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Back-Woods Song
Songs like
Back-Woods Song
by
John Abercrombie
Based on a tempo of (+/- 10%) and a similar genre
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John Abercrombie
Red And Orange
172 bpm • E min • 05:21 • -16.17db
16% Popularity • 25% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Gary Burton
Question And Answer
171 bpm • D min • 06:23 • -14.78db
36% Popularity • 26% Danceability • 40% Energy • 10% Liveness
66% Instrumentalness • 48% Positiveness
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Freddie Hubbard
Lonely Soul
173 bpm • A# min • 03:01 • -10.96db
25% Popularity • 26% Danceability • 48% Energy • 20% Liveness
88% Instrumentalness • 45% Positiveness
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John Surman
Nestor's Saga (The Tale Of The Ancient)
173 bpm • F min • 10:49 • -19.78db
17% Popularity • 18% Danceability • 14% Energy • 2% Liveness
72% Instrumentalness • 11% Positiveness
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Anouar Brahem
Mazad
171 bpm • C Maj • 05:03 • -18db
20% Popularity • 42% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Pat Metheny
Omaha Celebration
170 bpm • E Maj • 04:18 • -17.46db
31% Popularity • 33% Danceability • 37% Energy • 10% Liveness
77% Instrumentalness • 46% Positiveness
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John Abercrombie
Back-Woods Song
172 bpm • A min • 07:51 • -17.65db
23% Popularity • 42% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 73% Positiveness
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Jack DeJohnette New Directions
Bayou Fever
173 bpm • G Maj • 08:40 • -17.29db
10% Popularity • 34% Danceability • 29% Energy • 19% Liveness
74% Instrumentalness • 33% Positiveness
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Jack DeJohnette
The Right Time
175 bpm • D# min • 02:21 • -16.47db
10% Popularity • 57% Danceability • 25% Energy • 54% Liveness
5% Instrumentalness • 50% Positiveness
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Terje Rypdal
Will
170 bpm • D Maj • 08:01 • -21.23db
12% Popularity • 23% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
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Volker Kriegel
Mild Maniac
169 bpm • D Maj • 05:08 • -14.72db
11% Popularity • 42% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
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Larry Willis
153rd Street Theme
168 bpm • F min • 06:48 • -11.23db
13% Popularity • 54% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
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The John Scofield Band
Polo Towers
176 bpm • C# Maj • 05:29 • -10.58db
15% Popularity • 63% Danceability • 52% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
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Yusef Lateef
Back Home - Remastered
176 bpm • C Maj • 05:00 • -9.21db
15% Popularity • 23% Danceability • 62% Energy • 27% Liveness
82% Instrumentalness • 61% Positiveness
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The Cannonball Adderley Quintet
Snakin' The Grass
168 bpm • E min • 06:34 • -13.29db
9% Popularity • 47% Danceability • 67% Energy • 69% Liveness
69% Instrumentalness • 76% Positiveness
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Keith Jarrett
Pastel Morning
168 bpm • F min • 02:04 • -32.68db
22% Popularity • 27% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
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Art Farmer
Crawl Space
176 bpm • F min • 08:51 • -12db
27% Popularity • 56% Danceability • 59% Energy • 8% Liveness
85% Instrumentalness • 92% Positiveness
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The Lounge Lizards
The Hanging
178 bpm • C Maj • 04:43 • -13.58db
19% Popularity • 34% Danceability • 28% Energy • 13% Liveness
58% Instrumentalness • 12% Positiveness
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The John Scofield Band
Ideofunk
177 bpm • A Maj • 04:43 • -9db
28% Popularity • 51% Danceability • 67% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
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John Abercrombie
Ralph's Piano Waltz
178 bpm • F Maj • 04:52 • -19.02db
29% Popularity • 25% Danceability • 30% Energy • 12% Liveness
80% Instrumentalness • 30% Positiveness
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Jackie McLean
Demon's Dance - Remastered 2006/Rudy Van...
177 bpm • D# Maj • 07:06 • -9db
14% Popularity • 42% Danceability • 65% Energy • 34% Liveness
2% Instrumentalness • 58% Positiveness
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Anouar Brahem
Unexpected Outcome
166 bpm • D min • 10:59 • -24.53db
19% Popularity • 25% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Max Roach
The Profit
178 bpm • F Maj • 07:32 • -12.57db
10% Popularity • 22% Danceability • 51% Energy • 34% Liveness
1% Instrumentalness • 48% Positiveness
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Jack DeJohnette
Picture 2
166 bpm • C Maj • 07:57 • -28.84db
10% Popularity • 44% Danceability • 18% Energy • 7% Liveness
93% Instrumentalness • 42% Positiveness
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Keith Jarrett
Overture - Communion
179 bpm • C# Maj • 05:57 • -15.2db
7% Popularity • 39% Danceability • 41% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Larry Coryell
Joy Ride
165 bpm • G# Maj • 06:11 • -13.38db
11% Popularity • 37% Danceability • 52% Energy • 11% Liveness
72% Instrumentalness • 82% Positiveness
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Walter Smith III
Hornets
165 bpm • F# Maj • 03:46 • -7.96db
14% Popularity • 53% Danceability • 42% Energy • 33% Liveness
71% Instrumentalness • 30% Positiveness
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Billy Cobham
Le Lis
165 bpm • A# min • 03:20 • -13db
35% Popularity • 46% Danceability • 65% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
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Wolfgang Muthspiel
Wondering
165 bpm • B min • 07:20 • -23.7db
18% Popularity • 34% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Gary Burton
Boston Marathon
181 bpm • C Maj • 07:22 • -8.94db
10% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Aaron Parks
Where Now?
180 bpm • D Maj • 03:22 • -11.75db
21% Popularity • 37% Danceability • 46% Energy • 13% Liveness
83% Instrumentalness • 32% Positiveness
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Idris Muhammad
Power of Soul
163 bpm • B min • 07:04 • -7.33db
26% Popularity • 48% Danceability • 76% Energy • 9% Liveness
61% Instrumentalness • 62% Positiveness
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Jack McDuff
Made In Sweden
182 bpm • C# Maj • 07:37 • -10.13db
11% Popularity • 43% Danceability • 70% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
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Ethan Iverson
Merely Improbable
163 bpm • G# Maj • 03:29 • -19.59db
12% Popularity • 38% Danceability • 39% Energy • 15% Liveness
85% Instrumentalness • 45% Positiveness
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Max Roach
Onomatopoeia
163 bpm • B min • 05:17 • -12.86db
8% Popularity • 52% Danceability • 59% Energy • 29% Liveness
26% Instrumentalness • 47% Positiveness
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Jean-Luc Ponty
Aurora - Pt. II
162 bpm • F Maj • 06:16 • -12.04db
14% Popularity • 40% Danceability • 62% Energy • 17% Liveness
83% Instrumentalness • 74% Positiveness
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Vijay Iyer Trio
Starlings
161 bpm • C Maj • 03:52 • -23.76db
17% Popularity • 34% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 20% Positiveness
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Terje Rypdal
Flight
159 bpm • E min • 05:25 • -18.23db
8% Popularity • 38% Danceability • 40% Energy • 24% Liveness
44% Instrumentalness • 54% Positiveness
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Yazz Ahmed
The Lost Pearl
160 bpm • G Maj • 07:19 • -11.77db
13% Popularity • 51% Danceability • 45% Energy • 9% Liveness
74% Instrumentalness • 51% Positiveness
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Carla Bley
Ad Infinitum
187 bpm • B min • 05:52 • -13.4db
22% Popularity • 24% Danceability • 57% Energy • 67% Liveness
94% Instrumentalness • 64% Positiveness
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Max Roach
The Drum Also Waltzes
162 bpm • D# min • 03:32 • -29db
17% Popularity • 47% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
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Oregon
Fall 77
156 bpm • C Maj • 04:28 • -19.09db
17% Popularity • 41% Danceability • 29% Energy • 9% Liveness
44% Instrumentalness • 28% Positiveness
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Albert Ayler
Sun Watcher
156 bpm • F Maj • 07:30 • -8.8db
9% Popularity • 48% Danceability • 70% Energy • 10% Liveness
77% Instrumentalness • 60% Positiveness
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Terje Rypdal
Believer
156 bpm • G# min • 06:23 • -21.55db
9% Popularity • 20% Danceability • 20% Energy • 5% Liveness
93% Instrumentalness • 7% Positiveness
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Walter Smith III
Orange Crush
192 bpm • D# min • 03:18 • -8.7db
17% Popularity • 46% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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Keith Jarrett
Blue Streak
155 bpm • G# min • 02:35 • -13.84db
19% Popularity • 41% Danceability • 48% Energy • 18% Liveness
14% Instrumentalness • 73% Positiveness
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Max Roach
Abstrutions
156 bpm • C# min • 03:38 • -13.66db
23% Popularity • 62% Danceability • 42% Energy • 64% Liveness
88% Instrumentalness • 64% Positiveness
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Tony Williams
Mr. Spock
153 bpm • F# min • 06:13 • -14db
15% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 49% Positiveness
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Mary Lou Williams
Credo (Instrumental)
153 bpm • G# Maj • 05:51 • -12.78db
13% Popularity • 50% Danceability • 55% Energy • 13% Liveness
82% Instrumentalness • 66% Positiveness
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Larry Coryell
Birdfingers
154 bpm • F min • 03:10 • -10db
26% Popularity • 43% Danceability • 91% Energy • 5% Liveness
81% Instrumentalness • 69% Positiveness
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Yusef Lateef
Psychicemotus
152 bpm • D Maj • 05:04 • -16.08db
25% Popularity • 66% Danceability • 31% Energy • 8% Liveness
69% Instrumentalness • 63% Positiveness
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Jack DeJohnette
In Movement
152 bpm • C# Maj • 09:21 • -14.58db
14% Popularity • 38% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Eddie Harris
Silver Cycles
152 bpm • A min • 05:53 • -15.67db
8% Popularity • 31% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 17% Positiveness
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Keith Jarrett
Mortgage on My Soul (Wah-Wah)
151 bpm • A Maj • 05:33 • -9.18db
10% Popularity • 36% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Gary Burton
The Raven Speaks
151 bpm • A min • 08:18 • -10.11db
10% Popularity • 52% Danceability • 61% Energy • 5% Liveness
13% Instrumentalness • 65% Positiveness
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Larry Coryell
Rene's Theme
153 bpm • B Maj • 04:12 • -19.84db
10% Popularity • 47% Danceability • 34% Energy • 9% Liveness
84% Instrumentalness • 64% Positiveness
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Yusef Lateef
Get Over, Get off and Get On - Remastere...
151 bpm • F Maj • 03:46 • -10.37db
17% Popularity • 58% Danceability • 46% Energy • 33% Liveness
2% Instrumentalness • 79% Positiveness
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Wayne Krantz
Alliance
150 bpm • E Maj • 03:38 • -20.92db
37% Popularity • 48% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 68% Positiveness
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The John Scofield Band
Tomorrow Land
150 bpm • B min • 03:58 • -17.02db
28% Popularity • 69% Danceability • 32% Energy • 9% Liveness
68% Instrumentalness • 49% Positiveness
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Pat Martino
Impressions
150 bpm • A min • 04:34 • -12.74db
24% Popularity • 31% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
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Anouar Brahem
Talwin
149 bpm • A min • 04:15 • -25.03db
26% Popularity • 53% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Larry Coryell
Yin
151 bpm • A# min • 06:06 • -11.28db
8% Popularity • 34% Danceability • 89% Energy • 6% Liveness
52% Instrumentalness • 54% Positiveness
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Gary Burton
Elucidation
148 bpm • A Maj • 05:20 • -14db
24% Popularity • 29% Danceability • 49% Energy • 9% Liveness
72% Instrumentalness • 39% Positiveness
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Soft Machine
Virtually Part 1 - Remastered 2006
148 bpm • G min • 05:16 • -15.79db
14% Popularity • 35% Danceability • 40% Energy • 51% Liveness
81% Instrumentalness • 21% Positiveness
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Max Roach
Caravanserai
148 bpm • B Maj • 04:01 • -13db
8% Popularity • 47% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Jack DeJohnette
Epilog
148 bpm • B min • 03:14 • -12.35db
32% Popularity • 68% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 97% Positiveness
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Jeremy Steig
Mint Tea
148 bpm • F min • 05:20 • -12.69db
11% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Larry Coryell
Spaces (Infinite)
148 bpm • D Maj • 09:23 • -16.26db
10% Popularity • 36% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 29% Positiveness
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Kenny Wheeler
Gentle Piece
148 bpm • F# Maj • 08:46 • -18db
12% Popularity • 27% Danceability • 9% Energy • 26% Liveness
86% Instrumentalness • 9% Positiveness
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Dave Holland Quartet
African Lullaby - Live
148 bpm • C Maj • 07:07 • -18.97db
1% Popularity • 49% Danceability • 20% Energy • 30% Liveness
85% Instrumentalness • 64% Positiveness
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Keith Jarrett
Le Mistral
147 bpm • A# Maj • 09:25 • -18.61db
11% Popularity • 53% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 49% Positiveness
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Oregon
Cane Fields
147 bpm • E min • 04:37 • -18.71db
17% Popularity • 33% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Cuong Vu
Acid Kiss
147 bpm • D Maj • 09:04 • -9.01db
11% Popularity • 34% Danceability • 71% Energy • 11% Liveness
67% Instrumentalness • 15% Positiveness
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Gary Burton Quintet
The Colours Of Chloe
147 bpm • E min • 07:12 • -18.59db
11% Popularity • 20% Danceability • 28% Energy • 9% Liveness
25% Instrumentalness • 7% Positiveness
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Billy Cobham
Bandits
147 bpm • D Maj • 02:32 • -13db
19% Popularity • 59% Danceability • 92% Energy • 12% Liveness
89% Instrumentalness • 69% Positiveness
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Oregon
Witchi-Tai-To
147 bpm • D Maj • 08:24 • -17.95db
19% Popularity • 39% Danceability • 32% Energy • 18% Liveness
76% Instrumentalness • 38% Positiveness
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Back-Woods Song