.04db
43% Popularity • 52% Danceability • 25% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Stu Larsen
I Wish I Had a Foot-Long Cigarette
87 bpm • C Maj • 02:46 • -15.83db
19% Popularity • 37% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Rosa Butsi
Marigold - 27 Tapes
87 bpm • C Maj • 03:15 • -21db
28% Popularity • 36% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Staves
Devotion - Be Kind Version
88 bpm • F Maj • 03:45 • -14.58db
23% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Findlay Brown
The World Seen Through Your Eyes
88 bpm • G# Maj • 02:30 • -17.95db
26% Popularity • 46% Danceability • 15% Energy • 12% Liveness
40% Instrumentalness • 27% Positiveness
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Michael Bernard Fitzgerald
Closing Time
88 bpm • D Maj • 04:05 • -13.11db
21% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ulysses Wells
Art Dealer's Daughter
64 bpm • E Maj • 02:04 • -15.64db
14% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Paper Towns
Is It Really Over
88 bpm • A min • 03:38 • -16.39db
20% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Ocie Elliott
Now You Don't
89 bpm • C Maj • 03:11 • -11.49db
60% Popularity • 50% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 27% Positiveness
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ELLIOTT ARMEN
Illusions
89 bpm • E Maj • 04:40 • -12.1db
43% Popularity • 44% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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Luke Sital-Singh
Me & God
89 bpm • C Maj • 02:55 • -16.21db
22% Popularity • 64% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 27% Positiveness
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Anna Leone
Wondering
90 bpm • A Maj • 03:31 • -15.01db
33% Popularity • 28% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Stu Larsen
Whisky & Blankets - Raasay Sessions
90 bpm • F Maj • 04:42 • -16.39db
9% Popularity • 44% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Sunflower Thieves
I Don't Know Why
90 bpm • C# min • 03:24 • -13.42db
32% Popularity • 62% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Nola Kin
Not What You Think
90 bpm • B Maj • 03:22 • -11.17db
15% Popularity • 68% Danceability • 45% Energy • 11% Liveness
8% Instrumentalness • 45% Positiveness
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Back with the People