Songs like Bad Chemicals - Dave Audé Remix by Broke Royals
Based on a tempo of (+/- 10%) and a similar genre
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Fake Fame
Fake Fame
125 bpm • B Maj • 03:13 • -10.42db
13% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Urban Sea
Dinosaurs
125 bpm • F# min • 04:30 • -5.97db
10% Popularity • 58% Danceability • 76% Energy • 12% Liveness
12% Instrumentalness • 53% Positiveness
10% Popularity • 58% Danceability • 76% Energy • 12% Liveness
12% Instrumentalness • 53% Positiveness
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Broke Royals
Bad Chemicals - Dave Audé Remix
125 bpm • B Maj • 04:01 • -4.32db
1% Popularity • 60% Danceability • 95% Energy • 7% Liveness
17% Instrumentalness • 53% Positiveness
1% Popularity • 60% Danceability • 95% Energy • 7% Liveness
17% Instrumentalness • 53% Positiveness
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The Regents
More Than A Friend
125 bpm • E Maj • 03:44 • -6.65db
19% Popularity • 68% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
19% Popularity • 68% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
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Deaf Andrews
Yellow Sandals
125 bpm • G Maj • 04:01 • -5.15db
15% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tom Jenkins
Back Roads - Country
125 bpm • G Maj • 03:22 • -7.83db
7% Popularity • 65% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 65% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Jive Talk
The Gardener
125 bpm • C Maj • 03:48 • -6.91db
12% Popularity • 55% Danceability • 85% Energy • 53% Liveness
1% Instrumentalness • 52% Positiveness
12% Popularity • 55% Danceability • 85% Energy • 53% Liveness
1% Instrumentalness • 52% Positiveness
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Heavy Head
Visions
125 bpm • G# min • 03:39 • -4.97db
14% Popularity • 69% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 69% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Flag Duty
Distance
125 bpm • C Maj • 03:50 • -5.22db
17% Popularity • 60% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 60% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Highline
Lead Me Down
125 bpm • C Maj • 04:30 • -7.96db
12% Popularity • 51% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 51% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Bennett
Wait Love
125 bpm • D Maj • 03:29 • -5.23db
10% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Grimwood
Summer Nights
125 bpm • G min • 03:25 • -7.74db
9% Popularity • 74% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 74% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Liam Cromby
Always The One
125 bpm • A Maj • 03:17 • -5.05db
15% Popularity • 62% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 62% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Jakob Leventhal
Drunken Hapless Teens
126 bpm • F min • 04:07 • -8.45db
14% Popularity • 54% Danceability • 65% Energy • 27% Liveness
43% Instrumentalness • 50% Positiveness
14% Popularity • 54% Danceability • 65% Energy • 27% Liveness
43% Instrumentalness • 50% Positiveness
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Nepo
Model ID
125 bpm • B min • 02:54 • -6.34db
11% Popularity • 57% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 57% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Unquiet Nights
High Conviction Play
126 bpm • B min • 03:25 • -6.35db
18% Popularity • 56% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 56% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Nevada Color
Start
126 bpm • A# min • 02:54 • -5.39db
11% Popularity • 66% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 66% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Eddie Cohn
Wave Goodbye
126 bpm • G Maj • 03:29 • -4.61db
13% Popularity • 56% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Trabohands
The Real Deal
124 bpm • E min • 03:36 • -6.27db
8% Popularity • 63% Danceability • 93% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
8% Popularity • 63% Danceability • 93% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
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Broke Royals
After All
124 bpm • G Maj • 04:15 • -5.21db
0% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Val Astaire
FUTURA
126 bpm • C# Maj • 03:28 • -4.58db
11% Popularity • 64% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 64% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Golden Cats
Drugs
126 bpm • C Maj • 02:44 • -5.61db
11% Popularity • 60% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 60% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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Cadet Carter
Strangers
124 bpm • G Maj • 03:14 • -6.2db
11% Popularity • 58% Danceability • 77% Energy • 2% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 58% Danceability • 77% Energy • 2% Liveness
0% Instrumentalness • 70% Positiveness
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The Reptones
Alex
126 bpm • C Maj • 03:26 • -4.96db
16% Popularity • 48% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 48% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Tenaya
Late March
124 bpm • F# Maj • 03:27 • -8.92db
11% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Kin & Company
The Seal is Broken
124 bpm • C# min • 03:42 • -8.54db
8% Popularity • 59% Danceability • 66% Energy • 72% Liveness
4% Instrumentalness • 47% Positiveness
8% Popularity • 59% Danceability • 66% Energy • 72% Liveness
4% Instrumentalness • 47% Positiveness
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Ellur
Boys
124 bpm • F Maj • 03:12 • -5.64db
26% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sixsun
Speed of Light
124 bpm • D Maj • 03:07 • -11.92db
10% Popularity • 59% Danceability • 61% Energy • 10% Liveness
54% Instrumentalness • 52% Positiveness
10% Popularity • 59% Danceability • 61% Energy • 10% Liveness
54% Instrumentalness • 52% Positiveness
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Heavy Head
Otherdays
124 bpm • A# Maj • 03:25 • -4.35db
15% Popularity • 52% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 52% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Thom Southern
I'll Get Along Just Fine
126 bpm • C min • 03:28 • -3.87db
22% Popularity • 52% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 52% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Cj Pandit
Man's Work
124 bpm • B Maj • 03:00 • -7.2db
9% Popularity • 42% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 42% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Gumley
Make You Mine
123 bpm • A Maj • 03:30 • -1.23db
23% Popularity • 42% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 42% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Kari Lynch
Monsters
127 bpm • D# Maj • 03:29 • -7db
5% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
5% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Gerald Pearson
The Morning
123 bpm • C min • 02:43 • -4.29db
20% Popularity • 48% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 48% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Miraldi
Internet Women
123 bpm • G Maj • 02:59 • -5.18db
15% Popularity • 60% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 60% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Verskotzi
The Great Migration
123 bpm • A Maj • 03:14 • -6.31db
18% Popularity • 65% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 65% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Sans Rival
No Hard Feelings
127 bpm • B Maj • 03:41 • -3.96db
12% Popularity • 62% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 62% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Broke Royals
Hardly
123 bpm • F# Maj • 04:06 • -11.12db
0% Popularity • 58% Danceability • 45% Energy • 10% Liveness
20% Instrumentalness • 13% Positiveness
0% Popularity • 58% Danceability • 45% Energy • 10% Liveness
20% Instrumentalness • 13% Positiveness
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Alex Saint Ivy
Alright Now
127 bpm • D# Maj • 02:32 • -7.61db
18% Popularity • 59% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 59% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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New Antics
Spacey
123 bpm • C Maj • 05:10 • -5.25db
15% Popularity • 56% Danceability • 89% Energy • 12% Liveness
4% Instrumentalness • 87% Positiveness
15% Popularity • 56% Danceability • 89% Energy • 12% Liveness
4% Instrumentalness • 87% Positiveness
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Pol Mira
Missing line
123 bpm • F Maj • 02:30 • -7.1db
17% Popularity • 80% Danceability • 67% Energy • 9% Liveness
41% Instrumentalness • 96% Positiveness
17% Popularity • 80% Danceability • 67% Energy • 9% Liveness
41% Instrumentalness • 96% Positiveness
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Altered by Mom
Waiting on a Sign That's Already There
123 bpm • C Maj • 02:36 • -7.03db
11% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Liam Cosby
My Valentine
127 bpm • A Maj • 04:17 • -9.1db
8% Popularity • 69% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 69% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Broke Royals
Easier
127 bpm • B Maj • 03:38 • -6.65db
0% Popularity • 70% Danceability • 84% Energy • 12% Liveness
47% Instrumentalness • 32% Positiveness
0% Popularity • 70% Danceability • 84% Energy • 12% Liveness
47% Instrumentalness • 32% Positiveness
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Carver Commodore
Revolution
123 bpm • F# min • 03:25 • -5.21db
8% Popularity • 36% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
8% Popularity • 36% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
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Fierce Bad Rabbit
Living Asleep
127 bpm • C Maj • 03:09 • -7.96db
12% Popularity • 59% Danceability • 76% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
12% Popularity • 59% Danceability • 76% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
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Kéquetz
I Will Stay
123 bpm • E Maj • 04:06 • -9.5db
8% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Etheridge
Rats On Wheels
127 bpm • C Maj • 03:28 • -9.76db
9% Popularity • 53% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 53% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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King of the Weirdos
Scream When You Burn
123 bpm • A min • 03:11 • -8.81db
16% Popularity • 78% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 78% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Broke Royals
As Long as I Can See (Penguin Prison Rem...
127 bpm • G Maj • 05:03 • -6.81db
0% Popularity • 77% Danceability • 70% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
0% Popularity • 77% Danceability • 70% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
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Northern National
Lo Mein
127 bpm • D Maj • 03:41 • -5.44db
9% Popularity • 66% Danceability • 69% Energy • 12% Liveness
18% Instrumentalness • 63% Positiveness
9% Popularity • 66% Danceability • 69% Energy • 12% Liveness
18% Instrumentalness • 63% Positiveness
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Shed Sessions
When You Were Young
128 bpm • C Maj • 03:41 • -10.52db
13% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Sheridan
Hometown Love
128 bpm • B Maj • 03:54 • -6.7db
15% Popularity • 58% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 58% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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bōnd of endless tree
Song Confined
128 bpm • D Maj • 04:36 • -7.72db
23% Popularity • 56% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 56% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Joel James Live
A Little Heavy on the Nevermind
128 bpm • F Maj • 02:26 • -9.18db
17% Popularity • 60% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 60% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Broke Royals
Slam Band
127 bpm • A# Maj • 03:06 • -5.18db
0% Popularity • 71% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 71% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Avatari
Holidaze
128 bpm • A Maj • 04:05 • -6.06db
7% Popularity • 55% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 55% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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SUNDAYS
Great Big Sky
122 bpm • C Maj • 03:17 • -7.5db
43% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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The Thing With Feathers
Midwest Daydreams
128 bpm • A Maj • 03:29 • -4.65db
14% Popularity • 48% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 48% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Mariela
Brandy
128 bpm • C# min • 04:28 • -7.46db
18% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Valentines
Boxing Without Gloves
122 bpm • C# Maj • 02:59 • -5.52db
15% Popularity • 75% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 75% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Broke Royals
As Long As I Can See
127 bpm • D Maj • 03:27 • -4.35db
1% Popularity • 75% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 75% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Mead
Pistol and Flare
122 bpm • C Maj • 03:01 • -7.51db
19% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Multimagic
Focus
128 bpm • G# Maj • 03:19 • -6.18db
12% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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WOLFRED
Plane
122 bpm • D# min • 03:17 • -6.91db
11% Popularity • 52% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 52% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Jacob Westfall
Angry Man
122 bpm • B Maj • 04:02 • -8.72db
27% Popularity • 62% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 62% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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FEVER
Complete Journey
121 bpm • F Maj • 03:37 • -7.02db
19% Popularity • 44% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 44% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Broke Royals
Saving Time
128 bpm • A Maj • 03:18 • -4.94db
0% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Lost Goat Found
Cold Feet
130 bpm • B Maj • 04:22 • -9.29db
12% Popularity • 51% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 51% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Motel Breakfast
Rhonda (NYE)
121 bpm • E min • 04:01 • -9.58db
15% Popularity • 55% Danceability • 62% Energy • 12% Liveness
22% Instrumentalness • 37% Positiveness
15% Popularity • 55% Danceability • 62% Energy • 12% Liveness
22% Instrumentalness • 37% Positiveness
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If You Drive By
Taxi Tote
130 bpm • C Maj • 03:48 • -6.3db
8% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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flamingo blonde
Picture Me Gone
130 bpm • C# min • 02:57 • -5.72db
12% Popularity • 58% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 58% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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grapevine.
Swim for My Life
130 bpm • A# Maj • 02:52 • -7.71db
13% Popularity • 54% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 54% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Broke Royals
Heartless Come Around
128 bpm • A Maj • 03:58 • -4.31db
0% Popularity • 62% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 62% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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James
Rogue
130 bpm • G Maj • 04:12 • -7.4db
38% Popularity • 61% Danceability • 89% Energy • 12% Liveness
7% Instrumentalness • 66% Positiveness
38% Popularity • 61% Danceability • 89% Energy • 12% Liveness
7% Instrumentalness • 66% Positiveness
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MissYou
keep each other company
130 bpm • C Maj • 03:19 • -4.84db
27% Popularity • 68% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 68% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Mara
Candy Sun
130 bpm • G Maj • 05:04 • -9.02db
11% Popularity • 47% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 18% Positiveness
11% Popularity • 47% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 18% Positiveness
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Eric Michael Jones
Blue Camaro
130 bpm • D Maj • 03:39 • -9.41db
17% Popularity • 67% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 67% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Dolce Blue
Sugar Free
130 bpm • E min • 03:32 • -9.88db
12% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Broke Royals
God Bless Saint Luxury
128 bpm • A Maj • 02:45 • -3.79db
0% Popularity • 70% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 70% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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The Trash Pandas
The Wicked Ones
130 bpm • G min • 02:47 • -5.8db
13% Popularity • 60% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
13% Popularity • 60% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Tom Jenkins
The Cruel Passing Of Time
130 bpm • D Maj • 03:04 • -9.12db
8% Popularity • 62% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 62% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Dual Sport
Chelsea Ny,Ny
130 bpm • G# Maj • 04:05 • -7.34db
19% Popularity • 72% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 72% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Friends With Elephants
Asymmetrical (In a Good Way)
120 bpm • G Maj • 04:05 • -7.39db
9% Popularity • 50% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 67% Positiveness
9% Popularity • 50% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 67% Positiveness
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Midnight Horses
Apology
120 bpm • A Maj • 03:01 • -13.05db
9% Popularity • 68% Danceability • 46% Energy • 11% Liveness
16% Instrumentalness • 17% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 11% Liveness
16% Instrumentalness • 17% Positiveness
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Broke Royals
This Time
128 bpm • E Maj • 03:29 • -6.34db
0% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tucked In
Cocoon
120 bpm • G Maj • 03:03 • -8.21db
10% Popularity • 67% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 67% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Sleeping Together
Always In My Head
120 bpm • C min • 03:40 • -5.92db
14% Popularity • 62% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 62% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Hold Fast
Hands & Knees
120 bpm • F Maj • 03:40 • -7.27db
14% Popularity • 72% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
14% Popularity • 72% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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The Great Recycle
Don't Let It Die + World Chorus
120 bpm • D Maj • 03:20 • -7.05db
14% Popularity • 65% Danceability • 77% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
14% Popularity • 65% Danceability • 77% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
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ANN
Break The Spell
120 bpm • C Maj • 03:14 • -6.48db
14% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Broke Royals
Bad Chemicals
128 bpm • E Maj • 03:33 • -5.37db
2% Popularity • 63% Danceability • 74% Energy • 35% Liveness
2% Instrumentalness • 44% Positiveness
2% Popularity • 63% Danceability • 74% Energy • 35% Liveness
2% Instrumentalness • 44% Positiveness
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Saimons
Hagt
120 bpm • A Maj • 03:44 • -5.52db
11% Popularity • 60% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 60% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Mad Lasso
Dastardly Bastards
120 bpm • F# Maj • 04:41 • -6.15db
9% Popularity • 64% Danceability • 75% Energy • 13% Liveness
8% Instrumentalness • 46% Positiveness
9% Popularity • 64% Danceability • 75% Energy • 13% Liveness
8% Instrumentalness • 46% Positiveness
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Ollie Wolfe
The Way They Fought
120 bpm • F# Maj • 03:23 • -8.3db
7% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Matt and Jay
Comin' Back Around
120 bpm • A min • 04:05 • -9.97db
21% Popularity • 74% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 74% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Kensington Road
The Glitch
120 bpm • E Maj • 03:09 • -4.92db
18% Popularity • 65% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 65% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Broke Royals
Local Support
128 bpm • A# Maj • 06:20 • -6.56db
0% Popularity • 37% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 37% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
