Songs like Backseat by Fergus James
Based on a tempo of (+/- 10%) and a similar genre
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MAY-A
Swing of Things
100 bpm • G Maj • 02:58 • -5.4db
29% Popularity • 64% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 64% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Selfish Sons
Broke
100 bpm • A Maj • 03:57 • -5.55db
22% Popularity • 67% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 67% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Alice Ivy
Close To You
100 bpm • A# Maj • 03:13 • -6.42db
28% Popularity • 62% Danceability • 47% Energy • 9% Liveness
34% Instrumentalness • 39% Positiveness
28% Popularity • 62% Danceability • 47% Energy • 9% Liveness
34% Instrumentalness • 39% Positiveness
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Greta Stanley
Soak into This
100 bpm • E Maj • 03:25 • -5.61db
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Hein Cooper
Like That
100 bpm • C Maj • 03:26 • -7.14db
24% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Thelma Plum
Body Do The Talking
100 bpm • G Maj • 02:26 • -8.84db
36% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Azure Ryder
Don't Start Now - triple j Like A Versio...
100 bpm • A min • 03:08 • -8.27db
29% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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GRAACE
SOS
100 bpm • D# Maj • 03:07 • -9.04db
25% Popularity • 57% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 57% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Eliott
Home
100 bpm • C# Maj • 03:37 • -8.17db
30% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Thundamentals
Brother - Triple J Like a Version
100 bpm • F# min • 03:59 • -7.89db
47% Popularity • 73% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 73% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Eves Karydas
Couch
100 bpm • F Maj • 03:34 • -7db
31% Popularity • 70% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
31% Popularity • 70% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
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Loretta
all i know
100 bpm • D Maj • 03:00 • -4.47db
13% Popularity • 44% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
13% Popularity • 44% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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George Alice
Circles - Acoustic
100 bpm • C# min • 03:27 • -9.18db
27% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Odette
Lotus Eaters
101 bpm • A Maj • 04:34 • -8.9db
19% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jack Gray
My Hands
99 bpm • C Maj • 03:20 • -6db
22% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Kita Alexander
I Never Really Knew You
101 bpm • D Maj • 03:29 • -6.22db
16% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mitch James
Old News
101 bpm • F Maj • 03:50 • -7.4db
39% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Hein Cooper
Fear of Missing Out
99 bpm • G Maj • 03:47 • -9.44db
10% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Illy
Lean On Me
101 bpm • C Maj • 03:47 • -8db
24% Popularity • 71% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 71% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Thundamentals
Eyes On Me
99 bpm • G# Maj • 03:51 • -4.63db
40% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Azure Ryder
Ladder to the Moon
99 bpm • E min • 03:31 • -6.37db
26% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Dulcie
Dust
102 bpm • G Maj • 02:43 • -6.86db
19% Popularity • 68% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 68% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Ok Moon
Loved You Right
98 bpm • G# Maj • 03:41 • -9.59db
19% Popularity • 66% Danceability • 44% Energy • 14% Liveness
6% Instrumentalness • 32% Positiveness
19% Popularity • 66% Danceability • 44% Energy • 14% Liveness
6% Instrumentalness • 32% Positiveness
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Mitch James
All The Ways To Say Goodbye
102 bpm • A# min • 03:05 • -8.1db
33% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Vlossom
Fast Car - triple j Like A Version
98 bpm • A Maj • 04:12 • -12.12db
32% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Garrett Kato
Never Be Us
98 bpm • E Maj • 02:55 • -8.65db
32% Popularity • 68% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 68% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Greta Stanley
Kick
102 bpm • D Maj • 03:27 • -10db
39% Popularity • 77% Danceability • 52% Energy • 38% Liveness
4% Instrumentalness • 74% Positiveness
39% Popularity • 77% Danceability • 52% Energy • 38% Liveness
4% Instrumentalness • 74% Positiveness
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Death by Denim
Watermelon Sugar - triple j Like A Versi...
98 bpm • C Maj • 03:21 • -10.01db
35% Popularity • 46% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 46% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Ward
FMF!
98 bpm • D Maj • 03:01 • -9.36db
20% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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GRAACE
Body Language
102 bpm • B min • 03:21 • -6.77db
18% Popularity • 73% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 73% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Ivey
Midnight
102 bpm • A min • 03:42 • -5.92db
10% Popularity • 34% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 34% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Jess Day
Signals
98 bpm • B Maj • 03:15 • -5.5db
22% Popularity • 64% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 64% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Garrett Kato
Permanently
102 bpm • E Maj • 02:49 • -10db
31% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Hein Cooper
Turbulent Heart
98 bpm • A min • 03:25 • -6.69db
10% Popularity • 61% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 61% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Gaudion
Hazel
98 bpm • G# Maj • 03:03 • -6.8db
33% Popularity • 74% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 74% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Dreggs
Head Above The Water
98 bpm • E Maj • 03:35 • -8.63db
37% Popularity • 53% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 21% Positiveness
37% Popularity • 53% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 21% Positiveness
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George Alice
Mid Years
98 bpm • G# Maj • 02:58 • -5.42db
26% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Xavier Dunn
Good Time
102 bpm • C Maj • 03:27 • -6.79db
21% Popularity • 59% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 59% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Eliott
Find A Way
102 bpm • C Maj • 04:06 • -7.49db
11% Popularity • 65% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 65% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Nathan Hawes
Leave It Alone
103 bpm • F Maj • 03:48 • -4.37db
30% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Tyne-James Organ
Something New
97 bpm • B min • 03:30 • -5db
25% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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The Dreggs
Call Me Home
98 bpm • A Maj • 03:21 • -8.13db
50% Popularity • 67% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 67% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Maddy Jane
Unwritten - triple j Like A Version
97 bpm • A# Maj • 03:49 • -5.34db
31% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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GRAACE
Sorry In Advance
104 bpm • F Maj • 03:54 • -9.07db
13% Popularity • 66% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 66% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Kim Churchill
Second Hand Car
103 bpm • E min • 03:41 • -5.57db
40% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Jordy Maxwell
Yellow Dress
104 bpm • E Maj • 03:56 • -9db
20% Popularity • 44% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 44% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Yorke
First Light
104 bpm • D Maj • 03:46 • -7db
17% Popularity • 66% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 66% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Dreggs
You and Me
103 bpm • C Maj • 03:19 • -10.13db
51% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Kita Alexander
Can’t Help Myself
104 bpm • C min • 03:37 • -7.48db
38% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Amy Shark
Worst Day of My Life
104 bpm • F Maj • 03:01 • -4.7db
42% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Sycco
Solid Gold
104 bpm • C# Maj • 03:21 • -7.19db
27% Popularity • 66% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 66% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Dulcie
Ethereal
104 bpm • E min • 03:08 • -5.98db
11% Popularity • 66% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 66% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Erthlings
Returning
96 bpm • F# Maj • 03:36 • -6.46db
30% Popularity • 55% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 55% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Asha Jefferies
Bad Kisser
96 bpm • G Maj • 03:14 • -8.96db
15% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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San Cisco
Skin
96 bpm • C Maj • 04:26 • -7.39db
40% Popularity • 60% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 40% Positiveness
40% Popularity • 60% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 40% Positiveness
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The Dreggs
Let You Go
105 bpm • D Maj • 03:44 • -8.41db
39% Popularity • 66% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 66% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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George Alice
Circles
105 bpm • C# min • 03:04 • -8.32db
39% Popularity • 53% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 53% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
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Jess Day
Gravity
105 bpm • A min • 02:58 • -4.68db
9% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Thundamentals
Catch Me If You Can
105 bpm • C# min • 03:33 • -6db
27% Popularity • 71% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 71% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Client Liaison
Champagne Affection
105 bpm • G# min • 03:48 • -6.05db
20% Popularity • 73% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 73% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Eves Karydas
Honest
105 bpm • B min • 03:26 • -7.69db
13% Popularity • 69% Danceability • 56% Energy • 25% Liveness
2% Instrumentalness • 47% Positiveness
13% Popularity • 69% Danceability • 56% Energy • 25% Liveness
2% Instrumentalness • 47% Positiveness
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Sunday Sundown
We Are Home
105 bpm • E Maj • 04:16 • -7.23db
17% Popularity • 44% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 44% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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GRAACE
21st Century Love
95 bpm • E min • 02:57 • -7.28db
19% Popularity • 62% Danceability • 56% Energy • 74% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 62% Danceability • 56% Energy • 74% Liveness
0% Instrumentalness • 32% Positiveness
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Somebody's Child
Love That Sound
95 bpm • E Maj • 03:16 • -5.36db
37% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Carla Wehbe
Somebody Loves You
95 bpm • C# Maj • 03:58 • -8db
21% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Japanese Wallpaper
Tell Me What You Mean By That
95 bpm • G# Maj • 03:00 • -5.38db
17% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Mia Wray
Silk Chiffon - triple j Like A Version
95 bpm • D Maj • 03:20 • -10.23db
35% Popularity • 62% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 62% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Loretta
Running Time
106 bpm • D Maj • 03:55 • -5.22db
18% Popularity • 55% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 55% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Gretta Ray
Drive
106 bpm • A Maj • 05:02 • -9db
42% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jack Gray
Red Rental Car
106 bpm • D Maj • 03:52 • -7.39db
16% Popularity • 44% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 44% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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CXLOE
Cry & Drive
106 bpm • F# Maj • 03:28 • -10db
24% Popularity • 38% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 38% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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George Alice
Teenager
94 bpm • G# Maj • 03:06 • -7.1db
26% Popularity • 66% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 66% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Missy Higgins
Futon Couch
94 bpm • G Maj • 03:25 • -7.07db
42% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Flynn Gurry
Sunrise to Sunset
94 bpm • G Maj • 03:09 • -8.9db
16% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Eves Karydas
Damn Loyal
94 bpm • F Maj • 03:29 • -7.33db
27% Popularity • 60% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 60% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Xavier Dunn
You Lately
94 bpm • A Maj • 03:07 • -6.35db
29% Popularity • 77% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 77% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Patrick James
UP
107 bpm • B Maj • 02:58 • -6db
24% Popularity • 77% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 77% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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E^ST
Life Goes On
107 bpm • C Maj • 03:30 • -6.02db
45% Popularity • 70% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 70% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Lily Papas
Jackson
93 bpm • G Maj • 03:41 • -10.75db
10% Popularity • 67% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 67% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Joel Leggett
Give It to the Ocean
107 bpm • D Maj • 03:54 • -7.03db
33% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Glades
Not About You
93 bpm • F# Maj • 03:12 • -4.86db
19% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Azure Ryder
Some Kind Of Love
108 bpm • A min • 03:48 • -7db
31% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Japanese Wallpaper
Imaginary Friends
93 bpm • A Maj • 03:32 • -6db
17% Popularity • 52% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 52% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Kita Alexander
Zodiac
108 bpm • G# Maj • 03:13 • -5.88db
27% Popularity • 70% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 70% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Gaudion
It Ain't Mine
108 bpm • A# Maj • 03:37 • -9.99db
31% Popularity • 64% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 64% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Kim Churchill
When Everything Comes Undone
108 bpm • D Maj • 03:36 • -7db
25% Popularity • 67% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 67% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sycco
Embrace - triple j Like A Version
109 bpm • D Maj • 04:50 • -11.26db
28% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jess Day
New Shoes
92 bpm • E Maj • 02:58 • -6.56db
10% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Eves Karydas
Hush
92 bpm • F# Maj • 03:05 • -6db
17% Popularity • 67% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
17% Popularity • 67% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Amy Shark
That Girl
92 bpm • C Maj • 02:27 • -6.47db
29% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gaudion
Blonde In Sunlight
108 bpm • F# Maj • 02:56 • -6.17db
28% Popularity • 77% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 77% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Jordy Maxwell
You Belong
92 bpm • E Maj • 03:29 • -11.5db
31% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Thelma Plum
Ugly
92 bpm • G Maj • 03:07 • -5.78db
26% Popularity • 71% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 71% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Houston
Mixing Drinks
109 bpm • E Maj • 04:06 • -11db
20% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Eves Karydas
Complicated
109 bpm • A min • 03:17 • -6.78db
36% Popularity • 84% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 84% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Eluera
Moderation
109 bpm • F# min • 03:32 • -5.63db
20% Popularity • 65% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 65% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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KIAN
Sunbeam
109 bpm • F min • 03:26 • -8.29db
25% Popularity • 87% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 87% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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COTERIE
Say Goodbye
91 bpm • G Maj • 05:19 • -12.29db
24% Popularity • 36% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 25% Positiveness
24% Popularity • 36% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 25% Positiveness
