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Backward Glance
Songs like
Backward Glance
by
John Abercrombie
Based on a tempo of (+/- 10%) and a similar genre
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Wayne Shorter
Aung San Suu Kyi
134 bpm • C Maj • 05:45 • -12.13db
19% Popularity • 52% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 20% Positiveness
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Chuck Owen & The Jazz Surge
Madcap
134 bpm • G Maj • 08:07 • -10.23db
4% Popularity • 46% Danceability • 57% Energy • 16% Liveness
4% Instrumentalness • 72% Positiveness
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John Abercrombie
Backward Glance
134 bpm • B min • 04:35 • -24.79db
17% Popularity • 36% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Carla Bley
One Banana More
134 bpm • C Maj • 01:23 • -17.34db
34% Popularity • 30% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 27% Positiveness
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Esbjörn Svensson Trio
Picnic
134 bpm • F# Maj • 05:00 • -22.9db
24% Popularity • 33% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Jackalope
The Doze Nose
134 bpm • B Maj • 09:03 • -17.12db
2% Popularity • 43% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Bley
Harlem
134 bpm • G min • 03:22 • -15.44db
20% Popularity • 60% Danceability • 9% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
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Ron Miles
The Rumor
134 bpm • E min • 04:30 • -14db
25% Popularity • 56% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Emily Remler
Strollin'
134 bpm • A# min • 05:31 • -19.79db
24% Popularity • 62% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 32% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
26% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Charles Lloyd
Prayer
134 bpm • E min • 04:19 • -23.13db
11% Popularity • 40% Danceability • 1% Energy • 9% Liveness
42% Instrumentalness • 20% Positiveness
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Oregon
Dance to the Morning Star
134 bpm • B min • 05:40 • -15.78db
15% Popularity • 53% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 40% Positiveness
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Anat Fort Trio
Paul Motian (2)
134 bpm • D Maj • 04:00 • -26.55db
29% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
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Jamie Saft
The Barrier
133 bpm • E min • 05:44 • -16db
22% Popularity • 40% Danceability • 45% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
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Emily Remler
East To Wes
134 bpm • G min • 06:12 • -19.8db
20% Popularity • 53% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Kenny Wheeler
Comba N.3
135 bpm • G min • 06:46 • -20.96db
4% Popularity • 46% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Bobo Stenson Trio
Doubt Thou The Stars
133 bpm • G min • 07:57 • -22.11db
18% Popularity • 46% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Carla Bley
Life Goes On: And Then One Day
133 bpm • F Maj • 09:02 • -19.98db
16% Popularity • 49% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
38% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
28% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Bill Connors
Wade
133 bpm • D Maj • 03:27 • -28.63db
20% Popularity • 38% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 15% Positiveness
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Alboran Trio
Nic's Road
135 bpm • A min • 06:25 • -20db
16% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
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Steve Eliovson
Earth End
133 bpm • D Maj • 04:25 • -21.96db
11% Popularity • 48% Danceability • 7% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
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McCoy Tyner Trio
Sunset - 2018 Digitally Remastered
132 bpm • D Maj • 04:43 • -22.01db
30% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Carla Bley
Death Of Superman / Dream Sequence#1 - F...
132 bpm • A# Maj • 07:50 • -20.69db
9% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Julian Lage
I’m Getting Sentimental Over You
132 bpm • C Maj • 04:06 • -13.33db
20% Popularity • 47% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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John Abercrombie
If You Could See Me Now
136 bpm • B min • 06:02 • -29.14db
11% Popularity • 39% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Freddie Hubbard
Here's That Rainy Day
132 bpm • D# Maj • 05:16 • -22db
27% Popularity • 43% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Mats Eilertsen
22
132 bpm • A# min • 04:58 • -28.56db
30% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Enrico Rava
The Pilgrim And The Stars
137 bpm • F min • 09:43 • -16.56db
8% Popularity • 32% Danceability • 43% Energy • 13% Liveness
64% Instrumentalness • 14% Positiveness
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Bobo Stenson Trio
Golden Rain
137 bpm • A# Maj • 05:12 • -23db
22% Popularity • 44% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Oregon
Waterwheel
131 bpm • E min • 06:29 • -15.44db
15% Popularity • 42% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 50% Positiveness
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John Abercrombie
Blue
136 bpm • G Maj • 08:15 • -31.73db
9% Popularity • 32% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Marcin Wasilewski
Hyperballad
131 bpm • C min • 05:52 • -20.86db
24% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Espen Eriksen Trio
Above the Horizon
137 bpm • D min • 05:42 • -11.56db
20% Popularity • 58% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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Pat Metheny Trio
What Do You Want?
137 bpm • F min • 05:24 • -19.19db
18% Popularity • 39% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 78% Positiveness
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Terje Rypdal
The Curse
131 bpm • E min • 01:26 • -21.48db
31% Popularity • 70% Danceability • 32% Energy • 5% Liveness
69% Instrumentalness • 51% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
50% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Julian Lage
Stop Go Start
137 bpm • C Maj • 03:31 • -13.94db
21% Popularity • 50% Danceability • 29% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
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Jimmy Bruno
Estate
131 bpm • E min • 05:57 • -20.02db
9% Popularity • 62% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Espen Eriksen Trio
Back To Base
131 bpm • D# Maj • 04:30 • -17.32db
19% Popularity • 45% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Frank Haunschild
Ralph's Piano Waltz
138 bpm • F Maj • 06:44 • -16.46db
2% Popularity • 42% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Terje Rypdal
As If The Ghost … Was Me!?
137 bpm • G Maj • 05:43 • -18.82db
15% Popularity • 21% Danceability • 34% Energy • 33% Liveness
82% Instrumentalness • 9% Positiveness
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Niklas Fernqvist
St. Joseph
130 bpm • B Maj • 05:04 • -20.43db
32% Popularity • 54% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Tord Gustavsen Quartet
Staying There
130 bpm • F min • 04:52 • -15db
25% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Charles Lloyd
Desolation Sound
138 bpm • C Maj • 03:19 • -21db
24% Popularity • 41% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Marc Cohen
Nursery Rhyme
138 bpm • A min • 10:27 • -14.86db
2% Popularity • 40% Danceability • 35% Energy • 12% Liveness
76% Instrumentalness • 36% Positiveness
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Trio Viret
Saint Awawa
130 bpm • E min • 06:03 • -12.55db
26% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
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The John Scofield Band
I'm Listening
139 bpm • E Maj • 02:57 • -18db
34% Popularity • 53% Danceability • 23% Energy • 27% Liveness
83% Instrumentalness • 48% Positiveness
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Esbjörn Svensson Trio
The Well-Wisher
139 bpm • G Maj • 03:43 • -19db
21% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Tord Gustavsen Trio
At A Glance
129 bpm • C# Maj • 04:18 • -17.2db
26% Popularity • 42% Danceability • 15% Energy • 6% Liveness
86% Instrumentalness • 10% Positiveness
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Collin Walcott
Moon Lake
139 bpm • G Maj • 08:27 • -19.64db
8% Popularity • 38% Danceability • 6% Energy • 5% Liveness
8% Instrumentalness • 15% Positiveness
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Oregon
Vision of a Dancer
129 bpm • E min • 04:05 • -18.19db
20% Popularity • 42% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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John Abercrombie
Jamala
139 bpm • G Maj • 04:47 • -20.61db
12% Popularity • 36% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Carla Bley
Houses & People
139 bpm • C# min • 07:25 • -17.37db
20% Popularity • 44% Danceability • 32% Energy • 37% Liveness
86% Instrumentalness • 27% Positiveness
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Esbjörn Svensson Trio
When Everyone Has Gone
129 bpm • C min • 06:43 • -18.64db
15% Popularity • 55% Danceability • 19% Energy • 6% Liveness
55% Instrumentalness • 22% Positiveness
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Mick Goodrick
Feebles, Fables And Ferns
129 bpm • G Maj • 08:01 • -23.22db
10% Popularity • 45% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 27% Positiveness
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Arild Andersen
Choral
129 bpm • C# Maj • 06:28 • -26.11db
14% Popularity • 47% Danceability • 7% Energy • 8% Liveness
74% Instrumentalness • 7% Positiveness
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Kevin Eubanks
Morning Sun
128 bpm • G Maj • 04:08 • -17.02db
14% Popularity • 46% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
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Fred Nardin Trio
Prelude to Memory of T.
128 bpm • F# Maj • 01:17 • -21.23db
44% Popularity • 66% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Emily Remler
Softly, As In A Morning Sunrise
140 bpm • E min • 08:10 • -27.71db
34% Popularity • 46% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
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Ted Greene
Watch What Happens
140 bpm • C min • 02:30 • -24.07db
41% Popularity • 55% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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The Bush Crew
Bella Donna Lee
128 bpm • G# Maj • 04:34 • -14.81db
0% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Arild Andersen
Hyperborean
128 bpm • G min • 05:15 • -26.98db
14% Popularity • 27% Danceability • 11% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Walter Smith III
Shine
140 bpm • D Maj • 01:40 • -12.72db
40% Popularity • 62% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 46% Positiveness
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Jimmy Bruno
Stella By Starlight
128 bpm • A# Maj • 03:52 • -21db
18% Popularity • 44% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Emily Remler
Look To The Sky
140 bpm • D# Maj • 05:25 • -24.8db
27% Popularity • 57% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Espen Eriksen Trio
Anthem
128 bpm • A# Maj • 08:16 • -15.65db
41% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Mats Eilertsen
March
127 bpm • A min • 08:03 • -15.69db
17% Popularity • 39% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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John Abercrombie
Ghost Dance
127 bpm • G min • 07:01 • -25.2db
9% Popularity • 32% Danceability • 3% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Paolo Di Sabatino Quartet
Waltz for John A.
127 bpm • G Maj • 06:51 • -12.77db
0% Popularity • 44% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
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Brian Blade & The Fellowship Band
Bonnie Be Good
141 bpm • D Maj • 03:58 • -15db
31% Popularity • 39% Danceability • 13% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Tord Gustavsen Quartet
The Embrace
127 bpm • D min • 04:58 • -15.1db
21% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Enrico Rava
Drops
127 bpm • A# Maj • 02:28 • -17.39db
37% Popularity • 45% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
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Jacob Young
Moon Over Meno
127 bpm • A Maj • 05:50 • -25.42db
13% Popularity • 51% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 9% Positiveness
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Jamie Saft
Little Harbor
127 bpm • F min • 04:30 • -18.2db
17% Popularity • 60% Danceability • 28% Energy • 9% Liveness
23% Instrumentalness • 69% Positiveness
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Julian Lage
This World
126 bpm • B Maj • 04:19 • -19.06db
37% Popularity • 49% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 15% Positiveness
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Joe Zawinul
Sharon's Waltz
126 bpm • A min • 05:06 • -22.64db
15% Popularity • 54% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 17% Positiveness
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Kenny Wheeler
It Takes Two!
126 bpm • G# Maj • 05:08 • -20.96db
2% Popularity • 65% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Emily Remler
Afro Blue
142 bpm • E min • 02:26 • -21.42db
34% Popularity • 50% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
► Preview
Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
32% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Frank Haunschild
Italian Ocean Song
126 bpm • C Maj • 05:12 • -18.51db
2% Popularity • 38% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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John Patitucci
Soul Of The Bass
143 bpm • F# min • 02:23 • -28.42db
33% Popularity • 55% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 38% Positiveness
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Grant Green
Alone Together - Remastered 2002/Rudy Va...
143 bpm • G# Maj • 07:12 • -16db
32% Popularity • 64% Danceability • 28% Energy • 9% Liveness
33% Instrumentalness • 53% Positiveness
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Jan Garbarek Group
Arietta
126 bpm • D# Maj • 06:27 • -19.82db
15% Popularity • 34% Danceability • 5% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Kenny Wheeler
My New Hat
126 bpm • A Maj • 07:58 • -19.39db
3% Popularity • 48% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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John Abercrombie
Romantic Descension
143 bpm • G min • 03:13 • -22.9db
14% Popularity • 41% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 22% Positiveness
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Julian Lage
In Circles
143 bpm • C Maj • 04:30 • -12.83db
18% Popularity • 30% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
42% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Tord Gustavsen Trio
Blessed Feet
144 bpm • G# Maj • 06:04 • -17db
41% Popularity • 42% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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Allan Holdsworth
Floppy Hat
144 bpm • B Maj • 02:46 • -22.7db
27% Popularity • 46% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
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Paul Desmond
Old Friends
124 bpm • D# Maj • 03:52 • -20.27db
22% Popularity • 32% Danceability • 12% Energy • 36% Liveness
43% Instrumentalness • 22% Positiveness
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John Abercrombie
Fable
125 bpm • D# Maj • 08:38 • -23.01db
13% Popularity • 38% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Joel Lyssarides
Stay Now
124 bpm • B Maj • 02:49 • -22.51db
48% Popularity • 39% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
► Preview
Emily Remler
Snowfall
124 bpm • D Maj • 06:35 • -26db
18% Popularity • 44% Danceability • 6% Energy • 9% Liveness
77% Instrumentalness • 27% Positiveness
► Preview
Esbjörn Svensson Trio
The Return of Mohammed
144 bpm • C Maj • 06:30 • -23.26db
27% Popularity • 52% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 48% Positiveness
► Preview
Oregon
Yellow Bell
145 bpm • F min • 07:06 • -20db
25% Popularity • 38% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Arild Andersen
Bygone
124 bpm • G Maj • 06:35 • -20.14db
13% Popularity • 55% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Terje Rypdal
Conspiracy
124 bpm • A Maj • 06:09 • -15.86db
9% Popularity • 26% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 26% Positiveness
► Preview
Collin Walcott
Margueritte
145 bpm • G Maj • 08:30 • -16.89db
12% Popularity • 40% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Backward Glance